Give all the attribution lines more indentation than a single tab so that they never line up exactly the same as the text which precedes them. Combine some attribution lines that had been split across two or three lines but could reasonably fit on one or two. Include a second boomerang quote from Pratchett--currently commented out since the first boomerang quote is also from him.
5568 lines
254 KiB
Plaintext
5568 lines
254 KiB
Plaintext
# NetHack 3.6 data.base $NHDT-Date$ $NHDT-Branch$:$NHDT-Revision$
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# Copyright (c) 1994, 1995, 1996 by the NetHack Development Team
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# Copyright (c) 1994 by Boudewijn Wayers
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# NetHack may be freely redistributed. See license for details.
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#
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# This is the source file for the "data" file generated by `makedefs -d'.
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# A line starting with a # is a comment and is ignored by makedefs.
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# Any other line not starting with whitespace is a creature or an item.
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#
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# Each entry should be comprised of:
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# the thing/person being described on a line by itself, in lowercase;
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# on each succeeding line a <TAB> description.
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#
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# If the first character of a key field is "~", then anything which matches
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# the rest of that key will be treated as if it did not match any of the
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# following keys for that entry. For instance, `~orc ??m*' preceding `orc*'
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# prevents "orc mummy" and "orc zombie" from matching.
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#
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abbot
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For it had been long apparent to Count Landulf that nothing
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could be done with his seventh son Thomas, except to make him
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an Abbot or something of that kind. Born in 1226, he had from
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childhood a mysterious objection to becoming a predatory eagle,
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or even to taking an ordinary interest in falconry or tilting
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or any other gentlemanly pursuits. He was a large and heavy and
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quiet boy, and phenomenally silent, scarcely opening his mouth
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except to say suddenly to his schoolmaster in an explosive
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manner, "What is God?" The answer is not recorded but it is
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probable that the asker went on worrying out answers for himself.
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[ The Runaway Abbot, by G. K. Chesterton ]
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# takes "suit or piece of armor" when specifying '['
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ac
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armor*
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armour*
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suit or piece of armor
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"The last spot on the school jousting team came down to another
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boy and me. He was poor, and his only armor was a blanket his
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mother had made him from her hair. I, on the other hand, had
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a brand new suit of chain mail. Just before our joust, I asked
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him what he'd do if he made the team. (I was hoping to be more
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popular with the ladies.) He said he would be able to save the
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town from dragons and be able to afford some water for his 20
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brothers and sisters.
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Well, a sense of compassion came over me. I insisted we swap
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armor. He was forced to accept, as it would have been an
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insult not to do so.
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On the battlefield, we charged at each other and we both connected
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with our lances.
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Lying there on the mud mortally wounded, I learned what true armor
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class was that day."
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[ When Help Collides, by J. D. Berry ]
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aclys
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aklys
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A short studded or spiked club attached to a cord allowing
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it to be drawn back to the wielder after having been thrown.
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It should not be confused with the atlatl, which is a device
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used to throw spears for longer distances.
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~agate ring
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agate*
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Translucent, cryptocrystalline variety of quartz and a subvariety
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of chalcedony. Agates are identical in chemical structure to
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jasper, flint, chert, petrified wood, and tiger's-eye, and are
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often found in association with opal. The colorful, banded rocks
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are used as a semiprecious gemstone and in the manufacture of
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grinding equipment. An agate's banding forms as silica from
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solution is slowly deposited into cavities and veins in older
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rock.
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[ The Columbia Encyclopedia, Sixth Edition ]
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aleax
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Said to be a doppelganger sent to inflict divine punishment
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for alignment violations.
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*altar
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offer*
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sacrific*
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Altars are of three types:
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1. In Temples. These are for Sacrifices [...]. The stone
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top will have grooves for blood, and the whole will be covered
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with _dry brown stains of a troubling kind_ from former
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Sacrifices.
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[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
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To every man upon this earth
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Death cometh soon or late;
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And how can man die better
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Than facing fearful odds
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For the ashes of his fathers
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And the temples of his gods?
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[ Lays of Ancient Rome, by Thomas B. Macaulay ]
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amaterasu omikami
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The Shinto sun goddess, Amaterasu Omikami is the central
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figure of Shintoism and the ancestral deity of the imperial
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house. One of the daughters of the primordial god Izanagi
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and said to be his favourite offspring, she was born from
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his left eye.
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[ Encyclopedia of Gods, by Michael Jordan ]
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amber*
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"Tree sap," Wu explained, "often flows over insects and traps
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them. The insects are then perfectly preserved within the
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fossil. One finds all kinds of insects in amber - including
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biting insects that have sucked blood from larger animals."
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[ Jurassic Park, by Michael Crichton ]
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*amnesia
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maud
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Get thee hence, nor come again,
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Mix not memory with doubt,
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Pass, thou deathlike type of pain,
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Pass and cease to move about!
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'Tis the blot upon the brain
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That will show itself without.
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...
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For, Maud, so tender and true,
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As long as my life endures
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I feel I shall owe you a debt,
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That I never can hope to pay;
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And if ever I should forget
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That I owe this debt to you
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And for your sweet sake to yours;
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O then, what then shall I say? -
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If ever I should forget,
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May God make me more wretched
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Than ever I have been yet!
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[ Maud, And Other Poems by Alfred, Lord Tennyson ]
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~amulet of yendor
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~amulet of restful sleep
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*amulet
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amulet of *
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amulet versus *
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"The complete Amulet can keep off all the things that make
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people unhappy -- jealousy, bad temper, pride, disagreeableness,
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greediness, selfishness, laziness. Evil spirits, people called
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them when the Amulet was made. Don't you think it would be nice
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to have it?"
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"Very," said the children, quite without enthusiasm.
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"And it can give you strength and courage."
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"That's better," said Cyril.
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"And virtue."
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"I suppose it's nice to have that," said Jane, but not with much
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interest.
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"And it can give you your heart's desire."
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"Now you're talking," said Robert.
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[ The Story of the Amulet, by Edith Nesbit ]
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amulet of yendor
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This mysterious talisman is the object of your quest. It is
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said to possess powers which mere mortals can scarcely
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comprehend, let alone utilize. The gods will grant the gift of
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immortality to the adventurer who can deliver it from the
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depths of Moloch's Sanctum and offer it on the appropriate high
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altar on the Astral Plane.
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angel*
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He answered and said unto them, he that soweth the good seed
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is the Son of man; the field is the world, and the good seed
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are the children of the kingdom; but the weeds are the
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children of the wicked one; the enemy that sowed them is the
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devil; the harvest is the end of the world; and the reapers
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are the angels. As therefore the weeds are gathered and
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burned in the fire; so shall it be in the end of this world.
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[...] So shall it be at the end of the world; the angels
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shall come forth, and sever the wicked from among the just,
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and shall cast them into the furnace of fire; there shall be
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wailing and gnashing of teeth.
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[ The Gospel According to Matthew, 13:37-42, 49-50 ]
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angry god*
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Cold wind blows.
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The gods look down in anger on this poor child.
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Why so unforgiving?
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And why so cold?
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[ Bridge of Sighs, by Robin Trower ]
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anhur
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An Egyptian god of war and a great hunter, few gods can match
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his fury. Unlike many gods of war, he is a force for good.
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The wrath of Anhur is slow to come, but it is inescapable
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once earned. Anhur is a mighty figure with four arms. He
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is often seen with a powerful lance that requires both of
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his right arms to wield and which is tipped with a fragment
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of the sun. He is married to Mehut, a lion-headed goddess.
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ankh-morpork
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The twin city of Ankh-Morpork, foremost of all the cities
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bounding the Circle Sea, was as a matter of course the home
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of a large number of gangs, thieves' guilds, syndicates and
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similar organisations. This was one of the reasons for its
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wealth. Most of the humbler folk on the widdershin side of
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the river, in Morpork's mazy alleys, supplemented their
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meagre incomes by filling some small role for one or other
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of the competing gangs.
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[ The Colour of Magic, by Terry Pratchett ]
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anshar
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A primordial Babylonian-Akkadian deity, Anshar is mentioned
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in the Babylonian creation epic _Enuma Elish_ as one of a
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pair of offspring (with Kishar) of Lahmu and Lahamu. Anshar
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is linked with heaven while Kishar is identified with earth.
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[ Encyclopedia of Gods, by Michael Jordan ]
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ant
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* ant
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This giant variety of the ordinary ant will fight just as
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fiercely as its small, distant cousin. Various varieties
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exist, and they are known and feared for their relentless
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persecution of their victims.
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anu
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Anu was the Babylonian god of the heavens, the monarch of
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the north star. He was the oldest of the Babylonian gods,
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the father of all gods, and the ruler of heaven and destiny.
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Anu features strongly in the _atiku_ festival in
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Babylon, Uruk and other cities.
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# takes "apelike creature" when specifying 'Y'
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ape
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apelike creature
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* ape
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The most highly evolved of all the primates, as shown by
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all their anatomical characters and particularly the
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development of the brain. Both arboreal and terrestrial,
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the apes have the forelimbs much better developed than
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the hind limbs. Tail entirely absent. Growth is slow
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and sexual maturity reached at quite an advanced age.
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[ A Field Guide to the Larger Mammals of Africa by Dorst ]
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Aldo the gorilla had a plan. It was a good plan. It was
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right. He knew it. He smacked his lips in anticipation as
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he thought of it. Yes. Apes should be strong. Apes should
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be masters. Apes should be proud. Apes should make the
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Earth shake when they walked. Apes should _rule_ the Earth.
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[ Battle for the Planet of the Apes, by David Gerrold ]
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apple
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NEWTONIAN, adj. Pertaining to a philosophy of the universe
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invented by Newton, who discovered that an apple will fall
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to the ground, but was unable to say why. His successors
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and disciples have advanced so far as to be able to say
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when.
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[ The Devil's Dictionary, by Ambrose Bierce ]
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archeolog*
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* archeologist
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Archeology is the search for fact, not truth. [...]
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So forget any ideas you've got about lost cities, exotic travel,
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and digging up the world. We do not follow maps to buried
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treasure, and X never, ever, marks the spot.
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[ Indiana Jones and the Last Crusade ]
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"I cannot be having with archeological excavations, myself,"
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I said. "The fellows who dig them only ever find tiny walls
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and a few bits of broken pottery, and then they get all
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excited and swear that they have just made the most
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important discovery of the century, the ruins of a mile-high
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gold-covered temple to Frogmore the God of Bike-Saddle
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Fixtures or some such."
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"I think you will find," said Mr Rune, "that they do this
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in order to secure further government funding for their
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diggings and so remain in employment."
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"That is a rather cynical view," I said.
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[ the brightonomicon, by Robert Rankin ]
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# [title & author: same situation as with "bad luck" entry]
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archon
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Archons are the predominant inhabitants of the heavens.
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However unusual their appearance, they are not generally
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evil. They are beings at peace with themselves and their
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surroundings.
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arioch
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Arioch, the patron demon of Elric's ancestors; one of the most
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powerful of all the Dukes of Hell, who was called Knight of
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the Swords, Lord of the Seven Darks, Lord of the Higher Hell
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and many more names besides.
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[ Elric of Melnibone, by Michael Moorcock ]
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*arrow
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I shot an arrow into the air,
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It fell to earth, I knew not where;
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For, so swiftly it flew, the sight
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Could not follow it in its flight.
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I breathed a song into the air,
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It fell to earth, I knew not where;
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For who has sight so keen and strong
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That it can follow the flight of song?
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Long, long afterward, in an oak
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I found the arrow still unbroke;
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And the song, from beginning to end,
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I found again in the heart of a friend.
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[ The Arrow and the Song, by Henry Wadsworth Longfellow ]
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ashikaga takauji
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Ashikaga Takauji was a daimyo of the Minamoto clan who
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joined forces with the Go-Daigo to defeat the Hojo armies.
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Later when Go-Daigo attempted to reduce the powers of the
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samurai clans he rebelled against him. He defeated Go-
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Daigo and established the emperor Komyo on the throne.
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Go-Daigo eventually escaped and established another
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government in the town of Yoshino. This period of dual
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governments was known as the Nambokucho.
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[ Samurai - The Story of a Warrior Tradition, by Cook ]
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asmodeus
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It is said that Asmodeus is the overlord over all of hell.
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His appearance, unlike many other demons and devils, is
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human apart from his horns and tail. He can freeze flesh
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with a touch.
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[]
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The evil demon who appears in the Apocryphal book of _Tobit_
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and is derived from the Persian _Aeshma_. In _Tobit_ Asmodeus
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falls in love with Sara, daughter of Raguel, and causes the
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death of seven husbands in succession, each on his bridal night.
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He was finally driven from Egypt through a charm made by Tobias
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of the heart and liver of a fish burned on perfumed ashes, as
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described by Milton in _Paradise Lost_ (IV, 167-71). Hence
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Asmodeus often figures as the spirit of matrimonial jealousy
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or unhappiness.
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[ Brewer's Concise Dictionary of Phrase and Fable ]
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athame
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The consecrated ritual knife of a Wiccan initiate (one of
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four basic tools, together with the wand, chalice and
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pentacle). Traditionally, the athame is a double-edged,
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black-handled, cross-hilted dagger of between six and
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eighteen inches length.
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athen*
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Athene was the offspring of Zeus, and without a mother. She
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sprang forth from his head completely armed. Her favourite
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bird was the owl, and the plant sacred to her is the olive.
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[ Bulfinch's Mythology, by Thomas Bulfinch ]
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axe
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"For ev'ry silver ringing blow,
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Cities and palaces shall grow!"
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"Bite deep and wide, O Axe, the tree,
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Tell wider prophecies to me."
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"When rust hath gnaw'd me deep and red,
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A nation strong shall lift his head.
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"His crown the very Heav'ns shall smite,
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Aeons shall build him in his might."
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"Bite deep and wide, O Axe, the tree;
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Bright Seer, help on thy prophecy!"
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[ Malcolm's Katie, by Isabella Valancey Crawford ]
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axolotl
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A mundane salamander, harmless.
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bag
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bag of *
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sack
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"Now, this third handkerchief," Mein Herr proceeded, "has also
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four edges, which you can trace continuously round and round:
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all you need do is to join its four edges to the four edges of
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the opening. The Purse is then complete, and its outer
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surface--"
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"I see!" Lady Muriel eagerly interrupted. "Its outer surface
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will be continuous with its inner surface! But it will take
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time. I'll sew it up after tea." She laid aside the bag, and
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resumed her cup of tea. "But why do you call it Fortunatus's
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Purse, Mein Herr?"
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The dear old man beamed upon her, with a jolly smile, looking
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more exactly like the Professor than ever. "Don't you see,
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my child--I should say Miladi? Whatever is inside that Purse,
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is outside it; and whatever is outside it, is inside it. So
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you have all the wealth of the world in that leetle Purse!"
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[ Sylvie and Bruno Concluded, by Lewis Carroll ]
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b*lzebub
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The "lord of the flies" is a translation of the Hebrew
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Ba'alzevuv (Beelzebub in Greek). It has been suggested that
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it was a mistranslation of a mistransliterated word which
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gave us this pungent and suggestive name of the Devil, a
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devil whose name suggests that he is devoted to decay,
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destruction, demoralization, hysteria and panic...
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[ Notes on _Lord of the Flies_, by E. L. Epstein ]
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balrog
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... It came to the edge of the fire and the light faded as
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if a cloud had bent over it. Then with a rush it leaped
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the fissure. The flames roared up to greet it, and wreathed
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about it; and a black smoke swirled in the air. Its streaming
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mane kindled, and blazed behind it. In its right hand
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was a blade like a stabbing tongue of fire; in its left it
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held a whip of many thongs.
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'Ai, ai!' wailed Legolas. 'A Balrog! A Balrog is come!'
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[ The Fellowship of the Ring, by J.R.R. Tolkien ]
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baluchitherium
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titanothere
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Extinct rhinos include a variety of forms, the most
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spectacular being _Baluchitherium_ from the Oligocene of
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Asia, which is the largest known land mammal. Its body, 18
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feet high at the shoulder and carried on massive limbs,
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allowed the 4-foot-long head to browse on the higher branches
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of trees. Though not as enormous, the titanotheres of the
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early Tertiary were also large perissodactyls, _Brontotherium_
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of the Oligocene being 8 feet high at the shoulder.
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[ Prehistoric Animals, by Barry Cox ]
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banana
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He took another step and she cocked her right wrist in
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viciously. She heard the spring click. Weight slapped into
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her hand.
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"Here!" she shrieked hysterically, and brought her arm up in
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a hard sweep, meaning to gut him, leaving him to blunder
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around the room with his intestines hanging out in steaming
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loops. Instead he roared laughter, hands on his hips,
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flaming face cocked back, squeezing and contorting with great
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good humor.
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"Oh, my dear!" he cried, and went off into another gale of
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laughter.
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She looked stupidly down at her hand. It held a firm yellow
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banana with a blue and white Chiquita sticker on it. She
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dropped it, horrified, to the carpet, where it became a
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sickly yellow grin, miming Flagg's own.
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"You'll tell," he whispered. "Oh yes indeed you will."
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And Dayna knew he was right.
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[ The Stand, by Stephen King ]
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banshee
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In Irish folklore and that of the Western Highlands of Scotland,
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a female fairy who announces her presence by shrieking and
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wailing under the windows of a house when one of its occupants
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is awaiting death. The word is a phonetic spelling of the
|
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Irish _beansidhe_, a woman of the fairies.
|
|
[ Brewer's Concise Dictionary of Phrase and Fable ]
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barbarian
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* barbarian
|
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They dressed alike -- in buckskin boots, leathern breeks and
|
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deerskin shirts, with broad girdles that held axes and short
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swords; and they were all gaunt and scarred and hard-eyed;
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sinewy and taciturn.
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They were wild men, of a sort, yet there was still a wide
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gulf between them and the Cimmerian. They were sons of
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civilization, reverted to a semi-barbarism. He was a
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barbarian of a thousand generations of barbarians. They had
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acquired stealth and craft, but he had been born to these
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things. He excelled them even in lithe economy of motion.
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They were wolves, but he was a tiger.
|
|
[ Conan - The Warrior, by Robert E. Howard ]
|
|
barbed devil
|
|
Barbed devils lack any real special abilities, though they
|
|
are quite difficult to kill.
|
|
# takes "bat or bird" when specifying 'B'
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|
~combat
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~wombat
|
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*bat
|
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bat or bird
|
|
A bat, flitting in the darkness outside, took the wrong turn
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as it made its nightly rounds and came in through the window
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which had been left healthfully open. It then proceeded to
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circle the room in the aimless fat-headed fashion habitual
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|
with bats, who are notoriously among the less intellectually
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gifted of God's creatures. Show me a bat, says the old
|
|
proverb, and I will show you something that ought to be in
|
|
some kind of a home.
|
|
[ A Pelican at Blandings, by P. G. Wodehouse ]
|
|
bear*trap
|
|
Probably most commonly associated with trapping, the leghold
|
|
trap is a rather simple mechanical trap. It is made up of two
|
|
jaws, a spring of some sort, and a trigger in the middle. When
|
|
the animal steps on the trigger the trap closes around the leg,
|
|
holding the animal in place. Usually some kind of lure is used
|
|
to position the animal, or the trap is set on an animal trail.
|
|
Traditionally, leghold traps had tightly closing "teeth" to make
|
|
sure the animal stayed in place. The teeth also made sure the
|
|
animal could not move the leg in the trap and ruin their fur.
|
|
However, this resulted in many animals gnawing off legs in order
|
|
to escape. More modern traps have a gap called an "offset jaw"
|
|
and work more like a handcuff. They grip above the paw, making
|
|
sure the animal cannot pull out but does not destroy the leg.
|
|
This also allows the trapper to release unwanted catches.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
*bee
|
|
This giant variety of its useful normal cousin normally
|
|
appears in small groups, looking for raw material to produce
|
|
the royal jelly needed to feed their queen. On rare
|
|
occasions, one may stumble upon a bee-hive, in which the
|
|
queen bee is being well provided for, and guarded against
|
|
intruders.
|
|
*beetle
|
|
[ The Creator ] has an inordinate fondness for beetles.
|
|
[ attributed to biologist J.B.S. Haldane ]
|
|
|
|
The common name for the insects with wings shaped like
|
|
shields (_Coleoptera_), one of the ten sub-species into
|
|
which the insects are divided. They are characterized by
|
|
the shields (the front pair of wings) under which the back
|
|
wings are folded.
|
|
[ Van Dale's Groot Woordenboek der Nederlandse Taal ]
|
|
bell of opening
|
|
"A bell, book and candle job."
|
|
The Bursar sighed. "We tried that, Archchancellor."
|
|
The Archchancellor leaned towards him.
|
|
"Eh?" he said.
|
|
"I _said_, we tried that Archchancellor," said the Bursar loudly,
|
|
directing his voice at the old man's ear. "After dinner, you
|
|
remember? We used Humptemper's _Names of the Ants_ and rang Old
|
|
Tom."*
|
|
"Did we, indeed. Worked, did it?"
|
|
"_No_, Archchancellor."
|
|
|
|
* Old Tom was the single cracked bronze bell in the University
|
|
bell tower.
|
|
[ Eric, by Terry Pratchett ]
|
|
blindfold
|
|
The blindfolding was performed by binding a piece of the
|
|
yellowish linen whereof those of the Amahagger who condescended
|
|
to wear anything in particular made their dresses tightly round
|
|
the eyes. This linen I afterwards discovered was taken from the
|
|
tombs, and was not, as I had first supposed, of native
|
|
manufacture. The bandage was then knotted at the back of the
|
|
head, and finally brought down again and the ends bound under
|
|
the chin to prevent its slipping. Ustane was, by the way, also
|
|
blindfolded, I do not know why, unless it was from fear that she
|
|
should impart the secrets of the route to us.
|
|
[ She, by H. Rider Haggard ]
|
|
blind io
|
|
On this particular day Blind Io, by dint of constant vigilance
|
|
the chief of the gods, sat with his chin on his hand
|
|
and looked at the gaming board on the red marble table in
|
|
front of him. Blind Io had got his name because, where his
|
|
eye sockets should have been, there were nothing but two
|
|
areas of blank skin. His eyes, of which he had an impressively
|
|
large number, led a semi-independent life of their
|
|
own. Several were currently hovering above the table.
|
|
[ The Colour of Magic, by Terry Pratchett ]
|
|
* blob
|
|
ooze
|
|
* ooze
|
|
*pudding
|
|
* slime
|
|
These giant amoeboid creatures look like nothing more than
|
|
puddles of slime, but they both live and move, feeding on
|
|
metal or wood as well as the occasional dungeon explorer to
|
|
supplement their diet.
|
|
|
|
But we were not on a station platform. We were on the track ahead
|
|
as the nightmare, plastic column of fetid black iridescence oozed
|
|
tightly onward through its fifteen-foot sinus, gathering unholy
|
|
speed and driving before it a spiral, re-thickening cloud of the
|
|
pallid abyss vapor. It was a terrible, indescribable thing vaster
|
|
than any subway train -- a shapeless congeries of protoplasmic
|
|
bubbles, faintly self-luminous, and with myriads of temporary eyes
|
|
forming and unforming as pustules of greenish light all over the
|
|
tunnel-filling front that bore down upon us, crushing the frantic
|
|
penguins and slithering over the glistening floor that it and its
|
|
kind had swept so evilly free of all litter.
|
|
[ At the Mountains of Madness, by H.P. Lovecraft ]
|
|
blue jelly
|
|
I'd planned how to prevent the lock from sealing behind me; it
|
|
required a temporary sacrifice, not cleverness. I used the door
|
|
itself to help me cut off a portion of my body, after shunting all
|
|
memory from the piece to be abandoned. The piece, looking
|
|
inexpressibly dear and forlorn for a bit of blue jelly, would
|
|
force open the outer door until I returned and rejoined it.
|
|
[ Beholder's Eye, by Julie E. Czerneda ]
|
|
bone devil
|
|
Bone devils attack with weapons and with a great hooked tail
|
|
which causes a loss of strength to those they sting.
|
|
book of the dead
|
|
candelabrum*
|
|
*candle
|
|
Faustus: Come on Mephistopheles. What shall we do?
|
|
Mephistopheles: Nay, I know not. We shall be cursed with bell,
|
|
book, and candle.
|
|
Faustus: How? Bell, book, and candle, candle, book, and bell,
|
|
Forward and backward, to curse Faustus to hell.
|
|
Anon you shall hear a hog grunt, a calf bleat, and an ass bray,
|
|
Because it is Saint Peter's holy day.
|
|
(Enter all the Friars to sing the dirge)
|
|
[ Doctor Faustus and Other Plays, by Christopher Marlowe ]
|
|
boomerang
|
|
#: this one is commented out because two from the same source feels a
|
|
#: bit excessive; if uncommented, it should be first since the punchline
|
|
#: is about coming back while the other one is disdainful about that, so
|
|
#: if this one came second, its joke would be weakened
|
|
# "It's a boomerang," said Vimes. "You find something like this
|
|
# all over the world. You have to wave it carefully and suddenly
|
|
# your opponent gets it in the back. I've heard that there's a lad
|
|
# in Fourecks who can throw a boomerang with such precision that it
|
|
# can get the morning paper and come back with it."
|
|
# [ Raising Steam, by Terry Pratchett ]
|
|
#
|
|
Rincewind pulled himself up and thought about reaching for his
|
|
stick. And then he thought again. The man had a couple of spears
|
|
stuck in the ground, and people here were good at spears, because
|
|
if you didn't get efficient at hitting the things that moved fast
|
|
you had to eat the things that moved slowly. He was also holding
|
|
a boomerang, and it wasn't one of those toy ones that came back.
|
|
This was one of the big, heavy, gently curved sort that didn't
|
|
come back because it was sticking in something's ribcage. You
|
|
could laugh at the idea of wooden weapons until you saw the kind
|
|
of wood that grew here.
|
|
[ The Last Continent, by Terry Pratchett ]
|
|
~*jack*boot*
|
|
*boot*
|
|
In Fantasyland these are remarkable in that they seldom or
|
|
never wear out and are suitable for riding or walking in
|
|
without the need of Socks. Boots never pinch, rub, or get
|
|
stones in them; nor do nails stick upwards into the feet from
|
|
the soles. They are customarily mid-calf length or knee-high,
|
|
slip on and off easily and never smell of feet. Unfortunately,
|
|
the formula for making this splendid footwear is a closely
|
|
guarded secret, possibly derived from nonhumans (see Dwarfs,
|
|
Elves, and Gnomes).
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
*booze
|
|
potion of sleeping
|
|
On waking, he found himself on the green knoll whence he had
|
|
first seen the old man of the glen. He rubbed his eyes -- it
|
|
was a bright sunny morning. The birds were hopping and
|
|
twittering among the bushes, and the eagle was wheeling aloft,
|
|
and breasting the pure mountain breeze. "Surely," thought Rip,
|
|
"I have not slept here all night." He recalled the occurrences
|
|
before he fell asleep. The strange man with a keg of liquor --
|
|
the mountain ravine -- the wild retreat among the rocks -- the
|
|
woe-begone party at ninepins -- the flagon -- "Oh! that flagon!
|
|
that wicked flagon!" thought Rip -- "what excuse shall I make
|
|
to Dame Van Winkle!"
|
|
[ Rip Van Winkle, a Posthumous Writing
|
|
of Diedrich Knickerbocker, by Washington Irving ]
|
|
boulder
|
|
I worked the lever well under, and stretched my back; the end
|
|
of the stone rose up, and I kicked the fulcrum under. Then,
|
|
when I was going to bear down, I remembered there was
|
|
something to get out from below; when I let go of the lever,
|
|
the stone would fall again. I sat down to think, on the root
|
|
of the oak tree; and, seeing it stand about the ground, I saw
|
|
my way. It was lucky I had brought a longer lever. It would
|
|
just reach to wedge under the oak root.
|
|
Bearing it down so far would have been easy for a heavy man,
|
|
but was a hard fight for me. But this time I meant to do it
|
|
if it killed me, because I knew it could be done. Twice I
|
|
got it nearly there, and twice the weight bore it up again;
|
|
but when I flung myself on it the third time, I heard in my
|
|
ears the sea-sound of Poseidon. Then I knew this time I
|
|
would do it; and so I did.
|
|
[ The King Must Die, by Mary Renault ]
|
|
~*longbow of diana
|
|
bow
|
|
* bow
|
|
"Stand to it, my hearts of gold," said the old bowman as he
|
|
passed from knot to knot. "By my hilt! we are in luck this
|
|
journey. Bear in mind the old saying of the Company."
|
|
"What is that, Aylward?" cried several, leaning on their bows
|
|
and laughing at him.
|
|
"'Tis the master-bowyer's rede: 'Every bow well bent. Every
|
|
shaft well sent. Every stave well nocked. Every string well
|
|
locked.' There, with that jingle in his head, a bracer on
|
|
his left hand, a shooting glove on his right, and a
|
|
farthing's-worth of wax in his girdle, what more doth a
|
|
bowman need?"
|
|
"It would not be amiss," said Hordle John, "if under his
|
|
girdle he had four farthings'-worth of wine."
|
|
[ The White Company, by Sir Arthur Conan Doyle ]
|
|
brigit
|
|
Brigit (Brigid, Bride, Banfile), which means the Exalted One,
|
|
was the Celtic (continental European and Irish) fertility
|
|
goddess. She was originally celebrated on February first in
|
|
the festival of Imbolc, which coincided with the beginning
|
|
of lactation in ewes and was regarded in Scotland as the date
|
|
on which Brigit deposed the blue-faced hag of winter. The
|
|
Christian calendar adopted the same date for the Feast of St.
|
|
Brigit. There is no record that a Christian saint ever
|
|
actually existed, but in Irish mythology she became the
|
|
midwife to the Virgin Mary.
|
|
[ Encyclopedia of Gods, by Michael Jordan ]
|
|
~stormbringer
|
|
*broadsword
|
|
Bring me my broadsword
|
|
And clear understanding.
|
|
Bring me my cross of gold,
|
|
As a talisman.
|
|
[ "Broadsword" (refrain) by Ian Anderson ]
|
|
bugbear
|
|
Bugbears are relatives of goblins, although they tend to be
|
|
larger and more hairy. They are aggressive carnivores and
|
|
sometimes kill just for the treasure their victims may be
|
|
carrying.
|
|
bugle
|
|
'I read you by your bugle horn
|
|
And by your palfrey good,
|
|
I read you for a Ranger sworn
|
|
To keep the King's green-wood.'
|
|
'A Ranger, Lady, winds his horn,
|
|
And 'tis at peep of light;
|
|
His blast is heard at merry morn,
|
|
And mine at dead of night.'
|
|
[ Brignall Banks, by Sir Walter Scott ]
|
|
bullwhip
|
|
"Good," he said and, unbelievably, smiled at me, a smirk like
|
|
a round of rotted cheese. "What did your keeper use on you?
|
|
A bullwhip?"
|
|
[ Melusine, by Sarah Monette ]
|
|
*camaxtli
|
|
A classical Mesoamerican Aztec god, also known as Mixcoatl-
|
|
Camaxtli (the Cloud Serpent), Camaxtli is the god of war. He
|
|
is also a deity of hunting and fire who received human
|
|
sacrifice of captured prisoners. According to tradition, the
|
|
sun god Tezcatlipoca transformed himself into Mixcoatl-Camaxtli
|
|
to make fire by twirling the sacred fire sticks.
|
|
[ Encyclopedia of Gods, by Michael Jordan ]
|
|
camelot*
|
|
The seat of Arthur's power in medieval romance. The name is
|
|
of unknown origin and refers to the castle but also includes
|
|
the surrounding town. ... Camelot appears, most significantly,
|
|
as a personal capital as opposed to a permanent or national
|
|
one. It is Arthur's and Arthur's alone. There are no previous
|
|
lords and Arthur's successor, Constantine, does not take up
|
|
residence there. Camelot is actually said to have been
|
|
demolished after Arthur and Lancelot were gone by Mark. Fazio
|
|
degli Uberti, the Italian poet, claims to have seen the ruins
|
|
in the 14th century.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
candy bar
|
|
Only once a year, on his birthday, did Charlie Bucket ever
|
|
get to taste a bit of chocolate. The whole family saved up
|
|
their money for that special occasion, and when the great
|
|
day arrived, Charlie was always presented with one small
|
|
chocolate bar to eat all by himself. And each time he
|
|
received it, on those marvelous birthday mornings, he would
|
|
place it carefully in a small wooden box that he owned, and
|
|
treasure it as though it were a bar of solid gold; and for
|
|
the next few days, he would allow himself only to look at it,
|
|
but never to touch it. Then at last, when he could stand it
|
|
no longer, he would peel back a tiny bit of the paper
|
|
wrapping at one corner to expose a tiny bit of chocolate, and
|
|
then he would take a tiny nibble - just enough to allow the
|
|
lovely sweet taste to spread out slowly over his tongue. The
|
|
next day, he would take another tiny nibble, and so on, and
|
|
so on. And in this way, Charlie would make his ten-cent bar
|
|
of birthday chocolate last him for more than a month.
|
|
[ Charlie and the Chocolate Factory, by Roald Dahl ]
|
|
carrot
|
|
In World War II, Britain's air ministry spread the word that
|
|
a diet of these vegetables helped pilots see Nazi bombers
|
|
attacking at night. That was a lie intended to cover the real
|
|
matter of what was underpinning the Royal Air Force's successes:
|
|
Airborne Interception Radar, also known as AI. ... British
|
|
Intelligence didn't want the Germans to find out about the
|
|
superior new technology helping protect the nation, so they
|
|
created a rumor to afford a somewhat plausible-sounding
|
|
explanation for the sudden increase in bombers being shot down.
|
|
... The disinformation was so persuasive that the English public
|
|
took to eating carrots to help them find their way during the
|
|
blackouts.
|
|
[ Urban Legends Reference Pages ]
|
|
s*d*g*r* cat
|
|
Imagine a sealed container, so perfectly constructed that no
|
|
physical influence can pass either inwards or outwards across its
|
|
walls. Imagine that inside the container is a cat, and also a
|
|
device that can be triggered by some quantum event. If that event
|
|
takes place, then the device smashes a phial containing cyanide and
|
|
the cat is killed. If the event does not take place, the cat lives
|
|
on. In Schroedinger's original version, the quantum event was the
|
|
decay of a radioactive atom. ... To the outside observer, the cat
|
|
is indeed in a linear combination of being alive and dead, and only
|
|
when the container is finally opened would the cat's state vector
|
|
collapse into one or the other. On the other hand, to a (suitably
|
|
protected) observer inside the container, the cat's state-vector
|
|
would have collapsed much earlier, and the outside observer's
|
|
linear combination has no relevance.
|
|
[ The Emperor's New Mind, by Roger Penrose ]
|
|
# takes "cat or other feline" when specifying 'f'
|
|
*cat
|
|
*feline
|
|
kitten
|
|
Well-known quadruped domestic animal from the family of
|
|
predatory felines (_Felis ochreata domestica_), with a thick,
|
|
soft pelt; often kept as a pet. Various folklores have the
|
|
cat associated with magic and the gods of ancient Egypt.
|
|
|
|
So Ulthar went to sleep in vain anger; and when the people
|
|
awakened at dawn - behold! Every cat was back at his
|
|
accustomed hearth! Large and small, black, grey, striped,
|
|
yellow and white, none was missing. Very sleek and fat did
|
|
the cats appear, and sonorous with purring content.
|
|
[ The Cats of Ulthar, by H.P. Lovecraft ]
|
|
# this one doesn't work very well for dwarven and gnomish cavemen
|
|
cave*man
|
|
human cave*man
|
|
Now it was light enough to leave. Moon-Watcher picked up
|
|
the shriveled corpse and dragged it after him as he bent
|
|
under the low overhang of the cave. Once outside, he
|
|
threw the body over his shoulder and stood upright - the
|
|
only animal in all this world able to do so.
|
|
Among his kind, Moon-Watcher was almost a giant. He was
|
|
nearly five feet high, and though badly undernourished
|
|
weighed over a hundred pounds. His hairy, muscular body
|
|
was halfway between ape and man, but his head was already
|
|
much nearer to man than ape. The forehead was low, and
|
|
there were ridges over the eye sockets, yet he unmistakably
|
|
held in his genes the promise of humanity.
|
|
[ 2001: A Space Odyssey, by Arthur C. Clarke ]
|
|
dwar* cave*man
|
|
gnom* cave*man
|
|
'Twas in a land unkempt of life's red dawn;
|
|
Where in his sanded cave he dwelt alone;
|
|
Sleeping by day, or sometimes worked upon
|
|
His flint-head arrows and his knives of stone;
|
|
By night stole forth and slew the savage boar,
|
|
So that he loomed a hunter of loud fame,
|
|
And many a skin of wolf and wild-cat wore,
|
|
And counted many a flint-head to his name;
|
|
Wherefore he walked the envy of the band,
|
|
Hated and feared, but matchless in his skill.
|
|
Till lo! one night deep in that shaggy land,
|
|
He tracked a yearling bear and made his kill;
|
|
Then over-worn he rested by a stream,
|
|
And sank into a sleep too deep for dream.
|
|
[ The Dreamer, by Robert Service ]
|
|
*centaur
|
|
Of all the monsters put together by the Greek imagination
|
|
the Centaurs (Kentauroi) constituted a class in themselves.
|
|
Despite a strong streak of sensuality, in their make-up,
|
|
their normal behaviour was moral, and they took a kindly
|
|
thought of man's welfare. The attempted outrage of Nessos on
|
|
Deianeira, and that of the whole tribe of Centaurs on the
|
|
Lapith women, are more than offset by the hospitality of
|
|
Pholos and by the wisdom of Cheiron, physician, prophet,
|
|
lyrist, and the instructor of Achilles. Further, the
|
|
Centaurs were peculiar in that their nature, which united the
|
|
body of a horse with the trunk and head of a man, involved
|
|
an unthinkable duplication of vital organs and important
|
|
members. So grotesque a combination seems almost un-Greek.
|
|
These strange creatures were said to live in the caves and
|
|
clefts of the mountains, myths associating them especially
|
|
with the hills of Thessaly and the range of Erymanthos.
|
|
[ Mythology of all races, Vol. 1, pp. 270-271 ]
|
|
centipede
|
|
I observed here, what I had often seen before, that certain
|
|
districts abound in centipedes. Here they have light
|
|
reddish bodies and blue legs; great myriapedes are seen
|
|
crawling every where. Although they do no harm, they excite
|
|
in man a feeling of loathing. Perhaps our appearance
|
|
produces a similar feeling in the elephant and other large
|
|
animals. Where they have been much disturbed, they
|
|
certainly look upon us with great distrust, as the horrid
|
|
biped that ruins their peace.
|
|
[ Travels and Researches in South Africa,
|
|
by Dr. David Livingstone ]
|
|
cerberus
|
|
kerberos
|
|
Cerberus, (or Kerberos in Greek), was the three-headed dog
|
|
that guarded the Gates of Hell. He allowed any dead to enter,
|
|
and likewise prevented them all from ever leaving. He was
|
|
bested only twice: once when Orpheus put him to sleep by
|
|
playing bewitching music on his lyre, and the other time when
|
|
Hercules confronted him and took him to the world of the
|
|
living (as his twelfth and last labor).
|
|
chameleon
|
|
A small lizard perched on a brown stone. Feeling threatened by
|
|
the approach of human beings along the path, it metamorphosed
|
|
into a stingray beetle, then into a stench-puffer, then into a
|
|
fiery salamander.
|
|
Bink smiled. These conversions weren't real. It had assumed
|
|
the forms of obnoxious little monsters, but not their essence.
|
|
It could not sting, stink or burn. It was a chameleon, using
|
|
its magic to mimic creatures of genuine threat.
|
|
Yet as it shifted into the form of a basilisk it glared at him
|
|
with such ferocity that Bink's mirth abated. If its malice
|
|
could strike him, he would be horribly dead.
|
|
[ A Spell for Chameleon, by Piers Anthony ]
|
|
charo*n
|
|
When an ancient Greek died, his soul went to the nether world:
|
|
the Hades. To reach the nether world, the souls had to cross
|
|
the river Styx, the river that separated the living from the
|
|
dead. The Styx could be crossed by ferry, whose shabby ferry-
|
|
man, advanced in age, was called Charon. The deceased's next-
|
|
of-kin would place a coin under his tongue, to pay the ferry-
|
|
man.
|
|
chest
|
|
large box
|
|
Dantes rapidly cleared away the earth around the chest. Soon
|
|
the center lock appeared, then the handles at each end, all
|
|
delicately wrought in the manner of that period when art made
|
|
precious even the basest of metals. He took the chest by the
|
|
two handles and tried to lift it, but it was impossible. He
|
|
tried to open it; it was locked. He inserted the sharp end
|
|
of his pickaxe between the chest and the lid and pushed down
|
|
on the handle. The lid creaked, then flew open.
|
|
Dantes was seized with a sort of giddy fever. He cocked his
|
|
gun and placed it beside him. Then he closed his eyes like
|
|
a child, opened them and stood dumbfounded.
|
|
The chest was divided into three compartments. In the first
|
|
were shining gold coins. In the second, unpolished gold
|
|
ingots packed in orderly stacks. From the third compartment,
|
|
which was half full, Dantes picked up handfuls of diamonds,
|
|
pearls and rubies. As they fell through his fingers in a
|
|
glittering cascade, they gave forth the sound of hail beating
|
|
against the windowpanes.
|
|
[ The Count of Monte Cristo, by Alexandre Dumas ]
|
|
chih*sung*tzu
|
|
A character in Chinese mythology noted for bringing about the
|
|
end of a terrible drought which threatened the survival of
|
|
the people. He achieved this by means of sprinkling the
|
|
earth with water from a bowl, using the branch of a tree to
|
|
do so. He became the heavenly controller of the rain, and
|
|
lived with other celestial beings in their paradise on Mount
|
|
Kunlun.
|
|
[ The Illustrated Who's Who In Mythology, by Michael Senior ]
|
|
chromatic dragon
|
|
tiamat
|
|
Tiamat is said to be the mother of evil dragonkind. She is
|
|
extremely vain.
|
|
citrine*
|
|
A pale yellow variety of crystalline quartz resembling topaz.
|
|
~elven cloak
|
|
~oilskin cloak
|
|
*cloak*
|
|
Cloaks are the universal outer garb of everyone who is not a
|
|
Barbarian. It is hard to see why. They are open in front
|
|
and require you at most times to use one hand to hold them
|
|
shut. On horseback they leave the shirt-sleeved arms and
|
|
most of the torso exposed to wind and Weather. The OMTs
|
|
[ Official Management Terms ] for Cloaks well express their
|
|
difficulties. They are constantly _swirling and dripping_
|
|
and becoming _heavy with water_ in rainy Weather, _entangling
|
|
with trees_ or _swords_, or needing to be _pulled close
|
|
around her/his shivering body_. This seems to suggest they
|
|
are less than practical for anyone on an arduous Tour.
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
cloud*
|
|
I wandered lonely as a cloud
|
|
That floats on high o'er vales and hills,
|
|
When all at once I saw a crowd,
|
|
A host, of golden daffodils;
|
|
Beside the lake, beneath the trees,
|
|
Fluttering and dancing in the breeze.
|
|
[ I Wandered Lonely as a Cloud, by William Wordsworth ]
|
|
cobra
|
|
Darzee and his wife only cowered down in the nest without
|
|
answering, for from the thick grass at the foot of the bush
|
|
there came a low hiss -- a horrid cold sound that made
|
|
Rikki-tikki jump back two clear feet. Then inch by inch out of
|
|
the grass rose up the head and spread hood of Nag, the big
|
|
black cobra, and he was five feet long from tongue to tail.
|
|
When he had lifted one-third of himself clear of the ground,
|
|
he stayed balancing to and fro exactly as a dandelion-tuft
|
|
balances in the wind, and he looked at Rikki-tikki with the
|
|
wicked snake's eyes that never change their expression,
|
|
whatever the snake may be thinking of.
|
|
'Who is Nag?' said he. '_I_ am Nag. The great God Brahm put
|
|
his mark upon all our people, when the first cobra spread his
|
|
hood to keep the sun off Brahm as he slept. Look, and be
|
|
afraid!'
|
|
[ Rikki-tikki-tavi, by Rudyard Kipling ]
|
|
c*ckatrice
|
|
Once in a great while, when the positions of the stars are
|
|
just right, a seven-year-old rooster will lay an egg. Then,
|
|
along will come a snake, to coil around the egg, or a toad,
|
|
to squat upon the egg, keeping it warm and helping it to
|
|
hatch. When it hatches, out comes a creature called basilisk,
|
|
or cockatrice, the most deadly of all creatures. A single
|
|
glance from its yellow, piercing toad's eyes will kill both
|
|
man and beast. Its power of destruction is said to be so
|
|
great that sometimes simply to hear its hiss can prove fatal.
|
|
Its breath is so venomous that it causes all vegetation
|
|
to wither.
|
|
|
|
There is, however, one creature which can withstand the
|
|
basilisk's deadly gaze, and this is the weasel. No one knows
|
|
why this is so, but although the fierce weasel can slay the
|
|
basilisk, it will itself be killed in the struggle. Perhaps
|
|
the weasel knows the basilisk's fatal weakness: if it ever
|
|
sees its own reflection in a mirror it will perish instantly.
|
|
But even a dead basilisk is dangerous, for it is said that
|
|
merely touching its lifeless body can cause a person to
|
|
sicken and die.
|
|
[ Mythical Beasts by Deirdre Headon (The Leprechaun Library)
|
|
and other sources ]
|
|
*coin
|
|
~creeping coins
|
|
*coins
|
|
zorkmid*
|
|
The coin bears the likeness of Belwit the Flat, along with the
|
|
inscriptions, "One Zorkmid," and "699 GUE [ Great Underground
|
|
Empire ]." On the other side, the coin depicts Egreth Castle,
|
|
and says "In Frobs We Trust" in several languages.
|
|
[ Zork Zero, by Infocom ]
|
|
# not "stethoscope"
|
|
combat
|
|
fight
|
|
fracas
|
|
melee
|
|
spat
|
|
squabble
|
|
tiff
|
|
[Scene: Mr. Moon and Gilbert enter tavern and discover many
|
|
corpses strewn about the place; Blind Pew is sole survivor.]
|
|
Blind Pew: Evening. Sounded as though there has been a bit
|
|
of a squabble.
|
|
Mr. Moon: Squabble? They're all dead.
|
|
Blind Pew: Oh. Must have been more of a tiff then.
|
|
[ Yellowbeard, directed by Mel Damski, screenplay
|
|
by Graham Chapman, Peter Cook, Bernard McKenna ]
|
|
cope
|
|
* cope
|
|
The cope is a liturgical vestment which may be worn by any
|
|
rank of the clergy. Copes are made in all liturgical colours,
|
|
and are like a very long mantle or cloak, fastened at the breast
|
|
by a clasp.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
cornuthaum
|
|
He was dressed in a flowing gown with fur tippets which had
|
|
the signs of the zodiac embroidered over it, with various
|
|
cabalistic signs, such as triangles with eyes in them, queer
|
|
crosses, leaves of trees, bones of birds and animals, and a
|
|
planetarium whose stars shone like bits of looking-glass with
|
|
the sun on them. He had a pointed hat like a dunce's cap, or
|
|
like the headgear worn by ladies of that time, except that
|
|
the ladies were accustomed to have a bit of veil floating
|
|
from the top of it.
|
|
[ The Once and Future King, by T.H. White ]
|
|
|
|
"A wizard!" Dooley exclaimed, astounded.
|
|
"At your service, sirs," said the wizard. "How
|
|
perceptive of you to notice. I suppose my hat rather gives me
|
|
away. Something of a beacon, I don't doubt." His hat was
|
|
pretty much that, tall and cone-shaped with stars and crescent
|
|
moons all over it. All in all, it couldn't have been more
|
|
wizardish.
|
|
[ The Elfin Ship, James P. Blaylock ]
|
|
couatl
|
|
A mythical feathered serpent. The couatl are very rare.
|
|
coyote
|
|
This carnivore is known for its voracious appetite and
|
|
inflated view of its own intelligence.
|
|
cram*
|
|
If you want to know what cram is, I can only say that I don't
|
|
know the recipe; but it is biscuitish, keeps good indefinitely,
|
|
is supposed to be sustaining, and is certainly not entertaining,
|
|
being in fact very uninteresting except as a chewing
|
|
exercise. It was made by the Lake-men for long journeys.
|
|
[ The Hobbit, by J.R.R. Tolkien ]
|
|
cream pie
|
|
Gregor stared at the pastry tray, and sighed. "I suppose
|
|
it would disturb the guards if I tried to shove a cream torte up
|
|
your nose."
|
|
"Deeply. You should have done it when we were eight and
|
|
twelve, you could have gotten away with it then. The cream pie
|
|
of justice flies one way," Miles snickered.
|
|
[ The Vor Game, by Lois McMaster Bujold ]
|
|
*crocodile
|
|
A big animal with the appearance of a lizard, constituting
|
|
an order of the reptiles (_Loricata_ or _Crocodylia_), the
|
|
crocodile is a large, dangerous predator native to tropical
|
|
and subtropical climes. It spends most of its time in large
|
|
bodies of water.
|
|
[]
|
|
|
|
How doth the little crocodile
|
|
Improve his shining tail,
|
|
And pour the waters of the Nile
|
|
On every golden scale!
|
|
|
|
How cheerfully he seems to grin
|
|
How neatly spreads his claws,
|
|
And welcomes little fishes in,
|
|
With gently smiling jaws!
|
|
[ How Doth The Little Crocodile, by Lewis Carroll ]
|
|
croesus
|
|
kroisos
|
|
creosote
|
|
Croesus (in Greek: Kroisos), the wealthy last king of Lydia;
|
|
his empire was destroyed when he attacked Cyrus in 549, after
|
|
the Oracle of Delphi (q.v.) had told him: "if you attack the
|
|
Persians, you will destroy a mighty empire". Herodotus
|
|
relates of his legendary conversation with Solon of Athens,
|
|
who impressed upon him that being rich does not imply being
|
|
happy and that no one should be considered fortunate before
|
|
his death.
|
|
crom
|
|
Warily Conan scanned his surroundings, all of his senses alert
|
|
for signs of possible danger. Off in the distance, he could
|
|
see the familiar shapes of the Camp of the Duali tribe.
|
|
Suddenly, the hairs on his neck stand on end as he detects the
|
|
aura of evil magic in the air. Without thought, he readies
|
|
his weapon, and mutters under his breath:
|
|
"By Crom, there will be blood spilt today."
|
|
|
|
[ Conan the Avenger by Robert E. Howard, Bjorn Nyberg,
|
|
and L. Sprague de Camp ]
|
|
crossbow*
|
|
"God save thee, ancient Mariner!
|
|
From the fiends, that plague thee thus! -
|
|
Why look'st thou so?" - With my cross-bow
|
|
I shot the Albatross.
|
|
[ The Rime of the Ancient Mariner, by Samuel Taylor Coleridge ]
|
|
crystal ball
|
|
You look into one of these and see _vapours swirling like
|
|
clouds_. These shortly clear away to show a sort of video
|
|
without sound of something that is going to happen to you
|
|
soon. It is seldom good news.
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
curse*
|
|
Curses are longstanding ill-wishings which, in Fantasyland,
|
|
often manifest as semisentient. They have to be broken or
|
|
dispelled. The method varies according to the type and
|
|
origin of the Curse:
|
|
[...]
|
|
4. Curses on Rings and Swords. You have problems. Rings
|
|
have to be returned whence they came, preferably at over a
|
|
thousand degrees Fahrenheit, and the Curse means you won't
|
|
want to do this. Swords usually resist all attempts to
|
|
raise their Curses. Your best source is to hide the Sword
|
|
or give it to someone you dislike.
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
cwn*n
|
|
A pack of snow-white, red-eared spectral hounds which
|
|
sometimes took part in the kidnappings and raids the
|
|
inhabitants of the underworld sometimes make on this world
|
|
(the Wild Hunt). They are associated in Wales with the sounds
|
|
of migrating wild geese, and are said to be leading the souls
|
|
of the damned to hell. The phantom chase is usually heard or
|
|
seen in midwinter and is accompanied by a howling wind.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
cyclops
|
|
And after he had milked his cattle swiftly,
|
|
he again took hold of two of my men
|
|
and had them as his supper.
|
|
Then I went, with a tub of red wine,
|
|
to stand before the Cyclops, saying:
|
|
"A drop of wine after all this human meat,
|
|
so you can taste the delicious wine
|
|
that is stored in our ship, Cyclops."
|
|
He took the tub and emptied it.
|
|
He appreciated the priceless wine that much
|
|
that he promptly asked me for a second tub.
|
|
"Give it", he said, "and give me your name as well".
|
|
...
|
|
Thrice I filled the tub,
|
|
and after the wine had clouded his mind,
|
|
I said to him, in a tone as sweet as honey:
|
|
"You have asked my name, Cyclops? Well,
|
|
my name is very well known. I'll give it to you,
|
|
if you give me the gift you promised me as a guest.
|
|
My name is Nobody. All call me thus:
|
|
my father and my mother and my friends."
|
|
Ruthlessly he answered to this:
|
|
"Nobody, I will eat you last of all;
|
|
your host of friends will completely precede you.
|
|
That will be my present to you, my friend."
|
|
And after these words he fell down backwards,
|
|
restrained by the all-restrainer Hupnos.
|
|
His monstrous neck slid into the dust;
|
|
the red wine squirted from his throat;
|
|
the drunk vomited lumps of human flesh.
|
|
[ The Odyssey, (chapter Epsilon), by Homer ]
|
|
~sting
|
|
*dagger
|
|
Is this a dagger which I see before me,
|
|
The handle toward my hand? Come, let me clutch thee.
|
|
I have thee not, and yet I see thee still.
|
|
Art thou not, fatal vision, sensible
|
|
To feeling as to sight? or art thou but
|
|
A dagger of the mind, a false creation,
|
|
Proceeding from the heat-oppressed brain?
|
|
I see thee yet, in form as palpable
|
|
As this which now I draw.
|
|
[ Macbeth, by William Shakespeare ]
|
|
dark one
|
|
... But he ruled rather by force and fear, if they might
|
|
avail; and those who perceived his shadow spreading over the
|
|
world called him the Dark Lord and named him the Enemy; and
|
|
he gathered again under his government all the evil things of
|
|
the days of Morgoth that remained on earth or beneath it,
|
|
and the Orcs were at his command and multiplied like flies.
|
|
Thus the Black Years began ...
|
|
[ The Silmarillion, by J.R.R. Tolkien ]
|
|
# includes "dart trap"
|
|
dart*
|
|
Darts are missile weapons, designed to fly such that a sharp,
|
|
often weighted point will strike first. They can be
|
|
distinguished from javelins by fletching (i.e., feathers on
|
|
the tail) and a shaft that is shorter and/or more flexible,
|
|
and from arrows by the fact that they are not of the right
|
|
length to use with a normal bow.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
|
|
Against my foe I hurled a murderous dart.
|
|
He caught it in his hand -- I heard him laugh --
|
|
I saw the thing that should have pierced his heart
|
|
Turn to a golden staff.
|
|
[ Gifts, by Mary Coleridge ]
|
|
demogorgon
|
|
A terrible deity, whose very name was capable of producing the
|
|
most horrible effects. He is first mentioned by the 4th-century
|
|
Christian writer, Lactantius, who in doing so broke with the
|
|
superstition that the very reference to Demogorgon by name
|
|
brought death and disaster.
|
|
[ Brewer's Concise Dictionary of Phrase and Fable ]
|
|
|
|
Demogorgon, the prince of demons, wallows in filth and can
|
|
spread a quickly fatal illness to his victims while rending
|
|
them. He is a mighty spellcaster, and he can drain the life
|
|
of mortals with a touch of his tail.
|
|
# takes "major demon" when specifying '&'
|
|
demon
|
|
major demon
|
|
It is often very hard to discover what any given Demon looks
|
|
like, apart from a general impression of large size, huge
|
|
fangs, staring eyes, many limbs, and an odd color; but all
|
|
accounts agree that Demons are very powerful, very Magic (in
|
|
a nonhuman manner), and made of some substance that can squeeze
|
|
through a keyhole yet not be pierced with a Sword. This makes
|
|
them difficult to deal with, even on the rare occasions when
|
|
they are friendly.
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
diamond
|
|
The hardest known mineral (with a hardness of 10 on Mohs' scale).
|
|
It is an allotropic form of pure carbon that has crystallized in
|
|
the cubic system, usually as octahedra or cubes, under great
|
|
pressure.
|
|
[ A Concise Dictionary of Physics ]
|
|
|
|
The diamond, _adamas_ or _dyamas_, is a transparent stone, like
|
|
crystal, but having the colour of polished iron, but it cannot
|
|
be destroyed by iron, fire or any other means, unless it is
|
|
placed in the hot blood of a goat; with sharp pieces of diamond
|
|
other stones are engraved and polished. It is no greater than
|
|
a small nut. There are six kinds, however Adamant attracts
|
|
metal; it expels venom; it produces amber (and is efficacious
|
|
against empty fears and for those resisting spells). It is
|
|
found in India, in Greece and in Cyprus, where magicians make
|
|
use of it. It gives you courage; it averts apparitions; it
|
|
removes anger and quarrels; it heals the mad; it defends you
|
|
from your enemies. It should be set in gold or silver and worn
|
|
on the left arm. It is likewise found in Arabia.
|
|
[ The Aberdeen Bestiary, translated by Colin McLaren ]
|
|
dilithium*
|
|
The most famous and the first to be named of the imaginary
|
|
"minerals" of Star Trek is dilithium. ... Because of this
|
|
mineral's central role in the storyline, a whole mythology
|
|
surrounds it. It is, however, a naturally occurring substance
|
|
within the mythology, as there are various episodes that
|
|
make reference to the mining of dilithium deposits. ...
|
|
This name itself is imaginary and gives no real information on
|
|
the structure or make-up of this substance other than that this
|
|
version of the name implies a lithium and iron-bearing
|
|
aluminosilicate of some sort. That said, the real mineral that
|
|
most closely matches the descriptive elements of this name is
|
|
ferroholmquistite which is a dilithium triferrodiallosilicate.
|
|
If one goes on the premise that nature follows certain general
|
|
norms, then one could extrapolate that dilithium might have a
|
|
similar number of silicon atoms in its structure.
|
|
Keeping seven (i.e. hepto) ferrous irons and balancing the
|
|
oxygens would give a theoretical formula of Li2Fe7Al2Si8O27.
|
|
A mineral with this composition could theoretically exist,
|
|
although it is doubtful that it would possess the more fantastic
|
|
properties ascribed to dilithium.
|
|
[ The Mineralogy of Star Trek, by Jeffrey de Fourestier ]
|
|
dingo
|
|
A wolflike wild dog, Canis dingo, of Australia, having a
|
|
reddish- or yellowish-brown coat, believed to have been
|
|
introduced by the aborigines.
|
|
[ Webster's Encyclopedic Unabridged Dictionary
|
|
of the English Language ]
|
|
disenchanter
|
|
Ask not, what your magic can do to it. Ask what it can do
|
|
to your magic.
|
|
dispater
|
|
The Roman ruler of the underworld and fortune, similar to the
|
|
Greek Hades. Every hundred years, the Ludi Tarentini were
|
|
celebrated in his honor. The Gauls regarded Dis Pater as
|
|
their ancestor. The name is a contraction of the Latin Dives,
|
|
"the wealthy", Dives Pater, "the wealthy father", or "Fater
|
|
Wealth". It refers to the wealth of precious stone below the
|
|
earth.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
djinn*
|
|
The djinn are genies from the elemental plane of Air. There,
|
|
among their kind, they have their own societies. They are
|
|
sometimes encountered on earth and may even be summoned here
|
|
to perform some service for powerful wizards. The wizards
|
|
often leave them about for later service, safely tucked away
|
|
in a flask or lamp. Once in a while, such a tool is found by
|
|
a lucky rogue, and some djinn are known to be so grateful
|
|
when released that they might grant their rescuer a wish.
|
|
# takes "dog or other canine" when specifying 'd'
|
|
~hachi
|
|
~slasher
|
|
~sirius
|
|
*dog
|
|
pup*
|
|
*canine
|
|
A domestic animal, the _tame dog_ (_Canis familiaris_), of
|
|
which numerous breeds exist. The male is called a dog,
|
|
while the female is called a bitch. Because of its known
|
|
loyalty to man and gentleness with children, it is the
|
|
world's most popular domestic animal. It can easily be
|
|
trained to perform various tasks.
|
|
# typing "spellbook or a closed door" shouldn't yield this entry
|
|
~trap*door
|
|
~*spellbook*
|
|
*door
|
|
doorway
|
|
Through me you pass into the city of woe:
|
|
Through me you pass into eternal pain:
|
|
Through me among the people lost for aye.
|
|
Justice the founder of my fabric mov'd:
|
|
To rear me was the task of power divine,
|
|
Supremest wisdom, and primeval love.
|
|
Before me things create were none, save things
|
|
Eternal, and eternal I endure.
|
|
All hope abandon ye who enter here.
|
|
[ The Inferno, from The Divine Comedy of Dante
|
|
Alighieri, translated by H.F. Cary ]
|
|
doppelganger
|
|
"Then we can only give thanks that this is Antarctica, where
|
|
there is not one, single, solitary, living thing for it to
|
|
imitate, except these animals in camp."
|
|
|
|
"Us," Blair giggled. "It can imitate us. Dogs can't make four
|
|
hundred miles to the sea; there's no food. There aren't any
|
|
skua gulls to imitate at this season. There aren't any
|
|
penguins this far inland. There's nothing that can reach the
|
|
sea from this point - except us. We've got brains. We can do
|
|
it. Don't you see - it's got to imitate us - it's got to be one
|
|
of us - that's the only way it can fly an airplane - fly a plane
|
|
for two hours, and rule - be - all Earth's inhabitants. A world
|
|
for the taking - if it imitates us!
|
|
[ Who Goes There?, by John W. Campbell ]
|
|
|
|
Xander: Let go! I have to kill the demon bot!
|
|
Xander Double (grabbing the gun): Anya, get out of the way.
|
|
Buffy: Xander!
|
|
Xander Double: That's all right, Buffy. I have him.
|
|
Xander: No, Buffy, I'm me. Help me!
|
|
Anya: My gun, he's got my gun.
|
|
Riley: You own a gun?
|
|
Buffy: Xander, gun holding Xander, give it to me.
|
|
Anya: Buffy, which one's real?
|
|
Xander: I am.
|
|
Xander Double: No, _I_ am.
|
|
[ Buffy the Vampire Slayer, Episode 5.03, "The Replacement" ]
|
|
*dragon
|
|
*xoth
|
|
In the West the dragon was the natural enemy of man. Although
|
|
preferring to live in bleak and desolate regions, whenever it
|
|
was seen among men it left in its wake a trail of destruction
|
|
and disease. Yet any attempt to slay this beast was a perilous
|
|
undertaking. For the dragon's assailant had to contend
|
|
not only with clouds of sulphurous fumes pouring from its fire
|
|
breathing nostrils, but also with the thrashings of its tail,
|
|
the most deadly part of its serpent-like body.
|
|
[ Mythical Beasts by Deirdre Headon (The Leprechaun Library) ]
|
|
|
|
"One whom the dragons will speak with," he said, "that is a
|
|
dragonlord, or at least that is the center of the matter. It's
|
|
not a trick of mastering the dragons, as most people think.
|
|
Dragons have no masters. The question is always the same, with
|
|
a dragon: will he talk to you or will he eat you? If you can
|
|
count upon his doing the former, and not doing the latter, why
|
|
then you're a dragonlord."
|
|
[ The Tombs of Atuan, by Ursula K. Le Guin ]
|
|
*dragon*scale*
|
|
Stephen had argued, and the expert armorer had grudgingly
|
|
admitted, that dragonscale shield or armor, provided it proved
|
|
feasible to make at all, ought to offer some real, practical
|
|
advantages over any metal breastplate or shield -- gram for
|
|
gram of weight, such a defense would probably be a lot
|
|
tougher and more protective than any human smiths could
|
|
make of steel.
|
|
[ The Last Book of Swords: Shieldbreaker's Story,
|
|
by Fred Saberhagen ]
|
|
*drum*
|
|
Many travelers have seen the drums of the great apes, and
|
|
some have heard the sounds of their beating and the noise of
|
|
the wild, weird revelry of these first lords of the jungle,
|
|
but Tarzan, Lord Greystoke, is, doubtless, the only human
|
|
being who ever joined in the fierce, mad, intoxicating revel
|
|
of the Dum-Dum.
|
|
[ Tarzan of the Apes, by Edgar Rice Burroughs ]
|
|
dunce*
|
|
A dunce cap, also variously known as a dunce hat, dunce's
|
|
cap, or dunce's hat, is a tall conical hat. In popular
|
|
culture, it is typically made of paper and often marked with
|
|
a D, and given to schoolchildren to wear as punishment for
|
|
being stupid or lazy. While this is now a rare practice,
|
|
it is frequently depicted in popular culture such as
|
|
children's cartoons.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
dungeon*
|
|
At once as far as Angels kenn he views
|
|
The dismal Situation waste and wilde,
|
|
A Dungeon horrible, on all sides round
|
|
As one great Furnace flam'd, yet from those flames
|
|
No light, but rather darkness visible
|
|
Serv'd only to discover sights of woe,
|
|
Regions of sorrow, doleful shades, where peace
|
|
And rest can never dwell, hope never comes
|
|
That comes to all; but torture without end
|
|
Still urges, and a fiery Deluge, fed
|
|
With ever-burning Sulphur unconsum'd:
|
|
Such place Eternal Justice had prepar'd
|
|
For those rebellious, here their Prison ordain'd
|
|
In utter darkness, and their portion set
|
|
As far remov'd from God and light of Heav'n
|
|
As from the Center thrice to th' utmost Pole.
|
|
[ Paradise Lost, by John Milton ]
|
|
~dwarf ??m*
|
|
#~dwar* cave*man
|
|
dwarf*
|
|
Dwarfs have faces like men (ugly men, with wrinkled, leathery
|
|
skins), but are generally either flat-footed, duck-footed, or
|
|
have feet pointing backwards. They are of the earth, earthy,
|
|
living in the darkest of caverns and venturing forth only
|
|
with the cloaks by which they can make themselves invisible,
|
|
and others disguised as toads. Miners often come across them,
|
|
and sometimes establish reasonably close relations with them.
|
|
... The miners of Cornwall were always delighted to hear a
|
|
bucca busily mining away, for all dwarfs have an infallible
|
|
nose for precious metals.
|
|
Among other things, dwarfs are rightly valued for their skill
|
|
as blacksmiths and jewellers: they made Odin his famous spear
|
|
Gungnir, and Thor his hammer; for Freya they designed a
|
|
magnificent necklace, and for Frey a golden boar. And in their
|
|
spare time they are excellent bakers. Ironically, despite
|
|
their odd feet, they are particularly fond of dancing. They
|
|
can also see into the future, and consequently are excellent
|
|
meteorologists. They can be free with presents to people
|
|
they like, and a dwarvish gift is likely to turn to gold in
|
|
the hand. But on the whole they are a snappish lot.
|
|
[ The Immortals, by Derek and Julia Parker ]
|
|
earendil
|
|
elwing
|
|
In after days, when because of the triumph of Morgoth Elves and
|
|
Men became estranged, as he most wished, those of the Elven-race
|
|
that lived still in Middle-earth waned and faded, and Men usurped
|
|
the sunlight. Then the Quendi wandered in the lonely places of the
|
|
great lands and the isles, and took to the moonlight and the
|
|
starlight, and to the woods and the caves, becoming as shadows
|
|
and memories, save those who ever and anon set sail into the West
|
|
and vanished from Middle-earth. But in the dawn of years Elves
|
|
and Men were allies and held themselves akin, and there were some
|
|
among Men that learned the wisdom of the Eldar, and became great
|
|
and valiant among the captains of the Noldor. And in the glory
|
|
and beauty of the Elves, and in their fate, full share had the
|
|
offspring of elf and mortal, Earendil, and Elwing, and Elrond
|
|
their child.
|
|
[ The Silmarillion, by J.R.R. Tolkien ]
|
|
eel
|
|
giant eel
|
|
The behaviour of eels in fresh water extends the air of
|
|
mystery surrounding them. They move freely into muddy, silty
|
|
bottoms of lakes, lying buried in the daylight hours in summer.
|
|
[...] Eels are voracious carnivores, feeding mainly at
|
|
night and consuming a wide variety of fishes and invertebrate
|
|
creatures. Contrary to earlier thinking, eels seek living
|
|
rather than dead creatures and are not habitual eaters of
|
|
carrion.
|
|
[ Freshwater Fishes of Canada, by Scott and Crossman ]
|
|
egg
|
|
But I asked why not keep it and let the hen sit on it till it
|
|
hatched, and then we could see what would come out of it.
|
|
"Nothing good, I'm certain of that," Mom said. "It would
|
|
probably be something horrible. But just remember, if it's a
|
|
crocodile or a dragon or something like that, I won't have it
|
|
in my house for one minute."
|
|
[ The Enormous Egg, by Oliver Butterworth ]
|
|
elbereth
|
|
... Even as they stepped over the threshold a single clear
|
|
voice rose in song.
|
|
|
|
A Elbereth Gilthoniel,
|
|
silivren penna miriel
|
|
o menel aglar elenath!
|
|
Na-chaered palan-diriel
|
|
o galadhremmin ennorath,
|
|
Fanuilos, le linnathon
|
|
nef aear, si nef aearon!
|
|
|
|
Frodo halted for a moment, looking back. Elrond was in his
|
|
chair and the fire was on his face like summer-light upon the
|
|
trees. Near him sat the Lady Arwen. [...]
|
|
He stood still enchanted, while the sweet syllables of the
|
|
elvish song fell like clear jewels of blended word and melody.
|
|
"It is a song to Elbereth," said Bilbo. "They will sing that,
|
|
and other songs of the Blessed Realm, many times tonight.
|
|
Come on!"
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
electric eel
|
|
South-American fish (_Gymnotus electricus_), living in fresh
|
|
water. Shaped like a serpent, it can grow up to 2 metres.
|
|
This eel is known for its electrical organ which enables it
|
|
to paralyse creatures up to the size of a horse.
|
|
[ Van Dale's Groot Woordenboek der Nederlandse Taal ]
|
|
*elemental
|
|
Elementals are manifestations of the basic nature of the
|
|
universe. There are four known forms of elementals: air, fire,
|
|
water, and earth. Some mystics have postulated the necessity
|
|
for a fifth type, the spirit elemental, but none have ever
|
|
been encountered, at least on this plane of existence.
|
|
~human or elf*
|
|
~elf ??m*
|
|
*elf*
|
|
elvenking
|
|
The Elves sat round the fire upon the grass or upon the sawn
|
|
rings of old trunks. Some went to and fro bearing cups and
|
|
pouring drinks; others brought food on heaped plates and
|
|
dishes.
|
|
"This is poor fare," they said to the hobbits; "for we are
|
|
lodging in the greenwood far from our halls. If ever you are
|
|
our guests at home, we will treat you better."
|
|
"It seems to me good enough for a birthday-party," said Frodo.
|
|
Pippin afterwards recalled little of either food or drink, for
|
|
his mind was filled with the light upon the elf-faces, and the
|
|
sound of voices so various and so beautiful that he felt in a
|
|
waking dream. [...]
|
|
Sam could never describe in words, nor picture clearly to
|
|
himself, what he felt or thought that night, though it remained
|
|
in his memory as one of the chief events of his life. The
|
|
nearest he ever got was to say: "Well, sir, if I could grow
|
|
apples like that, I would call myself a gardener. But it was
|
|
the singing that went to my heart, if you know what I mean."
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
elven cloak
|
|
The Elves next unwrapped and gave to each of the Company the
|
|
clothes they had brought. For each they had provided a hood
|
|
and cloak, made according to his size, of the light but warm
|
|
silken stuff that the Galadrim wove. It was hard to say of
|
|
what colour they were: grey with the hue of twilight under
|
|
the trees they seemed to be; and yet if they were moved, or
|
|
set in another light, they were green as shadowed leaves, or
|
|
brown as fallow fields by night, dusk-silver as water under
|
|
the stars.
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
emerald
|
|
'Put off that mask of burning gold
|
|
With emerald eyes.'
|
|
'O no, my dear, you make so bold
|
|
To find if hearts be wild and wise,
|
|
And yet not cold.'
|
|
|
|
'I would but find what's there to find,
|
|
Love or deceit.'
|
|
'It was the mask engaged your mind,
|
|
And after set your heart to beat,
|
|
Not what's behind.'
|
|
|
|
'But lest you are my enemy,
|
|
I must enquire.'
|
|
'O no, my dear, let all that be;
|
|
What matter, so there is but fire
|
|
In you, in me?'
|
|
[ The Mask, by W.B. Yeats ]
|
|
engrav*
|
|
A.S*
|
|
Presently we reached a place where the beach narrowed; the sea
|
|
almost came up to the foot of the cliffs, leaving a passage no
|
|
wider than a couple of yards. Between two projecting rocks we
|
|
caught sight of the entrance to a dark tunnel.
|
|
There, on a slab of granite, appeared two mysterious letters,
|
|
half eaten away by time -- the two initials of the bold,
|
|
adventurous traveller:
|
|
|
|
A.S.
|
|
|
|
'A.S.,' cried my uncle. 'Arne Saknussemm! Arne Saknussemm again!'
|
|
|
|
[...] at the sight of those two letters, carved there three
|
|
hundred years before, I stood in utter stupefaction. Not
|
|
only was the signature of the learned alchemist legible on
|
|
the rock, but I held in my hand the dagger which had traced it.
|
|
Without showing the most appalling bad faith, I could no longer
|
|
doubt the existence of the traveller and the reality of his
|
|
journey.
|
|
[ Journey to the Centre of the Earth, by Jules Verne,
|
|
translated by Robert Baldick ]
|
|
*epidaurus
|
|
The asclepieion at Epidaurus was the most celebrated healing
|
|
center of the Classical world, the place where ill people went
|
|
in the hope of being cured. To find out the right cure for
|
|
their ailments, they spent a night in the enkoimitiria, a big
|
|
sleeping hall. In their dreams, the god himself (Asclepius)
|
|
would advise them what they had to do to regain their health.
|
|
There are also mineral springs in the vicinity which may have
|
|
been used in healing.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
erinys
|
|
erinyes
|
|
These female-seeming devils named after the Furies of mythology
|
|
attack hand to hand and poison their unwary victims as well.
|
|
ettin
|
|
The two-headed giant, or ettin, is a vicious and unpredictable
|
|
hunter that stalks by night and eats any meat it can catch.
|
|
excalibur
|
|
At first only its tip was visible, but then it rose, straight,
|
|
proud, all that was noble and great and wondrous. The tip of
|
|
the blade pointed toward the moon, as if it would cleave it
|
|
in two. The blade itself gleamed like a beacon in the night.
|
|
There was no light source for the sword to be reflecting
|
|
from, for the moon had darted behind a cloud in fear. The
|
|
sword was glowing from the intensity of its strength and
|
|
power and knowledge that it was justice incarnate, and that
|
|
after a slumber of uncounted years its time had again come.
|
|
After the blade broke the surface, the hilt was visible, and
|
|
holding the sword was a single strong, yet feminine hand,
|
|
wearing several rings that bore jewels sparkling with the
|
|
blue-green color of the ocean.
|
|
[ Knight Life, by Peter David ]
|
|
expensive camera
|
|
There was a time when Rincewind had quite liked the iconoscope.
|
|
He believed, against all experience, that the world was
|
|
fundamentally understandable, and that if he could only equip
|
|
himself with the right mental toolbox he could take the back off
|
|
and see how it worked. He was, of course, dead wrong. The
|
|
iconoscope didn't take pictures by letting light fall onto
|
|
specially treated paper, as he had surmised, but by the far
|
|
simpler method of imprisoning a small demon with a good eye for
|
|
colour and a speedy hand with a paintbrush. He had been very
|
|
upset to find that out.
|
|
[ The Light Fantastic, by Terry Pratchett ]
|
|
eye of the aethiopica
|
|
This is a powerful amulet of ESP. In addition to its standard
|
|
powers, it regenerates the energy of anyone who carries
|
|
it, allowing them to cast spells more often. It also reduces
|
|
any spell damage to the person who carries it by half, and
|
|
protects from magic missiles. Finally, when invoked it has
|
|
the power to instantly open a portal to any other area of the
|
|
dungeon, allowing its invoker to travel quickly between
|
|
areas.
|
|
eyes of the overworld
|
|
... and finally there is "the Eyes of the Overworld". This
|
|
obscure artifact pushes the wearer's view sense into the
|
|
"overworld" -- another name for a segment of the Astral Plane.
|
|
Usually, there is nothing to be seen. However, the wearer
|
|
is also able to look back and see the area around herself,
|
|
much like looking on a map. Why anyone would want to ...
|
|
fedora
|
|
Some hats can only be worn if you're willing to be jaunty, to set
|
|
them at an angle and to walk beneath them with a spring in your
|
|
stride as if you're only a step away from dancing. They demand a
|
|
lot of you.
|
|
[ Anansi Boys, by Neil Gaiman ]
|
|
figurine*
|
|
Then it appeared in Paris at just about the time that Paris
|
|
was full of Carlists who had to get out of Spain. One of
|
|
them must have brought it with him, but, whoever he was, it's
|
|
likely he knew nothing about its real value. It had been --
|
|
no doubt as a precaution during the Carlist trouble in Spain
|
|
-- painted or enameled over to look like nothing more than a
|
|
fairly interesting black statuette. And in that disguise,
|
|
sir, it was, you might say, kicked around Paris for seventy
|
|
years by private owners and dealers too stupid to see what
|
|
it was under the skin.
|
|
[ The Maltese Falcon, by Dashiell Hammett ]
|
|
fire trap
|
|
'Let him be for a while,' said Cohen. 'I reckon the fish
|
|
disagreed with him.'
|
|
'Don't see why,' said Truckle. 'I pulled him out before it'd
|
|
hardly chewed him. And he must've dried out nicely in that
|
|
corridor. You know, the one where the flames shot up out of
|
|
the floor unexpectedly.'
|
|
'I reckon our bard wasn't expecting flames to shoot out of
|
|
the floor unexpectedly,' said Cohen.
|
|
Truckle shrugged theatrically. '_Well_, if you're not going
|
|
to expect unexpected flames, what's the point of going
|
|
_anywhere_?'
|
|
[ The Last Hero, by Terry Pratchett ]
|
|
f* brand
|
|
One of a pair of legendary swords that possess the powers
|
|
of elemental flame and ice, and will grant these to whoever
|
|
is fortunate enough to wield them.
|
|
flesh golem
|
|
With an anxiety that almost amounted to agony, I collected
|
|
the instruments of life around me, that I might infuse a spark
|
|
of being into the lifeless thing that lay at my feet. It was
|
|
already one in the morning; the rain pattered dismally against
|
|
the panes, and my candle was nearly burnt out, when, by the
|
|
glimmer of the half-extinguished light, I saw the dull yellow
|
|
eye of the creature open; it breathed hard, and a convulsive
|
|
motion agitated its limbs.
|
|
|
|
How can I describe my emotions at this catastrophe, or how
|
|
delineate the wretch whom with such infinite pains and care I
|
|
had endeavoured to form? His limbs were in proportion, and I
|
|
had selected his features as beautiful. Beautiful!--Great God!
|
|
His yellow skin scarcely covered the work of muscles and
|
|
arteries beneath; his hair was of a lustrous black, and
|
|
flowing; his teeth of a pearly whiteness; but these luxuriances
|
|
only formed a more horrid contrast with his watery eyes, that
|
|
seemed almost of the same colour as the dun white sockets in
|
|
which they were set, his shrivelled complexion and straight
|
|
black lips.
|
|
[ Frankenstein, by Mary Wollstonecraft Shelley ]
|
|
flint*
|
|
An emerald is as green as grass;
|
|
A ruby red as blood;
|
|
A sapphire shines as blue as heaven;
|
|
A flint lies in the mud.
|
|
|
|
A diamond is a brilliant stone,
|
|
To catch the world's desire;
|
|
An opal holds a fiery spark;
|
|
But a flint holds fire.
|
|
[ Precious Stones, by Christina Giorgina Rossetti ]
|
|
floating eye
|
|
Floating eyes, not surprisingly, are large, floating eyeballs
|
|
which drift about the dungeon. Though not dangerous in and
|
|
of themselves, their power to paralyse those who gaze at
|
|
their large eye in combat is widely feared. Many are the
|
|
tales of those who struck a floating eye, were paralysed by
|
|
its mystic powers, and then nibbled to death by some other
|
|
creature that lurked around nearby.
|
|
*flute
|
|
With this thou canst do mighty deeds
|
|
And change men's passions for thy needs:
|
|
A man's despair with joy allay,
|
|
Turn bachelors old to lovers gay.
|
|
[ The Magic Flute, by Wolfgang Amadeus Mozart ]
|
|
# also takes fog/vapor cloud
|
|
fog* cloud
|
|
The fog comes
|
|
on little cat feet.
|
|
|
|
It sits looking
|
|
over harbor and city
|
|
on silent haunches
|
|
and then moves on.
|
|
[ Fog, by Carl Sandburg ]
|
|
# includes "food detection" and "detect food", which might not be the best
|
|
*food*
|
|
The little girl stood on tip-toe and picked one of the nicest
|
|
and biggest lunch-boxes, and then she sat down upon the ground
|
|
and eagerly opened it. Inside she found, nicely wrapped in
|
|
white papers, a ham sandwich, a piece of sponge-cake, a pickle,
|
|
a slice of new cheese and an apple. Each thing had a separate
|
|
stem, and so had to be picked off the side of the box; but
|
|
Dorothy found them all to be delicious, and she ate every bit
|
|
of luncheon in the box before she had finished.
|
|
[ Ozma of Oz, by L. Frank Baum ]
|
|
fountain
|
|
Rest! This little Fountain runs
|
|
Thus for aye: -- It never stays
|
|
For the look of summer suns,
|
|
Nor the cold of winter days.
|
|
Whose'er shall wander near,
|
|
When the Syrian heat is worst,
|
|
Let him hither come, nor fear
|
|
Lest he may not slake his thirst:
|
|
He will find this little river
|
|
Running still, as bright as ever.
|
|
Let him drink, and onward hie,
|
|
Bearing but in thought, that I,
|
|
Erotas, bade the Naiad fall,
|
|
And thank the great god Pan for all!
|
|
[ For a Fountain, by Bryan Waller Procter ]
|
|
fox
|
|
One hot summer's day a Fox was strolling through an orchard
|
|
till he came to a bunch of Grapes just ripening on a vine
|
|
which had been trained over a lofty branch. "Just the thing
|
|
to quench my thirst," quoth he. Drawing back a few paces, he
|
|
took a run and a jump, and just missed the bunch. Turning
|
|
round again with a One, Two, Three, he jumped up, but with
|
|
no greater success. Again and again he tried after the
|
|
tempting morsel, but at last had to give it up, and walked
|
|
away with his nose in the air, saying: "I am sure they are
|
|
sour."
|
|
[ Aesop's Fables ]
|
|
*fung*
|
|
Fungi, division of simple plants that lack chlorophyll, true
|
|
stems, roots, and leaves. Unlike algae, fungi cannot
|
|
photosynthesize, and live as parasites or saprophytes. The
|
|
division comprises the slime molds and true fungi. True
|
|
fungi are multicellular (with the exception of yeasts); the
|
|
body of most true fungi consists of slender cottony
|
|
filaments, or hyphae. All fungi are capable of asexual
|
|
reproduction by cell division, budding, fragmentation, or
|
|
spores. Those that reproduce sexually alternate a sexual
|
|
generation (gametophyte) with a spore-producing one. The
|
|
four classes of true fungi are the algaelike fungi (e.g.,
|
|
black bread mold and downy mildew), sac fungi (e.g., yeasts,
|
|
powdery mildews, truffles, and blue and green molds such as
|
|
Penicillium), basidium fungi (e.g., mushrooms and puffballs)
|
|
and imperfect fungi (e.g., species that cause athlete's foot
|
|
and ringworm). Fungi help decompose organic matter (important
|
|
in soil renewal); are valuable as a source of antibiotics,
|
|
vitamins, and various chemicals; and for their role in
|
|
fermentation, e.g., in bread and alcoholic beverage
|
|
production.
|
|
[ The Concise Columbia Encyclopedia ]
|
|
*gargoyle
|
|
And so it came to pass that while Man ruled on Earth, the
|
|
gargoyles waited, lurking, hidden from the light. Reborn
|
|
every 600 years in Man's reckoning of time, the gargoyles
|
|
joined battle against Man to gain dominion over the Earth.
|
|
|
|
In each coming, the gargoyles were nearly destroyed by Men
|
|
who flourished in greater numbers. Now it has been so many
|
|
hundreds of years that it seems the ancient statues and
|
|
paintings of gargoyles are just products of Man's
|
|
imagination. In this year, with Man's thoughts turned toward
|
|
the many ills he has brought among himself, Man has forgotten
|
|
his most ancient adversary, the gargoyles.
|
|
[ Excerpt from the opening narration to the movie
|
|
_Gargoyles_, written by Stephen and Elinor Karpf ]
|
|
*garlic
|
|
1 November - All day long we have travelled, and at a good
|
|
speed. The horses seem to know that they are being kindly
|
|
treated, for they go willingly their full stage at best
|
|
speed. We have now had so many changes and find the same
|
|
thing so constantly that we are encouraged to think that the
|
|
journey will be an easy one. Dr. Van Helsing is laconic, he
|
|
tells the farmers that he is hurrying to Bistritz, and pays
|
|
them well to make the exchange of horses. We get hot soup,
|
|
or coffee, or tea, and off we go. It is a lovely country.
|
|
Full of beauties of all imaginable kinds, and the people are
|
|
brave, and strong, and simple, and seem full of nice
|
|
qualities. They are very, very superstitious. In the first
|
|
house where we stopped, when the woman who served us saw the
|
|
scar on my forehead, she crossed herself and put out two
|
|
fingers towards me, to keep off the evil eye. I believe they
|
|
went to the trouble of putting an extra amount of garlic into
|
|
our food, and I can't abide garlic. Ever since then I have
|
|
taken care not to take off my hat or veil, and so have
|
|
escaped their suspicions.
|
|
[ Dracula, by Bram Stoker ]
|
|
# gas spore -- see *spore
|
|
gehenn*
|
|
*h?nnom
|
|
hell
|
|
"Place of Torment." The Valley of Hinnom, south-west of
|
|
Jerusalem, where Solomon, king of Israel, built "a high place",
|
|
or place of worship, for the gods Chemosh and Moloch. The
|
|
valley came to be regarded as a place of abomination because
|
|
some of the Israelites sacrificed their children to Moloch
|
|
there. In a later period it was made a refuse dump and
|
|
perpetual fires were maintained there to prevent pestilence.
|
|
Thus, in the New Testament, Gehenna became synonymous with hell.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
gelatinous cube
|
|
Despite its popularity (or perhaps because of it), the
|
|
gelatinous cube is also widely known as one of the sillier
|
|
role-playing monsters. It is something of a commentary on the
|
|
ubiquity of treasure-laden dungeons in the Dungeons & Dragons
|
|
universe, as the cube is a creature specifically adapted to a
|
|
dungeon ecosystem. 10 feet to the side, it travels through
|
|
standard 10-foot by 10-foot dungeon corridors, cleaning up
|
|
debris and redistributing treasure by excreting indigestible
|
|
metal items.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
*gem
|
|
gem or rock
|
|
The difference between false memories and true ones is the
|
|
same as for jewels: it is always the false ones that look the
|
|
most real, the most brilliant.
|
|
[ Salvador Dali ]
|
|
geryon
|
|
Forthwith that image vile of fraud appear'd,
|
|
His head and upper part expos'd on land,
|
|
But laid not on the shore his bestial train.
|
|
His face the semblance of a just man's wore,
|
|
So kind and gracious was its outward cheer;
|
|
The rest was serpent all: two shaggy claws
|
|
Reach'd to the armpits, and the back and breast,
|
|
And either side, were painted o'er with nodes
|
|
And orbits. Colours variegated more
|
|
Nor Turks nor Tartars e'er on cloth of state
|
|
With interchangeable embroidery wove,
|
|
Nor spread Arachne o'er her curious loom.
|
|
As ofttimes a light skiff, moor'd to the shore,
|
|
Stands part in water, part upon the land;
|
|
Or, as where dwells the greedy German boor,
|
|
The beaver settles watching for his prey;
|
|
So on the rim, that fenc'd the sand with rock,
|
|
Sat perch'd the fiend of evil. In the void
|
|
Glancing, his tail upturn'd its venomous fork,
|
|
With sting like scorpion's arm'd. Then thus my guide:
|
|
"Now need our way must turn few steps apart,
|
|
Far as to that ill beast, who couches there."
|
|
[ The Inferno, from The Divine Comedy of Dante
|
|
Alighieri, translated by H.F. Cary ]
|
|
*ghost
|
|
valley of *dea*
|
|
And now the souls of the dead who had gone below came swarming
|
|
up from Erebus -- fresh brides, unmarried youths, old men
|
|
with life's long suffering behind them, tender young girls
|
|
still nursing this first anguish in their hearts, and a great
|
|
throng of warriors killed in battle, their spear-wounds gaping
|
|
yet and all their armour stained with blood. From this
|
|
multitude of souls, as they fluttered to and fro by the
|
|
trench, there came a moaning that was horrible to hear.
|
|
Panic drained the blood from my cheeks.
|
|
[ The Odyssey, (chapter Lambda), by Homer ]
|
|
ghoul
|
|
The forces of the gloom know each other, and are strangely
|
|
balanced by each other. Teeth and claws fear what they cannot
|
|
grasp. Blood-drinking bestiality, voracious appetites, hunger
|
|
in search of prey, the armed instincts of nails and jaws which
|
|
have for source and aim the belly, glare and smell out
|
|
uneasily the impassive spectral forms straying beneath a
|
|
shroud, erect in its vague and shuddering robe, and which seem
|
|
to them to live with a dead and terrible life. These
|
|
brutalities, which are only matter, entertain a confused fear
|
|
of having to deal with the immense obscurity condensed into an
|
|
unknown being. A black figure barring the way stops the wild
|
|
beast short. That which emerges from the cemetery intimidates
|
|
and disconcerts that which emerges from the cave; the
|
|
ferocious fear the sinister; wolves recoil when they encounter
|
|
a ghoul.
|
|
[ Les Miserables, by Victor Hugo ]
|
|
*giant
|
|
giant humanoid
|
|
Giants have always walked the earth, though they are rare in
|
|
these times. They range in size from little over nine feet
|
|
to a towering twenty feet or more. The larger ones use huge
|
|
boulders as weapons, hurling them over large distances. All
|
|
types of giants share a love for men - roasted, boiled, or
|
|
fried. Their table manners are legendary.
|
|
# note: "gnomish wizard" is a monster
|
|
~gnome ??m*
|
|
#~gnom* cave*man
|
|
gnome*
|
|
gnomish wizard
|
|
... And then a gnome came by, carrying a bundle, an old
|
|
fellow three times as large as an imp and wearing clothes of
|
|
a sort, especially a hat. And he was clearly just as frightened
|
|
as the imps though he could not go so fast. Ramon Alonzo
|
|
saw that there must be some great trouble that was vexing
|
|
magical things; and, since gnomes speak the language of men, and
|
|
will answer if spoken to gently, he raised his hat, and asked
|
|
of the gnome his name. The gnome did not stop his hasty
|
|
shuffle a moment as he answered 'Alaraba' and grabbed the rim
|
|
of his hat but forgot to doff it.
|
|
'What is the trouble, Alaraba?' said Ramon Alonzo.
|
|
'White magic. Run!' said the gnome ..
|
|
[ The Charwoman's Shadow, by Lord Dunsany ]
|
|
|
|
"Muggles have garden gnomes, too, you know," Harry told Ron as
|
|
they crossed the lawn.
|
|
"Yeah, I've seen those things they think are gnomes," said Ron,
|
|
bent double with his head in a peony bush, "like fat little
|
|
Santa Clauses with fishing rods..."
|
|
There was a violent scuffling noise, the peony bush shuddered,
|
|
and Ron straightened up. "This is a gnome," he said grimly.
|
|
"Geroff me! Gerroff me!" squealed the gnome.
|
|
It was certainly nothing like Santa Claus. It was small and
|
|
leathery looking, with a large, knobby, bald head exactly like
|
|
a potato. Ron held it at arm's length as it kicked out at him
|
|
with its horny little feet; he grasped it around the ankles
|
|
and turned it upside down.
|
|
[ Harry Potter and the Chamber of Secrets, by J. K. Rowling ]
|
|
goblin
|
|
Now goblins are cruel, wicked, and bad-hearted. They make
|
|
no beautiful things, but they make many clever ones. They
|
|
can tunnel and mine as well as any but the most skilled
|
|
dwarves, when they take the trouble, though they are usually
|
|
untidy and dirty. Hammers, axes, swords, daggers, pickaxes,
|
|
tongs, and also instruments of torture, they make very well,
|
|
or get other people to make to their design, prisoners and
|
|
slaves that have to work till they die for want of air and
|
|
light.
|
|
[ The Hobbit, by J.R.R. Tolkien ]
|
|
god
|
|
goddess
|
|
Goddesses and Gods operate in ones, threesomes, or whole
|
|
pantheons of nine or more (see Religion). Most of them claim
|
|
to have made the world, and this is indeed a likely claim in
|
|
the case of threesomes or pantheons: Fantasyland does have
|
|
the air of having been made by a committee. But all Goddesses
|
|
and Gods, whether they say they made the world or not, have
|
|
very detailed short-term plans for it which they are determined
|
|
to carry out. Consequently they tend to push people into the
|
|
required actions by the use of coincidence or Prophecy, or just
|
|
by narrowing down your available choices of what to do next:
|
|
if a deity is pushing you, things will go miserably badly until
|
|
there is only one choice left to you.
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
gold
|
|
gold piece
|
|
A metal of characteristic yellow colour, the most precious
|
|
metal used as a common commercial medium of exchange. Symbol,
|
|
Au; at. no. 79; at. wt. 197.2. It is the most malleable
|
|
and ductile of all metals, and very heavy (sp. gr., 19.3).
|
|
It is quite unalterable by heat, moisture, and most
|
|
corrosive agents, and therefore well suited for its use in
|
|
coin and jewelry.
|
|
[ Webster's New International Dictionary
|
|
of the English Language, Second Edition ]
|
|
gold golem
|
|
The bellows he set away from the fire, and gathered all the tools
|
|
wherewith he wrought into a silver chest; and with a sponge wiped
|
|
he his face and his two hands withal, and his mighty neck and
|
|
shaggy breast, and put upon him a tunic, and grasped a stout staff,
|
|
and went forth halting; but there moved swiftly to support their
|
|
lord handmaidens wrought of gold in the semblance of living maids.
|
|
In them is understanding in their hearts, and in them speech and
|
|
strength, and they know cunning handiwork by gift of the immortal
|
|
gods.
|
|
[ The Iliad, by Homer ]
|
|
~flesh golem
|
|
~gold golem
|
|
~straw golem
|
|
~wood golem
|
|
*golem
|
|
"The original story harks back, so they say, to the sixteenth
|
|
century. Using long-lost formulas from the Kabbala, a rabbi is
|
|
said to have made an artificial man -- the so-called Golem -- to
|
|
help ring the bells in the Synagogue and for all kinds of other
|
|
menial work.
|
|
"But he hadn't made a full man, and it was animated by some sort
|
|
of vegetable half-life. What life it had, too, so the story
|
|
runs, was only derived from the magic charm placed behind its
|
|
teeth each day, that drew down to itself what was known as the
|
|
`free sidereal strength of the universe.'
|
|
"One evening, before evening prayers, the rabbi forgot to take
|
|
the charm out of the Golem's mouth, and it fell into a frenzy.
|
|
It raged through the dark streets, smashing everything in its
|
|
path, until the rabbi caught up with it, removed the charm, and
|
|
destroyed it. Then the Golem collapsed, lifeless. All that was
|
|
left of it was a small clay image, which you can still see in
|
|
the Old Synagogue." ...
|
|
[ The Golem, by Gustav Meyrink ]
|
|
grave
|
|
"Who'd care to dig 'em," said the old, old man,
|
|
"Those six feet marked in chalk?
|
|
Much I talk, more I walk;
|
|
Time I were buried," said the old, old man.
|
|
[ Three Songs to the Same Tune, by W.B. Yeats ]
|
|
grayswandir
|
|
Why had I been wearing Grayswandir? Would another weapon have
|
|
affected a Logrus-ghost as strongly? Had it really been my
|
|
father, then, who had brought me here? And had he felt I might
|
|
need the extra edge his weapon could provide? I wanted to
|
|
think so, to believe that he had been more than a Pattern-ghost.
|
|
[ Knight of Shadows, by Roger Zelazny ]
|
|
*grease
|
|
ANOINT, v.t. To grease a king or other great functionary
|
|
already sufficiently slippery.
|
|
[ The Devil's Dictionary, by Ambrose Bierce ]
|
|
gremlin
|
|
The gremlin is a highly intelligent and completely evil
|
|
creature. It lives to torment other creatures and will go
|
|
to great lengths to inflict pain or cause injury.
|
|
[]
|
|
|
|
Suddenly, Wilson thought about war, about the newspaper
|
|
stories which recounted the alleged existence of creatures in
|
|
the sky who plagued the Allied pilots in their duties. They
|
|
called them gremlins, he remembered. Were there, actually,
|
|
such beings? Did they, truly, exist up here, never falling,
|
|
riding on the wind, apparently of bulk and weight, yet
|
|
impervious to gravity?
|
|
He was thinking that when the man appeared again.
|
|
[ Nightmare at 20,000 Feet, by Richard Matheson ]
|
|
grid bug
|
|
These electronically based creatures are not native to this
|
|
universe. They appear to come from a world whose laws of
|
|
motion are radically different from ours.
|
|
[]
|
|
|
|
Tron looked to his mate and pilot. "I'm going to check on
|
|
the beam connection, Yori. You two can keep a watch out for
|
|
grid bugs." Tron paced forward along the slender catwalk
|
|
that still seemed awfully insubstantial to Flynn, though he
|
|
knew it to be amazingly sturdy. He gazed after Tron, asking
|
|
himself what in the world a grid bug was, and hoping that the
|
|
beam connection -- to which he'd given no thought whatsoever
|
|
until this moment -- was healthy and sound."
|
|
[ Tron, novel by Brian Daley, story by Steven Lisberger ]
|
|
gunyoki
|
|
The samurai's last meal before battle. It was usually made
|
|
up of cooked chestnuts, dried seaweed, and sake.
|
|
hachi
|
|
Hachi was a dog that went with his master, a professor, to
|
|
the Shibuya train station every morning. In the afternoon,
|
|
when his master was to return from work Hachi would be there
|
|
waiting. One day his master died at the office, and did not
|
|
return. For over ten years Hachi returned to the station
|
|
every afternoon to wait for his master. When Hachi died a
|
|
statue was erected on the station platform in his honor. It
|
|
is said to bring you luck if you touch his statue.
|
|
*harp
|
|
A triangular stringed instrument, often Magic. Even when not
|
|
Magic, a Harp is surprisingly portable and tough and can be
|
|
carried everywhere on the back of the Bard or Harper in all
|
|
weathers. A Harp seldom goes out of tune and never warps.
|
|
Its strings break only in very rare instances, usually
|
|
because the Harper is sulking or crossed in love. This is
|
|
just as well as no one seems to make or sell spare strings.
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
|
|
After breakfast was over, the ogre called out: "Wife, wife,
|
|
bring me my golden harp." So she brought it and put it on
|
|
the table before him. Then he said: "Sing!" and the golden
|
|
harp sang most beautifully. And it went on singing till the
|
|
ogre fell asleep, and commenced to snore like thunder.
|
|
Then Jack lifted up the copper-lid very quietly and got down
|
|
like a mouse and crept on hands and knees till he came to the
|
|
table, when up he crawled, caught hold of the golden harp and
|
|
dashed with it towards the door. But the harp called out
|
|
quite loud: "Master! Master!" and the ogre woke up just in
|
|
time to see Jack running off with his harp.
|
|
[ Jack and the Beanstalk, from English Fairy Tales,
|
|
by Joseph Jacobs ]
|
|
hawaiian*shirt
|
|
'One of the things he can't do, he can't ride a horse,' he
|
|
said. Then he stiffened as if sandbagged by a sudden
|
|
recollection, gave a small yelp of terror and dashed into
|
|
the gloom. When he returned, the being called Twoflower was
|
|
hanging limply over his shoulder. It was small and skinny,
|
|
and dressed very oddly in a pair of knee-length britches and
|
|
a shirt in such a violent and vivid conflict of colours that
|
|
the Weasel's fastidious eye was offended even in the half-light.
|
|
[ The Colour of Magic, by Terry Pratchett ]
|
|
healer
|
|
* healer
|
|
attendant
|
|
doctor
|
|
physician
|
|
I swear by Apollo the physician, and Aesculapius, and Health,
|
|
and All-heal, and all the gods and goddesses, that, according
|
|
to my ability and judgment, I will keep this Oath and this
|
|
stipulation -- to reckon him who taught me this Art equally dear
|
|
to me as my parents, to share my substance with him, and relieve
|
|
his necessities if required; to look upon his offspring in the
|
|
same footing as my own brothers, and to teach them this art, if
|
|
they shall wish to learn it, without fee or stipulation; and
|
|
that by precept, lecture, and every other mode of instruction,
|
|
I will impart a knowledge of the Art to my own sons, and those
|
|
of my teachers, and to disciples bound by a stipulation and oath
|
|
according to the law of medicine, but to none others. I will
|
|
follow that system of regimen which, according to my ability and
|
|
judgment, I consider for the benefit of my patients, and abstain
|
|
from whatever is deleterious and mischievous. [...]
|
|
[ Hippocrates' Oath, translated by Francis Adams ]
|
|
|
|
PHYSICIAN, n. One upon whom we set our hopes when ill and our
|
|
dogs when well.
|
|
[ The Devil's Dictionary, by Ambrose Bierce ]
|
|
heart of ahriman
|
|
The other three drew in their breath sharply, and the dark,
|
|
powerful man who stood at the head of the sarcophagus whispered:
|
|
"The Heart of Ahriman!" The other lifted a quick hand
|
|
for silence. Somewhere a dog began howling dolefully, and a
|
|
stealthy step padded outside the barred and bolted door. ...
|
|
But none looked aside from the mummy case over which the man
|
|
in the ermine-trimmed robe was now moving the great flaming
|
|
jewel, while he muttered an incantation that was old when
|
|
Atlantis sank. The glare of the gem dazzled their eyes, so
|
|
that they could not be sure what they saw; but with a
|
|
splintering crash, the carven lid of the sarcophagus burst
|
|
outward as if from some irresistible pressure applied from
|
|
within and the four men, bending eagerly forward, saw the
|
|
occupant -- a huddled, withered, wizened shape, with dried
|
|
brown limbs like dead wood showing through moldering bandages.
|
|
"Bring that thing back?" muttered the small dark man who
|
|
stood on the right, with a short, sardonic laugh. "It is
|
|
ready to crumble at a touch. We are fools ---"
|
|
[ Conan The Conqueror, by Robert E. Howard ]
|
|
hell hound*
|
|
But suddenly they started forward in a rigid, fixed stare,
|
|
and his lips parted in amazement. At the same instant Lestrade
|
|
gave a yell of terror and threw himself face downward upon the
|
|
ground. I sprang to my feet, my inert hand grasping my pistol,
|
|
my mind paralyzed by the dreadful shape which had sprung out
|
|
upon us from the shadows of the fog. A hound it was, an
|
|
enormous coal-black hound, but not such a hound as mortal eyes
|
|
have ever seen. Fire burst from its open mouth, its eyes
|
|
glowed with a smouldering glare, its muzzle and hackles and
|
|
dewlap were outlined in flickering flame. Never in the
|
|
delirious dream of a disordered brain could anything more
|
|
savage, more appalling, more hellish be conceived than that
|
|
dark form and savage face which broke upon us out of the wall
|
|
of fog.
|
|
[ The Hound of the Baskervilles, by Sir Arthur Conan Doyle. ]
|
|
hermes
|
|
Messenger and herald of the Olympians. Being required to do
|
|
a great deal of travelling and speaking in public, he became
|
|
the god of eloquence, travellers, merchants, and thieves. He
|
|
was one of the most energetic of the Greek gods, a
|
|
Machiavellian character full of trickery and sexual vigour.
|
|
Like other Greek gods, he is endowed with not-inconsiderable
|
|
sexual prowess which he directs towards countryside nymphs.
|
|
He is a god of boundaries, guardian of graves and patron deity
|
|
of shepherds. He is usually depicted as a handsome young
|
|
man wearing winged golden sandals and holding a magical
|
|
herald's staff consisting of intertwined serpents, the
|
|
kerykeion. He is reputedly the only being able to find his way
|
|
to the underworld ferry of Charon and back again. He is said
|
|
to have invented, among other things, the lyre, Pan's Pipes,
|
|
numbers, the alphabet, weights and measures, and sacrificing.
|
|
hezrou
|
|
"Hezrou" is the common name for the type II demon. It is
|
|
among the weaker of demons, but still quite formidable.
|
|
hippocrates
|
|
Greek physician, recognized as the father of medicine. He
|
|
is believed to have been born on the island of Cos, to have
|
|
studied under his father, a physician, to have traveled for
|
|
some time, perhaps studying in Athens, and to have then
|
|
returned to practice, teach, and write at Cos. The
|
|
Hippocratic or Coan school that formed around him was of
|
|
enormous importance in separating medicine from superstition
|
|
and philosophic speculation, placing it on a strictly
|
|
scientific plane based on objective observation and critical
|
|
deductive reasoning.
|
|
[ The Columbia Encyclopedia, Sixth Edition ]
|
|
hobbit
|
|
Hobbits are an unobtrusive but very ancient people, more
|
|
numerous formerly than they are today; for they love peace
|
|
and quiet and good tilled earth: a well-ordered and well-
|
|
farmed countryside was their favourite haunt. They do not
|
|
and did not understand or like machines more complicated
|
|
than a forge-bellows, a water-mill, or a handloom, although
|
|
they were skillful with tools. Even in ancient days they
|
|
were, as a rule, shy of "the Big Folk", as they call us, and
|
|
now they avoid us with dismay and are becoming hard to find.
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
hobgoblin
|
|
Hobgoblin. Used by the Puritans and in later times for
|
|
wicked goblin spirits, as in Bunyan's "Hobgoblin nor foul
|
|
friend", but its more correct use is for the friendly spirits
|
|
of the brownie type. In "A midsummer night's dream" a
|
|
fairy says to Shakespeare's Puck:
|
|
Those that Hobgoblin call you, and sweet Puck,
|
|
You do their work, and they shall have good luck:
|
|
Are you not he?
|
|
and obviously Puck would not wish to be called a hobgoblin
|
|
if that was an ill-omened word.
|
|
Hobgoblins are on the whole, good-humoured and ready to be
|
|
helpful, but fond of practical joking, and like most of the
|
|
fairies rather nasty people to annoy. Boggarts hover on the
|
|
verge of hobgoblindom. Bogles are just over the edge.
|
|
One Hob mentioned by Henderson, was Hob Headless who haunted
|
|
the road between Hurworth and Neasham, but could not cross
|
|
the little river Kent, which flowed into the Tess. He was
|
|
exorcised and laid under a large stone by the roadside for
|
|
ninety-nine years and a day. If anyone was so unwary as to
|
|
sit on that stone, he would be unable to quit it for ever.
|
|
The ninety-nine years is nearly up, so trouble may soon be
|
|
heard of on the road between Hurworth and Neasham.
|
|
[ A Dictionary of Fairies, by Katharine Briggs ]
|
|
holy water
|
|
"We want a word with you," said Ligur (in a tone of voice
|
|
intended to imply that "word" was synonymous with "horrifically
|
|
painful eternity"), and the squat demon pushed open the office
|
|
door.
|
|
The bucket teetered, then fell neatly on Ligur's head.
|
|
Drop a lump of sodium in water. Watch it flame and burn and
|
|
spin around crazily, flaring and sputtering. This was like
|
|
that, just nastier.
|
|
The demon peeled and flared and flickered. Oily brown smoke
|
|
oozed from it, and it screamed and it screamed and it screamed.
|
|
Then it crumpled, folded in on itself, and what was left lay
|
|
glistening on the burnt and blackened circle of carpet, looking
|
|
like a handful of mashed slugs.
|
|
"Hi," said Crowley to Hastur, who had been walking behind Ligur,
|
|
and had unfortunately not been so much as splashed.
|
|
There are some things that are unthinkable; there are some
|
|
depths that not even demons would believe other demons would
|
|
stoop to.
|
|
". . . Holy water. You bastard," said Hastur. "You complete
|
|
_bastard_. He hadn't never done nothing to _you_."
|
|
"Yet," corrected Crowley.
|
|
[ Good Omens, by Neil Gaiman and Terry Pratchett ]
|
|
hom*nculus
|
|
A homunculus is a creature summoned by a mage to perform some
|
|
particular task. They are particularly good at spying. They
|
|
are smallish creatures, but very agile. They can put their
|
|
victims to sleep with a venomous bite, but due to their size,
|
|
the effect does not last long on humans.
|
|
|
|
"Tothapis cut him off. 'Be still and hearken. You will travel
|
|
aboard the sacred wingboat. Of it you may not have heard; but
|
|
it will bear you thither in a night and a day and a night.
|
|
With you will go a homunculus that can relay your words to me,
|
|
and mine to you, across the leagues between at the speed of
|
|
thought.'"
|
|
[ Conan the Rebel, by Poul Anderson ]
|
|
# also gets 'pruning hook' aka guisarme
|
|
*hook
|
|
But as for Queequeg -- why, Queequeg sat there among them --
|
|
at the head of the table, too, it so chanced; as cool as an
|
|
icicle. To be sure I cannot say much for his breeding. His
|
|
greatest admirer could not have cordially justified his
|
|
bringing his harpoon into breakfast with him, and using it
|
|
there without ceremony; reaching over the table with it, to
|
|
the imminent jeopardy of many heads, and grappling the
|
|
beefsteaks towards him.
|
|
[ Moby Dick, by Herman Melville ]
|
|
~unicorn horn
|
|
*horn
|
|
Roland hath set the Olifant to his mouth,
|
|
He grasps it well, and with great virtue sounds.
|
|
High are those peaks, afar it rings and loud,
|
|
Thirty great leagues they hear its echoes mount.
|
|
So Charles heard, and all his comrades round;
|
|
Then said that King: "Battle they do, our counts!"
|
|
And Guenelun answered, contrarious:
|
|
"That were a lie, in any other mouth."
|
|
[ The Song of Roland ]
|
|
horn of plenty
|
|
cornucopia
|
|
The infant Zeus was fed with goat's milk by Amalthea,
|
|
daughter of Melisseus, King of Crete. Zeus, in gratitude,
|
|
broke off one of the goat's horns, and gave it to Amalthea,
|
|
promising that the possessor should always have in abundance
|
|
everything desired.
|
|
[ Brewer's Concise Dictionary of Phrase and Fable ]
|
|
|
|
When Amalthea's horn
|
|
O'er hill and dale the rose-crowned flora pours,
|
|
And scatters corn and wine, and fruits and flowers.
|
|
[ Os Lusiadas, by Luis Vaz de Camoes ]
|
|
horned devil
|
|
Horned devils lack any real special abilities, though they
|
|
are quite difficult to kill.
|
|
~horsem*
|
|
*horse
|
|
King Richard III: A horse! a horse! my kingdom for a horse!
|
|
Catesby: Withdraw, my lord; I'll help you to a horse.
|
|
King Richard III: Slave, I have set my life upon a cast,
|
|
And I will stand the hazard of the die:
|
|
I think there be six Richmonds in the field;
|
|
Five have I slain to-day instead of him.
|
|
A horse! a horse! my kingdom for a horse!
|
|
[ King Richard III, by William Shakespeare ]
|
|
*horsem*
|
|
rider*
|
|
death
|
|
famine
|
|
pestilence
|
|
war
|
|
hunger
|
|
[Pestilence:] And I saw when the Lamb opened one of the seals,
|
|
and I heard, as it were the noise of thunder, one of the four
|
|
beasts saying, Come and see. And I saw, and behold a white
|
|
horse: and he that sat on him had a bow; and a crown was given
|
|
unto him: and he went forth conquering, and to conquer.
|
|
|
|
[War:] And when he had opened the second seal, I heard the
|
|
second beast say, Come and see. And there went out another
|
|
horse that was red: and power was given to him that sat thereon
|
|
to take peace from the earth, and that they should kill one
|
|
another: and there was given unto him a great sword.
|
|
|
|
[Famine:] And when he had opened the third seal, I heard the
|
|
third beast say, Come and see. And I beheld, and lo a black
|
|
horse; and he that sat on him had a pair of balances in his
|
|
hand. And I heard a voice in the midst of the four beasts say,
|
|
A measure of wheat for a penny, and three measures of barley
|
|
for a penny; and see thou hurt not the oil and the wine.
|
|
|
|
[Death:] And when he had opened the fourth seal, I heard the
|
|
voice of the fourth beast say, Come and see. And I looked, and
|
|
behold a pale horse: and his name that sat on him was Death,
|
|
and Hell followed with him. And power was given unto them over
|
|
the fourth part of the earth, to kill with sword, and with
|
|
hunger, and with death, and with the beasts of the earth.
|
|
[ Revelations of John, 6:1-8 ]
|
|
huan*ti
|
|
The first of five mythical Chinese emperors, Huan Ti is known
|
|
as the yellow emperor. He rules the _moving_ heavens, as
|
|
opposed to the _dark_ heavens. He is an inventor, said to
|
|
have given mankind among other things, the wheel, armour, and
|
|
the compass. He is the god of fortune telling and war.
|
|
hu*h*eto*l
|
|
minion of huhetotl
|
|
Huehuetotl, or Huhetotl, which means Old God, was the Aztec
|
|
(classical Mesoamerican) god of fire. He is generally
|
|
associated with paternalism and one of the group classed
|
|
as the Xiuhtecuhtli complex. He is known to send his
|
|
minions to wreak havoc upon ordinary humans.
|
|
[ after the Encyclopedia of Gods, by Michael Jordan ]
|
|
humanoid
|
|
Humanoids are all approximately the size of a human, and may
|
|
be mistaken for one at a distance. They are usually of a
|
|
tribal nature, and will fiercely defend their lairs. Usually
|
|
hostile, they may even band together to raid and pillage
|
|
human settlements.
|
|
# takes "human or elf or you" when specifying '@' as a dwarf, gnome, or orc
|
|
human
|
|
chieftain
|
|
guard
|
|
ninja
|
|
nurse
|
|
ronin
|
|
student
|
|
warrior
|
|
*watch*
|
|
human or elf*
|
|
These strange creatures live mostly on the surface of the
|
|
earth, gathering together in societies of various forms, but
|
|
occasionally a stray will descend into the depths and commit
|
|
mayhem among the dungeon residents who, naturally, often
|
|
resent the intrusion of such beasts. They are capable of
|
|
using weapons and magic, and it is even rumored that the
|
|
Wizard of Yendor is a member of this species.
|
|
hunter
|
|
What of the hunting, hunter bold?
|
|
Brother, the watch was long and cold.
|
|
What of the quarry ye went to kill?
|
|
Brother, he crops in the jungle still.
|
|
Where is the power that made your pride?
|
|
Brother, it ebbs from my flank and side.
|
|
Where is the haste that ye hurry by?
|
|
Brother, I go to my lair to die.
|
|
[ The Jungle Book, by Rudyard Kipling ]
|
|
ice devil
|
|
Ice devils are large semi-insectoid creatures, who are
|
|
equally at home in the fires of Hell and the cold of Limbo,
|
|
and who can cause the traveller to feel the latter with just
|
|
a touch of their tail.
|
|
idefix
|
|
Another clever translation [of the _Asterix_ character names]
|
|
is that of Idefix. An _idee fixe_ is a "fixed idea", i.e.
|
|
an obsession, a dogma. The translation, Dogmatix, manages to
|
|
conserve the "fixed idea" meaning and also include the syllable
|
|
dog -- perfect, given that the character is a dog who has very
|
|
strong views on the environment (he howls whenever he sees an
|
|
uprooted tree).
|
|
[ Wikipedia, the free encyclopedia ]
|
|
# takes "imp or minor demon" when specifying 'i'
|
|
imp
|
|
imp or minor demon
|
|
... imps ... little creatures of two feet high that could
|
|
gambol and jump prodigiously; ...
|
|
[ The Charwoman's Shadow, by Lord Dunsany ]
|
|
|
|
An 'imp' is an off-shoot or cutting. Thus an 'ymp tree' was
|
|
a grafted tree, or one grown from a cutting, not from seed.
|
|
'Imp' properly means a small devil, an off-shoot of Satan,
|
|
but the distinction between goblins or bogles and imps from
|
|
hell is hard to make, and many in the Celtic countries as
|
|
well as the English Puritans regarded all fairies as devils.
|
|
The fairies of tradition often hover uneasily between the
|
|
ghostly and the diabolic state.
|
|
[ A Dictionary of Fairies, by Katharine Briggs ]
|
|
incubus
|
|
succubus
|
|
The incubus and succubus are male and female versions of the
|
|
same demon, one who lies with a human for its own purposes,
|
|
usually to the detriment of the mortals who are unwise in
|
|
their dealings with them.
|
|
*insect
|
|
*insects
|
|
A minute invertebrate animal; one of the class _Insecta_.
|
|
The true insects or hexapods have the body divided into a
|
|
head, a thorax of 3 segments, each of which bears a pair of
|
|
legs, and an abdomen of 7 to 11 segments, and in development
|
|
usually pass through a metamorphosis. There are usually 2
|
|
pairs of wings, sometimes one pair or none.
|
|
[ Webster's Comprehensive International Dictionary
|
|
of the English Language ]
|
|
|
|
Else, if thou refuse to let my people go, behold, to morrow
|
|
will I bring the locusts into thy coast:
|
|
And they shall cover the face of the earth, that one cannot
|
|
be able to see the earth: and they shall eat the residue of
|
|
that which is escaped, which remaineth unto you from the hail,
|
|
and shall eat every tree which groweth for you out of the field:
|
|
And they shall fill thy houses, and the houses of all thy
|
|
servants, and the houses of all the Egyptians; which neither
|
|
thy fathers, nor thy fathers' fathers have seen, since the day
|
|
that they were upon the earth unto this day. And he turned
|
|
himself, and went out from Pharaoh.
|
|
[ Exodus, 10:4-6 ]
|
|
*iron ball
|
|
*iron chain
|
|
"You are fettered, " said Scrooge, trembling. "Tell me why?"
|
|
"I wear the chain I forged in life," replied the Ghost. "I
|
|
made it link by link, and yard by yard; I girded it on of my
|
|
own free will, and of my own free will I wore it. Is its
|
|
pattern strange to you?"
|
|
Scrooge trembled more and more.
|
|
"Or would you know," pursued the Ghost, "the weight and
|
|
length of the strong coil you bear yourself? It was full as
|
|
heavy and as long as this, seven Christmas Eves ago. You
|
|
have laboured on it, since. It is a ponderous chain!"
|
|
[ A Christmas Carol, by Charles Dickens ]
|
|
iron bars
|
|
Stone walls do not a prison make,
|
|
Nor iron bars a cage;
|
|
Minds innocent and quiet take
|
|
That for an hermitage;
|
|
If I have freedom in my love,
|
|
And in my soul am free,
|
|
Angels alone that soar above
|
|
Enjoy such liberty.
|
|
[ To Althea from Prison, by Richard Lovelace ]
|
|
ishtar
|
|
Ishtar (the star of heaven) is the Mesopotamian goddess of
|
|
fertility and war. She is usually depicted with wings and
|
|
weapon cases at her shoulders, carrying a ceremonial double-
|
|
headed mace-scimitar embellished with lion heads, frequently
|
|
being accompanied by a lion. She is symbolized by an eight-
|
|
pointed star.
|
|
[ Encyclopedia of Gods, by Michael Jordan ]
|
|
issek
|
|
Now Issek of the Jug, whom Fafhrd chose to serve, was once
|
|
of the most lowly and unsuccessful of the gods, godlets
|
|
rather, in Lankhmar. He had dwelt there for about thirteen
|
|
years, during which time he had traveled only two squares up
|
|
the Street of the Gods and was now back again, ready for
|
|
oblivion. He is not to be confused with Issek the Armless,
|
|
Issek of the Burnt Legs, Flayed Issek, or any other of the
|
|
numerous and colorfully mutilated divinities of that name.
|
|
Indeed, his unpopularity may have been due in part to the
|
|
fact that the manner of his death -- racking -- was not
|
|
deemed particularly spectacular. ... However, after Fafhrd
|
|
became his acolyte, things somehow began to change.
|
|
[ Swords In The Mist, by Fritz Leiber ]
|
|
izchak
|
|
The shopkeeper of the lighting shop in the town level of the
|
|
gnomish mines is a tribute to Izchak Miller, a founding member
|
|
of the NetHack development team and a personal friend of a large
|
|
number of us. Izchak contributed greatly to the game, coding a
|
|
large amount of the shopkeep logic (hence the nature of the tribute)
|
|
as well as a good part of the alignment system, the prayer code and
|
|
the rewrite of "hell" in the 3.1 release. Izchak was a professor
|
|
of Philosophy, who taught at many respected institutions, including
|
|
MIT and Stanford, and who also worked, for a period of time, at
|
|
Xerox PARC. Izchak was the first "librarian" of the NetHack project,
|
|
and was a founding member of the DevTeam, joining in 1986 while he
|
|
was working at the University of Pennsylvania (hence our former
|
|
mailing list address). Until the 3.1.3 release, Izchak carefully
|
|
kept all of the code synchronized and arbitrated disputes between
|
|
members of the development teams. Izchak Miller passed away at the
|
|
age of 58, in the early morning hours of April 1, 1994 from
|
|
complications due to cancer. We then dedicated NetHack 3.2 in his
|
|
memory.
|
|
[ Mike Stephenson, for the NetHack DevTeam ]
|
|
jabberwock
|
|
vorpal*
|
|
"Beware the Jabberwock, my son!
|
|
The jaws that bite, the claws that catch!
|
|
Beware the Jubjub bird, and shun
|
|
The frumious Bandersnatch!"
|
|
|
|
He took his vorpal sword in hand;
|
|
Long time the manxome foe he sought --
|
|
So rested he by the Tumtum tree,
|
|
And stood awhile in thought.
|
|
|
|
And, as in uffish thought he stood,
|
|
The Jabberwock, with eyes of flame,
|
|
Came whiffling through the tulgey wood,
|
|
And burbled as it came!
|
|
|
|
One, two! One, two! And through and through
|
|
The vorpal blade went snicker-snack!
|
|
He left it dead, and with its head
|
|
He went galumphing back.
|
|
[ Jabberwocky, by Lewis Carroll ]
|
|
jacinth*
|
|
Sweet in the rough weather
|
|
The voice of the turtle-dove
|
|
'Beautiful altogether
|
|
Is my Love.
|
|
His Hands are open spread for love
|
|
And full of jacinth stones
|
|
As the apple-tree among trees of the grove
|
|
Is He among the sons.'
|
|
[ The Beloved, by May Probyn ]
|
|
jackal
|
|
In Asiatic folktale, jackal provides for the lion; he scares
|
|
up game, which the lion kills and eats, and receives what is
|
|
left as reward. In stories from northern India he is
|
|
sometimes termed "minister to the king," i.e. to the lion.
|
|
From the legend that he does not kill his own food has arisen
|
|
the legend of his cowardice. Jackal's heart must never be
|
|
eaten, for instance, in the belief of peoples indigenous to
|
|
the regions where the jackal abounds. ... In Hausa Negro
|
|
folktale Jackal plays the role of sagacious judge and is
|
|
called "O Learned One of the Forest." The Bushmen say that
|
|
Jackal goes around behaving the way he does "because he is
|
|
Jackal".
|
|
[ Funk & Wagnalls Standard Dictionary of Folklore ]
|
|
*jack*boot*
|
|
A large boot extending over the knee, acting as protective
|
|
armour for the leg, worn by troopers in the 17th and 18th
|
|
centuries and later. It is still the type of boot worn by
|
|
the Household Cavalry and was adopted by fishermen and others
|
|
before the advent of gum boots. Figuratively, _to be under the
|
|
jack-boot_ is to be controlled by a brutal military regime.
|
|
[ Brewer's Concise Dictionary of Phrase and Fable ]
|
|
jade*
|
|
Nothing grew among the ruins of the city. The streets were
|
|
broken and the walls of the houses had fallen, but there were
|
|
no weeds flowering in the cracks and it seemed that the city
|
|
had but recently been brought down by an earthquake. Only
|
|
one thing still stood intact, towering over the ruins. It
|
|
was a gigantic statue of white, gray and green jade - the
|
|
statue of a naked youth with a face of almost feminine beauty
|
|
that turned sightless eyes toward the north.
|
|
"The eyes!" Duke Avan Astran said. "They're gone!"
|
|
[ The Jade Man's Eyes, by Michael Moorcock ]
|
|
jaguar
|
|
Large, flesh-eating animal of the cat family, of Central and
|
|
South America. This feline predator (_Panthera onca_) is
|
|
sometimes incorrectly called a panther.
|
|
[ Van Dale's Groot Woordenboek der Nederlandse Taal ]
|
|
jellyfish
|
|
I do not care to share the seas
|
|
With jellyfishes such as these;
|
|
Particularly Portuguese.
|
|
[ Lines on Meeting a Portuguese Man-o'-war while Bathing,
|
|
by Michael Flanders ]
|
|
juiblex
|
|
jubilex
|
|
Little is known about the Faceless Lord, even the correct
|
|
spelling of his name. He does not have a physical form as
|
|
we know it, and those who have peered into his realm claim
|
|
he is a slime-like creature who swallows other creatures
|
|
alive, spits acidic secretions, and causes disease in his
|
|
victims which can be almost instantly fatal.
|
|
k?ration
|
|
The K ration was the [ Quartermaster Subsistence Research
|
|
and Development Laboratory's ] answer to the demand for an
|
|
individual, easy-to-carry ration that could be used in
|
|
assault and combat operations. It was noted for compactness
|
|
and superior packaging and was acknowledged as the ration
|
|
that provided the greatest variety of nutritionally balanced
|
|
components within the smallest space.
|
|
[ Special Rations for the Armed Forces, 1946-53,
|
|
by Franz A. Koehler ]
|
|
kabuto
|
|
The kabuto is the helmet worn by the samurai. It was
|
|
characterized by a prominent beaked front which jutted out over
|
|
the brow to protect the wearer's face; a feature that gives
|
|
rise to their modern Japanese name of 'shokaku tsuki kabuto'
|
|
(battering-ram helmet). Their main constructional element
|
|
was an oval plate, the shokaku bo, slightly domed for the
|
|
head with a narrow prolongation in front that curved forwards
|
|
and downwards where it developed a pronounced central
|
|
fold. Two horizontal strips encircling the head were riveted
|
|
to this frontal strip: the lower one, the koshimaki (hip
|
|
wrap), formed the lower edge of the helmet bowl; the other,
|
|
the do maki (body wrap), was set at about the level of the
|
|
temples. Filling the gaps between these strips and the shokaku
|
|
bo were small plates, sometimes triangular but more commonly
|
|
rectangular in shape. Because the front projected so
|
|
far from the head, the triangular gap beneath was filled by
|
|
a small plate, the shoshaku tei ita, whose rear edge bent
|
|
downwards into a flange that rested against the forehead.
|
|
[ Arms & Armour of the Samurai, by Bottomley & Hopson ]
|
|
katana
|
|
The katana is a long, single-edged samurai sword with a
|
|
slightly curved blade. Its long handle is designed to allow
|
|
it to be wielded with either one or two hands.
|
|
kelp*
|
|
*frond
|
|
I noticed that all the plants were attached to the soil by
|
|
an almost imperceptible bond. Devoid of roots, they seemed
|
|
not to require any nourishment from sand, soil, or pebble.
|
|
All they required was a point of support -- nothing else.
|
|
These plants are self-propagated, and their existence depends
|
|
entirely on the water that supports and nourishes them.
|
|
Most of them do not sprout leaves, but sprout blades of
|
|
various whimsical shapes, and their colors are limited to
|
|
pink, carmine, green, olive, fawn, and brown. I had the
|
|
opportunity to observe once more -- not the dried specimens
|
|
I had studied on the _Nautilus_ -- but the fresh, living
|
|
specimens in their native setting.
|
|
[ 20,000 Leagues Under the Sea, by Jules Verne ]
|
|
ki-rin
|
|
The ki-rin is a strange-looking flying creature. It has
|
|
scales, a mane like a lion, a tail, hooves, and a horn. It
|
|
is brightly colored, and can usually be found flying in the
|
|
sky looking for good deeds to reward.
|
|
king arthur
|
|
*arthur
|
|
Ector took both his sons to the church before which the
|
|
anvil had been placed. There, standing before the anvil, he
|
|
commanded Kay: "Put the sword back into the steel if you
|
|
really think the throne is yours!" But the sword glanced
|
|
off the steel. "Now it is your turn", Ector said facing
|
|
Arthur.
|
|
The young man lifted the sword and thrust with both arms; the
|
|
blade whizzed through the air with a flash and drilled the
|
|
metal as if it were mere butter. Ector and Kay dropped to
|
|
their knees before Arthur.
|
|
"Why, father and brother, do you bow before me?", Arthur asked
|
|
with wonder in his voice.
|
|
"Because now I know for sure that you are the king, not only
|
|
by birth but also by law", Ector said. "You are no son of
|
|
mine nor are you Kay's brother. Immediately after your birth,
|
|
Merlin the Wise brought you to me to be raised safely. And
|
|
though it was me that named you Arthur when you were baptized,
|
|
you are really the son of brave king Uther Pendragon and queen
|
|
Igraine..."
|
|
And after these words, the lord rose and went to see the arch-
|
|
bishop to impart to him what had passed.
|
|
[ Van Gouden Tijden Zingen de Harpen, by Vladimir Hulpach,
|
|
Emanuel Frynta, and Vackav Cibula ]
|
|
knife
|
|
stiletto
|
|
Possibly perceiving an expression of dubiosity on their
|
|
faces, the globetrotter went on adhering to his adventures.
|
|
|
|
-- And I seen a man killed in Trieste by an Italian chap.
|
|
Knife in his back. Knife like that.
|
|
|
|
Whilst speaking he produced a dangerous looking clasp knife,
|
|
quite in keeping with his character, and held it in the
|
|
striking position.
|
|
|
|
-- In a knockingshop it was count of a tryon between two
|
|
smugglers. Fellow hid behind a door, come up behind him.
|
|
Like that. Prepare to meet your God, says he. Chuck! It
|
|
went into his back up to the butt.
|
|
[ Ulysses, by James Joyce ]
|
|
knight
|
|
* knight
|
|
Here lies the noble fearless knight,
|
|
Whose valour rose to such a height;
|
|
When Death at last had struck him down,
|
|
His was the victory and renown.
|
|
He reck'd the world of little prize,
|
|
And was a bugbear in men's eyes;
|
|
But had the fortune in his age
|
|
To live a fool and die a sage.
|
|
[ Don Quixote of La Mancha, by Miquel de Cervantes Saavedra ]
|
|
~kobold ??m*
|
|
*kobold*
|
|
The race of kobolds are reputed to be an artificial creation
|
|
of a master wizard (demi-god?). They are about 3' tall with
|
|
a vaguely dog-like face. They bear a violent dislike of the
|
|
Elven race, and will go out of their way to cause trouble
|
|
for Elves at any time.
|
|
*kop*
|
|
The Kops are a brilliant concept. To take a gaggle of inept
|
|
policemen and display them over and over again in a series of
|
|
riotously funny physical punishments plays equally well to the
|
|
peanut gallery and the expensive box seats. People hate cops.
|
|
Even people who have never had anything to do with cops hate
|
|
them. Of course, we count on them to keep order and to protect
|
|
us when we need protecting, and we love them on television shows
|
|
in which they have nerves of steel and hearts of gold, but in
|
|
the abstract, as a nation, collectively we hate them. They are
|
|
too much like high school principals. We're very happy to see
|
|
their pants fall down, and they look good to us with pie on
|
|
their faces. The Keystone Kops turn up--and they get punished
|
|
for it, as they crash into each other, fall down, and suffer
|
|
indignity after indignity. Here is pure movie satisfaction.
|
|
|
|
The Kops are very skillfully presented. The comic originality
|
|
and timing in one of their chase scenes requires imagination
|
|
to think up, talent to execute, understanding of the medium,
|
|
and, of course, raw courage to perform. The Kops are madmen
|
|
presented as incompetents, and they're madmen rushing around
|
|
in modern machines. What's more, the machines they were operating
|
|
in their routines were newly invented and not yet experienced
|
|
by the average moviegoer. (In the early days of automobiles,
|
|
it was reported that there were only two cars registered in all
|
|
of Kansas City, and they ran into each other. There is both
|
|
poetry and philosophy in this fact, but most of all, there is
|
|
humor. Sennett got the humor.)
|
|
[ Silent Stars, by Jeanine Basinger ]
|
|
kos
|
|
"I am not a coward!" he cried. "I'll dare Thieves' House
|
|
and fetch you Krovas' head and toss it with blood a-drip at
|
|
Vlana's feet. I swear that, witness me, Kos the god of
|
|
dooms, by the brown bones of Nalgron my father and by his
|
|
sword Graywand here at my side!"
|
|
[ Swords and Deviltry, by Fritz Leiber ]
|
|
koto
|
|
A Japanese harp.
|
|
kraken
|
|
Out from the water a long sinuous tentacle had crawled; it
|
|
was pale-green and luminous and wet. Its fingered end had
|
|
hold of Frodo's foot, and was dragging him into the water.
|
|
Sam on his knees was now slashing at it with a knife. The
|
|
arm let go of Frodo, and Sam pulled him away, crying out
|
|
for help. Twenty other arms came rippling out. The dark
|
|
water boiled, and there was a hideous stench.
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
*lady
|
|
offler
|
|
Blind Io took up the dice-box, which was a skull whose various
|
|
orifices had been stoppered with rubies, and with several of
|
|
his eyes on the Lady he rolled three fives. She smiled. This
|
|
was the nature of the Lady's eyes: they were bright green,
|
|
lacking iris or pupil, and they glowed from within.
|
|
|
|
The room was silent as she scrabbled in her box of pieces and,
|
|
from the very bottom, produced a couple that she set down on
|
|
the board with two decisive clicks. The rest of the players,
|
|
as one God, craned forward to peer at them.
|
|
|
|
"A wenegade wiffard and fome fort of clerk," said Offler the
|
|
Crocodile God, hindered as usual by his tusks. "Well,
|
|
weally!" With one claw he pushed a pile of bone-white tokens
|
|
into the centre of the table.
|
|
|
|
The Lady nodded slightly. She picked up the dice-cup and held
|
|
it as steady as a rock, yet all the Gods could hear the three
|
|
cubes rattling about inside. And then she sent them bouncing
|
|
across the table.
|
|
|
|
A six. A three. A five.
|
|
|
|
Something was happening to the five, however. Battered by the
|
|
chance collision of several billion molecules, the die flipped
|
|
onto a point, spun gently and came down a seven. Blind Io
|
|
picked up the cube and counted the sides.
|
|
|
|
"Come _on_," he said wearily, "Play fair."
|
|
[ The Colour of Magic, by Terry Pratchett ]
|
|
*lamp
|
|
When he came to himself he told his mother what had passed,
|
|
and showed her the lamp and the fruits he had gathered in the
|
|
garden, which were in reality precious stones. He then asked
|
|
for some food.
|
|
|
|
"Alas! child," she said, "I have nothing in the house, but I
|
|
have spun a little cotton and will go and sell it."
|
|
|
|
Aladdin bade her keep her cotton, for he would sell the lamp
|
|
instead. As it was very dirty she began to rub it, that it
|
|
might fetch a higher price. Instantly a hideous genie
|
|
appeared, and asked what she would have. She fainted away,
|
|
but Aladdin, snatching the lamp, said boldly:
|
|
"Fetch me something to eat!"
|
|
[ Aladdin, from The Arabian Nights, by Andrew Lang ]
|
|
lance
|
|
With this the wind increased, and the mill sails began to turn
|
|
about; which Don Quixote espying, said, 'Although thou movest
|
|
more arms than the giant Briareus thou shalt stoop to me.'
|
|
And, after saying this, and commending himself most devoutly
|
|
to his Lady Dulcinea, desiring her to succor him in that trance,
|
|
covering himself well with his buckler, and setting his lance
|
|
on his rest, he spurred on Rozinante, and encountered with the
|
|
first mill that was before him, and, striking his lance into
|
|
the sail, the wind swung it about with such fury, that it broke
|
|
his lance into shivers, carrying him and his horse after it,
|
|
and finally tumbled him a good way off from it on the field in
|
|
evil plight.
|
|
[ Don Quixote of La Mancha, by Miquel de Cervantes Saavedra ]
|
|
land mine
|
|
Your heart is intact, your brain is not badly damaged, but the rest
|
|
of your injuries are comparable to stepping on a land mine. You'd
|
|
never walk again, and you'd be in great pain. You would come to
|
|
wish you had not survived.
|
|
[ Steel Beach, by John Varley ]
|
|
*lantern
|
|
While pretending to be a fancy safety lamp, it is in fact
|
|
battery powered. A discreet little switch is marked "on/off"
|
|
in elaborate lettering.
|
|
[ Adventure 770, by Mike Arnautov ]
|
|
lava
|
|
* lava
|
|
You are on the edge of a breath-taking view. Far below you
|
|
is an active volcano, from which great gouts of molten lava
|
|
come surging out, cascading back down into the depths. The
|
|
glowing rock fills the farthest reaches of the cavern with a
|
|
blood-red glare, giving everything an eerie, macabre appearance.
|
|
The air is filled with flickering sparks of ash and a heavy
|
|
smell of brimstone. The walls are hot to the touch, and the
|
|
thundering of the volcano drowns out all other sounds.
|
|
Embedded in the jagged roof far overhead are myriad twisted
|
|
formations composed of pure white alabaster, which scatter the
|
|
murky light into sinister apparitions upon the walls. To one
|
|
side is a deep gorge, filled with a bizarre chaos of tortured
|
|
rock which seems to have been crafted by the devil himself.
|
|
An immense river of fire crashes out from the depths of the
|
|
volcano, burns its way through the gorge, and plummets into a
|
|
bottomless pit far off to your left. To the right, an immense
|
|
geyser of blistering steam erupts continuously from a barren
|
|
island in the center of a sulfurous lake, which bubbles
|
|
ominously. The far right wall is aflame with an incandescence
|
|
of its own, which lends an additional infernal splendor to the
|
|
already hellish scene. A dark, forboding passage exits to the
|
|
south.
|
|
[ Adventure, by Will Crowther and Don Woods. ]
|
|
leash
|
|
They had splendid heads, fine shoulders, strong legs, and
|
|
straight tails. The spots on their bodies were jet-black and
|
|
mostly the size of a two-shilling piece; they had smaller
|
|
spots on their heads, legs, and tails. Their noses and eye-
|
|
rims were black. Missis had a most winning expression.
|
|
Pongo, though a dog born to command, had a twinkle in his
|
|
eye. They walked side by side with great dignity, only
|
|
putting the Dearlys on the leash to lead them over crossings.
|
|
[ The Hundred and One Dalmatians, by Dodie Smith ]
|
|
lembas*
|
|
In the morning, as they were beginning to pack their slender
|
|
goods, Elves that could speak their tongue came to them and
|
|
brought them many gifts of food and clothing for their
|
|
journey. The food was mostly in the form of very thin cakes,
|
|
made of a meal that was baked a light brown on the outside,
|
|
and inside was the colour of cream. Gimli took up one of the
|
|
cakes and looked at it with a doubtful eye.
|
|
'Cram,' he said under his breath, as he broke off a crisp
|
|
corner and nibbled at it. His expression quickly changed,
|
|
and he ate all the rest of the cake with relish.
|
|
'No more, no more!' cried the Elves laughing. 'You have
|
|
eaten enough already for a long day's march.'
|
|
'I thought it was only a kind of cram, such as the Dalemen
|
|
make for journeys in the wild,' said the Dwarf.
|
|
'So it is,' they answered. 'But we call it lembas or
|
|
waybread, and it is more strengthening than any foods made by
|
|
Men, and it is more pleasant than cram, by all accounts.'
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
lemure
|
|
larvae
|
|
The Larvae (Lemures) are Roman spirits of deceased family
|
|
members. These malignant spirits dwell throughout the house
|
|
and frighten the inhabitants. People tried to reconcile or
|
|
avert the Larvae with strange ceremonies which took place on
|
|
May 9, 11, and 13; this was called the "Feast of the Lemures".
|
|
The master of the house usually performed these ceremonies,
|
|
either by offering black beans to the spirits or chasing them
|
|
away by making a lot of noise. Their counterparts are the
|
|
Lares, friendly and beneficent house spirits.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
leocrotta
|
|
leu*otta
|
|
... the leucrocotta, a wild beast of extraordinary swiftness,
|
|
the size of the wild ass, with the legs of a Stag, the neck,
|
|
tail, and breast of a lion, the head of a badger, a cloven
|
|
hoof, the mouth slit up as far as the ears, and one continuous
|
|
bone instead of teeth; it is said, too, that this animal can
|
|
imitate the human voice.
|
|
[ Curious Creatures in Zoology, by John Ashton ]
|
|
leprechaun
|
|
The Irish Leprechaun is the Faeries' shoemaker and is known
|
|
under various names in different parts of Ireland:
|
|
Cluricaune in Cork, Lurican in Kerry, Lurikeen in Kildare
|
|
and Lurigadaun in Tipperary. Although he works for the
|
|
Faeries, the Leprechaun is not of the same species. He is
|
|
small, has dark skin and wears strange clothes. His nature
|
|
has something of the manic-depressive about it: first he
|
|
is quite happy, whistling merrily as he nails a sole on to a
|
|
shoe; a few minutes later, he is sullen and morose, drunk
|
|
on his home-made heather ale. The Leprechaun's two great
|
|
loves are tobacco and whiskey, and he is a first-rate con-man,
|
|
impossible to out-fox. No one, no matter how clever, has ever
|
|
managed to cheat him out of his hidden pot of gold or his
|
|
magic shilling. At the last minute he always thinks of some
|
|
way to divert his captor's attention and vanishes in the
|
|
twinkling of an eye.
|
|
[ A Field Guide to the Little People
|
|
by Nancy Arrowsmith & George Moorse ]
|
|
*lich
|
|
But on its heels ere the sunset faded, there came a second
|
|
apparition, striding with incredible strides and halting when
|
|
it loomed almost upon me in the red twilight-the monstrous mummy
|
|
of some ancient king still crowned with untarnished gold but
|
|
turning to my gaze a visage that more than time or the worm had
|
|
wasted. Broken swathings flapped about the skeleton legs, and
|
|
above the crown that was set with sapphires and orange rubies, a
|
|
black something swayed and nodded horribly; but, for an instant,
|
|
I did not dream what it was. Then, in its middle, two oblique
|
|
and scarlet eyes opened and glowed like hellish coals, and two
|
|
ophidian fangs glittered in an ape-like mouth. A squat, furless,
|
|
shapeless head on a neck of disproportionate extent leaned
|
|
unspeakably down and whispered in the mummy's ear. Then, with
|
|
one stride, the titanic lich took half the distance between us,
|
|
and from out the folds of the tattered sere-cloth a gaunt arm
|
|
arose, and fleshless, taloned fingers laden with glowering gems,
|
|
reached out and fumbled for my throat . . .
|
|
[ The Abominations of Yondo, by Clark Ashton Smith ]
|
|
lichen
|
|
The chamber was of unhewn rock, round, as near as might
|
|
be, eighteen or twenty feet across, and gay with rich
|
|
variety of fern and moss and lichen. The fern was in
|
|
its winter still, or coiling for the spring-tide; but
|
|
moss was in abundant life, some feathering, and some
|
|
gobleted, and some with fringe of red to it.
|
|
[ Lorna Doone, by R.D. Blackmore ]
|
|
# takes "light" when specifying 'y'
|
|
~* of light
|
|
* light
|
|
light
|
|
Strange creatures formed from energy rather than matter,
|
|
lights are given to self-destructive behavior when battling
|
|
foes.
|
|
gecko
|
|
iguana
|
|
lizard
|
|
Lizards, snakes and the burrowing amphisbaenids make up the
|
|
order Squamata, meaning the scaly ones. The elongate, slim,
|
|
long-tailed bodies of lizards have become modified to enable
|
|
them to live in a wide range of habitats. Lizards can be
|
|
expert burrowers, runners, swimmers and climbers, and a few
|
|
can manage crude, short-distance gliding on rib-supported
|
|
"wings". Most are carnivores, feeding on invertebrate and
|
|
small vertebrate prey, but others feed on vegetation.
|
|
[ Macmillan Illustrated Animal Encyclopedia ]
|
|
loki
|
|
Loki, or Lopt, is described in Snorri's _Edda_ as being
|
|
"pleasing and handsome in appearance, evil in character, and
|
|
very capricious in behaviour". He is the son of the giant
|
|
Farbauti and of Laufey.
|
|
Loki is the Norse god of cunning, evil, thieves, and fire.
|
|
He hated the other gods and wanted to ruin them and overthrow
|
|
the universe. He committed many murders. As a thief, he
|
|
stole Freyja's necklace, Thor's belt and gauntlets of power,
|
|
and the apples of youth. Able to shapechange at will, he is
|
|
said to have impersonated at various times a mare, flea, fly,
|
|
falcon, seal, and an old crone. As a mare he gave birth to
|
|
Odin's horse Sleipnir. He also allegedly sired the serpent
|
|
Midgard, the mistress of the netherworld, Hel, and the wolf
|
|
Fenrir, who will devour the sun at Ragnarok.
|
|
*longbow of diana
|
|
This legendary bow grants ESP when carried and can reflect magical
|
|
attacks when wielded. When invoked it provides a supply of arrows.
|
|
# long worm -- see "worm"
|
|
looking glass
|
|
mirror
|
|
But as Snow White grew, she became more and more beautiful,
|
|
and by the time she was seven years old she was as beautiful
|
|
as the day and more beautiful than the queen herself. One
|
|
day when the queen said to her mirror:
|
|
|
|
"Mirror, Mirror, here I stand.
|
|
Who is the fairest in the land?" -
|
|
|
|
the mirror replied:
|
|
|
|
"You, O Queen, are the fairest here,
|
|
But Snow White is a thousand times more fair."
|
|
[ Snow White, by Jakob and Wilhelm Grimm ]
|
|
lord carnarvon
|
|
Lord Carnarvon was a personality who could have been produced
|
|
nowhere but in England, a mixture of sportsman and collector,
|
|
gentleman and world traveler, a realist in action and a
|
|
romantic in feeling. ... In 1903 he went for the first time
|
|
to Egypt in search of a mild climate and while there visited
|
|
the excavation sites of several archaeological expeditions.
|
|
... In 1906 he began his own excavations.
|
|
[ Gods, Graves, and Scholars, by C. W. Ceram ]
|
|
lord sato
|
|
Lord Sato was the family head of the Taro Clan, and a mighty
|
|
daimyo. He is a loyal servant of the Emperor, and will do
|
|
everything in his power to further the imperial cause.
|
|
lord surt*
|
|
Yet first was the world in the southern region, which was
|
|
named Muspell; it is light and hot; that region is glowing
|
|
and burning, and impassable to such as are outlanders and
|
|
have not their holdings there. He who sits there at the
|
|
land's-end, to defend the land, is called Surtr; he brandishes
|
|
a flaming sword, and at the end of the world he shall go forth
|
|
and harry, and overcome all the gods, and burn all the
|
|
world with fire.
|
|
[ The Prose Edda, by Snorri Sturluson ]
|
|
# if a quote for good luck gets added, make this one exclusively bad luck
|
|
luck
|
|
bad luck
|
|
"[...] We'll succeed and you'll get all the fortune you came
|
|
seeking."
|
|
Jack shook his head dismally. "You'll be better off without
|
|
me," he said. "I'm nothing but bad luck. It's because I'm
|
|
cursed. A farmer I met on the way to the city cursed me. He
|
|
said, 'I curse you Jack. May you never know wealth. May all
|
|
that you wish for be denied you.'"
|
|
"What a horrid man," said Eddie. "Why did he curse you like
|
|
that?"
|
|
Jack shrugged [...]. "Bad grace, I suppose. Just because I
|
|
shot off his ear and made him jump into a pit full of spikes."
|
|
[ the hollow chocolate bunnies of the apocalypse,
|
|
by Robert Rankin ]
|
|
# [no relation... both cover and title page list this
|
|
# book's title in all lower case; however, its sequel,
|
|
# "the toyminator", refers to it using conventional
|
|
# capitalization in a couple of early footnotes]
|
|
lug*
|
|
Lugh, or Lug, was the sun god of the Irish Celts. One of his
|
|
weapons was a rod-sling which worshippers sometimes saw in
|
|
the sky as a rainbow. As a tribal god, he was particularly
|
|
skilled in the use of his massive, invincible spear, which
|
|
fought on its own accord. One of his epithets is _lamfhada_
|
|
(of the long arm). He was a young and apparently more
|
|
attractive deity than Dagda, the father of the gods. Being
|
|
able to shapeshift, his name translates as lynx.
|
|
lurker*
|
|
These dungeon scavengers are very adept at blending into the
|
|
surrounding walls and ceilings of the dungeon due to the
|
|
stone-like coloring of their skin.
|
|
lycanthrope
|
|
were*
|
|
human were*
|
|
*were
|
|
In 1573, the Parliament of Dole published a decree, permitting
|
|
the inhabitants of the Franche-Comte to pursue and kill a
|
|
were-wolf or loup-garou, which infested that province,
|
|
"notwithstanding the existing laws concerning the chase."
|
|
The people were empowered to "assemble with javelins,
|
|
halberds, pikes, arquebuses and clubs, to hunt and pursue the
|
|
said were-wolf in all places where they could find it, and to
|
|
take, burn, and kill it, without incurring any fine or other
|
|
penalty." The hunt seems to have been successful, if we may
|
|
judge from the fact that the same tribunal in the following
|
|
year condemned to be burned a man named Giles Garnier, who
|
|
ran on all fours in the forest and fields and devoured little
|
|
children, "even on Friday." The poor lycanthrope, it appears,
|
|
had as slight respect for ecclesiastical feasts as the French
|
|
pig, which was not restrained by any feeling of piety from
|
|
eating infants on a fast day.
|
|
[ The History of Vampires, by Dudley Wright ]
|
|
lynx
|
|
To dream of seeing a lynx, enemies are undermining your
|
|
business and disrupting your home affairs. For a woman,
|
|
this dream indicates that she has a wary woman rivaling her
|
|
in the affections of her lover. If she kills the lynx, she
|
|
will overcome her rival.
|
|
[ 10,000 Dreams Interpreted, by Gustavus Hindman Miller ]
|
|
~*sceptre of might
|
|
mace
|
|
sceptre
|
|
Originally a club armed with iron, and used in war; now a staff
|
|
of office pertaining to certain dignitaries, as the Speaker of
|
|
the House of Commons, Lord Mayors, Mayors etc. Both sword and
|
|
mace are symbols of dignity, suited to the times when men went
|
|
about in armour, and sovereigns needed champions to vindicate
|
|
their rights.
|
|
[ Brewer's Concise Dictionary of Phrase and Fable ]
|
|
magic marker
|
|
The pen is mightier than the sword.
|
|
[ Richelieu, by Edward Bulwer-Lytton ]
|
|
magic mirror of merlin
|
|
[...] In Dehenbarth (that now South Wales is hight,
|
|
What time King Ryence reigned, and dealed right)
|
|
The great magician Merlin had devised,
|
|
By his deep science, and hell-dreaded might,
|
|
A looking-glass, right wondrously aguised,
|
|
Whose virtues through the wide world soon were solemnized.
|
|
|
|
It virtue had to show in perfect sight
|
|
Whatever thing was in the world contained,
|
|
Betwixt the lowest earth and heaven's height,
|
|
So that it to the looker appertained;
|
|
Whatever foe had wrought, or friend had fained,
|
|
Therein discovered was, nor aught might pass,
|
|
Nor aught in secret from the same remained;
|
|
# we'll leave out the part about it being a crystal ball...
|
|
# For-thy it round and hollow shaped was,
|
|
# Like the world itself, and seemed a world of glass.
|
|
[ The Faerie Queene, by Edmund Spencer ]
|
|
magicbane
|
|
A highly enchanted athame said to hold the power to channel
|
|
and direct magical energy.
|
|
mail d*emon
|
|
It is rumoured that these strange creatures can be harmed by
|
|
domesticated canines only.
|
|
ma*annan*
|
|
Normally called Manannan, Ler's son was the patron of
|
|
merchants and sailors. Manannan had a sword which never
|
|
failed to slay, a boat which propelled itself wherever its
|
|
owner wished, a horse which was swifter than the wind, and
|
|
magic armour which no sword could pierce. He later became
|
|
god of the sea, beneath which he lived in Tir na nOc, the
|
|
underworld.
|
|
manes
|
|
Manes or Di Manes ("good ones") is the euphemistic description
|
|
of the souls of the deceased, worshipped as divinities. The
|
|
formula D.M. (= Dis Manibus; "dedicated to the Manes-gods")
|
|
can often be found on tombstones. Manes also means
|
|
metaphorically 'underworld' or 'realm of death'. Festivals
|
|
in honor of the dead were the Parentalia and the Feralia,
|
|
celebrated in February.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
|
|
The gnats of the dungeon, these swarming monsters are rarely
|
|
seen alone.
|
|
marduk
|
|
First insisting on recognition as supreme commander, Marduk
|
|
defeated the Dragon, cut her body in two, and from it created
|
|
heaven and earth, peopling the world with human beings who not
|
|
unnaturally showed intense gratitude for their lives. The
|
|
gods were also properly grateful, invested him with many
|
|
titles, and eventually permitted themselves to be embodied in
|
|
him, so that he became supreme god, plotting the whole course
|
|
of known life from the paths of the planets to the daily
|
|
events in the lives of men.
|
|
[ The Immortals, by Derek and Julia Parker ]
|
|
marilith
|
|
The marilith has a torso shaped like that of a human female,
|
|
and the lower body of a great snake. It has multiple arms,
|
|
and can freely attack with all of them. Since it is
|
|
intelligent enough to use weapons, this means it can cause
|
|
great damage.
|
|
mars
|
|
The god of war, and one of the most prominent and worshipped
|
|
gods. In early Roman history he was a god of spring, growth in
|
|
nature, and fertility, and the protector of cattle. Mars is
|
|
also mentioned as a chthonic god (earth-god) and this could
|
|
explain why he became a god of death and finally a god of war.
|
|
He is the son of Jupiter and Juno.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
master assassin
|
|
He strolled down the stairs, followed by a number of assassins.
|
|
When he was directly in front of Ymor he said: "I've come for
|
|
the tourist." ...
|
|
"One step more and you'll leave here with fewer eyeballs than
|
|
you came with," said the thiefmaster. "So sit down and have
|
|
a drink, Zlorf, and let's talk about this sensibly. _I_
|
|
thought we had an agreement. You don't rob -- I don't kill.
|
|
Not for payment, that is," he added after a pause.
|
|
Zlorf took the proffered beer.
|
|
"So?" he said. "I'll kill him. Then you rob him. Is he that
|
|
funny looking one over there?"
|
|
"Yes."
|
|
Zlorf stared at Twoflower, who grinned at him. He shrugged.
|
|
He seldom wasted time wondering why people wanted other people
|
|
dead. It was just a living.
|
|
"Who is your client, may I ask?" said Ymor.
|
|
Zlorf held up a hand. "Please!" he protested. "Professional
|
|
etiquette."
|
|
[ The Colour of Magic, by Terry Pratchett ]
|
|
master key of thievery
|
|
This skeleton key was fashioned in ages past and imbued with
|
|
a powerful magic which allows it to open any lock. When
|
|
carried, it grants its owner warning, teleport control, and
|
|
reduces all physical damage by half. Finally, when invoked,
|
|
it has the ability to disarm any trap.
|
|
master of thieves
|
|
There was a flutter of wings at the window. Ymor shifted his
|
|
bulk out of the chair and crossed the room, coming back with
|
|
a large raven. After he'd unfastened the message capsule from
|
|
its leg it flew up to join its fellows lurking among the
|
|
rafters. Withel regarded it without love. Ymor's ravens were
|
|
notoriously loyal to their master, to the extent that Withel's
|
|
one attempt to promote himself to the rank of greatest thief
|
|
in Ankh-Morpork had cost their master's right hand man his
|
|
left eye. But not his life, however. Ymor never grudged a
|
|
man his ambitions.
|
|
[ The Colour of Magic, by Terry Pratchett ]
|
|
mastodon
|
|
Any large, elephantlike mammal of the genera Mammut, Mastodon,
|
|
etc., from the Oligocene and Pleistocene epochs, having
|
|
conical projections on the molar teeth.
|
|
[ Webster's Encyclopedic Unabridged Dictionary
|
|
of the English Language ]
|
|
*mattock
|
|
A mattock is an agricultural tool similar to a mining pick.
|
|
It is distinguished by the head terminating in a broader blade
|
|
rather than a narrow spike, which makes it particularly suitable
|
|
for breaking up moderately hard ground. ... During the Middle
|
|
Ages of Europe, the mattock served as an improvised shafted
|
|
weapon for the poorer classes.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
meat*
|
|
huge chunk of meat
|
|
Some hae meat and canna eat,
|
|
And some would eat that want it;
|
|
But we hae meat, and we can eat,
|
|
Sae let the Lord be thankit.
|
|
[ Grace Before Meat, by Robert Burns ]
|
|
medusa
|
|
perseus
|
|
Medusa, one of the three Gorgons or Graeae, is the only one
|
|
of her sisters to have assumed mortal form and inhabited the
|
|
dungeon world.
|
|
|
|
When Perseus was grown up Polydectes sent him to attempt the
|
|
conquest of Medusa, a terrible monster who had laid waste the
|
|
country. She was once a beautiful maiden whose hair was her
|
|
chief glory, but as she dared to vie in beauty with Minerva,
|
|
the goddess deprived her of her charms and changed her
|
|
beautiful ringlets into hissing serpents. She became a cruel
|
|
monster of so frightful an aspect that no living thing could
|
|
behold her without being turned into stone. All around the
|
|
cavern where she dwelt might be seen the stony figures of men
|
|
and animals which had chanced to catch a glimpse of her and
|
|
had been petrified with the sight. Perseus, favoured by
|
|
Minerva and Mercury, the former of whom lent him her shield
|
|
and the latter his winged shoes, approached Medusa while she
|
|
slept and taking care not to look directly at her, but guided
|
|
by her image reflected in the bright shield which he bore, he
|
|
cut off her head and gave it to Minerva, who fixed it in the
|
|
middle of her Aegis.
|
|
[ Bulfinch's Mythology, by Thomas Bulfinch ]
|
|
melon
|
|
"What is it, Umbopa, son of a fool?" I shouted in Zulu.
|
|
"It is food and water, Macumazahn," and again he waved the
|
|
green thing.
|
|
Then I saw what he had got. It was a melon. We had hit upon
|
|
a patch of wild melons, thousands of them, and dead ripe.
|
|
"Melons!" I yelled to Good, who was next me; and in another
|
|
second he had his false teeth fixed in one.
|
|
I think we ate about six each before we had done, and, poor
|
|
fruit as they were, I doubt if I ever thought anything nicer.
|
|
[ King Solomon's Mines, by H. Rider Haggard ]
|
|
mercury
|
|
Roman god of commerce, trade and travellers. He is commonly
|
|
depicted carrying a caduceus (a staff with two snakes
|
|
intertwining around it) and a purse.
|
|
*mimic
|
|
The ancestors of the modern day chameleon, these creatures can
|
|
assume the form of anything in their surroundings. They may
|
|
assume the shape of objects or dungeon features. Unlike the
|
|
chameleon though, which assumes the shape of another creature
|
|
and goes in hunt of food, the mimic waits patiently for its
|
|
meals to come in search of it.
|
|
*mind flayer
|
|
This creature has a humanoid body, tentacles around its
|
|
covered mouth, and three long fingers on each hand. Mind
|
|
flayers are telepathic, and love to devour intelligent beings,
|
|
especially humans. If they hit their victim with a tentacle,
|
|
the mind flayer will slowly drain it of all intelligence,
|
|
eventually killing its victim.
|
|
mine*
|
|
gnomish mines
|
|
Made by Dwarfs. The Rule here is that the Mine is either long
|
|
deserted or at most is inhabited by a few survivors who will
|
|
make confused claims to have been driven out/decimated by humans/
|
|
other Dwarfs/Minions of the Dark Lord. Inhabited or not, this
|
|
Mine will be very complex, with many levels of galleries,
|
|
beautifully carved and engineered. What was being mined here
|
|
is not always evident, but at least some of the time it will
|
|
appear to have been Jewels, since it is customary to find
|
|
unwanted emeralds, etc., still embedded in the rock of the
|
|
walls. Metal will also be present, but only when made up into
|
|
armor and weapons (_wondrous_).
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
minotaur
|
|
The Minotaur was a monster, half bull, half human, the
|
|
offspring of Minos' wife Pasiphae and a wonderfully beautiful
|
|
bull. ... When the Minotaur was born Minos did not kill him.
|
|
He had Daedalus, a great architect and inventor, construct a
|
|
place of confinement for him from which escape was impossible.
|
|
Daedalus built the Labyrinth, famous throughout the world.
|
|
Once inside, one would go endlessly along its twisting paths
|
|
without ever finding the exit.
|
|
[ Mythology, by Edith Hamilton ]
|
|
mit*ra*
|
|
Originating in India (Mitra), Mithra is a god of light who
|
|
was translated into the attendant of the god Ahura Mazda in
|
|
the light religion of Persia; from this he was adopted as
|
|
the Roman deity Mithras. He is not generally regarded as a
|
|
sky god but a personification of the fertilizing power of
|
|
warm, light air. According to the _Avesta_, he possesses
|
|
10,000 eyes and ears and rides in a chariot drawn by white
|
|
horses. Mithra, according to Zarathustra, is concerned with
|
|
the endless battle between light and dark forces: he
|
|
represents truth. He is responsible for the keeping of oaths
|
|
and contracts. He is attributed with the creation of both
|
|
plants and animals. His chief adversary is Ahriman, the
|
|
power of darkness.
|
|
[ The Encyclopaedia of Myths and Legends of All Nations,
|
|
by Herbert Spencer Robinson and Knox Wilson ]
|
|
*mithril*
|
|
_Mithril_! All folk desired it. It could be beaten like
|
|
copper, and polished like glass; and the Dwarves could make
|
|
of it a metal, light and yet harder than tempered steel.
|
|
Its beauty was like to that of common silver, but the beauty
|
|
of _mithril_ did not tarnish or grow dim.
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
*mitre of holiness
|
|
This helm of brilliance performs all of the normal functions
|
|
of a helm of brilliance, but also has the ability to protect
|
|
anyone who carries it from fire. When invoked, it boosts
|
|
the energy of the invoker, allowing them to cast more spells.
|
|
mjollnir
|
|
Forged by the dwarves Eitri and Brokk, in response to Loki's
|
|
challenge, Mjollnir is an indestructible war hammer. It has
|
|
two magical properties: when thrown it always returned to
|
|
Thor's hand; and it could be made to shrink in size until it
|
|
could fit inside Thor's shirt. Its only flaw is that it has
|
|
a short handle. The other gods judged Mjollnir the winner of
|
|
the contest because, of all the treasures created, it alone had
|
|
the power to protect them from the giants. As the legends
|
|
surrounding Mjollnir grew, it began to take on the quality of
|
|
"vigja", or consecration. Thor used it to consecrate births,
|
|
weddings, and even to raise his goats from the dead. In the
|
|
Norse mythologies Mjollnir is considered to represent Thor's
|
|
governance over the entire cycle of life - fertility, birth,
|
|
destruction, and resurrection.
|
|
mog
|
|
Mog is known as the Spider God. Mog resembles a four-limbed
|
|
spider with a handsome, if not entirely human, face.
|
|
~slime mold
|
|
*mold
|
|
Mold, multicellular organism of the division Fungi, typified
|
|
by plant bodies composed of a network of cottony filaments.
|
|
The colors of molds are due to spores borne on the filaments.
|
|
Most molds are saprophytes. Some species (e.g., penicillium)
|
|
are used in making cheese and antibiotics.
|
|
[ The Concise Columbia Encyclopedia ]
|
|
mol?ch
|
|
And the Lord spake unto Moses, saying,
|
|
Again, thou shalt say to the children of Israel, Whosoever
|
|
he be of the children of Israel, or of the strangers that
|
|
sojourn in Israel, that giveth any of his seed unto Molech;
|
|
he shall surely be put to death: the people of the land shall
|
|
stone him with stones.
|
|
And I will set my face against that man, and will cut him off
|
|
from among his people; because he hath given of his seed unto
|
|
Molech, to defile my sanctuary, and to profane my holy name.
|
|
And if the people of the land do any ways hide their eyes
|
|
from the man, when he giveth of his seed unto Molech, and kill
|
|
him not:
|
|
Then I will set my face against that man, and against his
|
|
family, and will cut him off, and all that go a whoring after
|
|
him, to commit whoredom with Molech, from among their people.
|
|
[ Leviticus 20:1-5 ]
|
|
monk
|
|
* monk
|
|
grand master
|
|
master kaen
|
|
One day, an army general invited the Buddhist monk I-Hsiu
|
|
(literally, "One Rest") to his military head office for a
|
|
dinner. I-Hsiu was not accustomed to wearing luxurious
|
|
clothings and so he just put on an old ordinary casual
|
|
robe to go to the military base. To him, "form is void".
|
|
|
|
As he approached the base, two soldiers appeared before him
|
|
and shouted, "Where does this beggar came from? Identify
|
|
yourself! You do not have permission to be around here!"
|
|
|
|
"My name is I-Hsiu Dharma Master. I am invited by your
|
|
general for a supper."
|
|
|
|
The two soldiers examined the monk closely and said, "You
|
|
liar. How come my general invites such a shabby monk to
|
|
dinner? He invites the very solemn venerable I-Hsiu to our
|
|
base for a great ceremony today, not you. Now, get out!"
|
|
|
|
I-Hsiu was unable to convince the soldiers that he was
|
|
indeed the invited guest, so he returned to the temple
|
|
and changed to a very formal solemn ceremonial robe for
|
|
the dinner. And as he returned to the military base, the
|
|
soldiers observed that he was such a great Buddhist monk,
|
|
let him in with honour.
|
|
|
|
At the dinner, I-Hsiu sat in front of the table full of
|
|
food but, instead of putting the food into his mouth, he
|
|
picked up the food with his chopsticks and put it into
|
|
his sleeves. The general was curious, and whispered to
|
|
him, "This is very embarrassing. Do you want to take
|
|
some food back to the temple? I will order the cook to
|
|
prepare some take out orders for you." "No" replied the
|
|
monk. "When I came here, I was not allowed into the
|
|
base by your soldiers until I wear this ceremonial robe.
|
|
You do not invite me for a dinner. You invite my robe.
|
|
Therefore, my robe is eating the food, not me."
|
|
[ Dining with a General - a Zen Buddhism Koan,
|
|
translation by Yiu-man Chan ]
|
|
monkey
|
|
"Listen, man-cub," said the Bear, and his voice rumbled like
|
|
thunder on a hot night. "I have taught thee all the Law of
|
|
the Jungle for all the peoples of the jungle--except the
|
|
Monkey-Folk who live in the trees. They have no law. They
|
|
are outcasts. They have no speech of their own, but use the
|
|
stolen words which they overhear when they listen, and peep,
|
|
and wait up above in the branches. Their way is not our way.
|
|
They are without leaders. They have no remembrance. They
|
|
boast and chatter and pretend that they are a great people
|
|
about to do great affairs in the jungle, but the falling of
|
|
a nut turns their minds to laughter and all is forgotten.
|
|
We of the jungle have no dealings with them. We do not drink
|
|
where the monkeys drink; we do not go where the monkeys go;
|
|
we do not hunt where they hunt; we do not die where they die...."
|
|
[ The Jungle Book, by Rudyard Kipling ]
|
|
morning star
|
|
The morning star was a medieval weapon resembling a mace, but
|
|
with a large spike on the end and smaller spikes around the
|
|
circumference. It was also known as the goedendag (from the
|
|
Dutch word for "good day") and the holy water sprinkler (from
|
|
its resemblance to the aspergillum sometimes used in the
|
|
Catholic Mass). It was used by both cavalry and infantry;
|
|
the horseman's weapon typically had a shorter haft than the
|
|
footman's, which might be up to six feet long. It came into
|
|
use in the beginning of the 14th century.
|
|
The name "morning star" is often erroneously applied to the
|
|
military flail (also known as the therscol), a similar weapon,
|
|
but with the head attached by a short chain.
|
|
[ Dictionary of Medieval Knighthood and Chivalry,
|
|
by Bradford Broughton ]
|
|
mumak*
|
|
... the Mumak of Harad was indeed a beast of vast bulk, and
|
|
the like of him does not walk now in Middle-Earth; his kin
|
|
that live still in latter days are but memories of his girth
|
|
and majesty. On he came, ... his great legs like trees,
|
|
enormous sail-like ears spread out, long snout upraised like
|
|
a huge serpent about to strike, his small red eyes raging.
|
|
His upturned hornlike tusks ... dripped with blood.
|
|
[ The Two Towers, by J.R.R. Tolkien ]
|
|
*mummy
|
|
But for an account of the manner in which the body was
|
|
bandaged, and a list of the unguents and other materials
|
|
employed in the process, and the words of power which were
|
|
spoken as each bandage was laid in its place, we must have
|
|
recourse to a very interesting papyrus which has been edited
|
|
and translated by M. Maspero under the title of Le Rituel de
|
|
l'Embaumement. ...
|
|
Everything that could be done to preserve the body was now
|
|
done, and every member of it was, by means of the words of
|
|
power which changed perishable substances into imperishable,
|
|
protected to all eternity; when the final covering of purple
|
|
or white linen had been fastened upon it, the body was ready
|
|
for the tomb.
|
|
[ Egyptian Magic, by E.A. Wallis Budge ]
|
|
mummy wrapping
|
|
He held a white cloth -- it was a serviette he had brought
|
|
with him -- over the lower part of his face, so that his
|
|
mouth and jaws were completely hidden, and that was the
|
|
reason for his muffled voice. But it was not that which
|
|
startled Mrs. Hall. It was the fact that all his forehead
|
|
above his blue glasses was covered by a white bandage, and
|
|
that another covered his ears, leaving not a scrap of his
|
|
face exposed excepting only his pink, peaked nose. It was
|
|
bright, pink, and shiny just as it had been at first. He
|
|
wore a dark-brown velvet jacket with a high, black, linen-
|
|
lined collar turned up about his neck. The thick black
|
|
hair, escaping as it could below and between the cross
|
|
bandages, project in curious tails and horns, giving him
|
|
the strangest appearance conceivable.
|
|
[ The Invisible Man, by H.G. Wells ]
|
|
*naga*
|
|
*naja*
|
|
The naga is a mystical creature with the body of a snake and
|
|
the head of a man or woman. They will fiercely protect the
|
|
territory they consider their own. Some nagas can be forced
|
|
to serve as guardians by a spellcaster of great power.
|
|
naginata
|
|
A Japanese pole-arm, fitted with a curved single-edged blade.
|
|
The blades ranged in length from two to four feet, mounted on
|
|
shafts about four to five feet long. The naginata were cut
|
|
with a series of short grooves near to the tang, above which
|
|
the back edge was thinned, but not sharpened, so that the
|
|
greater part of the blade was a flattened diamond shape in
|
|
section. Seen in profile, the curve is slight or non-
|
|
existent near the tang, becoming more pronounced towards the
|
|
point.
|
|
[]
|
|
|
|
"With his naginata he killed five, but with the sixth it
|
|
snapped asunder in the midst and, flinging it away, he drew
|
|
his sword, wielding it in the zigzag style, the interlacing,
|
|
cross, reversed dragonfly, waterwheel, and eight-sides-at-
|
|
once styles of fencing and cutting down eight men; but as he
|
|
brought down the ninth with a mighty blow on the helmet, the
|
|
blade snapped at the hilt."
|
|
[ Story of Tsutsui no Jomio Meishu from Tales of Heike ]
|
|
nalfeshnee
|
|
Not only do these demons do physical damage with their claws
|
|
and bite, but they are capable of using magic as well.
|
|
nalzok
|
|
Nalzok is Moloch's cunning and unfailingly loyal battle
|
|
lieutenant, to whom he trusts the command of warfare when he
|
|
does not wish to exercise it himself. Nalzok is a major
|
|
demon, known to command the undead. He is hungry for power,
|
|
and secretly covets Moloch's position. Moloch doesn't trust
|
|
him, but, trusting his own power enough, chooses to allow
|
|
Nalzok his position because he is useful.
|
|
neanderthal*
|
|
1. Valley between Duesseldorf and Elberfeld in Germany,
|
|
where an ancient skull of a prehistoric ancestor to modern
|
|
man was found. 2. Human(oid) of the race mentioned above.
|
|
neferet
|
|
neferet the green
|
|
Neferet the Green holds office in her hidden tower, only
|
|
reachable by magical means, where she teaches her apprentices
|
|
the enigmatic skills of occultism. Despite her many years, she
|
|
continues to investigate new spells, especially those involving
|
|
translocation. It is further rumored that when she was an
|
|
apprentice herself, she accidentally turned her skin green, and
|
|
has kept it that way ever since.
|
|
newt
|
|
(kinds of) small animal, like a lizard, which spends most of
|
|
its time in the water.
|
|
[ Oxford's Student's Dictionary of Current English ]
|
|
|
|
"Fillet of a fenny snake,
|
|
In the cauldron boil and bake;
|
|
Eye of newt and toe of frog,
|
|
Wool of bat and tongue of dog,
|
|
Adder's fork and blind-worm's sting,
|
|
Lizard's leg and howlet's wing,
|
|
For a charm of powerful trouble,
|
|
Like a hell-broth boil and bubble."
|
|
[ Macbeth, by William Shakespeare ]
|
|
ninja-to
|
|
A Japanese broadsword.
|
|
*norn
|
|
The Norns were the three Norse Fates, or the goddesses of fate.
|
|
Female giants, they brought the wonderful Golden Age to an end.
|
|
They cast lots over the cradle of every child that was born,
|
|
and placed gifts in the cradle. Their names were Urda,
|
|
Verdandi, and Skuld, representing the past, the present, and
|
|
the future. Urda and Verdandi were kindly disposed, but Skuld
|
|
was cruel and savage. Their tasks were to sew the web of
|
|
fate, to water the sacred ash, Yggdrasil, and to keep it in
|
|
good condition by placing fresh earth around it daily. In her
|
|
fury, Skuld often spoiled the work of her sisters by tearing
|
|
the web to shreds.
|
|
[ The Encyclopedia of Myths and Legends of All Nations
|
|
by Herbert Spencer Robinson and Knox Wilson ]
|
|
nunchaku
|
|
A nunchaku is two sections of wood (or metal in modern
|
|
incarnations) connected by a cord or chain. There is much
|
|
controversy over its origins; some say it was originally a
|
|
Chinese weapon, others say it evolved from a threshing flail;
|
|
one theory purports that it was developed from a horse's bit.
|
|
Chinese nunchaku tend to be rounded, whereas Japanese are
|
|
octagonal, and they were originally linked by horse hair.
|
|
There are many variations on the nunchaku, ranging from the
|
|
three sectional staff (san-setsu-kon nunchaku), to smaller
|
|
multi-section nunchaku. The nunchaku was popularized by
|
|
Bruce Lee in a number of films, made in both Hollywood and
|
|
Hong Kong.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
*nymph
|
|
naiad
|
|
A female creature from Roman and Greek mythology, the nymph
|
|
occupied rivers, forests, ponds, etc. A nymph's beauty is
|
|
beyond words: an ever-young woman with sleek figure and
|
|
long, thick hair, radiant skin and perfect teeth, full lips
|
|
and gentle eyes. A nymph's scent is delightful, and her
|
|
long robe glows, hemmed with golden threads and embroidered
|
|
with rainbow hues of unearthly magnificence. A nymph's
|
|
demeanour is graceful and charming, her mind quick and witty.
|
|
[]
|
|
|
|
Theseus felt her voice pulling him down into fathoms of
|
|
sleep. The song was the skeleton of his dream, and the dream
|
|
was full of terror. Demon girls were after him, and a bull-
|
|
man was goring him. Everywhere there was blood. There was
|
|
pain. There was fear. But his head was in the nymph's lap
|
|
and her musk was about him, her voice weaving the dream. He
|
|
knew then that she had been sent to tell him of something
|
|
dreadful that was to happen to him later. Her song was a
|
|
warning. But she had brought him a new kind of joy, one that
|
|
made him see everything differently. The boy, who was to
|
|
become a hero, suddenly knew then what most heroes learn
|
|
later -- and some too late -- that joy blots suffering and
|
|
that the road to nymphs is beset by monsters.
|
|
[ The Minotaur, by Bernard Evslin ]
|
|
obsidian*
|
|
A volcanic glass, homogeneous in texture and having a low water
|
|
content, with a vitreous luster and a conchoidal fracture. The
|
|
color is commonly black, but may be some shade of red or brown,
|
|
and cut sections sometimes appear to be green. Like other
|
|
volcanic glasses, obsidian is a lava that has cooled too quickly
|
|
for the contained minerals to crystallize. In chemical
|
|
composition it is rich in silica and similar to granite. It is
|
|
favored by primitive peoples for knives, arrowheads, spearheads,
|
|
and other weapons and tools.
|
|
[ The Columbia Encyclopedia, Sixth Edition ]
|
|
odin
|
|
Also called Sigtyr (god of Victory), Val-father (father of
|
|
the slain), One-Eyed, Hanga-god (god of the hanged), Farma-
|
|
god (god of cargoes), Hapta-god (god of prisoners), and
|
|
Othin. He is the prime god of the Norsemen: god of war and
|
|
victory, wisdom and prophecy, poetry, the dead, air and wind,
|
|
hospitality, and magic.
|
|
As the god of war and victory, Odin is ruler of the Valkyries,
|
|
warrior-maidens who lived in the halls of Valhalla in Asgard,
|
|
the hall of dead heroes where he held his court.
|
|
These chosen ones will defend the realm of the gods against
|
|
the Frost Giants on the final day of reckoning, Ragnarok.
|
|
As god of the wind, Odin rides through the air on his eight-
|
|
footed horse, Sleipnir, wielding Gungner, his spear, normally
|
|
accompanied by his ravens, Hugin and Munin, who he would also
|
|
use as his spies.
|
|
As a god of hospitality, he enjoys visiting the earth in
|
|
disguise to see how people were behaving and to see how they
|
|
would treat him, not knowing who he was.
|
|
Odin is usually represented as a one-eyed wise old man with a
|
|
long white beard and a wide-brimmed hat (he gave one of his
|
|
eyes to Mimir, the guardian of the well of wisdom in Hel, in
|
|
exchange for a draught of knowledge).
|
|
ogre*
|
|
Anyone who has met a gluttonous, nude, angry ogre, will not
|
|
easily forget this encounter -- if he survives it at all.
|
|
Both male and female ogres can easily grow as tall as three
|
|
metres. Build and facial expressions would remind one of a
|
|
Neanderthal. Its small, pointy, keen teeth are striking.
|
|
Since ogres avoid direct sunlight, their ragged, unfurry
|
|
skin is as white as a sheet. They enjoy coating their body
|
|
with lard and usually wear nothing but a loin-cloth. An elf
|
|
would smell its rancid stench at ten metres distance.
|
|
Ogres are solitary creatures: very rarely one may encounter
|
|
a female with two or three young. They are the only real
|
|
carnivores among the humanoids, and its favourite meal is --
|
|
not surprisingly -- human flesh. They sometimes ally with
|
|
orcs or goblins, but only when they anticipate a good meaty
|
|
meal.
|
|
[ het Boek van de Regels; Het Oog des Meesters ]
|
|
oilskin cloak
|
|
During our watches below we overhauled our clothes, and made
|
|
and mended everything for bad weather. Each of us had made
|
|
for himself a suit of oil-cloth or tarpaulin, and these we
|
|
got out, and gave thorough coatings of oil or tar, and hung
|
|
upon the stays to dry. Our stout boots, too, we covered
|
|
over with a thick mixture of melted grease and tar. Thus we
|
|
took advantage of the warm sun and fine weather of the
|
|
Pacific to prepare for its other face.
|
|
[ Two Years Before the Mast, by Richard Henry Dana ]
|
|
oilskin sack
|
|
Summer passed all too quickly. On the last day of camp, Mr.
|
|
Brickle called his counselors together and paid them what he
|
|
owed them. Louis received one hundred dollars - the first
|
|
money he had ever earned. He had no wallet and no pockets,
|
|
so Mr. Brickle placed the money in a waterproof bag that had
|
|
a drawstring. He hung this moneybag around Louis' neck,
|
|
along with the trumpet, the slate, the chalk pencil, and the
|
|
lifesaving medal.
|
|
[ The Trumpet of the Swan, by E.B. White ]
|
|
olog-hai
|
|
But at the end of the Third Age a troll-race not before seen
|
|
appeared in southern Mirkwood and in the mountain borders of
|
|
Mordor. Olog-hai they were called in the Black Speech. That
|
|
Sauron bred them none doubted, though from what stock was not
|
|
known. Some held that they were not Trolls but giant Orcs;
|
|
but the Olog-hai were in fashion of body and mind quite unlike
|
|
even the largest of Orc-kind, whom they far surpassed in size
|
|
and power. Trolls they were, but filled with the evil will
|
|
of their master: a fell race, strong, agile, fierce and
|
|
cunning, but harder than stone. Unlike the older race of the
|
|
Twilight they could endure the Sun.... They spoke little,
|
|
and the only tongue they knew was the Black Speech of Barad-dur.
|
|
[ The Return of the King, by J.R.R. Tolkien ]
|
|
oracle
|
|
delphi
|
|
p*thia
|
|
Delphi under towering Parnassus, where Apollo's oracle was,
|
|
plays an important part in mythology. Castalia was its
|
|
sacred spring; Cephissus its river. It was held to be the
|
|
center of the world, so many pilgrims came to it, from
|
|
foreign countries as well as Greece. No other shrine rivaled
|
|
it. The answers to the questions asked by the anxious
|
|
seekers for Truth were delivered by a priestess who went into
|
|
a trance before she spoke.
|
|
[ Mythology, by Edith Hamilton ]
|
|
orange
|
|
pear
|
|
What was the fruit like? Unfortunately, no one can describe
|
|
a taste. All I can say is that, compared with those fruits,
|
|
the freshest grapefruit you've ever eaten was dull, and the
|
|
juiciest orange was dry, and the most melting pear was hard
|
|
and woody, and the sweetest wild strawberry was sour. And
|
|
there were no seeds or stones, and no wasps. If you had once
|
|
eaten that fruit, all the nicest things in this world would
|
|
taste like medicines after it. But I can't describe it. You
|
|
can't find out what it is like unless you can get to that
|
|
country and taste it for yourself.
|
|
[ The Last Battle, by C.S. Lewis ]
|
|
*orb of detection
|
|
This Orb is a crystal ball of exceptional powers. When
|
|
carried, it grants ESP, limits damage done by spells, and
|
|
protects the carrier from magic missiles. When invoked it
|
|
allows the carrier to become invisible.
|
|
*orb of fate
|
|
Some say that Odin himself created this ancient crystal ball,
|
|
although others argue that Loki created it and forged Odin's
|
|
signature on the bottom. In any case, it is a powerful
|
|
artifact. Anyone who carries it is granted the gift of
|
|
warning, and damage, both spell and physical, is partially
|
|
absorbed by the orb itself. When invoked it has the power
|
|
to teleport the invoker between levels.
|
|
goblin king
|
|
orcrist
|
|
The Great Goblin gave a truly awful howl of rage when he
|
|
looked at it, and all his soldiers gnashed their teeth,
|
|
clashed their shields, and stamped. They knew the sword at
|
|
once. It had killed hundreds of goblins in its time, when
|
|
the fair elves of Gondolin hunted them in the hills or did
|
|
battle before their walls. They had called it Orcrist,
|
|
Goblin-cleaver, but the goblins called it simply Biter.
|
|
They hated it and hated worse any one that carried it.
|
|
[ The Hobbit, by J.R.R. Tolkien ]
|
|
orcus
|
|
Orcus, Prince of the Undead, has a ram's head and a poison
|
|
stinger. He is most feared, though, for his powerful magic
|
|
abilities. His wand causes death to those he chooses.
|
|
~orc ??m*
|
|
~orcish barbarian
|
|
~orcish ranger
|
|
~orcish rogue
|
|
~orcish wizard
|
|
orc*
|
|
* orc
|
|
uruk*hai
|
|
Orcs, bipeds with a humanoid appearance, are related to the
|
|
goblins, but much bigger and more dangerous. The average orc
|
|
is only moderately intelligent, has broad, muscled shoulders,
|
|
a short neck, a sloping forehead and a thick, dark fur.
|
|
Their lower eye-teeth are pointing forward, like a boar's.
|
|
Female orcs are more lightly built and bare-chested. Not
|
|
needing any clothing, they do like to dress in variegated
|
|
apparels. Suspicious by nature, orcs live in tribes or
|
|
hordes. They tend to live underground as well as above
|
|
ground (but they dislike sunlight). Orcs can use all weapons,
|
|
tools and armours that are used by men. Since they don't have
|
|
the talent to fashion these themselves, they are constantly
|
|
hunting for them. There is nothing a horde of orcs cannot
|
|
use.
|
|
[ het Boek van de Regels; Het Oog des Meesters ]
|
|
orion
|
|
sirius
|
|
Orion was the son of Neptune. He was a handsome giant and a
|
|
mighty hunter. His father gave him the power of wading
|
|
through the depths of the sea, or, as others say, of
|
|
walking on its surface.
|
|
|
|
He dwelt as a hunter with Diana (Artemis), with whom he
|
|
was a favourite, and it is even said she was about to marry
|
|
him. Her brother was highly displeased and often chid her,
|
|
but to no purpose. One day, observing Orion wading through
|
|
the sea with his head just above the water, Apollo pointed
|
|
it out to his sister and maintained that she could not hit
|
|
that black thing on the sea. The archer-goddess discharged
|
|
a shaft with fatal aim. The waves rolled the dead body of
|
|
Orion to the land, and bewailing her fatal error with many
|
|
tears, Diana placed him among the stars, where he appears
|
|
as a giant, with a girdle, sword, lion's skin, and
|
|
club. Sirius, his dog, follows him, and the Pleiads fly
|
|
before him.
|
|
[ Bulfinch's Mythology, by Thomas Bulfinch ]
|
|
osaku
|
|
The osaku is a small tool for picking locks.
|
|
owlbear
|
|
Owlbears are probably the crossbreed creation of a demented
|
|
wizard; given the lethal nature of this creation, it is quite
|
|
likely the wizard who created them is no longer alive. As
|
|
the name might already suggest, owlbears are a cross between
|
|
a giant owl and a bear. They are covered with fur and
|
|
feathers.
|
|
page
|
|
A male servant or attendant; specifically, in chivalry,
|
|
a lad or young man in training for knighthood, or a youth
|
|
of gentle parentage attending a royal or princely personage.
|
|
[ Webster's Comprehensive International Dictionary
|
|
of the English Language ]
|
|
*pall
|
|
_Pallium._ The Roman name for a square woollen cloak worn
|
|
by men in ancient Greece, especially by philosophers and
|
|
courtesans, corresponding to the Roman toga. Hence the
|
|
Greeks called themselves _gens palliata,_ and the Romans
|
|
called themselves _gens togata._
|
|
[ Brewer's Concise Dictionary of Phrase and Fable ]
|
|
panther
|
|
And lo! almost where the ascent began,
|
|
A panther light and swift exceedingly,
|
|
Which with a spotted skin was covered o'er!
|
|
|
|
And never moved she from before my face,
|
|
Nay, rather did impede so much my way,
|
|
That many times I to return had turned.
|
|
[ Dante's Inferno, as translated
|
|
by Henry Wadsworth Longfellow ]
|
|
*paper
|
|
Some players, who unconsciously perceive Paper as weak or a
|
|
sign of surrender, will shy away from using it entirely or
|
|
drop it from their game when they are falling behind. On the
|
|
other hand, Paper also connects with a player's perceptions
|
|
about writing. There is a quiet power in the printed word.
|
|
It has the ability to lay off thousands of employees, declare
|
|
war against nations, spread scandal or confess love. Paper,
|
|
in short, has power over masses. The fate of the entire world
|
|
is determined by print. As such, some players perceive Paper
|
|
as a subtle attack, the victory of modern culture over barbarism.
|
|
Such players may use Paper to assert their superiority and dignity.
|
|
[ The Official Rock Paper Scissors Strategy Guide,
|
|
by Douglas and Graham Walker ]
|
|
pelias
|
|
Conan cried out sharply and recoiled, thrusting his companion
|
|
back. Before them rose the great shimmering white form of Satha,
|
|
an ageless hate in its eyes. Conan tensed himself for one mad
|
|
berserker onslaught -- to thrust the glowing faggot into that
|
|
fiendish countenance and throw his life into the ripping sword-
|
|
stroke. But the snake was not looking at him. It was glaring
|
|
over his shoulder at the man called Pelias, who stood with his
|
|
arms folded, smiling. And in the great, cold, yellow eyes
|
|
slowly the hate died out in a glitter of pure fear -- the only
|
|
time Conan ever saw such an expression in a reptile's eyes.
|
|
With a swirling rush like the sweep of a strong wind, the great
|
|
snake was gone.
|
|
"What did he see to frighten him?" asked Conan, eyeing his
|
|
companion uneasily.
|
|
"The scaled people see what escapes the mortal eye," answered
|
|
Pelias cryptically. "You see my fleshy guise, he saw my naked
|
|
soul."
|
|
[ Conan the Usurper, by Robert E. Howard and L. Sprague de Camp ]
|
|
pick*ax*
|
|
broad pick
|
|
The mine is full of holes;
|
|
With the wound of pickaxes.
|
|
But look at the goldsmith's store.
|
|
There, there is gold everywhere.
|
|
[ Divan-i Kebir Meter 2, by Mevlana Celaleddin Rumi ]
|
|
*piercer
|
|
Ye Piercer doth look like unto a stalactyte, and hangeth
|
|
from the roofs of caves and caverns. Unto the height of a
|
|
man, and thicker than a man's thigh do they grow, and in
|
|
groups do they hang. If a creature doth pass beneath them,
|
|
they will by its heat and noise perceive it, and fall upon
|
|
it to kill and devour it, though in any other way they move
|
|
but exceeding slow.
|
|
[ the Bestiary of Xygag ]
|
|
piranha
|
|
They live in "schools." Many times they will wait for prey
|
|
to come to the shallow water of the river. Then the large
|
|
group of piranhas will attack. These large groups are able
|
|
to kill large animals... Their lower teeth fit perfectly
|
|
into the spaces of their upper teeth, creating a tremendous
|
|
vice-like bite... Piranhas are attracted to any disturbance
|
|
in the water.
|
|
[ http://www.animalsoftherainforest.com ]
|
|
pit
|
|
spiked pit
|
|
Amid the thought of the fiery destruction that impended, the
|
|
idea of the coolness of the well came over my soul like balm.
|
|
I rushed to its deadly brink. I threw my straining vision
|
|
below. The glare from the enkindled roof illumined its inmost
|
|
recesses. Yet, for a wild moment, did my spirit refuse to
|
|
comprehend the meaning of what I saw. At length it forced --
|
|
it wrestled its way into my soul -- it burned itself in upon my
|
|
shuddering reason. Oh! for a voice to speak! -- oh! horror! --
|
|
oh! any horror but this!
|
|
[ The Pit and the Pendulum, by Edgar Allan Poe ]
|
|
pit fiend
|
|
Pit fiends are among the more powerful of devils, capable of
|
|
attacking twice with weapons as well as grabbing and crushing
|
|
the life out of those unwary enough to enter their
|
|
domains.
|
|
platinum yendorian express card
|
|
This is an ancient artifact made of an unknown material. It
|
|
is rectangular in shape, very thin, and inscribed with
|
|
unreadable ancient runes. When carried, it grants the one
|
|
who carries it ESP, and reduces all spell induced damage done to
|
|
the carrier by half. It also protects from magic missile
|
|
attacks. Finally, its power is such that when invoked, it
|
|
can charge other objects.
|
|
# playing style, rather vague topic but these quotes are too apt to pass up
|
|
player
|
|
play* style
|
|
user
|
|
Be bold,
|
|
be bold,
|
|
but not too bold.
|
|
Or else your life's blood,
|
|
shall run cold.
|
|
[ The White Road, by Neil Gaiman ]
|
|
|
|
People think I'm crazy to worry all the time;
|
|
If you paid attention, you'd be worried too.
|
|
You better pay attention, or this world we love so much
|
|
Might just kill you.
|
|
[ It's a Jungle Out There, by Randy Newman ]
|
|
# [ theme song from "Monk" ]
|
|
pony
|
|
Hey! now! Come hoy now! Whither do you wander?
|
|
Up, down, near or far, here, there or yonder?
|
|
Sharp-ears, Wise-nose, Swish-tail and Bumpkin,
|
|
White-socks my little lad, and old Fatty Lumpkin!
|
|
|
|
[...]
|
|
Tom called them one by one and they climbed over the brow and
|
|
stood in a line. Then Tom bowed to the hobbits.
|
|
|
|
"Here are your ponies, now!" he said. "They've more sense (in some
|
|
ways) than you wandering hobbits have -- more sense in their noses.
|
|
For they sniff danger ahead which you walk right into; and if they
|
|
run to save themselves, then they run the right way."
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
*portal
|
|
Portals can be Mirrors, Pictures, Standing Stones, Stone
|
|
Circles, Windows, and special gates set up for the purpose.
|
|
You will travel through them both to distant parts of the
|
|
continent and to and from our own world. The precise manner
|
|
of their working is a Management secret.
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
poseido*n
|
|
Poseido(o)n, lord of the seas and father of rivers and
|
|
fountains, was the son of Chronos and Rhea, brother of Zeus,
|
|
Hades, Hera, Hestia and Demeter. His rank of ruler of the
|
|
waves he received by lot at the Council Meeting of the Gods,
|
|
at which Zeus took the upper world for himself and gave
|
|
dominion over the lower world to Hades.
|
|
Poseidon is associated in many ways with horses and thus is
|
|
the god of horses. He taught men how to ride and manage the
|
|
animal he invented and is looked upon as the originator and
|
|
guardian deity of horse races.
|
|
His symbol is the familiar trident or three-pronged spear
|
|
with which he can split rocks, cause or quell storms, and
|
|
shake the earth, a power which makes him the god of
|
|
earthquakes as well. Physically, he is shown as a strong and
|
|
powerful ruler, every inch a king.
|
|
[ The Encyclopedia of Myths and Legends of All Nations,
|
|
by Herbert Robinson and Knox Wilson ]
|
|
~*sleeping
|
|
~*booze
|
|
*potion*
|
|
POTABLE, n. Suitable for drinking. Water is said to be
|
|
potable; indeed, some declare it our natural beverage,
|
|
although even they find it palatable only when suffering
|
|
from the recurrent disorder known as thirst, for which it
|
|
is a medicine. Upon nothing has so great and diligent
|
|
ingenuity been brought to bear in all ages and in all
|
|
countries, except the most uncivilized, as upon the
|
|
invention of substitutes for water. To hold that this
|
|
general aversion to that liquid has no basis in the
|
|
preservative instinct of the race is to be unscientific --
|
|
and without science we are as the snakes and toads.
|
|
[ The Devil's Dictionary, by Ambrose Bierce ]
|
|
|
|
Jack Burton: What's in the flask, Egg? Magic potion?
|
|
Egg Shen: Yeah.
|
|
Jack: I thought so, good. What do we do? Drink it?
|
|
Egg: Yeah.
|
|
Jack: Good, I thought so.
|
|
[later]
|
|
Jack: This does what again, exactly?
|
|
Egg: Huge buzz! [drinks] Oh good! See things no
|
|
one else can see, do things no one else can do.
|
|
[ Big Trouble in Little China, directed by
|
|
John Carpenter, written by Gary Goldman &
|
|
David Z. Weinstein, adaptation by W. D. Richter ]
|
|
pray*
|
|
Whatever a man prays for, he prays for a miracle. Every
|
|
prayer reduces itself to this: Great God, grant that twice
|
|
two be not four.
|
|
[ Fathers and Sons, by Ivan Turgenev ]
|
|
priest*
|
|
* priest*
|
|
acolyte
|
|
[...] For the two priests were talking exactly like priests,
|
|
piously, with learning and leisure, about the most aerial
|
|
enigmas of theology. The little Essex priest spoke the more
|
|
simply, with his round face turned to the strengthening stars;
|
|
the other talked with his head bowed, as if he were not even
|
|
worthy to look at them. But no more innocently clerical
|
|
conversation could have been heard in any white Italian cloister
|
|
or black Spanish cathedral. The first he heard was the tail of
|
|
one of Father Brown's sentences, which ended: "... what they
|
|
really meant in the Middle Ages by the heavens being
|
|
incorruptible." The taller priest nodded his bowed head and
|
|
said: "Ah, yes, these modern infidels appeal to their reason;
|
|
but who can look at those millions of worlds and not feel that
|
|
there may well be wonderful universes above us where reason is
|
|
utterly unreasonable?"
|
|
[ The Innocence of Father Brown, by G.K. Chesterton ]
|
|
prisoner
|
|
Where am I?
|
|
In the Village.
|
|
What do you want?
|
|
Information.
|
|
Whose side are you on?
|
|
That would be telling. We want information ...
|
|
information ...
|
|
You won't get it.
|
|
By hook or by crook, we will.
|
|
Who are you?
|
|
The new Number 2.
|
|
Who is Number 1?
|
|
You are Number 6.
|
|
I am not a number! I am a free man!
|
|
[ The Prisoner, by Patrick McGoohan ]
|
|
ptah
|
|
Known under various names (Nu, Neph, Cenubis, Amen-Kneph,
|
|
Khery-Bakef), Ptah is the creator god and god of craftsmen.
|
|
He is usually depicted as wearing a closely fitting robe
|
|
with only his hands free. His most distinctive features are
|
|
the invariable skull-cap exposing only his face and ears,
|
|
and the _was_ or rod of domination which he holds,
|
|
consisting of a staff surmounted by the _ankh_ symbol of
|
|
life. He is otherwise symbolized by his sacred animal, the
|
|
bull.
|
|
*purple worm
|
|
A gargantuan version of the harmless rain-worm, the purple
|
|
worm poses a huge threat to the ordinary adventurer. It is
|
|
known to swallow whole and digest its victims within only a
|
|
few minutes. These worms are always on guard, sensitive
|
|
to the most minute vibrations in the earth, but may also
|
|
be awakened by a remote shriek.
|
|
pyrolisk
|
|
At first glance around the corner, I thought it was another
|
|
cockatrice. I had encountered the wretched creatures two or
|
|
three times since leaving the open area. I quickly ducked my
|
|
head back and considered what to do next. My heart had begun
|
|
to thump audibly as I patted my pack to make sure I still had
|
|
the dead lizards at close reach. A check of my attire showed
|
|
no obvious holes or damage. I had to keep moving. One deep
|
|
breath, and a count of three, two, one, and around the corner
|
|
I bolted. But it was no cockatrice! I felt a sudden intense
|
|
searing of the skin around my face, and flames began to leap
|
|
from my pack. I tossed it to the ground, and quickly retreated
|
|
back, around that corner, desperately striving to get out of
|
|
its sight.
|
|
python
|
|
A monstrous serpent in Greek mythology, and the child of Gaia,
|
|
the goddess earth. It was produced from the slime and mud
|
|
that was left on the earth by the great flood of Deucalion.
|
|
It lived in a cave and guarded the oracle of Delphi on mount
|
|
Parnassus.
|
|
|
|
No man dared to approach the beast and the people asked Apollo
|
|
for help. He came down from Mount Olympus with his silver bow
|
|
and golden arrows. With using only one arrow he killed the
|
|
serpent and claimed the oracle for himself. ... The old name of
|
|
Delphi, Pytho, refers to the serpent.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
quadruped
|
|
The woodlands and other regions are inhabited by multitudes
|
|
of four-legged creatures which cannot be simply classified.
|
|
They might not have fiery breath or deadly stings, but
|
|
adventurers have nevertheless met their end numerous times
|
|
due to the claws, hooves, or bites of such animals.
|
|
quantum mechanic
|
|
These creatures are not native to this universe; they seem
|
|
to have strangely derived powers, and unknown motives.
|
|
[]
|
|
|
|
_Uncertainty Principle_ The principle that it is not possible
|
|
to know with unlimited accuracy both the position and momentum
|
|
of a particle. ... An explanation of the uncertainty is that
|
|
in order to locate a particle exactly, an observer must be
|
|
able to bounce off it a photon of radiation; this act of
|
|
location itself alters the position of the particle
|
|
in an unpredictable way. To locate the position accurately,
|
|
photons of short wavelength would have to be used. The high
|
|
momentum of such photons would cause a large effect on the
|
|
position. On the other hand, using photons of lower momenta
|
|
would have less effect on the particle's position, but would
|
|
be less accurate because of the lower wavelength.
|
|
[ A Concise Dictionary of Physics ]
|
|
quasit
|
|
Quasits are small, evil creatures, related to imps. Their
|
|
talons release a very toxic poison when used in an attack.
|
|
*quest
|
|
Many, possibly most, Tours are organized as a Quest. This
|
|
is like a large-scale treasure hunt, with clues scattered
|
|
all over the continent, a few false leads, Mystical Masters
|
|
as game-show hosts, and the Dark Lord and the Terrain to
|
|
make the Quest interestingly difficult. [...]
|
|
In order to be assured of your future custom, the Management
|
|
has a further Rule: Tourists, far from being rewarded for
|
|
achieving their Quest Object, must then go on to conquer
|
|
the Dark Lord or set about Saving the World, or both. And
|
|
why not? By then you will have had a lot of practice in
|
|
that sort of thing and, besides, the Quest Object is usually
|
|
designed to help you do it.
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
quetzalcoatl
|
|
One of the principal Aztec-Toltec gods was the great and wise
|
|
Quetzalcoatl, who was called Kukumatz in Guatemala, and
|
|
Kukulcan in Yucatan. His image, the plumed serpent, is found
|
|
on both the oldest and the most recent Indian edifices. ...
|
|
The legend tells how the Indian deity Quetzalcoatl came from
|
|
the "Land of the Rising Sun". He wore a long white robe and
|
|
had a beard; he taught the people crafts and customs and laid
|
|
down wise laws. He created an empire in which the ears of
|
|
corn were as long as men are tall, and caused bolls of colored
|
|
cotton to grow on cotton plants. But for some reason or other
|
|
he had to leave his empire. ... But all the legends of
|
|
Quetzalcoatl unanimously agree that he promised to come again.
|
|
[ Gods, Graves, and Scholars, by C. W. Ceram ]
|
|
quit*
|
|
Maltar: [...] I remembered a little saying I learned my
|
|
first day at the academy.
|
|
Natalie: Yeah, yeah, I know. Winners never quit and quitters
|
|
never win.
|
|
Maltar: What? No! Winners never quit and quitters should
|
|
be cast into the Flaming Pit of Death.
|
|
[ Snow Day, directed by Chris Koch,
|
|
written by Will McRobb and Chris Viscardi ]
|
|
raijin
|
|
raiden
|
|
The Japanese god of thunder (rai) and lightning (den). He
|
|
prevented the Mongols from invading Japan in 1274. Sitting on
|
|
a cloud he sent forth a shower of lightning arrows upon the
|
|
invading fleet. Only three men escaped. Raiden is portrayed
|
|
as a red demon with sharp claws, carrying a large drum. He is
|
|
fond of eating human navels. The only protection against him
|
|
is to hide under a mosquito net.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
ranger
|
|
* ranger
|
|
"Lonely men are we, Rangers of the wild, hunters -- but hunters
|
|
ever of the servants of the Enemy; for they are found in many
|
|
places, not in Mordor only.
|
|
If Gondor, Boromir, has been a stalwart tower, we have played
|
|
another part. Many evil things there are that your strong walls
|
|
and bright swords do not stay. You know little of the lands
|
|
beyond your bounds. Peace and freedom, do you say? The North
|
|
would have known them little but for us. Fear would have
|
|
destroyed them. But when dark things come from the houseless
|
|
hills, or creep from sunless woods, they fly from us. What
|
|
roads would any dare to tread, what safety would there be in
|
|
quiet lands, or in the homes of simple men at night, if the
|
|
Dunedain were asleep, or were all gone into the grave?"
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
rat
|
|
* rat
|
|
Rats are long-tailed rodents. They are aggressive,
|
|
omnivorous, and adaptable, often carrying diseases.
|
|
[]
|
|
|
|
"The rat," said O'Brien, still addressing his invisible
|
|
audience, "although a rodent, is carnivorous. You are aware
|
|
of that. You will have heard of the things that happen in
|
|
the poor quarters of this town. In some streets a woman dare
|
|
not leave her baby alone in the house, even for five minutes.
|
|
The rats are certain to attack it. Within quite a small time
|
|
they will strip it to the bones. They also attack sick or
|
|
dying people. They show astonishing intelligence in knowing
|
|
when a human being is helpless."
|
|
[ 1984, by George Orwell ]
|
|
raven
|
|
But the raven, sitting lonely on the placid bust, spoke only
|
|
That one word, as if his soul in that one word he did outpour.
|
|
Nothing further then he uttered -- not a feather then he fluttered--
|
|
Till I scarcely more than muttered, 'other friends have flown before--
|
|
On the morrow *he* will leave me, as my hopes have flown before.'
|
|
Then the bird said, 'Nevermore.'
|
|
[ The Raven, by Edgar Allan Poe ]
|
|
~*invisibility
|
|
ring
|
|
* ring
|
|
ring of *
|
|
Three Rings for the Elven-kings under the sky,
|
|
Seven for the Dwarf-lords in their halls of stone,
|
|
Nine for Mortal Men doomed to die,
|
|
One for the Dark Lord on his dark throne,
|
|
In the Land of Mordor where the Shadows lie.
|
|
One Ring to rule them all, One Ring to find them,
|
|
One Ring to bring them all and in the darkness bind them
|
|
In the Land of Mordor where the Shadows lie.
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
ring of invisibility
|
|
"When time came for the shepherds to hold their customary
|
|
assembly in order to prepare their monthly report to the king
|
|
about the state of the flocks, he came too, wearing this ring.
|
|
While he was sitting with the others, it chanced that he moved
|
|
the collet of the ring around toward himself into the inside of
|
|
his hand; having done this, he disappeared from the sight of
|
|
those who were sitting beside him, and they discussed of him as
|
|
of someone who had left. And he wondered and once again feeling
|
|
for the ring, he turned the collet outwards and, by turning it,
|
|
reappeared. Reflecting upon this, he put the ring to the test
|
|
to see if it indeed had such power, and he came to this
|
|
conclusion that, by turning the collet inwards, he became
|
|
invisible, outwards, visible. Having perceived this, he at
|
|
once managed for himself to become one of the envoys to the
|
|
king; upon arrival, having seduced his wife, with her help,
|
|
he laid a hand on the king, murdered him and took hold of the
|
|
leadership."
|
|
[ The Republic, by Plato, translated by James Adam ]
|
|
robe
|
|
Robes are the only garments, apart from Shirts, ever to have
|
|
sleeves. They have three uses:
|
|
1. As the official uniform of Priests, Priestesses, Monks,
|
|
Nuns (see Nunnery), and Wizards. The OMT [ Official Management
|
|
Term ] prescribed for the Robes of Priests and Nuns is that
|
|
they _fall in severe folds_; of Priestesses that they _float_;
|
|
and of Wizards that they _swirl_. You can thus see who you
|
|
are dealing with.
|
|
2. For Kings. The OMT here is _falling in stately folds_.
|
|
3. As the garb of Desert Nomads. [...]
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
rock
|
|
Bilbo saw that the moment had come when he must do something.
|
|
He could not get up at the brutes and he had nothing to shoot
|
|
with; but looking about he saw that in this place there were
|
|
many stones lying in what appeared to be a now dry little
|
|
watercourse. Bilbo was a pretty fair shot with a stone, and
|
|
it did not take him long to find a nice smooth egg-shaped one
|
|
that fitted his hand cosily. As a boy he used to practise
|
|
throwing stones at things, until rabbits and squirrels, and
|
|
even birds, got out of his way as quick as lightning if they
|
|
saw him stoop; and even grownup he had still spent a deal of
|
|
his time at quoits, dart-throwing, shooting at the wand,
|
|
bowls, ninepins and other quiet games of the aiming and
|
|
throwing sort - indeed he could do lots of things, besides
|
|
blowing smoke-rings, asking riddles and cooking, that I
|
|
haven't time to tell you about. There is no time now. While
|
|
he was picking up stones, the spider had reached Bombur, and
|
|
soon he would have been dead. At that moment Bilbo threw.
|
|
The stone struck the spider plunk on the head, and it dropped
|
|
senseless off the tree, flop to the ground, with all its legs
|
|
curled up.
|
|
[ The Hobbit, by J.R.R. Tolkien ]
|
|
rock mole
|
|
A rock mole is a member of the rodent family. They get their
|
|
name from their ability to tunnel through rock in the same
|
|
fashion that a mole tunnels through earth. They are known to
|
|
eat anything they come across in their diggings, although it
|
|
is still unknown how they convert some of these things into
|
|
something of nutritional value.
|
|
rodent*
|
|
A gnawing mammal (order _Rodentia_) having in each jaw two
|
|
(rarely four) incisors, growing continually from persistent
|
|
pulps, and no canine teeth, as a squirrel, beaver, or rat.
|
|
[ Webster's Comprehensive International Dictionary
|
|
of the English Language ]
|
|
rogue
|
|
* rogue
|
|
I understand the business, I hear it: to have an open ear, a
|
|
quick eye, and a nimble hand, is necessary for a cut-purse; a
|
|
good nose is requisite also, to smell out work for the other
|
|
senses. I see this is the time that the unjust man doth
|
|
thrive. ... The prince himself is about a piece of iniquity,
|
|
stealing away from his father with his clog at his heels: if
|
|
I thought it were a piece of honesty to acquaint the king
|
|
withal, I would not do't: I hold it the more knavery to
|
|
conceal it; and therein am I constant to my profession.
|
|
[ Autolycus the Rogue, from The Winter's Tale by
|
|
William Shakespeare ]
|
|
roshi
|
|
Roshi is a Japanese word, common in Zen Buddhism, meaning "old"
|
|
(ro) and "teacher" (shi). Roshi can be used as a term of
|
|
respect, as in the Rinzai school; as a simple reference to
|
|
actual age, as in the Soto school; or it can mean a teacher who
|
|
has transmitted knowledge to, and thus "given birth" to, a new
|
|
teacher.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
rothe
|
|
The rothe (pronounced roth-AY) is a musk ox-like creature with
|
|
an aversion to light. It prefers to live underground near
|
|
lichen and moss.
|
|
*royal jelly
|
|
"'Royal Jelly,'" he read aloud, "'must be a substance of
|
|
tremendous nourishing power, for on this diet alone, the
|
|
honey-bee larva increases in weight fifteen hundred times in
|
|
five days!'"
|
|
|
|
"How much?"
|
|
|
|
"Fifteen hundred times, Mabel. And you know what that means
|
|
if you put it in terms of a human being? It means," he said,
|
|
lowering his voice, leaning forward, fixing her with those
|
|
small pale eyes, "it means that in five days a baby weighing
|
|
seven and a half pounds to start off with would increase in
|
|
weight to five tons!"
|
|
[ Royal Jelly, by Roald Dahl ]
|
|
ruby
|
|
sapphire
|
|
_Corundum._ Mineral, aluminum oxide, Al2O3. The clear
|
|
varieties are used as gems and the opaque as abrasive materials.
|
|
Corundum occurs in crystals of the hexagonal system and in
|
|
masses. It is transparent to opaque and has a vitreous to
|
|
adamantine luster. ... The chief corundum gems are the ruby
|
|
(red) and the sapphire (blue).
|
|
[ The Columbia Encyclopedia, Sixth Edition ]
|
|
rust monster
|
|
These strange creatures live on a diet of metals. They can
|
|
turn a suit of armour into so much useless rusted scrap in no
|
|
time at all.
|
|
# takes "rust monster or disenchanter" when specifying 'R'
|
|
rust monster or disenchanter
|
|
These ground-dwelling monsters are known to make short
|
|
work out of degrading adventurers' combat equipment.
|
|
*saber
|
|
*sabre
|
|
Flashed all their sabres bare,
|
|
Flashed as they turned in air,
|
|
Sab'ring the gunners there,
|
|
Charging an army, while
|
|
All the world wondered:
|
|
Plunged in the battery smoke,
|
|
Right through the line they broke;
|
|
Cossack and Russian
|
|
Reeled from the sabre-stroke
|
|
Shattered and sundered.
|
|
Then they rode back, but not--
|
|
Not the six hundred.
|
|
[ The Charge of the Light Brigade,
|
|
by Alfred, Lord Tennyson ]
|
|
saddle
|
|
The horseman serves the horse,
|
|
The neat-herd serves the neat,
|
|
The merchant serves the purse,
|
|
The eater serves his meat;
|
|
'Tis the day of the chattel,
|
|
Web to weave, and corn to grind,
|
|
Things are in the saddle,
|
|
And ride mankind.
|
|
[ Ode, by Ralph Waldo Emerson ]
|
|
sake
|
|
Japanese rice wine.
|
|
salamander
|
|
For hundreds of years, many people believed that salamanders
|
|
were magical. In England in the Middle Ages, people thought
|
|
that fire created salamanders. When they set fire to damp
|
|
logs, dozens of the slimy creatures scurried out. The word
|
|
salamander, in fact, comes from a Greek word meaning "fire
|
|
animal".
|
|
[ Salamanders, by Cherie Winner ]
|
|
samurai
|
|
* samurai
|
|
By that time, Narahara had already slipped his arm from the
|
|
sleeve of his outer robe, drew out his two-and-a-half-foot
|
|
Fujiwara Tadahiro sword, and, brandishing it over his head,
|
|
began barreling toward the foreigners. In less than a minute,
|
|
he had charged upon them and cut one of them through the torso.
|
|
The man fled, clutching his bulging guts, finally to fall from
|
|
his horse at the foot of a pine tree about a thousand yards
|
|
away. Kaeda Takeji finished him off. The other two Englishmen
|
|
were severely wounded as they tried to flee. Only the woman
|
|
managed to escape virtually unscathed.
|
|
[ The Fox-horse, from Drunk as a Lord, by Ryotaro Shiba ]
|
|
sandestin
|
|
Ildefonse left the terrace and almost immediately sounds
|
|
of contention came from the direction of the work-room.
|
|
Ildefonse presently returned to the terrace, followed by
|
|
Osherl and a second sandestin using the guise of a gaunt blue
|
|
bird-like creature, some six feet in height.
|
|
|
|
Ildefonse spoke in scathing tones: "Behold these two
|
|
creatures! They can roam the chronoplex as easily as you
|
|
or I can walk around the table; yet neither has the wit to
|
|
announce his presence upon arrival. I found Osherl asleep
|
|
in his fulgurite and Sarsem perched in the rafters."
|
|
[...]
|
|
"No matter," said Rhialto. "He has brought Sarsem, and this
|
|
was his requirement. In the main, Osherl, you have done well!"
|
|
|
|
"And my indenture point?"
|
|
|
|
"Much depends upon Sarsem's testimony. Sarsem, will you sit?"
|
|
|
|
"In this guise, I find it more convenient to stand."
|
|
|
|
"Then why not alter to human form and join us in comfort at
|
|
the table?"
|
|
|
|
"That is a good idea." Sarsem became a naked young epicene
|
|
in an integument of lavender scales with puffs of purple hair
|
|
like pom-poms growing down his back. He seated himself at
|
|
the table but declined refreshment. "This human semblance,
|
|
though typical, is after all, only a guise. If I were to put
|
|
such things inside myself, I might well become uneasy."
|
|
[ Rhialto the Marvellous, by Jack Vance ]
|
|
sasquatch
|
|
The name _Sasquatch_ doesn't really become important in Canada
|
|
until the 1930s, when it appeared in the works of J. W. Burns,
|
|
a British Columbian writer who used a great deal of Indian
|
|
lore in his stories. Burn's Sasquatch was a giant Indian who
|
|
lived in the wilderness. He was hairy only in the sense that
|
|
he had long hair on his head, and while this Sasquatch lived a
|
|
wild and primitive life, he was fully human.
|
|
Burns's character proved to be quite popular. There was a
|
|
Sasquatch Inn near the town of Harrison, British Columbia, and
|
|
Harrison even had a local celebration called "Sasquatch Days."
|
|
The celebration which had been dormant for years was revived
|
|
as part of British Columbia's centennial, and one of the
|
|
events was to be a Sasquatch hunt. The hunt never took place,
|
|
perhaps it was never supposed to, but the publicity about it
|
|
did bring out a number of people who said they had encountered
|
|
a Sasquatch -- not Burns's giant Indian, but the hairy apelike
|
|
creature that we have all come to know.
|
|
[ The Encyclopedia of Monsters, by Daniel Cohen ]
|
|
scalpel
|
|
A scalpel is a very sharp knife used for surgery ... Merely
|
|
touching a medical scalpel with bare hands to test it will
|
|
cut through the skin. ... Medical scalpel blades are gradually
|
|
curved for greater precision when cutting through tissue.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
*sceptre of might
|
|
This mace was created aeons ago in some unknown cave,
|
|
and has been passed down from generation to generation of
|
|
cave dwellers. It is a very mighty mace indeed, and in
|
|
addition will protect anyone who wields it from magic
|
|
missile attacks. When invoked, it causes conflict in the
|
|
area around it.
|
|
scimitar
|
|
Oh, how handsome, how noble was the Vizier Ali Tebelin,
|
|
my father, as he stood there in the midst of the shot, his
|
|
scimitar in his hand, his face black with powder! How his
|
|
enemies fled before him!
|
|
[ The Count of Monte Cristo, by Alexandre Dumas ]
|
|
scorpio*
|
|
A sub-species of the spider (_Scorpionidae_), the scorpion
|
|
distinguishes itself from them by having a lower body that
|
|
ends in a long, jointed tail tapering to a poisonous stinger.
|
|
They have eight legs and pincers.
|
|
[ Van Dale's Groot Woordenboek der Nederlandse Taal ]
|
|
scorpius
|
|
Since early times, the Scorpion has represented death, darkness,
|
|
and evil. Scorpius is the reputed slayer of Orion the Hunter.
|
|
[...] The gods put both scorpion and hunter among the stars, but
|
|
on opposite sides of the sky so they would never fight again.
|
|
As Scorpius rises in the east, Orion sets in the west.
|
|
[ 365 Starry Nights, by Chet Raymo ]
|
|
*scroll
|
|
scroll *
|
|
And I was gazing on the surges prone,
|
|
With many a scalding tear and many a groan,
|
|
When at my feet emerg'd an old man's hand,
|
|
Grasping this scroll, and this same slender wand.
|
|
I knelt with pain--reached out my hand--had grasp'd
|
|
Those treasures--touch'd the knuckles--they unclasp'd--
|
|
I caught a finger: but the downward weight
|
|
O'erpowered me--it sank. Then 'gan abate
|
|
The storm, and through chill aguish gloom outburst
|
|
The comfortable sun. I was athirst
|
|
To search the book, and in the warming air
|
|
Parted its dripping leaves with eager care.
|
|
Strange matters did it treat of, and drew on
|
|
My soul page after page, till well-nigh won
|
|
Into forgetfulness; when, stupefied,
|
|
I read these words, and read again, and tried
|
|
My eyes against the heavens, and read again.
|
|
[ Endymion, by John Keats ]
|
|
set
|
|
seth
|
|
The ancient Egyptian god of chaos (Set), the embodiment of
|
|
hostility and even of outright evil. He is also a god of war,
|
|
deserts, storms, and foreign lands. ... In the Book of the
|
|
Dead, Seth is called "Lord of the Northern Sky" and is held
|
|
responsible for storms and cloudy weather. ... Seth was
|
|
portrayed as a man with the head of undeterminable origin,
|
|
although some see in it the head of an aardvark. He had a
|
|
curved snout, erect square-tipped ears and a long forked tail.
|
|
He was sometimes entirely in animal form with the body similar
|
|
to that of a greyhound. Animals sacred to this god were the
|
|
dog, the jackal, the gazelle, the donkey, the crocodile, the
|
|
hippopotamus, and the pig.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
shad*
|
|
Shades are undead creatures. They differ from zombies in
|
|
that a zombie is an undead animation of a corpse, while a
|
|
shade is an undead creature magically created by the use
|
|
of black magic.
|
|
shaman karnov
|
|
Making his quarters in the Caves of the Ancestors, Shaman
|
|
Karnov unceasingly tries to shield his neanderthal people
|
|
from Tiamat's minions' harassments.
|
|
shan*lai*ching
|
|
The Chinese god of Mountains and Seas, also the name of an
|
|
old book (also Shan Hai Tjing), the book of mountains and
|
|
seas - which deals with the monster Kung Kung trying to
|
|
seize power from Yao, the fourth emperor.
|
|
[ Spectrum Atlas van de Mythologie ]
|
|
shark
|
|
As the shark moved, its dark top reflected virtually no
|
|
light. The denticles on its skin muted the whoosh of its
|
|
movements as the shark rose, driven by the power of the
|
|
great tail sweeping from side to side, like a scythe.
|
|
The fish exploded upward.
|
|
Charles Bruder felt a slight vacuum tug in the motion of
|
|
the sea, noted it as a passing current, the pull of a wave,
|
|
the tickle of undertow. He could not have heard the faint
|
|
sucking rush of water not far beneath him. He couldn't
|
|
have seen or heard what was hurtling from the murk at
|
|
astonishing speed, jaws unhinging, widening, for the
|
|
enormous first bite. It was the classic attack
|
|
that no other creature in nature could make -- a bomb from
|
|
the depths.
|
|
[ Close to Shore, by Michael Capuzzo ]
|
|
shito
|
|
A Japanese stabbing knife.
|
|
shopkeeper
|
|
There have been three general theories put forward to explain
|
|
the phenomenon of the wandering shops or, as they are
|
|
generically known, _tabernae vagantes._
|
|
The first postulates that many thousands of years ago there
|
|
evolved somewhere in the multiverse a race whose single talent
|
|
was to buy cheap and sell dear. Soon they controlled a vast
|
|
galactic empire or, as they put it, Emporium, and the more
|
|
advanced members of the species found a way to equip their very
|
|
shops with unique propulsion units that could break the dark
|
|
walls of space itself and open up vast new markets. And long
|
|
after the worlds of the Emporium perished in the heat death of
|
|
their particular universe, after one last defiant fire sale,
|
|
the wandering starshops still ply their trade, eating their way
|
|
through the pages of spacetime like a worm through a three-
|
|
volume novel.
|
|
The second is that they are the creation of a sympathetic Fate,
|
|
charged with the role of supplying exactly the right thing
|
|
at the right time.
|
|
The third is that they are simply a very clever way of getting
|
|
around the various Sunday Closing acts.
|
|
All these theories, diverse as they are, have two things in
|
|
common. They explain the observed facts, and they are
|
|
completely and utterly wrong.
|
|
[ The Light Fantastic, by Terry Pratchett ]
|
|
shrieker
|
|
With a single, savage thrust of her spear, the warrior-woman
|
|
impaled the fungus, silencing it. However, it was too late:
|
|
the alarm had been raised[...]
|
|
Suddenly, a large, dark shape rose from the abyss before them,
|
|
its fetid bulk looming overhead... The monster was some kind of
|
|
great dark worm, but that was about all they were sure of.
|
|
[ The Adventurers, Epic IV, by Thomas A. Miller ]
|
|
throwing star
|
|
shuriken
|
|
You know, that's what I hate most about fighting against magic:
|
|
you never know what they're trying to do to you until it hits.
|
|
The sorceress knew what hit her, however. Two of the shuriken
|
|
got past whatever defenses she had. One caught her just below
|
|
the throat, the other in the middle of her chest. It wouldn't
|
|
kill her, but she wouldn't be fighting anyone for a while.
|
|
[ Jhereg, by Steven Brust ]
|
|
skeleton
|
|
A skeleton is a magically animated undead creature. Unlike
|
|
shades, only a humanoid creature can be used to create a
|
|
skeleton. No one knows why this is true, but it has become
|
|
an accepted fact amongst the practitioners of the black arts.
|
|
slasher
|
|
"That dog belonged to a settler who tried to build his cabin
|
|
on the bank of the river a few miles south of the fort,"
|
|
grunted Conan. ... "We took him to the fort and dressed his
|
|
wounds, but after he recovered he took to the woods and turned
|
|
wild. -- What now, Slasher, are you hunting the men who
|
|
killed your master?" ... "Let him come," muttered Conan.
|
|
"He can smell the devils before we can see them." ...
|
|
Slasher cleared the timbers with a bound and leaped into the
|
|
bushes. They were violently shaken and then the dog slunk
|
|
back to Balthus' side, his jaws crimson. ... "He was a man,"
|
|
said Conan. "I drink to his shade, and to the shade of the
|
|
dog, who knew no fear." He quaffed part of the wine, then
|
|
emptied the rest upon the floor, with a curious heathen
|
|
gesture, and smashed the goblet. "The heads of ten Picts
|
|
shall pay for this, and seven heads for the dog, who was a
|
|
better warrior than many a man."
|
|
[ Conan The Warrior, by Robert E Howard ]
|
|
*sleep
|
|
Sleep is a death; oh, make me try
|
|
By sleeping, what it is to die,
|
|
And as gently lay my head
|
|
On my grave, as now my bed.
|
|
[ Religio Medici, by Sir Thomas Browne ]
|
|
slime mold
|
|
Science fiction did not invent the slime molds, but it has
|
|
borrowed from them in using the idea of sheets of liquid, flowing
|
|
cytoplasm engulfing and dissolving every living thing they touch.
|
|
What fiction can only imagine, nature has produced, and only their
|
|
small size and dependence on coolness, moisture, and darkness has
|
|
kept the slime molds from ordinary observation, for they are common
|
|
enough.
|
|
[ Encyclopaedia Britannica, 1977 ]
|
|
sling
|
|
And it came to pass, when the Philistine arose, and came and
|
|
drew nigh to meet David, that David hasted, and ran toward
|
|
the army to meet the Philistine.
|
|
And David put his hand in his bag, and took thence a stone,
|
|
and slang it, and smote the Philistine in his forehead, that
|
|
the stone sunk into his forehead; and he fell upon his face
|
|
to the earth.
|
|
So David prevailed over the Philistine with a sling and with
|
|
a stone, and smote the Philistine, and slew him; but there
|
|
was no sword in the hand of David.
|
|
[ 1 Samuel 17:48-50 ]
|
|
*snake
|
|
serpent
|
|
water moccasin
|
|
pit viper
|
|
Now the serpent was more subtle than any beast of the field
|
|
which the Lord God had made. And he said unto the woman, Yea,
|
|
hath God said, Ye shall not eat of every tree of the garden?
|
|
And the woman said unto the serpent, We may eat of the fruit of
|
|
the trees of the garden: but of the fruit of the tree which is
|
|
in the midst of the garden, God hath said, Ye shall not eat of
|
|
it, neither shall ye touch it, lest ye die. And the serpent
|
|
said unto the woman, Ye shall not surely die: for God doth
|
|
know that in the day ye eat thereof, then your eyes shall be
|
|
opened, and ye shall be as gods, knowing good and evil. And
|
|
when the woman saw that the tree was good for food, and that it
|
|
was pleasant to the eyes, and a tree to be desired to make one
|
|
wise, she took of the fruit thereof, and did eat, and gave also
|
|
unto her husband with her; and he did eat.
|
|
|
|
And the Lord God said unto the woman, What is this that thou
|
|
hast done? And the woman said, The serpent beguiled me, and I
|
|
did eat. And the Lord God said unto the serpent, Because thou
|
|
hast done this, thou art cursed above all cattle, and above
|
|
every beast of the field; upon thy belly shalt thou go, and
|
|
dust shalt thou eat all the days of thy life: And I will put
|
|
enmity between thee and the woman, and between thy seed and her
|
|
seed; it shall bruise thy head, and thou shalt bruise his heel.
|
|
[ Genesis 3:1-6,13-15 ]
|
|
snickersnee
|
|
Ah, never shall I forget the cry,
|
|
or the shriek that shrieked he,
|
|
As I gnashed my teeth, and from my sheath
|
|
I drew my Snickersnee!
|
|
--Koko, Lord high executioner of Titipu
|
|
[ The Mikado, by Sir W.S. Gilbert ]
|
|
sokoban
|
|
Sokoban (Japanese for "warehouse keeper") is a transport puzzle
|
|
in which the player pushes boxes around a maze, viewed from
|
|
above, and tries to put them in designated locations. Only one
|
|
box may be pushed at a time, not two, and boxes cannot be pulled.
|
|
As the puzzle would be extremely difficult to create physically,
|
|
it is usually implemented as a video game.
|
|
|
|
Sokoban was created in 1982 by Hiroyuki Imabayashi, and was
|
|
published by Thinking Rabbit, a software house based in
|
|
Takarazuka, Japan. Thinking Rabbit also released three sequels:
|
|
Boxxle, Sokoban Perfect and Sokoban Revenge.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
*soldier
|
|
sergeant
|
|
lieutenant
|
|
captain
|
|
The soldiers of Yendor are well-trained in the art of war,
|
|
many trained by the Wizard himself. Some say the soldiers
|
|
are explorers who were unfortunate enough to be captured,
|
|
and put under the Wizard's spell. Those who have survived
|
|
encounters with soldiers say they travel together in platoons,
|
|
and are fierce fighters. Because of the load of their combat
|
|
gear, however, one can usually run away from them, and doing
|
|
so is considered a wise thing.
|
|
*spear
|
|
javelin
|
|
- they come together with great random, and a spear is brast,
|
|
and one party brake his shield and the other one goes down,
|
|
horse and man, over his horse-tail and brake his neck, and
|
|
then the next candidate comes randoming in, and brast his
|
|
spear, and the other man brast his shield, and down he goes,
|
|
horse and man, over his horse-tail, and brake his neck, and
|
|
then there's another elected, and another and another and
|
|
still another, till the material is all used up; and when you
|
|
come to figure up results, you can't tell one fight from
|
|
another, nor who whipped; and as a picture of living, raging,
|
|
roaring battle, sho! why it's pale and noiseless - just
|
|
ghosts scuffling in a fog. Dear me, what would this barren
|
|
vocabulary get out of the mightiest spectacle? - the burning
|
|
of Rome in Nero's time, for instance? Why, it would merely
|
|
say 'Town burned down; no insurance; boy brast a window,
|
|
fireman brake his neck!' Why, that ain't a picture!
|
|
[ A Connecticut Yankee in King Arthur's Court,
|
|
by Mark Twain ]
|
|
*spellbook*
|
|
The Book of Three lay closed on the table. Taran had never
|
|
been allowed to read the volume for himself; now he was sure
|
|
it held more than Dallben chose to tell him. In the sun-
|
|
filled room, with Dallben still meditating and showing no
|
|
sign of stopping, Taran rose and moved through the shimmering
|
|
beams. From the forest came the monotonous tick of a beetle.
|
|
His hands reached for the cover. Taran gasped in pain and
|
|
snatched them away. They smarted as if each of his fingers
|
|
had been stung by hornets. He jumped back, stumbled against
|
|
the bench, and dropped to the floor, where he put his fingers
|
|
woefully into his mouth.
|
|
Dallben's eyes blinked open. He peered at Taran and yawned
|
|
slowly. "You had better see Coll about a lotion for those
|
|
hands," he advised. "Otherwise, I shouldn't be surprised if
|
|
they blistered."
|
|
[ The Book of Three, by Lloyd Alexander ]
|
|
*spider
|
|
Eight legged creature capable of spinning webs to trap prey.
|
|
[]
|
|
|
|
"You mean you eat flies?" gasped Wilbur.
|
|
"Certainly. Flies, bugs, grasshoppers, choice beetles,
|
|
moths, butterflies, tasty cockroaches, gnats, midges, daddy
|
|
longlegs, centipedes, mosquitoes, crickets - anything that is
|
|
careless enough to get caught in my web. I have to live,
|
|
don't I?"
|
|
"Why, yes, of course," said Wilbur.
|
|
[ Charlotte's Web, by E.B. White ]
|
|
*spore
|
|
*sphere
|
|
The attack by those who want to die -- this is the attack
|
|
against which you cannot prepare a perfect defense.
|
|
--Human aphorism
|
|
[ The Dosadi Experiment, by Frank Herbert ]
|
|
squeaky board
|
|
A floorboard creaked. Galder had spent many hours tuning them,
|
|
always a wise precaution with an ambitious assistant who walked
|
|
like a cat.
|
|
D flat. That meant he was just to the right of the door.
|
|
"Ah, Trymon," he said, without turning, and noted with some
|
|
satisfaction the faint indrawing of breath behind him. "Good
|
|
of you to come. Shut the door, will you?"
|
|
[ The Light Fantastic, by Terry Pratchett ]
|
|
~*aesculapius
|
|
*staff
|
|
So they stood, each in his place, neither moving a finger's
|
|
breadth back, for one good hour, and many blows were given
|
|
and received by each in that time, till here and there were
|
|
sore bones and bumps, yet neither thought of crying "Enough,"
|
|
or seemed likely to fall from off the bridge. Now and then
|
|
they stopped to rest, and each thought that he never had seen
|
|
in all his life before such a hand at quarterstaff. At last
|
|
Robin gave the stranger a blow upon the ribs that made his
|
|
jacket smoke like a damp straw thatch in the sun. So shrewd
|
|
was the stroke that the stranger came within a hair's breadth
|
|
of falling off the bridge; but he regained himself right
|
|
quickly, and, by a dexterous blow, gave Robin a crack on the
|
|
crown that caused the blood to flow. Then Robin grew mad
|
|
with anger, and smote with all his might at the other; but
|
|
the stranger warded the blow, and once again thwacked Robin,
|
|
and this time so fairly that he fell heels over head into the
|
|
water, as the queen pin falls in a game of bowls.
|
|
[ The Merry Adventures of Robin Hood, by Howard Pyle ]
|
|
*staff of aesculapius
|
|
This staff is considered sacred to all healers, as it truly
|
|
holds the powers of life and death. When wielded, it
|
|
protects its user from all life draining attacks, and
|
|
additionally gives the wielder the power of regeneration.
|
|
When invoked it performs healing magic.
|
|
stair*
|
|
Up he went -- very quickly at first -- then more slowly -- then
|
|
in a little while even more slowly than that -- and finally,
|
|
after many minutes of climbing up the endless stairway, one
|
|
weary foot was barely able to follow the other. Milo suddenly
|
|
realized that with all his effort he was no closer to the top
|
|
than when he began, and not a great deal further from the
|
|
bottom. But he struggled on for a while longer, until at last,
|
|
completely exhausted, he collapsed onto one of the steps.
|
|
"I should have known it," he mumbled, resting his tired legs
|
|
and filling his lungs with air. "This is just like the line
|
|
that goes on forever, and I'll never get there."
|
|
"You wouldn't like it much anyway," someone replied gently.
|
|
"Infinity is a dreadfully poor place. They can never manage to
|
|
make ends meet."
|
|
[ The Phantom Tollbooth, by Norton Juster ]
|
|
|
|
Dr. Ray Stantz: Hey, where do those stairs go?
|
|
Dr. Peter Venkman: They go up.
|
|
[ Ghostbusters, directed by Ivan Reitman,
|
|
written by Dan Ackroyd and Harold Ramis ]
|
|
~statue trap
|
|
statue*
|
|
Then at last he began to wonder why the lion was standing so
|
|
still - for it hadn't moved one inch since he first set eyes
|
|
on it. Edmund now ventured a little nearer, still keeping in
|
|
the shadow of the arch as much as he could. He now saw from
|
|
the way the lion was standing that it couldn't have been
|
|
looking at him at all. ("But supposing it turns its head?"
|
|
thought Edmund.) In fact it was staring at something else -
|
|
namely a little dwarf who stood with his back to it about
|
|
four feet away. "Aha!" thought Edmund. "When it springs at
|
|
the dwarf then will be my chance to escape." But still the
|
|
lion never moved, nor did the dwarf. And now at last Edmund
|
|
remembered what the others had said about the White Witch
|
|
turning people into stone. Perhaps this was only a stone
|
|
lion. And as soon as he had thought of that he noticed that
|
|
the lion's back and the top of its head were covered with
|
|
snow. Of course it must be only a statue!
|
|
[ The Lion, the Witch and the Wardrobe by C.S. Lewis ]
|
|
sting
|
|
There was the usual dim grey light of the forest-day about
|
|
him when he came to his senses. The spider lay dead beside
|
|
him, and his sword-blade was stained black. Somehow the
|
|
killing of the giant spider, all alone and by himself in the
|
|
dark without the help of the wizard or the dwarves or of
|
|
anyone else, made a great difference to Mr. Baggins. He felt
|
|
a different person, and much fiercer and bolder in spite of
|
|
an empty stomach, as he wiped his sword on the grass and put
|
|
it back into its sheath.
|
|
"I will give you a name," he said to it, "and I shall call
|
|
you Sting."
|
|
[ The Hobbit, by J.R.R. Tolkien ]
|
|
stormbringer
|
|
There were sounds in the distance, incongruent with the
|
|
sounds of even this nameless, timeless sea: thin sounds,
|
|
agonized and terrible, for all that they remained remote -
|
|
yet the ship followed them, as if drawn by them; they grew
|
|
louder - pain and despair were there, but terror was
|
|
predominant.
|
|
Elric had heard such sounds echoing from his cousin Yyrkoon's
|
|
sardonically named 'Pleasure Chambers' in the days before he
|
|
had fled the responsibilities of ruling all that remained of
|
|
the old Melnibonean Empire. These were the voices of men
|
|
whose very souls were under siege; men to whom death meant
|
|
not mere extinction, but a continuation of existence, forever
|
|
in thrall to some cruel and supernatural master. He had
|
|
heard men cry so when his salvation and his nemesis, his
|
|
great black battle-blade Stormbringer, drank their souls.
|
|
[ The Lands Beyond the World, by Michael Moorcock ]
|
|
*strange object
|
|
He walked for some time through a long narrow corridor
|
|
without finding any one and was just going to call out,
|
|
when suddenly in a dark corner between an old cupboard
|
|
and the door he caught sight of a strange object which
|
|
seemed to be alive.
|
|
[ Crime and Punishment, by Fyodor Dostoevsky ]
|
|
straw golem
|
|
Dorothy leaned her chin upon her hand and gazed thoughtfully
|
|
at the Scarecrow. Its head was a small sack stuffed with
|
|
straw, with eyes, nose, and mouth painted on it to represent
|
|
a face. An old, pointed blue hat, that had belonged to some
|
|
Munchkin, was perched on his head, and the rest of the figure
|
|
was a blue suit of clothes, worn and faded, which had also
|
|
been stuffed with straw. On the feet were some old boots with
|
|
blue tops, such as every man wore in this country, and the
|
|
figure was raised above the stalks of corn by means of the
|
|
pole stuck up its back.
|
|
[ The Wonderful Wizard of Oz, by L. Frank Baum ]
|
|
susano*o
|
|
The Shinto chthonic and weather god and brother of the sun
|
|
goddess Amaterasu, he was born from the nose of the
|
|
primordial creator god Izanagi and represents the physical,
|
|
material world. He has been expelled from heaven and taken
|
|
up residence on earth.
|
|
[ Encyclopedia of Gods, by Michael Jordan ]
|
|
tanko
|
|
Samurai plate armor of the Yamato period (AD 300 - 710).
|
|
tengu
|
|
The tengu was the most troublesome creature of Japanese
|
|
legend. Part bird and part man, with red beak for a nose
|
|
and flashing eyes, the tengu was notorious for stirring up
|
|
feuds and prolonging enmity between families. Indeed, the
|
|
belligerent tengu were supposed to have been man's first
|
|
instructors in the use of arms.
|
|
[ Mythical Beasts, by Deirdre Headon (The Leprechaun Library) ]
|
|
thoth
|
|
The Egyptian god of the moon and wisdom, Thoth is the patron
|
|
deity of scribes and of knowledge, including scientific,
|
|
medical and mathematical writing, and is said to have given
|
|
mankind the art of hieroglyphic writing. He is important as
|
|
a mediator and counsellor amongst the gods and is the scribe
|
|
of the Heliopolis Ennead pantheon. According to mythology,
|
|
he was born from the head of the god Seth. He may be
|
|
depicted in human form with the head of an ibis, wholly as an
|
|
ibis, or as a seated baboon sometimes with its torso covered
|
|
in feathers. His attributes include a crown which consists
|
|
of a crescent moon surmounted by a moon disc.
|
|
Thoth is generally regarded as a benign deity. He is also
|
|
scrupulously fair and is responsible not only for entering
|
|
in the record the souls who pass to afterlife, but of
|
|
adjudicating in the Hall of the Two Truths. The Pyramid
|
|
Texts reveal a violent side of his nature by which he
|
|
decapitates the adversaries of truth and wrenches out their
|
|
hearts.
|
|
[ Encyclopedia of Gods, by Michael Jordan ]
|
|
thoth*amon
|
|
Men say that he [Thutothmes] has opposed Thoth-Amon, who is
|
|
master of all priests of Set, and dwells in Luxor, and that
|
|
Thutothmes seeks hidden power [The Heart of Ahriman] to
|
|
overthrow the Great One.
|
|
[ Conan the Conqueror, by Robert E. Howard ]
|
|
*throne
|
|
Methought I saw the footsteps of a throne
|
|
Which mists and vapours from mine eyes did shroud--
|
|
Nor view of who might sit thereon allowed;
|
|
But all the steps and ground about were strown
|
|
With sights the ruefullest that flesh and bone
|
|
Ever put on; a miserable crowd,
|
|
Sick, hale, old, young, who cried before that cloud,
|
|
"Thou art our king,
|
|
O Death! to thee we groan."
|
|
Those steps I clomb; the mists before me gave
|
|
Smooth way; and I beheld the face of one
|
|
Sleeping alone within a mossy cave,
|
|
With her face up to heaven; that seemed to have
|
|
Pleasing remembrance of a thought foregone;
|
|
A lovely Beauty in a summer grave!
|
|
[ Sonnet, by William Wordsworth ]
|
|
thug
|
|
A worshipper of Kali, who practised _thuggee_, the strangling
|
|
of human victims in the name of the religion. Robbery of the
|
|
victim provided the means of livelihood. They were also
|
|
called _Phansigars_ (Noose operators) from the method employed.
|
|
Vigorous suppression was begun by Lord William Bentinck in
|
|
1828, but the fraternity did not become completely extinct
|
|
for another 50 years or so.
|
|
In common parlance the word is used for any violent "tough".
|
|
[ Brewer's Concise Dictionary of Phrase and Fable ]
|
|
tiger
|
|
1. A well-known tropical predator (_Felis tigris_): a
|
|
feline. It has a yellowish skin with darker spots or
|
|
stripes. 2. Figurative: _a paper tiger_, something that is
|
|
meant to scare, but has no really scaring effect whatsoever,
|
|
(after a statement by Mao Ze Dong, August 1946).
|
|
[ Van Dale's Groot Woordenboek der Nederlandse Taal ]
|
|
|
|
Tyger! Tyger! burning bright
|
|
In the forests of the night,
|
|
What immortal hand or eye
|
|
Could frame thy fearful symmetry?
|
|
[ The Tyger, by William Blake ]
|
|
tin
|
|
tin of *
|
|
tinning kit
|
|
"You know salmon, Sarge," said Nobby.
|
|
"It is a fish of which I am aware, yes."
|
|
"You know they sell kind of slices of it in tins..."
|
|
"So I am given to understand, yes."
|
|
"Weell...how come all the tins are the same size? Salmon
|
|
gets thinner at both ends."
|
|
"Interesting point, Nobby. I think-"
|
|
[ Soul Music, by Terry Pratchett ]
|
|
tin opener
|
|
Less than thirty Cat tribes now survived, roaming the cargo
|
|
decks on their hind legs in a desperate search for food.
|
|
But the food had gone.
|
|
The supplies were finished.
|
|
Weak and ailing, they prayed at the supply hold's silver
|
|
mountains: huge towering acres of metal rocks which, in their
|
|
pagan way, the mutant Cats believed watched over them.
|
|
Amid the wailing and the screeching one Cat stood up and held
|
|
aloft the sacred icon. The icon which had been passed down
|
|
as holy, and one day would make its use known.
|
|
It was a piece of V-shaped metal with a revolving handle on
|
|
its head.
|
|
He took down a silver rock from the silver mountain, while
|
|
the other Cats cowered and screamed at the blasphemy.
|
|
He placed the icon on the rim of the rock, and turned the
|
|
handle.
|
|
And the handle turned.
|
|
And the rock opened.
|
|
And inside the rock was Alphabetti spaghetti in tomato sauce.
|
|
[ Red Dwarf, by Rob Grant and Doug Naylor ]
|
|
titan
|
|
Gaea, mother earth, arose from the Chaos and gave birth to
|
|
Uranus, heaven, who became her consort. Uranus hated all
|
|
their children, because he feared they might challenge his
|
|
own authority. Those children, the Titans, the Gigantes,
|
|
and the Cyclops, were banished to the nether world. Their
|
|
enraged mother eventually released the youngest titan,
|
|
Chronos (time), and encouraged him to castrate his father and
|
|
rule in his place. Later, he too was challenged by his own
|
|
son, Zeus, and he and his fellow titans were ousted from
|
|
Mount Olympus.
|
|
[ Greek Mythology, by Richard Patrick ]
|
|
topaz
|
|
Aluminum silicate mineral with either hydroxyl radicals or
|
|
fluorine, Al2SiO4(F,OH)2, used as a gem. It is commonly
|
|
colorless or some shade of pale yellow to wine-yellow;
|
|
... The stone is transparent with a vitreous luster. It has
|
|
perfect cleavage on the basal pinacoid, but it is nevertheless
|
|
hard and durable. The brilliant cut is commonly used. Topaz
|
|
crystals, which are of the orthorhombic system, occur in highly
|
|
acid igneous rocks, e.g., granites and rhyolites, and in
|
|
metamorphic rocks, e.g., gneisses and schists.
|
|
[ The Columbia Encyclopedia, Sixth Edition ]
|
|
touch*stone
|
|
"Gold is tried by a touchstone, men by gold."
|
|
[ Chilon (c. 560 BC) ]
|
|
tourist
|
|
* tourist
|
|
The road from Ankh-Morpork to Chrim is high, white and
|
|
winding, a thirty-league stretch of potholes and half-buried
|
|
rocks that spirals around mountains and dips into cool green
|
|
valleys of citrus trees, crosses liana-webbed gorges on
|
|
creaking rope bridges and is generally more picturesque than
|
|
useful.
|
|
Picturesque. That was a new word to Rincewind the wizard
|
|
(BMgc, Unseen University [failed]). It was one of a number
|
|
he had picked up since leaving the charred ruins of
|
|
Ankh-Morpork. Quaint was another one. Picturesque meant --
|
|
he decided after careful observation of the scenery that
|
|
inspired Twoflower to use the word -- that the landscape was
|
|
horribly precipitous. Quaint, when used to describe the
|
|
occasional village through which they passed, meant fever-
|
|
ridden and tumbledown.
|
|
Twoflower was a tourist, the first ever seen on the discworld.
|
|
Tourist, Rincewind had decided, meant "idiot".
|
|
[ The Colour of Magic, by Terry Pratchett ]
|
|
towel
|
|
The Hitchhiker's Guide to the Galaxy has a few things to say
|
|
on the subject of towels.
|
|
A towel, it says, is about the most massively useful thing
|
|
an interstellar hitchhiker can have. Partly it has great
|
|
practical value. You can wrap it around you for warmth as
|
|
you bound across the cold moons of Jaglan Beta; you can lie
|
|
on it on the brilliant marble-sanded beaches of Santraginus
|
|
V, inhaling the heady sea vapors; you can sleep under it
|
|
beneath the stars which shine so redly on the desert world
|
|
of Kakrafoon; use it to sail a miniraft down the slow heavy
|
|
River Moth; wet it for use in hand-to-hand combat; wrap it
|
|
round your head to ward off noxious fumes or avoid the gaze
|
|
of the Ravenous Bugblatter Beast of Traal (a mind-bogglingly
|
|
stupid animal, it assumes that if you can't see it, it can't
|
|
see you - daft as a brush, but very very ravenous); you can
|
|
wave your towel in emergencies as a distress signal, and of
|
|
course dry yourself off with it if it still seems to be clean
|
|
enough.
|
|
[ The Hitchhiker's Guide to the Galaxy, by Douglas Adams ]
|
|
*tower
|
|
*tower of darkness
|
|
Towers (_brooding_, _dark_) stand alone in Waste Areas and
|
|
almost always belong to Wizards. All are several stories high,
|
|
round, doorless, virtually windowless, and composed of smooth
|
|
blocks of masonry that make them very hard to climb. [...]
|
|
You will have to go to a Tower and then break into it at some
|
|
point towards the end of your Tour.
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
trap*door
|
|
I knew my Erik too well to feel at all comfortable on jumping
|
|
into his house. I knew what he had made of a certain palace at
|
|
Mazenderan. From being the most honest building conceivable, he
|
|
soon turned it into a house of the very devil, where you could
|
|
not utter a word but it was overheard or repeated by an echo.
|
|
With his trap-doors the monster was responsible for endless
|
|
tragedies of all kinds.
|
|
[ The Phantom of the Opera, by Gaston Leroux ]
|
|
# takes "trapper or lurker above" when specifying 't'
|
|
trapper
|
|
trapper or lurker above
|
|
The trapper is a creature which has evolved a chameleon-like
|
|
ability to blend into the dungeon surroundings. It captures
|
|
its prey by remaining very still and blending into the
|
|
surrounding dungeon features, until an unsuspecting creature
|
|
passes by. It wraps itself around its prey and digests it.
|
|
tree
|
|
I think that I shall never see
|
|
A poem lovely as a tree.
|
|
A tree whose hungry mouth is prest
|
|
Against the earth's sweet flowing breast;
|
|
A tree that looks at God all day,
|
|
And lifts her leafy arms to pray;
|
|
A tree that may in Summer wear
|
|
A nest of robins in her hair;
|
|
Upon whose bosom snow has lain;
|
|
Who intimately lives with rain.
|
|
Poems are made by fools like me,
|
|
But only God can make a tree.
|
|
[ Trees, by Joyce Kilmer ]
|
|
tripe
|
|
tripe ration
|
|
If you start from scratch, cooking tripe is a long-drawn-out
|
|
affair. Fresh whole tripe calls for a minimum of 12 hours of
|
|
cooking, some time-honored recipes demanding as much as 24.
|
|
To prepare fresh tripe, trim if necessary. Wash it thoroughly,
|
|
soaking overnight, and blanch, for 1/2 hour in salted water.
|
|
Wash well again, drain and cut for cooking. When cooked, the
|
|
texture of tripe should be like that of soft gristle. More
|
|
often, alas, because the heat has not been kept low enough,
|
|
it has the consistency of wet shoe leather.
|
|
[ Joy of Cooking, by I Rombauer and M Becker ]
|
|
*troll
|
|
The troll shambled closer. He was perhaps eight feet tall,
|
|
perhaps more. His forward stoop, with arms dangling past
|
|
thick claw-footed legs to the ground, made it hard to tell.
|
|
The hairless green skin moved upon his body. His head was a
|
|
gash of a mouth, a yard-long nose, and two eyes which drank
|
|
the feeble torchlight and never gave back a gleam.
|
|
[...]
|
|
Like a huge green spider, the troll's severed hand ran on its
|
|
fingers. Across the mounded floor, up onto a log with one
|
|
taloned forefinger to hook it over the bark, down again it
|
|
scrambled, until it found the cut wrist. And there it grew
|
|
fast. The troll's smashed head seethed and knit together.
|
|
He clambered back on his feet and grinned at them. The
|
|
waning faggot cast red light over his fangs.
|
|
[ Three Hearts and Three Lions, by Poul Anderson ]
|
|
*tsurugi of muramasa
|
|
This most ancient of swords has been passed down through the
|
|
leadership of the Samurai legions for hundreds of years. It
|
|
is said to grant luck to its wielder, but its main power is
|
|
terrible to behold. It has the capability to cut in half any
|
|
creature it is wielded against, instantly killing them.
|
|
~*muramasa
|
|
tsurugi
|
|
The tsurugi, also known as the long samurai sword, is an
|
|
extremely sharp, two-handed blade favored by the samurai.
|
|
It is made of hardened steel, and is manufactured using a
|
|
special process, causing it to never rust. The tsurugi is
|
|
rumored to be so sharp that it can occasionally cut
|
|
opponents in half!
|
|
~*spellbook
|
|
turquoise*
|
|
TUBAL: There came divers of Antonio's creditors in my company
|
|
to Venice that swear he cannot choose but break.
|
|
SHYLOCK: I am very glad of it; I'll plague him, I'll torture
|
|
him; I am glad of it.
|
|
TUBAL: One of them showed me a ring that he had of your
|
|
daughter for a monkey.
|
|
SHYLOCK: Out upon her! Thou torturest me, Tubal. It was my
|
|
turquoise; I had it of Leah when I was a bachelor; I would
|
|
not have given it for a wilderness of monkeys.
|
|
[ The Merchant of Venice, by William Shakespeare ]
|
|
twoflower
|
|
guide
|
|
"Rincewind!"
|
|
Twoflower sprang off the bed. The wizard jumped back,
|
|
wrenching his features into a smile.
|
|
"My dear chap, right on time! We'll just have lunch, and
|
|
then I'm sure you've got a wonderful programme lined up for
|
|
this afternoon!"
|
|
"Er --"
|
|
"That's great!"
|
|
Rincewind took a deep breath. "Look," he said desperately,
|
|
"let's eat somewhere else. There's been a bit of a fight
|
|
down below."
|
|
"A tavern brawl? Why didn't you wake me up?"
|
|
"Well, you see, I - _what_?"
|
|
"I thought I made myself clear this morning, Rincewind. I
|
|
want to see genuine Morporkian life - the slave market, the
|
|
Whore Pits, the Temple of Small Gods, the Beggar's Guild...
|
|
and a genuine tavern brawl." A faint note of suspicion
|
|
entered Twoflower's voice. "You _do_ have them, don't you?
|
|
You know, people swinging on chandeliers, swordfights over
|
|
the table, the sort of thing Hrun the Barbarian and the
|
|
Weasel are always getting involved in. You know --
|
|
_excitement_."
|
|
[ The Colour of Magic, by Terry Pratchett ]
|
|
tyr
|
|
Yet remains that one of the Aesir who is called Tyr:
|
|
he is most daring, and best in stoutness of heart, and he
|
|
has much authority over victory in battle; it is good for
|
|
men of valor to invoke him. It is a proverb, that he is
|
|
Tyr-valiant, who surpasses other men and does not waver.
|
|
He is wise, so that it is also said, that he that is wisest
|
|
is Tyr-prudent. This is one token of his daring: when the
|
|
Aesir enticed Fenris-Wolf to take upon him the fetter Gleipnir,
|
|
the wolf did not believe them, that they would loose him,
|
|
until they laid Tyr's hand into his mouth as a pledge. But
|
|
when the Aesir would not loose him, then he bit off the hand
|
|
at the place now called 'the wolf's joint;' and Tyr is one-
|
|
handed, and is not called a reconciler of men.
|
|
[ The Prose Edda, by Snorri Sturluson ]
|
|
*hulk
|
|
Umber hulks are powerful subterranean predators whose
|
|
iron-like claws allow them to burrow through solid stone in
|
|
search of prey. They are tremendously strong; muscles bulge
|
|
beneath their thick, scaly hides and their powerful arms and
|
|
legs all end in great claws.
|
|
*unicorn
|
|
unicorn horn
|
|
Men have always sought the elusive unicorn, for the single
|
|
twisted horn which projected from its forehead was thought to
|
|
be a powerful talisman. It was said that the unicorn had
|
|
simply to dip the tip of its horn in a muddy pool for the water
|
|
to become pure. Men also believed that to drink from this horn
|
|
was a protection against all sickness, and that if the horn was
|
|
ground to a powder it would act as an antidote to all poisons.
|
|
Less than 200 years ago in France, the horn of a unicorn was
|
|
used in a ceremony to test the royal food for poison.
|
|
|
|
Although only the size of a small horse, the unicorn is a very
|
|
fierce beast, capable of killing an elephant with a single
|
|
thrust from its horn. Its fleetness of foot also makes this
|
|
solitary creature difficult to capture. However, it can be
|
|
tamed and captured by a maiden. Made gentle by the sight of a
|
|
virgin, the unicorn can be lured to lay its head in her lap, and
|
|
in this docile mood, the maiden may secure it with a golden rope.
|
|
[ Mythical Beasts, by Deirdre Headon (The Leprechaun Library) ]
|
|
|
|
Martin took a small sip of beer. "Almost ready," he said.
|
|
"You hold your beer awfully well."
|
|
Tlingel laughed. "A unicorn's horn is a detoxicant. Its
|
|
possession is a universal remedy. I wait until I reach the
|
|
warm glow stage, then I use my horn to burn off any excess and
|
|
keep me right there."
|
|
[ Unicorn Variations, by Roger Zelazny ]
|
|
valkyrie
|
|
* valkyrie
|
|
The Valkyries were the thirteen choosers of the slain, the
|
|
beautiful warrior-maids of Odin who rode through the air and
|
|
over the sea. They watched the progress of the battle and
|
|
selected the heroes who were to fall fighting. After they
|
|
were dead, the maidens rewarded the heroes by kissing them
|
|
and then led their souls to Valhalla, where the warriors
|
|
lived happily in an ideal existence, drinking and eating
|
|
without restraint and fighting over again the battles in
|
|
which they died and in which they had won their deathless
|
|
fame.
|
|
[ The Encyclopaedia of Myths and Legends of All Nations,
|
|
by Herbert Robinson and Knox Wilson ]
|
|
vampire
|
|
~vampire bat
|
|
vampire lord
|
|
The Oxford English Dictionary is quite unequivocal:
|
|
_vampire_ - "a preternatural being of a malignant nature (in
|
|
the original and usual form of the belief, a reanimated
|
|
corpse), supposed to seek nourishment, or do harm, by sucking
|
|
the blood of sleeping persons. ..."
|
|
venus
|
|
Venus, the goddess of love and beauty, was the daughter of
|
|
Jupiter and Dione. Others say that Venus sprang from the
|
|
foam of the sea. The zephyr wafted her along the waves to
|
|
the Isle of Cyprus, where she was received and attired by
|
|
the Seasons, and then led to the assembly of the gods. All
|
|
were charmed with her beauty, and each one demanded her
|
|
for his wife. Jupiter gave her to Vulcan, in gratitude for
|
|
the service he had rendered in forging thunderbolts. So
|
|
the most beautiful of the goddesses became the wife of the
|
|
most ill-favoured of gods.
|
|
[ Bulfinch's Mythology, by Thomas Bulfinch ]
|
|
vlad*
|
|
Vlad Dracula the Impaler was a 15th-Century monarch of the
|
|
Birgau region of the Carpathian Mountains, in what is now
|
|
Romania. In Romanian history he is best known for two things.
|
|
One was his skilled handling of the Ottoman Turks, which kept
|
|
them from making further inroads into Christian Europe. The
|
|
other was the ruthless manner in which he ran his fiefdom.
|
|
He dealt with perceived challengers to his rule by impaling
|
|
them upright on wooden stakes. Visiting dignitaries who
|
|
failed to doff their hats had them nailed to their head.
|
|
*vortex
|
|
vortices
|
|
Swirling clouds of pure elemental energies, the vortices are
|
|
thought to be related to the larger elementals. Though the
|
|
vortices do no damage when touched, they are noted for being
|
|
able to envelop unwary travellers. The hapless fool thus
|
|
swallowed by a vortex will soon perish from exposure to the
|
|
element the vortex is composed of.
|
|
vrock
|
|
The vrock is one of the weaker forms of demon. It resembles
|
|
a cross between a human being and a vulture and does physical
|
|
damage by biting and by using the claws on both its arms and
|
|
feet.
|
|
wakizashi
|
|
A wakizashi was used as a samurai's weapon when the katana
|
|
was unavailable. When entering a building, a samurai would
|
|
leave his katana on a rack near the entrance. However, the
|
|
wakizashi would be worn at all times, and therefore, it made
|
|
a sidearm for the samurai (similar to a soldier's use of a
|
|
pistol). The samurai would have worn it from the time they
|
|
awoke to the time they went to sleep. In earlier periods,
|
|
and especially during times of civil wars, a tanto was worn
|
|
in place of a wakizashi.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
# takes "wand or a wall" when specifying '/'
|
|
~*sleep
|
|
wand *
|
|
*wand
|
|
'Saruman!' he cried, and his voice grew in power and authority.
|
|
'Behold, I am not Gandalf the Grey, whom you betrayed. I am
|
|
Gandalf the White, who has returned from death. You have no
|
|
colour now, and I cast you from the order and from the Council.'
|
|
He raised his hand, and spoke slowly in a clear cold voice.
|
|
'Saruman, your staff is broken.' There was a crack, and the
|
|
staff split asunder in Saruman's hand, and the head of it
|
|
fell down at Gandalf's feet. 'Go!' said Gandalf. With a cry
|
|
Saruman fell back and crawled away.
|
|
[ The Two Towers, by J.R.R. Tolkien ]
|
|
warg
|
|
Suddenly Aragorn leapt to his feet. "How the wind howls!"
|
|
he cried. "It is howling with wolf-voices. The Wargs have
|
|
come west of the Mountains!"
|
|
"Need we wait until morning then?" said Gandalf. "It is as I
|
|
said. The hunt is up! Even if we live to see the dawn, who
|
|
now will wish to journey south by night with the wild wolves
|
|
on his trail?"
|
|
"How far is Moria?" asked Boromir.
|
|
"There was a door south-west of Caradhras, some fifteen miles
|
|
as the crow flies, and maybe twenty as the wolf runs,"
|
|
answered Gandalf grimly.
|
|
"Then let us start as soon as it is light tomorrow, if we can,"
|
|
said Boromir. "The wolf that one hears is worse than the orc
|
|
that one fears."
|
|
"True!" said Aragorn, loosening his sword in its sheath. "But
|
|
where the warg howls, there also the orc prowls."
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
~mjollnir
|
|
war*hammer
|
|
They had come together at the ford of the Trident while the
|
|
battle crashed around them, Robert with his warhammer and his
|
|
great antlered helm, the Targaryen prince armored all in
|
|
black. On his breastplate was the three-headed dragon of his
|
|
House, wrought all in rubies that flashed like fire in the
|
|
sunlight. The waters of the Trident ran red around the
|
|
hooves of their destriers as they circled and clashed, again
|
|
and again, until at last a crushing blow from Robert's hammer
|
|
stove in the dragon and the chest behind it. When Ned had
|
|
finally come on the scene, Rhaegar lay dead in the stream,
|
|
while men of both armies scrambled in the swirling waters for
|
|
rubies knocked free of his armor.
|
|
[ A Game of Thrones, by George R.R. Martin ]
|
|
water
|
|
Day after day, day after day,
|
|
We stuck, nor breath nor motion;
|
|
As idle as a painted ship
|
|
Upon a painted ocean.
|
|
|
|
Water, water, everywhere,
|
|
And all the boards did shrink;
|
|
Water, water, everywhere
|
|
Nor any drop to drink.
|
|
[ The Rime of the Ancient Mariner, by Samuel Taylor Coleridge ]
|
|
water demon
|
|
[ The monkey king ] walked along the bank, around the pond.
|
|
He examined the footprints of the animals that had gone into
|
|
the water, and saw that none came out again! So he realized
|
|
this pond must be possessed by a water demon. He said to the
|
|
80,000 monkeys, "This pond is possessed by a water demon. Do
|
|
not let anybody go into it."
|
|
|
|
After a little while, the water demon saw that none of the
|
|
monkeys went into the water to drink. So he rose out of the
|
|
middle of the pond, taking the shape of a frightening monster.
|
|
He had a big blue belly, a white face with bulging green eyes,
|
|
and red claws and feet. He said, "Why are you just sitting
|
|
around? Come into the pond and drink at once!"
|
|
|
|
The monkey king said to the horrible monster, "Are you the
|
|
water demon who owns this pond?" "Yes, I am," said he. "Do
|
|
you eat whoever goes into the water?" asked the king. "Yes,
|
|
I do," he answered, "including even birds. I eat them all.
|
|
And when you are forced by your thirst to come into the pond
|
|
and drink, I will enjoy eating you, the biggest monkey, most
|
|
of all!" He grinned, and saliva dripped down his hairy chin.
|
|
[ Buddhist Tales for Young and Old, Vol. 1 ]
|
|
weapon
|
|
A weapon is a device for making your enemy change his mind.
|
|
[ The Vor Game, by Lois McMaster Bujold ]
|
|
web
|
|
Oh what a tangled web we weave,
|
|
When first we practise to deceive!
|
|
[ Marmion, by Sir Walter Scott ]
|
|
whistle
|
|
There were legends both on the front and on the back of the
|
|
whistle. The one read thus:
|
|
|
|
FLA FUR BIS FLE The other: QUIS EST ISTE QUI VENIT
|
|
'I ought to be able to make it out,' he thought;
|
|
'but I suppose I am a little rusty in my Latin.
|
|
When I come to think of it, I don't believe I even
|
|
know the word for a whistle. The long one does seem
|
|
simple enough. It ought to mean, "Who is this who is coming?"
|
|
|
|
Well, the best way to find out is evidently to whistle
|
|
for him.'
|
|
|
|
[Ghost Stories of an Antiquary, by Montague Rhodes James
|
|
'Oh, Whistle, and I'll Come to You My Lad']
|
|
# werecritter -- see "lycanthrope"
|
|
*wight
|
|
When he came to himself again, for a moment he could recall
|
|
nothing except a sense of dread. Then suddenly he knew that
|
|
he was imprisoned, caught hopelessly; he was in a barrow. A
|
|
Barrow-wight had taken him, and he was probably already under
|
|
the dreadful spells of the Barrow-wights about which whispered
|
|
tales spoke. He dared not move, but lay as he found himself:
|
|
flat on his back upon a cold stone with his hands on his
|
|
breast.
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
# note: need to convert player character "gnomish wizard" into just "wizard"
|
|
# in the lookup code to avoid conflict with the monster of that same name
|
|
~gnomish wizard
|
|
wizard
|
|
* wizard
|
|
apprentice
|
|
Ebenezum walked before me along the closest thing we could
|
|
find to a path in these overgrown woods. Every few paces he
|
|
would pause, so that I, burdened with a pack stuffed with
|
|
arcane and heavy paraphernalia, could catch up with his
|
|
wizardly strides. He, as usual, carried nothing, preferring,
|
|
as he often said, to keep his hands free for quick conjuring
|
|
and his mind free for the thoughts of a mage.
|
|
[ A Dealing with Demons, by Craig Shaw Gardner ]
|
|
wizard of yendor
|
|
No one knows how old this mighty wizard is, or from whence he
|
|
came. It is known that, having lived a span far greater than
|
|
any normal man's, he grew weary of lesser mortals; and so,
|
|
spurning all human company, he forsook the dwellings of men
|
|
and went to live in the depths of the Earth. He took with
|
|
him a dreadful artifact, the Book of the Dead, which is said
|
|
to hold great power indeed. Many have sought to find the
|
|
wizard and his treasure, but none have found him and lived to
|
|
tell the tale. Woe be to the incautious adventurer who
|
|
disturbs this mighty sorcerer!
|
|
wolf
|
|
*wolf
|
|
*wolf cub
|
|
The ancestors of the modern day domestic dog, wolves are
|
|
powerful muscular animals with bushy tails. Intelligent,
|
|
social animals, wolves live in family groups or packs made
|
|
up of multiple family units. These packs cooperate in hunting
|
|
down prey.
|
|
*wolfsbane
|
|
1. Any of various, usually poisonous perennial herbs of the
|
|
genus Aconitum, having tuberous roots, palmately lobed leaves,
|
|
blue or white flowers with large hoodlike upper sepals, and an
|
|
aggregate of follicles. 2. The dried leaves and roots of
|
|
some of these plants, which yield a poisonous alkaloid that
|
|
was formerly used medicinally. In both senses also called
|
|
monkshood.
|
|
[ The American Heritage Dictionary of
|
|
the English Language, Fourth Edition. ]
|
|
wood golem
|
|
Come, old broomstick, you are needed,
|
|
Take these rags and wrap them round you!
|
|
Long my orders you have heeded,
|
|
By my wishes now I've bound you.
|
|
Have two legs and stand,
|
|
And a head for you.
|
|
Run, and in your hand
|
|
Hold a bucket too.
|
|
...
|
|
See him, toward the shore he's racing
|
|
There, he's at the stream already,
|
|
Back like lightning he is chasing,
|
|
Pouring water fast and steady.
|
|
Once again he hastens!
|
|
How the water spills,
|
|
How the water basins
|
|
Brimming full he fills!
|
|
[ The Sorcerer's Apprentice, by Johann Wolfgang von Goethe,
|
|
translation by Edwin Zeydel ]
|
|
woodchuck
|
|
The Usenet Oracle requires an answer to this question!
|
|
|
|
> How much wood could a woodchuck chuck if a woodchuck could
|
|
> chuck wood?
|
|
|
|
"Oh, heck! I'll handle *this* one!" The Oracle spun the terminal
|
|
back toward himself, unlocked the ZOT-guard lock, and slid the
|
|
glass guard away from the ZOT key. "Ummmm....could you turn around
|
|
for a minute? ZOTs are too graphic for the uninitiated. Even *I*
|
|
get a little squeamish sometimes..." The neophyte turned around,
|
|
and heard the Oracle slam his finger on a computer key, followed
|
|
by a loud ZZZZOTTTTT and the smell of ozone.
|
|
[ Excerpted from Internet Oracularity 576.6 ]
|
|
*worm
|
|
long worm tail
|
|
worm tooth
|
|
crysknife
|
|
[The crysknife] is manufactured in two forms from teeth taken
|
|
from dead sandworms. The two forms are "fixed" and "unfixed".
|
|
An unfixed knife requires proximity to a human body's
|
|
electrical field to prevent disintegration. Fixed knives
|
|
are treated for storage. All are about 20 centimeters long.
|
|
[ Dune, by Frank Herbert ]
|
|
wraith
|
|
nazgul
|
|
Immediately, though everything else remained as before, dim
|
|
and dark, the shapes became terribly clear. He was able to
|
|
see beneath their black wrappings. There were five tall
|
|
figures: two standing on the lip of the dell, three advancing.
|
|
In their white faces burned keen and merciless eyes; under
|
|
their mantles were long grey robes; upon their grey hairs
|
|
were helms of silver; in their haggard hands were swords of
|
|
steel. Their eyes fell on him and pierced him, as they
|
|
rushed towards him. Desperate, he drew his own sword, and
|
|
it seemed to him that it flickered red, as if it was a
|
|
firebrand. Two of the figures halted. The third was taller
|
|
than the others: his hair was long and gleaming and on his
|
|
helm was a crown. In one hand he held a long sword, and in
|
|
the other a knife; both the knife and the hand that held it
|
|
glowed with a pale light. He sprang forward and bore down
|
|
on Frodo.
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
*wumpus
|
|
The Wumpus, by the way, is not bothered by the hazards since
|
|
he has sucker feet and is too big for a bat to lift. If you
|
|
try to shoot him and miss, there's also a chance that he'll
|
|
up and move himself into another cave, though by nature the
|
|
Wumpus is a sedentary creature.
|
|
[ wump (6) -- "Hunt the Wumpus" ]
|
|
|
|
_Wumpus yobgregorii_, in the flesh...
|
|
Later, all you will be able to remember are its eyes. They
|
|
are rich mud-brown, and they hold your own without effort.
|
|
[ Hunter, In Darkness, by Andrew Plotkin ]
|
|
xan
|
|
They sent their friend the mosquito [xan] ahead of them to
|
|
find out what lay ahead. "Since you are the one who sucks
|
|
the blood of men walking along paths," they told the mosquito,
|
|
"go and sting the men of Xibalba." The mosquito flew
|
|
down the dark road to the Underworld. Entering the house of
|
|
the Lords of Death, he stung the first person that he saw...
|
|
|
|
The mosquito stung this man as well, and when he yelled, the
|
|
man next to him asked, "Gathered Blood, what's wrong?" So
|
|
he flew along the row stinging all the seated men until he
|
|
knew the names of all twelve.
|
|
[ Popul Vuh, as translated by Ralph Nelson ]
|
|
xorn
|
|
A distant cousin of the earth elemental, the xorn has the
|
|
ability to shift the cells of its body around in such a way
|
|
that it becomes porous to inert material. This gives it the
|
|
ability to pass through any obstacle that might be between it
|
|
and its next meal.
|
|
ya
|
|
The arrow of choice of the samurai, ya are made of very
|
|
straight bamboo, and are tipped with hardened steel.
|
|
yeenoghu
|
|
Yeenoghu, the demon lord of gnolls, still exists although
|
|
all his followers have been wiped off the face of the earth.
|
|
He casts magic projectiles at those close to him, and a mere
|
|
gaze into his piercing eyes may hopelessly confuse the
|
|
battle-weary adventurer.
|
|
yeti
|
|
The Abominable Snowman, or yeti, is one of the truly great
|
|
unknown animals of the twentieth century. It is a large hairy
|
|
biped that lives in the Himalayan region of Asia ... The story
|
|
of the Abominable Snowman is filled with mysteries great and
|
|
small, and one of the most difficult of all is how it got that
|
|
awful name. The creature is neither particularly abominable,
|
|
nor does it necessarily live in the snows. _Yeti_ is a Tibetan
|
|
word which may apply either to a real, but unknown animal of
|
|
the Himalayas, or to a mountain spirit or demon -- no one is
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|
quite sure which. And after nearly half a century in which
|
|
Westerners have trampled around looking for the yeti, and
|
|
asking all sorts of questions, the original native traditions
|
|
concerning the creature have become even more muddled and
|
|
confused.
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|
[ The Encyclopedia of Monsters, by Daniel Cohen ]
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|
*yugake
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|
Japanese leather archery gloves. Gloves made for use while
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|
practicing had thumbs reinforced with horn. Those worn into
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|
battle had thumbs reinforced with a double layer of leather.
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|
yumi
|
|
The samurai is highly trained with a special type of bow,
|
|
the yumi. Like the ya, the yumi is made of bamboo. With
|
|
the yumi-ya, the bow and arrow, the samurai is an extremely
|
|
accurate and deadly warrior.
|
|
*zombi*
|
|
The zombi... is a soulless human corpse, still dead, but
|
|
taken from the grave and endowed by sorcery with a
|
|
mechanical semblance of life, -- it is a dead body which is
|
|
made to walk and act and move as if it were alive.
|
|
[ W. B. Seabrook ]
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|
zruty
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|
The zruty are wild and gigantic beings, living in the
|
|
wildernesses of the Tatra mountains.
|