5532 lines
251 KiB
Plaintext
5532 lines
251 KiB
Plaintext
# NetHack 3.6 data.base $NHDT-Date$ $NHDT-Branch$:$NHDT-Revision$
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# NetHack 3.6 data.base $Date: 2014/10/09 02:04:43 $ $Revision: 1.50 $
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# Copyright (c) 1994, 1995, 1996 by the NetHack Development Team
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# Copyright (c) 1994 by Boudewijn Wayers
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# NetHack may be freely redistributed. See license for details.
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#
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# This is the source file for the "data" file generated by `makedefs -d'.
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# A line starting with a # is a comment and is ignored by makedefs.
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# Any other line not starting with whitespace is a creature or an item.
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#
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# Each entry should be comprised of:
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# the thing/person being described on a line by itself, in lowercase;
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# on each succeeding line a <TAB> description.
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#
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# If the first character of a key field is "~", then anything which matches
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# the rest of that key will be treated as if it did not match any of the
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# following keys for that entry. For instance, `~orc ??m*' preceding `orc*'
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# prevents "orc mummy" and "orc zombie" from matching.
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#
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abbot
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For it had been long apparent to Count Landulf that nothing
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could be done with his seventh son Thomas, except to make him
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an Abbot or something of that kind. Born in 1226, he had from
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childhood a mysterious objection to becoming a predatory eagle,
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or even to taking an ordinary interest in falconry or tilting
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or any other gentlemanly pursuits. He was a large and heavy and
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quiet boy, and phenomenally silent, scarcely opening his mouth
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except to say suddenly to his schoolmaster in an explosive
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manner, "What is God?" The answer is not recorded but it is
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probable that the asker went on worrying out answers for himself.
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[ The Runaway Abbot, by G. K. Chesterton ]
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# takes "suit or piece of armor" when specifying '['
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ac
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armor*
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armour*
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suit or piece of armor
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"The last spot on the school jousting team came down to another
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boy and me. He was poor, and his only armor was a blanket his
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mother had made him from her hair. I, on the other hand, had
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a brand new suit of chain mail. Just before our joust, I asked
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him what he'd do if he made the team. (I was hoping to be more
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popular with the ladies.) He said he would be able to save the
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town from dragons and be able to afford some water for his 20
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brothers and sisters.
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Well, a sense of compassion came over me. I insisted we swap
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armor. He was forced to accept, as it would have been an
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insult not to do so.
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On the battlefield, we charged at each other and we both connected
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with our lances.
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Lying there on the mud mortally wounded, I learned what true armor
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class was that day."
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[ When Help Collides, by J. D. Berry ]
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aclys
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aklys
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A short studded or spiked club attached to a cord allowing
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it to be drawn back to the wielder after having been thrown.
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It should not be confused with the atlatl, which is a device
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used to throw spears for longer distances.
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~agate ring
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agate*
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Translucent, cryptocrystalline variety of quartz and a subvariety
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of chalcedony. Agates are identical in chemical structure to
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jasper, flint, chert, petrified wood, and tiger's-eye, and are
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often found in association with opal. The colorful, banded rocks
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are used as a semiprecious gemstone and in the manufacture of
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grinding equipment. An agate's banding forms as silica from
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solution is slowly deposited into cavities and veins in older
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rock.
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[ The Columbia Encyclopedia, Sixth Edition ]
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aleax
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Said to be a doppelganger sent to inflict divine punishment
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for alignment violations.
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*altar
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offer*
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sacrific*
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Altars are of three types:
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1. In Temples. These are for Sacrifices [...]. The stone
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top will have grooves for blood, and the whole will be covered
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with _dry brown stains of a troubling kind_ from former
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Sacrifices.
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[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
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To every man upon this earth
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Death cometh soon or late;
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And how can man die better
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Than facing fearful odds
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For the ashes of his fathers
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And the temples of his gods?
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[ Lays of Ancient Rome, by Thomas B. Macaulay ]
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amaterasu omikami
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The Shinto sun goddess, Amaterasu Omikami is the central
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figure of Shintoism and the ancestral deity of the imperial
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house. One of the daughters of the primordial god Izanagi
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and said to be his favourite offspring, she was born from
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his left eye.
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[ Encyclopedia of Gods, by Michael Jordan ]
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amber*
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"Tree sap," Wu explained, "often flows over insects and traps
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them. The insects are then perfectly preserved within the
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fossil. One finds all kinds of insects in amber - including
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biting insects that have sucked blood from larger animals."
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[ Jurassic Park, by Michael Crichton ]
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*amnesia
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maud
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Get thee hence, nor come again,
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Mix not memory with doubt,
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Pass, thou deathlike type of pain,
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Pass and cease to move about!
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'Tis the blot upon the brain
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That will show itself without.
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...
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For, Maud, so tender and true,
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As long as my life endures
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I feel I shall owe you a debt,
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That I never can hope to pay;
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And if ever I should forget
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That I owe this debt to you
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And for your sweet sake to yours;
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O then, what then shall I say? -
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If ever I should forget,
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May God make me more wretched
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Than ever I have been yet!
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[ Maud, And Other Poems by Alfred, Lord Tennyson ]
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~amulet of yendor
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~amulet of restful sleep
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*amulet
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amulet of *
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amulet versus *
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"The complete Amulet can keep off all the things that make
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people unhappy -- jealousy, bad temper, pride, disagreeableness,
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greediness, selfishness, laziness. Evil spirits, people called
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them when the Amulet was made. Don't you think it would be nice
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to have it?"
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"Very," said the children, quite without enthusiasm.
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"And it can give you strength and courage."
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"That's better," said Cyril.
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"And virtue."
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"I suppose it's nice to have that," said Jane, but not with much
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interest.
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"And it can give you your heart's desire."
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"Now you're talking," said Robert.
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[ The Story of the Amulet, by Edith Nesbit ]
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amulet of yendor
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This mysterious talisman is the object of your quest. It is
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said to possess powers which mere mortals can scarcely
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comprehend, let alone utilize. The gods will grant the gift of
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immortality to the adventurer who can deliver it from the
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depths of Moloch's Sanctum and offer it on the appropriate high
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altar on the Astral Plane.
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angel*
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He answered and said unto them, he that soweth the good seed
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is the Son of man; the field is the world, and the good seed
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are the children of the kingdom; but the weeds are the
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children of the wicked one; the enemy that sowed them is the
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devil; the harvest is the end of the world; and the reapers
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are the angels. As therefore the weeds are gathered and
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burned in the fire; so shall it be in the end of this world.
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[...] So shall it be at the end of the world; the angels
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shall come forth, and sever the wicked from among the just,
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and shall cast them into the furnace of fire; there shall be
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wailing and gnashing of teeth.
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[ The Gospel According to Matthew, 13:37-42, 49-50 ]
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angry god*
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Cold wind blows.
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The gods look down in anger on this poor child.
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Why so unforgiving?
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And why so cold?
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[ Bridge of Sighs, by Robin Trower ]
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anhur
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An Egyptian god of war and a great hunter, few gods can match
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his fury. Unlike many gods of war, he is a force for good.
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The wrath of Anhur is slow to come, but it is inescapable
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once earned. Anhur is a mighty figure with four arms. He
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is often seen with a powerful lance that requires both of
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his right arms to wield and which is tipped with a fragment
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of the sun. He is married to Mehut, a lion-headed goddess.
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ankh-morpork
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The twin city of Ankh-Morpork, foremost of all the cities
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bounding the Circle Sea, was as a matter of course the home
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of a large number of gangs, thieves' guilds, syndicates and
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similar organisations. This was one of the reasons for its
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wealth. Most of the humbler folk on the widdershin side of
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the river, in Morpork's mazy alleys, supplemented their
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meagre incomes by filling some small role for one or other
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of the competing gangs.
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[ The Colour of Magic, by Terry Pratchett ]
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anshar
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A primordial Babylonian-Akkadian deity, Anshar is mentioned
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in the Babylonian creation epic _Enuma Elish_ as one of a
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pair of offspring (with Kishar) of Lahmu and Lahamu. Anshar
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is linked with heaven while Kishar is identified with earth.
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[ Encyclopedia of Gods, by Michael Jordan ]
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ant
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* ant
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This giant variety of the ordinary ant will fight just as
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fiercely as its small, distant cousin. Various varieties
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exist, and they are known and feared for their relentless
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persecution of their victims.
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anu
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Anu was the Babylonian god of the heavens, the monarch of
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the north star. He was the oldest of the Babylonian gods,
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the father of all gods, and the ruler of heaven and destiny.
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Anu features strongly in the _atiku_ festival in
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Babylon, Uruk and other cities.
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# takes "apelike creature" when specifying 'Y'
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ape
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apelike creature
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* ape
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The most highly evolved of all the primates, as shown by
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all their anatomical characters and particularly the
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development of the brain. Both arboreal and terrestrial,
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the apes have the forelimbs much better developed than
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the hind limbs. Tail entirely absent. Growth is slow
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and sexual maturity reached at quite an advanced age.
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[ A Field Guide to the Larger Mammals of Africa by Dorst ]
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Aldo the gorilla had a plan. It was a good plan. It was
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right. He knew it. He smacked his lips in anticipation as
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he thought of it. Yes. Apes should be strong. Apes should
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be masters. Apes should be proud. Apes should make the
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Earth shake when they walked. Apes should _rule_ the Earth.
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[ Battle for the Planet of the Apes,
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by David Gerrold ]
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apple
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NEWTONIAN, adj. Pertaining to a philosophy of the universe
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invented by Newton, who discovered that an apple will fall
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to the ground, but was unable to say why. His successors
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and disciples have advanced so far as to be able to say
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when.
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[ The Devil's Dictionary, by Ambrose Bierce ]
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archeolog*
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* archeologist
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Archeology is the search for fact, not truth. [...]
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So forget any ideas you've got about lost cities, exotic travel,
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and digging up the world. We do not follow maps to buried
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treasure, and X never, ever, marks the spot.
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[ Indiana Jones and the Last Crusade ]
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"I cannot be having with archeological excavations, myself,"
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I said. "The fellows who dig them only ever find tiny walls
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and a few bits of broken pottery, and then they get all
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excited and swear that they have just made the most
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important discovery of the century, the ruins of a mile-high
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gold-covered temple to Frogmore the God of Bike-Saddle
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Fixtures or some such."
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"I think you will find," said Mr Rune, "that they do this
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in order to secure further government funding for their
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diggings and so remain in employment."
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"That is a rather cynical view," I said.
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[ the brightonomicon, by Robert Rankin ]
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# [title & author: same situation as with "bad luck" entry]
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archon
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Archons are the predominant inhabitants of the heavens.
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However unusual their appearance, they are not generally
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evil. They are beings at peace with themselves and their
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surroundings.
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arioch
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Arioch, the patron demon of Elric's ancestors; one of the most
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powerful of all the Dukes of Hell, who was called Knight of
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the Swords, Lord of the Seven Darks, Lord of the Higher Hell
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and many more names besides.
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[ Elric of Melnibone, by Michael Moorcock ]
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*arrow
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I shot an arrow into the air,
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It fell to earth, I knew not where;
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For, so swiftly it flew, the sight
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Could not follow it in its flight.
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I breathed a song into the air,
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It fell to earth, I knew not where;
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For who has sight so keen and strong
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That it can follow the flight of song?
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Long, long afterward, in an oak
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I found the arrow still unbroke;
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And the song, from beginning to end,
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I found again in the heart of a friend.
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[ The Arrow and the Song,
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by Henry Wadsworth Longfellow ]
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ashikaga takauji
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Ashikaga Takauji was a daimyo of the Minamoto clan who
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joined forces with the Go-Daigo to defeat the Hojo armies.
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Later when Go-Daigo attempted to reduce the powers of the
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samurai clans he rebelled against him. He defeated Go-
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Daigo and established the emperor Komyo on the throne.
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Go-Daigo eventually escaped and established another
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government in the town of Yoshino. This period of dual
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governments was known as the Nambokucho.
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[ Samurai - The Story of a Warrior Tradition, by Cook ]
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asmodeus
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It is said that Asmodeus is the overlord over all of hell.
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His appearance, unlike many other demons and devils, is
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human apart from his horns and tail. He can freeze flesh
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with a touch.
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[]
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The evil demon who appears in the Apocryphal book of _Tobit_
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and is derived from the Persian _Aeshma_. In _Tobit_ Asmodeus
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falls in love with Sara, daughter of Raguel, and causes the
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death of seven husbands in succession, each on his bridal night.
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He was finally driven from Egypt through a charm made by Tobias
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of the heart and liver of a fish burned on perfumed ashes, as
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described by Milton in _Paradise Lost_ (IV, 167-71). Hence
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Asmodeus often figures as the spirit of matrimonial jealousy
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or unhappiness.
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[ Brewer's Concise Dictionary of Phrase and Fable ]
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athame
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The consecrated ritual knife of a Wiccan initiate (one of
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four basic tools, together with the wand, chalice and
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pentacle). Traditionally, the athame is a double-edged,
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black-handled, cross-hilted dagger of between six and
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eighteen inches length.
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athen*
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Athene was the offspring of Zeus, and without a mother. She
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sprang forth from his head completely armed. Her favourite
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bird was the owl, and the plant sacred to her is the olive.
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[ Bulfinch's Mythology, by Thomas Bulfinch ]
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axe
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"For ev'ry silver ringing blow,
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Cities and palaces shall grow!"
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"Bite deep and wide, O Axe, the tree,
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Tell wider prophecies to me."
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"When rust hath gnaw'd me deep and red,
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A nation strong shall lift his head.
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"His crown the very Heav'ns shall smite,
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Aeons shall build him in his might."
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"Bite deep and wide, O Axe, the tree;
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Bright Seer, help on thy prophecy!"
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[ Malcolm's Katie, by Isabella Valancey Crawford ]
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axolotl
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A mundane salamander, harmless.
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bag
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bag of *
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sack
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"Now, this third handkerchief," Mein Herr proceeded, "has also
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four edges, which you can trace continuously round and round:
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all you need do is to join its four edges to the four edges of
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the opening. The Purse is then complete, and its outer
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surface--"
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"I see!" Lady Muriel eagerly interrupted. "Its outer surface
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will be continuous with its inner surface! But it will take
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time. I'll sew it up after tea." She laid aside the bag, and
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resumed her cup of tea. "But why do you call it Fortunatus's
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Purse, Mein Herr?"
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The dear old man beamed upon her, with a jolly smile, looking
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more exactly like the Professor than ever. "Don't you see,
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my child--I should say Miladi? Whatever is inside that Purse,
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is outside it; and whatever is outside it, is inside it. So
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you have all the wealth of the world in that leetle Purse!"
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[ Sylvie and Bruno Concluded, by Lewis Carroll ]
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b*lzebub
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The "lord of the flies" is a translation of the Hebrew
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Ba'alzevuv (Beelzebub in Greek). It has been suggested that
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it was a mistranslation of a mistransliterated word which
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gave us this pungent and suggestive name of the Devil, a
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devil whose name suggests that he is devoted to decay,
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destruction, demoralization, hysteria and panic...
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[ Notes on _Lord of the Flies_, by E. L. Epstein ]
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balrog
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... It came to the edge of the fire and the light faded as
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if a cloud had bent over it. Then with a rush it leaped
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the fissure. The flames roared up to greet it, and wreathed
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about it; and a black smoke swirled in the air. Its streaming
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mane kindled, and blazed behind it. In its right hand
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was a blade like a stabbing tongue of fire; in its left it
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held a whip of many thongs.
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'Ai, ai!' wailed Legolas. 'A Balrog! A Balrog is come!'
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[ The Fellowship of the Ring, by J.R.R. Tolkien ]
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baluchitherium
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titanothere
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Extinct rhinos include a variety of forms, the most
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spectacular being _Baluchitherium_ from the Oligocene of
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Asia, which is the largest known land mammal. Its body, 18
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feet high at the shoulder and carried on massive limbs,
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allowed the 4-foot-long head to browse on the higher branches
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of trees. Though not as enormous, the titanotheres of the
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early Tertiary were also large perissodactyls, _Brontotherium_
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of the Oligocene being 8 feet high at the shoulder.
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[ Prehistoric Animals, by Barry Cox ]
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banana
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He took another step and she cocked her right wrist in
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viciously. She heard the spring click. Weight slapped into
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her hand.
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"Here!" she shrieked hysterically, and brought her arm up in
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a hard sweep, meaning to gut him, leaving him to blunder
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around the room with his intestines hanging out in steaming
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loops. Instead he roared laughter, hands on his hips,
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flaming face cocked back, squeezing and contorting with great
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good humor.
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"Oh, my dear!" he cried, and went off into another gale of
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laughter.
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She looked stupidly down at her hand. It held a firm yellow
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banana with a blue and white Chiquita sticker on it. She
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dropped it, horrified, to the carpet, where it became a
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sickly yellow grin, miming Flagg's own.
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"You'll tell," he whispered. "Oh yes indeed you will."
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And Dayna knew he was right.
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[ The Stand, by Stephen King ]
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banshee
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In Irish folklore and that of the Western Highlands of Scotland,
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a female fairy who announces her presence by shrieking and
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wailing under the windows of a house when one of its occupants
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is awaiting death. The word is a phonetic spelling of the
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Irish _beansidhe_, a woman of the fairies.
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[ Brewer's Concise Dictionary of Phrase and Fable ]
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barbarian
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* barbarian
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They dressed alike -- in buckskin boots, leathern breeks and
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deerskin shirts, with broad girdles that held axes and short
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swords; and they were all gaunt and scarred and hard-eyed;
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sinewy and taciturn.
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They were wild men, of a sort, yet there was still a wide
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gulf between them and the Cimmerian. They were sons of
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civilization, reverted to a semi-barbarism. He was a
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barbarian of a thousand generations of barbarians. They had
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acquired stealth and craft, but he had been born to these
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things. He excelled them even in lithe economy of motion.
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They were wolves, but he was a tiger.
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[ Conan - The Warrior, by Robert E. Howard ]
|
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barbed devil
|
|
Barbed devils lack any real special abilities, though they
|
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are quite difficult to kill.
|
|
# takes "bat or bird" when specifying 'B'
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~combat
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~wombat
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*bat
|
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bat or bird
|
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A bat, flitting in the darkness outside, took the wrong turn
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as it made its nightly rounds and came in through the window
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which had been left healthfully open. It then proceeded to
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circle the room in the aimless fat-headed fashion habitual
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with bats, who are notoriously among the less intellectually
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gifted of God's creatures. Show me a bat, says the old
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proverb, and I will show you something that ought to be in
|
|
some kind of a home.
|
|
[ A Pelican at Blandings, by P. G. Wodehouse ]
|
|
bear*trap
|
|
Probably most commonly associated with trapping, the leghold
|
|
trap is a rather simple mechanical trap. It is made up of two
|
|
jaws, a spring of some sort, and a trigger in the middle. When
|
|
the animal steps on the trigger the trap closes around the leg,
|
|
holding the animal in place. Usually some kind of lure is used
|
|
to position the animal, or the trap is set on an animal trail.
|
|
Traditionally, leghold traps had tightly closing "teeth" to make
|
|
sure the animal stayed in place. The teeth also made sure the
|
|
animal could not move the leg in the trap and ruin their fur.
|
|
However, this resulted in many animals gnawing off legs in order
|
|
to escape. More modern traps have a gap called an "offset jaw"
|
|
and work more like a handcuff. They grip above the paw, making
|
|
sure the animal cannot pull out but does not destroy the leg.
|
|
This also allows the trapper to release unwanted catches.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
*bee
|
|
This giant variety of its useful normal cousin normally
|
|
appears in small groups, looking for raw material to produce
|
|
the royal jelly needed to feed their queen. On rare
|
|
occasions, one may stumble upon a bee-hive, in which the
|
|
queen bee is being well provided for, and guarded against
|
|
intruders.
|
|
*beetle
|
|
[ The Creator ] has an inordinate fondness for beetles.
|
|
[ attributed to biologist J.B.S. Haldane ]
|
|
|
|
The common name for the insects with wings shaped like
|
|
shields (_Coleoptera_), one of the ten sub-species into
|
|
which the insects are divided. They are characterized by
|
|
the shields (the front pair of wings) under which the back
|
|
wings are folded.
|
|
[ Van Dale's Groot Woordenboek der Nederlandse Taal ]
|
|
bell of opening
|
|
"A bell, book and candle job."
|
|
The Bursar sighed. "We tried that, Archchancellor."
|
|
The Archchancellor leaned towards him.
|
|
"Eh?" he said.
|
|
"I _said_, we tried that Archchancellor," said the Bursar loudly,
|
|
directing his voice at the old man's ear. "After dinner, you
|
|
remember? We used Humptemper's _Names of the Ants_ and rang Old
|
|
Tom."*
|
|
"Did we, indeed. Worked, did it?"
|
|
"_No_, Archchancellor."
|
|
|
|
* Old Tom was the single cracked bronze bell in the University
|
|
bell tower.
|
|
[ Eric, by Terry Pratchett ]
|
|
blindfold
|
|
The blindfolding was performed by binding a piece of the
|
|
yellowish linen whereof those of the Amahagger who condescended
|
|
to wear anything in particular made their dresses tightly round
|
|
the eyes. This linen I afterwards discovered was taken from the
|
|
tombs, and was not, as I had first supposed, of native
|
|
manufacture. The bandage was then knotted at the back of the
|
|
head, and finally brought down again and the ends bound under
|
|
the chin to prevent its slipping. Ustane was, by the way, also
|
|
blindfolded, I do not know why, unless it was from fear that she
|
|
should impart the secrets of the route to us.
|
|
[ She, by H. Rider Haggard ]
|
|
blind io
|
|
On this particular day Blind Io, by dint of constant vigilance
|
|
the chief of the gods, sat with his chin on his hand
|
|
and looked at the gaming board on the red marble table in
|
|
front of him. Blind Io had got his name because, where his
|
|
eye sockets should have been, there were nothing but two
|
|
areas of blank skin. His eyes, of which he had an impressively
|
|
large number, led a semi-independent life of their
|
|
own. Several were currently hovering above the table.
|
|
[ The Colour of Magic, by Terry Pratchett ]
|
|
* blob
|
|
ooze
|
|
* ooze
|
|
*pudding
|
|
* slime
|
|
These giant amoeboid creatures look like nothing more than
|
|
puddles of slime, but they both live and move, feeding on
|
|
metal or wood as well as the occasional dungeon explorer to
|
|
supplement their diet.
|
|
|
|
But we were not on a station platform. We were on the track ahead
|
|
as the nightmare, plastic column of fetid black iridescence oozed
|
|
tightly onward through its fifteen-foot sinus, gathering unholy
|
|
speed and driving before it a spiral, re-thickening cloud of the
|
|
pallid abyss vapor. It was a terrible, indescribable thing vaster
|
|
than any subway train -- a shapeless congeries of protoplasmic
|
|
bubbles, faintly self-luminous, and with myriads of temporary eyes
|
|
forming and unforming as pustules of greenish light all over the
|
|
tunnel-filling front that bore down upon us, crushing the frantic
|
|
penguins and slithering over the glistening floor that it and its
|
|
kind had swept so evilly free of all litter.
|
|
[ At the Mountains of Madness, by H.P. Lovecraft ]
|
|
bone devil
|
|
Bone devils attack with weapons and with a great hooked tail
|
|
which causes a loss of strength to those they sting.
|
|
book of the dead
|
|
candelabrum*
|
|
*candle
|
|
Faustus: Come on Mephistopheles. What shall we do?
|
|
Mephistopheles: Nay, I know not. We shall be cursed with bell,
|
|
book, and candle.
|
|
Faustus: How? Bell, book, and candle, candle, book, and bell,
|
|
Forward and backward, to curse Faustus to hell.
|
|
Anon you shall hear a hog grunt, a calf bleat, and an ass bray,
|
|
Because it is Saint Peter's holy day.
|
|
(Enter all the Friars to sing the dirge)
|
|
[ Doctor Faustus and Other Plays, by Christopher Marlowe ]
|
|
~*jack*boot*
|
|
*boot*
|
|
In Fantasyland these are remarkable in that they seldom or
|
|
never wear out and are suitable for riding or walking in
|
|
without the need of Socks. Boots never pinch, rub, or get
|
|
stones in them; nor do nails stick upwards into the feet from
|
|
the soles. They are customarily mid-calf length or knee-high,
|
|
slip on and off easily and never smell of feet. Unfortunately,
|
|
the formula for making this splendid footwear is a closely
|
|
guarded secret, possibly derived from nonhumans (see Dwarfs,
|
|
Elves, and Gnomes).
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
*booze
|
|
potion of sleeping
|
|
On waking, he found himself on the green knoll whence he had
|
|
first seen the old man of the glen. He rubbed his eyes -- it
|
|
was a bright sunny morning. The birds were hopping and
|
|
twittering among the bushes, and the eagle was wheeling aloft,
|
|
and breasting the pure mountain breeze. "Surely," thought Rip,
|
|
"I have not slept here all night." He recalled the occurrences
|
|
before he fell asleep. The strange man with a keg of liquor --
|
|
the mountain ravine -- the wild retreat among the rocks -- the
|
|
woe-begone party at ninepins -- the flagon -- "Oh! that flagon!
|
|
that wicked flagon!" thought Rip -- "what excuse shall I make
|
|
to Dame Van Winkle!"
|
|
[ Rip Van Winkle, a Posthumous Writing
|
|
of Diedrich Knickerbocker, by Washington Irving ]
|
|
boulder
|
|
I worked the lever well under, and stretched my back; the end
|
|
of the stone rose up, and I kicked the fulcrum under. Then,
|
|
when I was going to bear down, I remembered there was
|
|
something to get out from below; when I let go of the lever,
|
|
the stone would fall again. I sat down to think, on the root
|
|
of the oak tree; and, seeing it stand about the ground, I saw
|
|
my way. It was lucky I had brought a longer lever. It would
|
|
just reach to wedge under the oak root.
|
|
Bearing it down so far would have been easy for a heavy man,
|
|
but was a hard fight for me. But this time I meant to do it
|
|
if it killed me, because I knew it could be done. Twice I
|
|
got it nearly there, and twice the weight bore it up again;
|
|
but when I flung myself on it the third time, I heard in my
|
|
ears the sea-sound of Poseidon. Then I knew this time I
|
|
would do it; and so I did.
|
|
[ The King Must Die, by Mary Renault ]
|
|
~*longbow of diana
|
|
bow
|
|
* bow
|
|
"Stand to it, my hearts of gold," said the old bowman as he
|
|
passed from knot to knot. "By my hilt! we are in luck this
|
|
journey. Bear in mind the old saying of the Company."
|
|
"What is that, Aylward?" cried several, leaning on their bows
|
|
and laughing at him.
|
|
"'Tis the master-bowyer's rede: 'Every bow well bent. Every
|
|
shaft well sent. Every stave well nocked. Every string well
|
|
locked.' There, with that jingle in his head, a bracer on
|
|
his left hand, a shooting glove on his right, and a
|
|
farthing's-worth of wax in his girdle, what more doth a
|
|
bowman need?"
|
|
"It would not be amiss," said Hordle John, "if under his
|
|
girdle he had four farthings'-worth of wine."
|
|
[ The White Company, by Sir Arthur Conan Doyle ]
|
|
brigit
|
|
Brigit (Brigid, Bride, Banfile), which means the Exalted One,
|
|
was the Celtic (continental European and Irish) fertility
|
|
goddess. She was originally celebrated on February first in
|
|
the festival of Imbolc, which coincided with the beginning
|
|
of lactation in ewes and was regarded in Scotland as the date
|
|
on which Brigit deposed the blue-faced hag of winter. The
|
|
Christian calendar adopted the same date for the Feast of St.
|
|
Brigit. There is no record that a Christian saint ever
|
|
actually existed, but in Irish mythology she became the
|
|
midwife to the Virgin Mary.
|
|
[ Encyclopedia of Gods, by Michael Jordan ]
|
|
~stormbringer
|
|
*broadsword
|
|
Bring me my broadsword
|
|
And clear understanding.
|
|
Bring me my cross of gold,
|
|
As a talisman.
|
|
[ "Broadsword" (refrain) by Ian Anderson ]
|
|
bugbear
|
|
Bugbears are relatives of goblins, although they tend to be
|
|
larger and more hairy. They are aggressive carnivores and
|
|
sometimes kill just for the treasure their victims may be
|
|
carrying.
|
|
bugle
|
|
'I read you by your bugle horn
|
|
And by your palfrey good,
|
|
I read you for a Ranger sworn
|
|
To keep the King's green-wood.'
|
|
'A Ranger, Lady, winds his horn,
|
|
And 'tis at peep of light;
|
|
His blast is heard at merry morn,
|
|
And mine at dead of night.'
|
|
[ Brignall Banks, by Sir Walter Scott ]
|
|
*camaxtli
|
|
A classical Mesoamerican Aztec god, also known as Mixcoatl-
|
|
Camaxtli (the Cloud Serpent), Camaxtli is the god of war. He
|
|
is also a deity of hunting and fire who received human
|
|
sacrifice of captured prisoners. According to tradition, the
|
|
sun god Tezcatlipoca transformed himself into Mixcoatl-Camaxtli
|
|
to make fire by twirling the sacred fire sticks.
|
|
[ Encyclopedia of Gods, by Michael Jordan ]
|
|
camelot*
|
|
The seat of Arthur's power in medieval romance. The name is
|
|
of unknown origin and refers to the castle but also includes
|
|
the surrounding town. ... Camelot appears, most significantly,
|
|
as a personal capital as opposed to a permanent or national
|
|
one. It is Arthur's and Arthur's alone. There are no previous
|
|
lords and Arthur's successor, Constantine, does not take up
|
|
residence there. Camelot is actually said to have been
|
|
demolished after Arthur and Lancelot were gone by Mark. Fazio
|
|
degli Uberti, the Italian poet, claims to have seen the ruins
|
|
in the 14th century.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
candy bar
|
|
Only once a year, on his birthday, did Charlie Bucket ever
|
|
get to taste a bit of chocolate. The whole family saved up
|
|
their money for that special occasion, and when the great
|
|
day arrived, Charlie was always presented with one small
|
|
chocolate bar to eat all by himself. And each time he
|
|
received it, on those marvelous birthday mornings, he would
|
|
place it carefully in a small wooden box that he owned, and
|
|
treasure it as though it were a bar of solid gold; and for
|
|
the next few days, he would allow himself only to look at it,
|
|
but never to touch it. Then at last, when he could stand it
|
|
no longer, he would peel back a tiny bit of the paper
|
|
wrapping at one corner to expose a tiny bit of chocolate, and
|
|
then he would take a tiny nibble - just enough to allow the
|
|
lovely sweet taste to spread out slowly over his tongue. The
|
|
next day, he would take another tiny nibble, and so on, and
|
|
so on. And in this way, Charlie would make his ten-cent bar
|
|
of birthday chocolate last him for more than a month.
|
|
[ Charlie and the Chocolate Factory, by Roald Dahl ]
|
|
carrot
|
|
In World War II, Britain's air ministry spread the word that
|
|
a diet of these vegetables helped pilots see Nazi bombers
|
|
attacking at night. That was a lie intended to cover the real
|
|
matter of what was underpinning the Royal Air Force's successes:
|
|
Airborne Interception Radar, also known as AI. ... British
|
|
Intelligence didn't want the Germans to find out about the
|
|
superior new technology helping protect the nation, so they
|
|
created a rumor to afford a somewhat plausible-sounding
|
|
explanation for the sudden increase in bombers being shot down.
|
|
... The disinformation was so persuasive that the English public
|
|
took to eating carrots to help them find their way during the
|
|
blackouts.
|
|
[ Urban Legends Reference Pages ]
|
|
s*d*g*r* cat
|
|
Imagine a sealed container, so perfectly constructed that no
|
|
physical influence can pass either inwards or outwards across its
|
|
walls. Imagine that inside the container is a cat, and also a
|
|
device that can be triggered by some quantum event. If that event
|
|
takes place, then the device smashes a phial containing cyanide and
|
|
the cat is killed. If the event does not take place, the cat lives
|
|
on. In Schroedinger's original version, the quantum event was the
|
|
decay of a radioactive atom. ... To the outside observer, the cat
|
|
is indeed in a linear combination of being alive and dead, and only
|
|
when the container is finally opened would the cat's state vector
|
|
collapse into one or the other. On the other hand, to a (suitably
|
|
protected) observer inside the container, the cat's state-vector
|
|
would have collapsed much earlier, and the outside observer's
|
|
linear combination has no relevance.
|
|
[ The Emperor's New Mind, by Roger Penrose ]
|
|
# takes "cat or other feline" when specifying 'f'
|
|
*cat
|
|
*feline
|
|
kitten
|
|
Well-known quadruped domestic animal from the family of
|
|
predatory felines (_Felis ochreata domestica_), with a thick,
|
|
soft pelt; often kept as a pet. Various folklores have the
|
|
cat associated with magic and the gods of ancient Egypt.
|
|
|
|
So Ulthar went to sleep in vain anger; and when the people
|
|
awakened at dawn - behold! Every cat was back at his
|
|
accustomed hearth! Large and small, black, grey, striped,
|
|
yellow and white, none was missing. Very sleek and fat did
|
|
the cats appear, and sonorous with purring content.
|
|
[ The Cats of Ulthar, by H.P. Lovecraft ]
|
|
# this one doesn't work very well for dwarven and gnomish cavemen
|
|
cave*man
|
|
human cave*man
|
|
Now it was light enough to leave. Moon-Watcher picked up
|
|
the shriveled corpse and dragged it after him as he bent
|
|
under the low overhang of the cave. Once outside, he
|
|
threw the body over his shoulder and stood upright - the
|
|
only animal in all this world able to do so.
|
|
Among his kind, Moon-Watcher was almost a giant. He was
|
|
nearly five feet high, and though badly undernourished
|
|
weighed over a hundred pounds. His hairy, muscular body
|
|
was halfway between ape and man, but his head was already
|
|
much nearer to man than ape. The forehead was low, and
|
|
there were ridges over the eye sockets, yet he unmistakably
|
|
held in his genes the promise of humanity.
|
|
[ 2001: A Space Odyssey, by Arthur C. Clarke ]
|
|
dwar* cave*man
|
|
gnom* cave*man
|
|
'Twas in a land unkempt of life's red dawn;
|
|
Where in his sanded cave he dwelt alone;
|
|
Sleeping by day, or sometimes worked upon
|
|
His flint-head arrows and his knives of stone;
|
|
By night stole forth and slew the savage boar,
|
|
So that he loomed a hunter of loud fame,
|
|
And many a skin of wolf and wild-cat wore,
|
|
And counted many a flint-head to his name;
|
|
Wherefore he walked the envy of the band,
|
|
Hated and feared, but matchless in his skill.
|
|
Till lo! one night deep in that shaggy land,
|
|
He tracked a yearling bear and made his kill;
|
|
Then over-worn he rested by a stream,
|
|
And sank into a sleep too deep for dream.
|
|
[ The Dreamer, by Robert Service ]
|
|
*centaur
|
|
Of all the monsters put together by the Greek imagination
|
|
the Centaurs (Kentauroi) constituted a class in themselves.
|
|
Despite a strong streak of sensuality, in their make-up,
|
|
their normal behaviour was moral, and they took a kindly
|
|
thought of man's welfare. The attempted outrage of Nessos on
|
|
Deianeira, and that of the whole tribe of Centaurs on the
|
|
Lapith women, are more than offset by the hospitality of
|
|
Pholos and by the wisdom of Cheiron, physician, prophet,
|
|
lyrist, and the instructor of Achilles. Further, the
|
|
Centaurs were peculiar in that their nature, which united the
|
|
body of a horse with the trunk and head of a man, involved
|
|
an unthinkable duplication of vital organs and important
|
|
members. So grotesque a combination seems almost un-Greek.
|
|
These strange creatures were said to live in the caves and
|
|
clefts of the mountains, myths associating them especially
|
|
with the hills of Thessaly and the range of Erymanthos.
|
|
[ Mythology of all races, Vol. 1, pp. 270-271 ]
|
|
centipede
|
|
I observed here, what I had often seen before, that certain
|
|
districts abound in centipedes. Here they have light
|
|
reddish bodies and blue legs; great myriapedes are seen
|
|
crawling every where. Although they do no harm, they excite
|
|
in man a feeling of loathing. Perhaps our appearance
|
|
produces a similar feeling in the elephant and other large
|
|
animals. Where they have been much disturbed, they
|
|
certainly look upon us with great distrust, as the horrid
|
|
biped that ruins their peace.
|
|
[ Travels and Researches in South Africa,
|
|
by Dr. David Livingstone ]
|
|
cerberus
|
|
kerberos
|
|
Cerberus, (or Kerberos in Greek), was the three-headed dog
|
|
that guarded the Gates of Hell. He allowed any dead to enter,
|
|
and likewise prevented them all from ever leaving. He was
|
|
bested only twice: once when Orpheus put him to sleep by
|
|
playing bewitching music on his lyre, and the other time when
|
|
Hercules confronted him and took him to the world of the
|
|
living (as his twelfth and last labor).
|
|
chameleon
|
|
A small lizard perched on a brown stone. Feeling threatened by
|
|
the approach of human beings along the path, it metamorphosed
|
|
into a stingray beetle, then into a stench-puffer, then into a
|
|
fiery salamander.
|
|
Bink smiled. These conversions weren't real. It had assumed
|
|
the forms of obnoxious little monsters, but not their essence.
|
|
It could not sting, stink or burn. It was a chameleon, using
|
|
its magic to mimic creatures of genuine threat.
|
|
Yet as it shifted into the form of a basilisk it glared at him
|
|
with such ferocity that Bink's mirth abated. If its malice
|
|
could strike him, he would be horribly dead.
|
|
[ A Spell for Chameleon, by Piers Anthony ]
|
|
charo*n
|
|
When an ancient Greek died, his soul went to the nether world:
|
|
the Hades. To reach the nether world, the souls had to cross
|
|
the river Styx, the river that separated the living from the
|
|
dead. The Styx could be crossed by ferry, whose shabby ferry-
|
|
man, advanced in age, was called Charon. The deceased's next-
|
|
of-kin would place a coin under his tongue, to pay the ferry-
|
|
man.
|
|
chest
|
|
large box
|
|
Dantes rapidly cleared away the earth around the chest. Soon
|
|
the center lock appeared, then the handles at each end, all
|
|
delicately wrought in the manner of that period when art made
|
|
precious even the basest of metals. He took the chest by the
|
|
two handles and tried to lift it, but it was impossible. He
|
|
tried to open it; it was locked. He inserted the sharp end
|
|
of his pickaxe between the chest and the lid and pushed down
|
|
on the handle. The lid creaked, then flew open.
|
|
Dantes was seized with a sort of giddy fever. He cocked his
|
|
gun and placed it beside him. Then he closed his eyes like
|
|
a child, opened them and stood dumbfounded.
|
|
The chest was divided into three compartments. In the first
|
|
were shining gold coins. In the second, unpolished gold
|
|
ingots packed in orderly stacks. From the third compartment,
|
|
which was half full, Dantes picked up handfuls of diamonds,
|
|
pearls and rubies. As they fell through his fingers in a
|
|
glittering cascade, they gave forth the sound of hail beating
|
|
against the windowpanes.
|
|
[ The Count of Monte Cristo, by Alexandre Dumas ]
|
|
chih*sung*tzu
|
|
A character in Chinese mythology noted for bringing about the
|
|
end of a terrible drought which threatened the survival of
|
|
the people. He achieved this by means of sprinkling the
|
|
earth with water from a bowl, using the branch of a tree to
|
|
do so. He became the heavenly controller of the rain, and
|
|
lived with other celestial beings in their paradise on Mount
|
|
Kunlun.
|
|
[ The Illustrated Who's Who In Mythology, by Michael Senior ]
|
|
chromatic dragon
|
|
tiamat
|
|
Tiamat is said to be the mother of evil dragonkind. She is
|
|
extremely vain.
|
|
citrine*
|
|
A pale yellow variety of crystalline quartz resembling topaz.
|
|
~elven cloak
|
|
~oilskin cloak
|
|
*cloak*
|
|
Cloaks are the universal outer garb of everyone who is not a
|
|
Barbarian. It is hard to see why. They are open in front
|
|
and require you at most times to use one hand to hold them
|
|
shut. On horseback they leave the shirt-sleeved arms and
|
|
most of the torso exposed to wind and Weather. The OMTs
|
|
[ Official Management Terms ] for Cloaks well express their
|
|
difficulties. They are constantly _swirling and dripping_
|
|
and becoming _heavy with water_ in rainy Weather, _entangling
|
|
with trees_ or _swords_, or needing to be _pulled close
|
|
around her/his shivering body_. This seems to suggest they
|
|
are less than practical for anyone on an arduous Tour.
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
cloud*
|
|
I wandered lonely as a cloud
|
|
That floats on high o'er vales and hills,
|
|
When all at once I saw a crowd,
|
|
A host, of golden daffodils;
|
|
Beside the lake, beneath the trees,
|
|
Fluttering and dancing in the breeze.
|
|
[ I Wandered Lonely as a Cloud, by William Wordsworth ]
|
|
cobra
|
|
Darzee and his wife only cowered down in the nest without
|
|
answering, for from the thick grass at the foot of the bush
|
|
there came a low hiss -- a horrid cold sound that made
|
|
Rikki-tikki jump back two clear feet. Then inch by inch out of
|
|
the grass rose up the head and spread hood of Nag, the big
|
|
black cobra, and he was five feet long from tongue to tail.
|
|
When he had lifted one-third of himself clear of the ground,
|
|
he stayed balancing to and fro exactly as a dandelion-tuft
|
|
balances in the wind, and he looked at Rikki-tikki with the
|
|
wicked snake's eyes that never change their expression,
|
|
whatever the snake may be thinking of.
|
|
'Who is Nag?' said he. '_I_ am Nag. The great God Brahm put
|
|
his mark upon all our people, when the first cobra spread his
|
|
hood to keep the sun off Brahm as he slept. Look, and be
|
|
afraid!'
|
|
[ Rikki-tikki-tavi, by Rudyard Kipling ]
|
|
c*ckatrice
|
|
Once in a great while, when the positions of the stars are
|
|
just right, a seven-year-old rooster will lay an egg. Then,
|
|
along will come a snake, to coil around the egg, or a toad,
|
|
to squat upon the egg, keeping it warm and helping it to
|
|
hatch. When it hatches, out comes a creature called basilisk,
|
|
or cockatrice, the most deadly of all creatures. A single
|
|
glance from its yellow, piercing toad's eyes will kill both
|
|
man and beast. Its power of destruction is said to be so
|
|
great that sometimes simply to hear its hiss can prove fatal.
|
|
Its breath is so venomous that it causes all vegetation
|
|
to wither.
|
|
|
|
There is, however, one creature which can withstand the
|
|
basilisk's deadly gaze, and this is the weasel. No one knows
|
|
why this is so, but although the fierce weasel can slay the
|
|
basilisk, it will itself be killed in the struggle. Perhaps
|
|
the weasel knows the basilisk's fatal weakness: if it ever
|
|
sees its own reflection in a mirror it will perish instantly.
|
|
But even a dead basilisk is dangerous, for it is said that
|
|
merely touching its lifeless body can cause a person to
|
|
sicken and die.
|
|
[ Mythical Beasts by Deirdre Headon (The Leprechaun Library)
|
|
and other sources ]
|
|
*coin
|
|
~creeping coins
|
|
*coins
|
|
zorkmid*
|
|
The coin bears the likeness of Belwit the Flat, along with the
|
|
inscriptions, "One Zorkmid," and "699 GUE [ Great Underground
|
|
Empire ]." On the other side, the coin depicts Egreth Castle,
|
|
and says "In Frobs We Trust" in several languages.
|
|
[ Zork Zero, by Infocom ]
|
|
# not "stethoscope"
|
|
combat
|
|
fight
|
|
fracas
|
|
melee
|
|
spat
|
|
squabble
|
|
tiff
|
|
[Scene: Mr. Moon and Gilbert enter tavern and discover many
|
|
corpses strewn about the place; Blind Pew is sole survivor.]
|
|
Blind Pew: Evening. Sounded as though there has been a bit
|
|
of a squabble.
|
|
Mr. Moon: Squabble? They're all dead.
|
|
Blind Pew: Oh. Must have been more of a tiff then.
|
|
[ Yellowbeard, directed by Mel Damski, screenplay
|
|
by Graham Chapman, Peter Cook, Bernard McKenna ]
|
|
cope
|
|
* cope
|
|
The cope is a liturgical vestment which may be worn by any
|
|
rank of the clergy. Copes are made in all liturgical colours,
|
|
and are like a very long mantle or cloak, fastened at the breast
|
|
by a clasp.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
cornuthaum
|
|
He was dressed in a flowing gown with fur tippets which had
|
|
the signs of the zodiac embroidered over it, with various
|
|
cabalistic signs, such as triangles with eyes in them, queer
|
|
crosses, leaves of trees, bones of birds and animals, and a
|
|
planetarium whose stars shone like bits of looking-glass with
|
|
the sun on them. He had a pointed hat like a dunce's cap, or
|
|
like the headgear worn by ladies of that time, except that
|
|
the ladies were accustomed to have a bit of veil floating
|
|
from the top of it.
|
|
[ The Once and Future King, by T.H. White ]
|
|
|
|
"A wizard!" Dooley exclaimed, astounded.
|
|
"At your service, sirs," said the wizard. "How
|
|
perceptive of you to notice. I suppose my hat rather gives me
|
|
away. Something of a beacon, I don't doubt." His hat was
|
|
pretty much that, tall and cone-shaped with stars and crescent
|
|
moons all over it. All in all, it couldn't have been more
|
|
wizardish.
|
|
[ The Elfin Ship, James P. Blaylock ]
|
|
couatl
|
|
A mythical feathered serpent. The couatl are very rare.
|
|
coyote
|
|
This carnivore is known for its voracious appetite and
|
|
inflated view of its own intelligence.
|
|
cram*
|
|
If you want to know what cram is, I can only say that I don't
|
|
know the recipe; but it is biscuitish, keeps good indefinitely,
|
|
is supposed to be sustaining, and is certainly not entertaining,
|
|
being in fact very uninteresting except as a chewing
|
|
exercise. It was made by the Lake-men for long journeys.
|
|
[ The Hobbit, by J.R.R. Tolkien ]
|
|
*crocodile
|
|
A big animal with the appearance of a lizard, constituting
|
|
an order of the reptiles (_Loricata_ or _Crocodylia_), the
|
|
crocodile is a large, dangerous predator native to tropical
|
|
and subtropical climes. It spends most of its time in large
|
|
bodies of water.
|
|
[]
|
|
|
|
How doth the little crocodile
|
|
Improve his shining tail,
|
|
And pour the waters of the Nile
|
|
On every golden scale!
|
|
|
|
How cheerfully he seems to grin
|
|
How neatly spreads his claws,
|
|
And welcomes little fishes in,
|
|
With gently smiling jaws!
|
|
[ How Doth The Little Crocodile, by Lewis Carroll ]
|
|
croesus
|
|
kroisos
|
|
creosote
|
|
Croesus (in Greek: Kroisos), the wealthy last king of Lydia;
|
|
his empire was destroyed when he attacked Cyrus in 549, after
|
|
the Oracle of Delphi (q.v.) had told him: "if you attack the
|
|
Persians, you will destroy a mighty empire". Herodotus
|
|
relates of his legendary conversation with Solon of Athens,
|
|
who impressed upon him that being rich does not imply being
|
|
happy and that no one should be considered fortunate before
|
|
his death.
|
|
crom
|
|
Warily Conan scanned his surroundings, all of his senses alert
|
|
for signs of possible danger. Off in the distance, he could
|
|
see the familiar shapes of the Camp of the Duali tribe.
|
|
Suddenly, the hairs on his neck stand on end as he detects the
|
|
aura of evil magic in the air. Without thought, he readies
|
|
his weapon, and mutters under his breath:
|
|
"By Crom, there will be blood spilt today."
|
|
|
|
[ Conan the Avenger by Robert E. Howard, Bjorn Nyberg, and
|
|
L. Sprague de Camp ]
|
|
crossbow*
|
|
"God save thee, ancient Mariner!
|
|
From the fiends, that plague thee thus! -
|
|
Why look'st thou so?" - With my cross-bow
|
|
I shot the Albatross.
|
|
[ The Rime of the Ancient Mariner, by Samuel Taylor
|
|
Coleridge ]
|
|
crystal ball
|
|
You look into one of these and see _vapours swirling like
|
|
clouds_. These shortly clear away to show a sort of video
|
|
without sound of something that is going to happen to you
|
|
soon. It is seldom good news.
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
curse*
|
|
Curses are longstanding ill-wishings which, in Fantasyland,
|
|
often manifest as semisentient. They have to be broken or
|
|
dispelled. The method varies according to the type and
|
|
origin of the Curse:
|
|
[...]
|
|
4. Curses on Rings and Swords. You have problems. Rings
|
|
have to be returned whence they came, preferably at over a
|
|
thousand degrees Fahrenheit, and the Curse means you won't
|
|
want to do this. Swords usually resist all attempts to
|
|
raise their Curses. Your best source is to hide the Sword
|
|
or give it to someone you dislike.
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
cwn*n
|
|
A pack of snow-white, red-eared spectral hounds which
|
|
sometimes took part in the kidnappings and raids the
|
|
inhabitants of the underworld sometimes make on this world
|
|
(the Wild Hunt). They are associated in Wales with the sounds
|
|
of migrating wild geese, and are said to be leading the souls
|
|
of the damned to hell. The phantom chase is usually heard or
|
|
seen in midwinter and is accompanied by a howling wind.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
cyclops
|
|
And after he had milked his cattle swiftly,
|
|
he again took hold of two of my men
|
|
and had them as his supper.
|
|
Then I went, with a tub of red wine,
|
|
to stand before the Cyclops, saying:
|
|
"A drop of wine after all this human meat,
|
|
so you can taste the delicious wine
|
|
that is stored in our ship, Cyclops."
|
|
He took the tub and emptied it.
|
|
He appreciated the priceless wine that much
|
|
that he promptly asked me for a second tub.
|
|
"Give it", he said, "and give me your name as well".
|
|
...
|
|
Thrice I filled the tub,
|
|
and after the wine had clouded his mind,
|
|
I said to him, in a tone as sweet as honey:
|
|
"You have asked my name, Cyclops? Well,
|
|
my name is very well known. I'll give it to you,
|
|
if you give me the gift you promised me as a guest.
|
|
My name is Nobody. All call me thus:
|
|
my father and my mother and my friends."
|
|
Ruthlessly he answered to this:
|
|
"Nobody, I will eat you last of all;
|
|
your host of friends will completely precede you.
|
|
That will be my present to you, my friend."
|
|
And after these words he fell down backwards,
|
|
restrained by the all-restrainer Hupnos.
|
|
His monstrous neck slid into the dust;
|
|
the red wine squirted from his throat;
|
|
the drunk vomited lumps of human flesh.
|
|
[ The Odyssey, (chapter Epsilon), by Homer ]
|
|
~sting
|
|
*dagger
|
|
Is this a dagger which I see before me,
|
|
The handle toward my hand? Come, let me clutch thee.
|
|
I have thee not, and yet I see thee still.
|
|
Art thou not, fatal vision, sensible
|
|
To feeling as to sight? or art thou but
|
|
A dagger of the mind, a false creation,
|
|
Proceeding from the heat-oppressed brain?
|
|
I see thee yet, in form as palpable
|
|
As this which now I draw.
|
|
[ Macbeth, by William Shakespeare ]
|
|
dark one
|
|
... But he ruled rather by force and fear, if they might
|
|
avail; and those who perceived his shadow spreading over the
|
|
world called him the Dark Lord and named him the Enemy; and
|
|
he gathered again under his government all the evil things of
|
|
the days of Morgoth that remained on earth or beneath it,
|
|
and the Orcs were at his command and multiplied like flies.
|
|
Thus the Black Years began ...
|
|
[ The Silmarillion, by J.R.R. Tolkien ]
|
|
# includes "dart trap"
|
|
dart*
|
|
Darts are missile weapons, designed to fly such that a sharp,
|
|
often weighted point will strike first. They can be
|
|
distinguished from javelins by fletching (i.e., feathers on
|
|
the tail) and a shaft that is shorter and/or more flexible,
|
|
and from arrows by the fact that they are not of the right
|
|
length to use with a normal bow.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
|
|
Against my foe I hurled a murderous dart.
|
|
He caught it in his hand -- I heard him laugh --
|
|
I saw the thing that should have pierced his heart
|
|
Turn to a golden staff.
|
|
[ Gifts, by Mary Coleridge ]
|
|
demogorgon
|
|
A terrible deity, whose very name was capable of producing the
|
|
most horrible effects. He is first mentioned by the 4th-century
|
|
Christian writer, Lactantius, who in doing so broke with the
|
|
superstition that the very reference to Demogorgon by name
|
|
brought death and disaster.
|
|
[ Brewer's Concise Dictionary of Phrase and Fable ]
|
|
|
|
Demogorgon, the prince of demons, wallows in filth and can
|
|
spread a quickly fatal illness to his victims while rending
|
|
them. He is a mighty spellcaster, and he can drain the life
|
|
of mortals with a touch of his tail.
|
|
# takes "major demon" when specifying '&'
|
|
demon
|
|
major demon
|
|
It is often very hard to discover what any given Demon looks
|
|
like, apart from a general impression of large size, huge
|
|
fangs, staring eyes, many limbs, and an odd color; but all
|
|
accounts agree that Demons are very powerful, very Magic (in
|
|
a nonhuman manner), and made of some substance that can squeeze
|
|
through a keyhole yet not be pierced with a Sword. This makes
|
|
them difficult to deal with, even on the rare occasions when
|
|
they are friendly.
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
diamond
|
|
The hardest known mineral (with a hardness of 10 on Mohs' scale).
|
|
It is an allotropic form of pure carbon that has crystallized in
|
|
the cubic system, usually as octahedra or cubes, under great
|
|
pressure.
|
|
[ A Concise Dictionary of Physics ]
|
|
|
|
The diamond, _adamas_ or _dyamas_, is a transparent stone, like
|
|
crystal, but having the colour of polished iron, but it cannot
|
|
be destroyed by iron, fire or any other means, unless it is
|
|
placed in the hot blood of a goat; with sharp pieces of diamond
|
|
other stones are engraved and polished. It is no greater than
|
|
a small nut. There are six kinds, however Adamant attracts
|
|
metal; it expels venom; it produces amber (and is efficacious
|
|
against empty fears and for those resisting spells). It is
|
|
found in India, in Greece and in Cyprus, where magicians make
|
|
use of it. It gives you courage; it averts apparitions; it
|
|
removes anger and quarrels; it heals the mad; it defends you
|
|
from your enemies. It should be set in gold or silver and worn
|
|
on the left arm. It is likewise found in Arabia.
|
|
[ The Aberdeen Bestiary, translated by Colin McLaren ]
|
|
dilithium*
|
|
The most famous and the first to be named of the imaginary
|
|
"minerals" of Star Trek is dilithium. ... Because of this
|
|
mineral's central role in the storyline, a whole mythology
|
|
surrounds it. It is, however, a naturally occurring substance
|
|
within the mythology, as there are various episodes that
|
|
make reference to the mining of dilithium deposits. ...
|
|
This name itself is imaginary and gives no real information on
|
|
the structure or make-up of this substance other than that this
|
|
version of the name implies a lithium and iron-bearing
|
|
aluminosilicate of some sort. That said, the real mineral that
|
|
most closely matches the descriptive elements of this name is
|
|
ferroholmquistite which is a dilithium triferrodiallosilicate.
|
|
If one goes on the premise that nature follows certain general
|
|
norms, then one could extrapolate that dilithium might have a
|
|
similar number of silicon atoms in its structure.
|
|
Keeping seven (i.e. hepto) ferrous irons and balancing the
|
|
oxygens would give a theoretical formula of Li2Fe7Al2Si8O27.
|
|
A mineral with this composition could theoretically exist,
|
|
although it is doubtful that it would possess the more fantastic
|
|
properties ascribed to dilithium.
|
|
[ The Mineralogy of Star Trek, by Jeffrey de Fourestier ]
|
|
dingo
|
|
A wolflike wild dog, Canis dingo, of Australia, having a
|
|
reddish- or yellowish-brown coat, believed to have been
|
|
introduced by the aborigines.
|
|
[Webster's Encyclopedic Unabridged Dictionary of the English Language]
|
|
disenchanter
|
|
Ask not, what your magic can do to it. Ask what it can do
|
|
to your magic.
|
|
dispater
|
|
The Roman ruler of the underworld and fortune, similar to the
|
|
Greek Hades. Every hundred years, the Ludi Tarentini were
|
|
celebrated in his honor. The Gauls regarded Dis Pater as
|
|
their ancestor. The name is a contraction of the Latin Dives,
|
|
"the wealthy", Dives Pater, "the wealthy father", or "Fater
|
|
Wealth". It refers to the wealth of precious stone below the
|
|
earth.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
djinn*
|
|
The djinn are genies from the elemental plane of Air. There,
|
|
among their kind, they have their own societies. They are
|
|
sometimes encountered on earth and may even be summoned here
|
|
to perform some service for powerful wizards. The wizards
|
|
often leave them about for later service, safely tucked away
|
|
in a flask or lamp. Once in a while, such a tool is found by
|
|
a lucky rogue, and some djinn are known to be so grateful
|
|
when released that they might grant their rescuer a wish.
|
|
# takes "dog or other canine" when specifying 'd'
|
|
~hachi
|
|
~slasher
|
|
~sirius
|
|
*dog
|
|
pup*
|
|
*canine
|
|
A domestic animal, the _tame dog_ (_Canis familiaris_), of
|
|
which numerous breeds exist. The male is called a dog,
|
|
while the female is called a bitch. Because of its known
|
|
loyalty to man and gentleness with children, it is the
|
|
world's most popular domestic animal. It can easily be
|
|
trained to perform various tasks.
|
|
# typing "spellbook or a closed door" shouldn't yield this entry
|
|
~trap*door
|
|
~*spellbook*
|
|
*door
|
|
doorway
|
|
Through me you pass into the city of woe:
|
|
Through me you pass into eternal pain:
|
|
Through me among the people lost for aye.
|
|
Justice the founder of my fabric mov'd:
|
|
To rear me was the task of power divine,
|
|
Supremest wisdom, and primeval love.
|
|
Before me things create were none, save things
|
|
Eternal, and eternal I endure.
|
|
All hope abandon ye who enter here.
|
|
[ The Inferno, from The Divine Comedy of Dante
|
|
Alighieri, translated by H.F. Cary ]
|
|
doppelganger
|
|
"Then we can only give thanks that this is Antarctica, where
|
|
there is not one, single, solitary, living thing for it to
|
|
imitate, except these animals in camp."
|
|
|
|
"Us," Blair giggled. "It can imitate us. Dogs can't make four
|
|
hundred miles to the sea; there's no food. There aren't any
|
|
skua gulls to imitate at this season. There aren't any
|
|
penguins this far inland. There's nothing that can reach the
|
|
sea from this point - except us. We've got brains. We can do
|
|
it. Don't you see - it's got to imitate us - it's got to be one
|
|
of us - that's the only way it can fly an airplane - fly a plane
|
|
for two hours, and rule - be - all Earth's inhabitants. A world
|
|
for the taking - if it imitates us!
|
|
[ Who Goes There?, by John W. Campbell ]
|
|
|
|
Xander: Let go! I have to kill the demon bot!
|
|
Xander Double (grabbing the gun): Anya, get out of the way.
|
|
Buffy: Xander!
|
|
Xander Double: That's all right, Buffy. I have him.
|
|
Xander: No, Buffy, I'm me. Help me!
|
|
Anya: My gun, he's got my gun.
|
|
Riley: You own a gun?
|
|
Buffy: Xander, gun holding Xander, give it to me.
|
|
Anya: Buffy, which one's real?
|
|
Xander: I am.
|
|
Xander Double: No, _I_ am.
|
|
[ Buffy the Vampire Slayer, Episode 5.03, "The Replacement" ]
|
|
*dragon
|
|
*xoth
|
|
In the West the dragon was the natural enemy of man. Although
|
|
preferring to live in bleak and desolate regions, whenever it
|
|
was seen among men it left in its wake a trail of destruction
|
|
and disease. Yet any attempt to slay this beast was a perilous
|
|
undertaking. For the dragon's assailant had to contend
|
|
not only with clouds of sulphurous fumes pouring from its fire
|
|
breathing nostrils, but also with the thrashings of its tail,
|
|
the most deadly part of its serpent-like body.
|
|
[ Mythical Beasts by Deirdre Headon (The Leprechaun Library) ]
|
|
|
|
"One whom the dragons will speak with," he said, "that is a
|
|
dragonlord, or at least that is the center of the matter. It's
|
|
not a trick of mastering the dragons, as most people think.
|
|
Dragons have no masters. The question is always the same, with
|
|
a dragon: will he talk to you or will he eat you? If you can
|
|
count upon his doing the former, and not doing the latter, why
|
|
then you're a dragonlord."
|
|
[ The Tombs of Atuan, by Ursula K. Le Guin ]
|
|
*dragon*scale*
|
|
Stephen had argued, and the expert armorer had grudgingly
|
|
admitted, that dragonscale shield or armor, provided it proved
|
|
feasible to make at all, ought to offer some real, practical
|
|
advantages over any metal breastplate or shield -- gram for
|
|
gram of weight, such a defense would probably be a lot
|
|
tougher and more protective than any human smiths could
|
|
make of steel.
|
|
[ The Last Book of Swords: Shieldbreaker's Story,
|
|
by Fred Saberhagen ]
|
|
*drum*
|
|
Many travelers have seen the drums of the great apes, and
|
|
some have heard the sounds of their beating and the noise of
|
|
the wild, weird revelry of these first lords of the jungle,
|
|
but Tarzan, Lord Greystoke, is, doubtless, the only human
|
|
being who ever joined in the fierce, mad, intoxicating revel
|
|
of the Dum-Dum.
|
|
[ Tarzan of the Apes, by Edgar Rice Burroughs ]
|
|
dunce*
|
|
A dunce cap, also variously known as a dunce hat, dunce's
|
|
cap, or dunce's hat, is a tall conical hat. In popular
|
|
culture, it is typically made of paper and often marked with
|
|
a D, and given to schoolchildren to wear as punishment for
|
|
being stupid or lazy. While this is now a rare practice,
|
|
it is frequently depicted in popular culture such as
|
|
children's cartoons.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
dungeon*
|
|
At once as far as Angels kenn he views
|
|
The dismal Situation waste and wilde,
|
|
A Dungeon horrible, on all sides round
|
|
As one great Furnace flam'd, yet from those flames
|
|
No light, but rather darkness visible
|
|
Serv'd only to discover sights of woe,
|
|
Regions of sorrow, doleful shades, where peace
|
|
And rest can never dwell, hope never comes
|
|
That comes to all; but torture without end
|
|
Still urges, and a fiery Deluge, fed
|
|
With ever-burning Sulphur unconsum'd:
|
|
Such place Eternal Justice had prepar'd
|
|
For those rebellious, here their Prison ordain'd
|
|
In utter darkness, and their portion set
|
|
As far remov'd from God and light of Heav'n
|
|
As from the Center thrice to th' utmost Pole.
|
|
[ Paradise Lost, by John Milton ]
|
|
~dwarf ??m*
|
|
#~dwar* cave*man
|
|
dwarf*
|
|
Dwarfs have faces like men (ugly men, with wrinkled, leathery
|
|
skins), but are generally either flat-footed, duck-footed, or
|
|
have feet pointing backwards. They are of the earth, earthy,
|
|
living in the darkest of caverns and venturing forth only
|
|
with the cloaks by which they can make themselves invisible,
|
|
and others disguised as toads. Miners often come across them,
|
|
and sometimes establish reasonably close relations with them.
|
|
... The miners of Cornwall were always delighted to hear a
|
|
bucca busily mining away, for all dwarfs have an infallible
|
|
nose for precious metals.
|
|
Among other things, dwarfs are rightly valued for their skill
|
|
as blacksmiths and jewellers: they made Odin his famous spear
|
|
Gungnir, and Thor his hammer; for Freya they designed a
|
|
magnificent necklace, and for Frey a golden boar. And in their
|
|
spare time they are excellent bakers. Ironically, despite
|
|
their odd feet, they are particularly fond of dancing. They
|
|
can also see into the future, and consequently are excellent
|
|
meteorologists. They can be free with presents to people
|
|
they like, and a dwarvish gift is likely to turn to gold in
|
|
the hand. But on the whole they are a snappish lot.
|
|
[ The Immortals, by Derek and Julia Parker ]
|
|
earendil
|
|
elwing
|
|
In after days, when because of the triumph of Morgoth Elves and
|
|
Men became estranged, as he most wished, those of the Elven-race
|
|
that lived still in Middle-earth waned and faded, and Men usurped
|
|
the sunlight. Then the Quendi wandered in the lonely places of the
|
|
great lands and the isles, and took to the moonlight and the
|
|
starlight, and to the woods and the caves, becoming as shadows
|
|
and memories, save those who ever and anon set sail into the West
|
|
and vanished from Middle-earth. But in the dawn of years Elves
|
|
and Men were allies and held themselves akin, and there were some
|
|
among Men that learned the wisdom of the Eldar, and became great
|
|
and valiant among the captains of the Noldor. And in the glory
|
|
and beauty of the Elves, and in their fate, full share had the
|
|
offspring of elf and mortal, Earendil, and Elwing, and Elrond
|
|
their child.
|
|
[ The Silmarillion, by J.R.R. Tolkien ]
|
|
eel
|
|
giant eel
|
|
The behaviour of eels in fresh water extends the air of
|
|
mystery surrounding them. They move freely into muddy, silty
|
|
bottoms of lakes, lying buried in the daylight hours in summer.
|
|
[...] Eels are voracious carnivores, feeding mainly at
|
|
night and consuming a wide variety of fishes and invertebrate
|
|
creatures. Contrary to earlier thinking, eels seek living
|
|
rather than dead creatures and are not habitual eaters of
|
|
carrion.
|
|
[ Freshwater Fishes of Canada, by Scott and Crossman ]
|
|
egg
|
|
But I asked why not keep it and let the hen sit on it till it
|
|
hatched, and then we could see what would come out of it.
|
|
"Nothing good, I'm certain of that," Mom said. "It would
|
|
probably be something horrible. But just remember, if it's a
|
|
crocodile or a dragon or something like that, I won't have it
|
|
in my house for one minute."
|
|
[ The Enormous Egg, by Oliver Butterworth ]
|
|
elbereth
|
|
... Even as they stepped over the threshold a single clear
|
|
voice rose in song.
|
|
|
|
A Elbereth Gilthoniel,
|
|
silivren penna miriel
|
|
o menel aglar elenath!
|
|
Na-chaered palan-diriel
|
|
o galadhremmin ennorath,
|
|
Fanuilos, le linnathon
|
|
nef aear, si nef aearon!
|
|
|
|
Frodo halted for a moment, looking back. Elrond was in his
|
|
chair and the fire was on his face like summer-light upon the
|
|
trees. Near him sat the Lady Arwen. [...]
|
|
He stood still enchanted, while the sweet syllables of the
|
|
elvish song fell like clear jewels of blended word and melody.
|
|
"It is a song to Elbereth," said Bilbo. "They will sing that,
|
|
and other songs of the Blessed Realm, many times tonight.
|
|
Come on!"
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
electric eel
|
|
South-American fish (_Gymnotus electricus_), living in fresh
|
|
water. Shaped like a serpent, it can grow up to 2 metres.
|
|
This eel is known for its electrical organ which enables it
|
|
to paralyse creatures up to the size of a horse.
|
|
[ Van Dale's Groot Woordenboek der Nederlandse Taal ]
|
|
*elemental
|
|
Elementals are manifestations of the basic nature of the
|
|
universe. There are four known forms of elementals: air, fire,
|
|
water, and earth. Some mystics have postulated the necessity
|
|
for a fifth type, the spirit elemental, but none have ever
|
|
been encountered, at least on this plane of existence.
|
|
~human or elf*
|
|
~elf ??m*
|
|
*elf*
|
|
elvenking
|
|
The Elves sat round the fire upon the grass or upon the sawn
|
|
rings of old trunks. Some went to and fro bearing cups and
|
|
pouring drinks; others brought food on heaped plates and
|
|
dishes.
|
|
"This is poor fare," they said to the hobbits; "for we are
|
|
lodging in the greenwood far from our halls. If ever you are
|
|
our guests at home, we will treat you better."
|
|
"It seems to me good enough for a birthday-party," said Frodo.
|
|
Pippin afterwards recalled little of either food or drink, for
|
|
his mind was filled with the light upon the elf-faces, and the
|
|
sound of voices so various and so beautiful that he felt in a
|
|
waking dream. [...]
|
|
Sam could never describe in words, nor picture clearly to
|
|
himself, what he felt or thought that night, though it remained
|
|
in his memory as one of the chief events of his life. The
|
|
nearest he ever got was to say: "Well, sir, if I could grow
|
|
apples like that, I would call myself a gardener. But it was
|
|
the singing that went to my heart, if you know what I mean."
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
elven cloak
|
|
The Elves next unwrapped and gave to each of the Company the
|
|
clothes they had brought. For each they had provided a hood
|
|
and cloak, made according to his size, of the light but warm
|
|
silken stuff that the Galadrim wove. It was hard to say of
|
|
what colour they were: grey with the hue of twilight under
|
|
the trees they seemed to be; and yet if they were moved, or
|
|
set in another light, they were green as shadowed leaves, or
|
|
brown as fallow fields by night, dusk-silver as water under
|
|
the stars.
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
emerald
|
|
'Put off that mask of burning gold
|
|
With emerald eyes.'
|
|
'O no, my dear, you make so bold
|
|
To find if hearts be wild and wise,
|
|
And yet not cold.'
|
|
|
|
'I would but find what's there to find,
|
|
Love or deceit.'
|
|
'It was the mask engaged your mind,
|
|
And after set your heart to beat,
|
|
Not what's behind.'
|
|
|
|
'But lest you are my enemy,
|
|
I must enquire.'
|
|
'O no, my dear, let all that be;
|
|
What matter, so there is but fire
|
|
In you, in me?'
|
|
[ The Mask, by W.B. Yeats ]
|
|
engrav*
|
|
A.S*
|
|
Presently we reached a place where the beach narrowed; the sea
|
|
almost came up to the foot of the cliffs, leaving a passage no
|
|
wider than a couple of yards. Between two projecting rocks we
|
|
caught sight of the entrance to a dark tunnel.
|
|
There, on a slab of granite, appeared two mysterious letters,
|
|
half eaten away by time -- the two initials of the bold,
|
|
adventurous traveller:
|
|
|
|
A.S.
|
|
|
|
'A.S.,' cried my uncle. 'Arne Saknussemm! Arne Saknussemm again!'
|
|
|
|
[...] at the sight of those two letters, carved there three
|
|
hundred years before, I stood in utter stupefaction. Not
|
|
only was the signature of the learned alchemist legible on
|
|
the rock, but I held in my hand the dagger which had traced it.
|
|
Without showing the most appalling bad faith, I could no longer
|
|
doubt the existence of the traveller and the reality of his
|
|
journey.
|
|
[ Journey to the Centre of the Earth, by Jules Verne,
|
|
translated by Robert Baldick ]
|
|
*epidaurus
|
|
The asclepieion at Epidaurus was the most celebrated healing
|
|
center of the Classical world, the place where ill people went
|
|
in the hope of being cured. To find out the right cure for
|
|
their ailments, they spent a night in the enkoimitiria, a big
|
|
sleeping hall. In their dreams, the god himself (Asclepius)
|
|
would advise them what they had to do to regain their health.
|
|
There are also mineral springs in the vicinity which may have
|
|
been used in healing.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
erinys
|
|
erinyes
|
|
These female-seeming devils named after the Furies of mythology
|
|
attack hand to hand and poison their unwary victims as well.
|
|
ettin
|
|
The two-headed giant, or ettin, is a vicious and unpredictable
|
|
hunter that stalks by night and eats any meat it can catch.
|
|
excalibur
|
|
At first only its tip was visible, but then it rose, straight,
|
|
proud, all that was noble and great and wondrous. The tip of
|
|
the blade pointed toward the moon, as if it would cleave it
|
|
in two. The blade itself gleamed like a beacon in the night.
|
|
There was no light source for the sword to be reflecting
|
|
from, for the moon had darted behind a cloud in fear. The
|
|
sword was glowing from the intensity of its strength and
|
|
power and knowledge that it was justice incarnate, and that
|
|
after a slumber of uncounted years its time had again come.
|
|
After the blade broke the surface, the hilt was visible, and
|
|
holding the sword was a single strong, yet feminine hand,
|
|
wearing several rings that bore jewels sparkling with the
|
|
blue-green color of the ocean.
|
|
[ Knight Life, by Peter David ]
|
|
expensive camera
|
|
There was a time when Rincewind had quite liked the iconoscope.
|
|
He believed, against all experience, that the world was
|
|
fundamentally understandable, and that if he could only equip
|
|
himself with the right mental toolbox he could take the back off
|
|
and see how it worked. He was, of course, dead wrong. The
|
|
iconoscope didn't take pictures by letting light fall onto
|
|
specially treated paper, as he had surmised, but by the far
|
|
simpler method of imprisoning a small demon with a good eye for
|
|
colour and a speedy hand with a paintbrush. He had been very
|
|
upset to find that out.
|
|
[ The Light Fantastic, by Terry Pratchett ]
|
|
eye of the aethiopica
|
|
This is a powerful amulet of ESP. In addition to its standard
|
|
powers, it regenerates the energy of anyone who carries
|
|
it, allowing them to cast spells more often. It also reduces
|
|
any spell damage to the person who carries it by half, and
|
|
protects from magic missiles. Finally, when invoked it has
|
|
the power to instantly open a portal to any other area of the
|
|
dungeon, allowing its invoker to travel quickly between
|
|
areas.
|
|
eyes of the overworld
|
|
... and finally there is "the Eyes of the Overworld". This
|
|
obscure artifact pushes the wearer's view sense into the
|
|
"overworld" -- another name for a segment of the Astral Plane.
|
|
Usually, there is nothing to be seen. However, the wearer
|
|
is also able to look back and see the area around herself,
|
|
much like looking on a map. Why anyone would want to ...
|
|
fedora
|
|
Some hats can only be worn if you're willing to be jaunty, to set
|
|
them at an angle and to walk beneath them with a spring in your
|
|
stride as if you're only a step away from dancing. They demand a
|
|
lot of you.
|
|
[ Anansi Boys, by Neil Gaiman ]
|
|
figurine*
|
|
Then it appeared in Paris at just about the time that Paris
|
|
was full of Carlists who had to get out of Spain. One of
|
|
them must have brought it with him, but, whoever he was, it's
|
|
likely he knew nothing about its real value. It had been --
|
|
no doubt as a precaution during the Carlist trouble in Spain
|
|
-- painted or enameled over to look like nothing more than a
|
|
fairly interesting black statuette. And in that disguise,
|
|
sir, it was, you might say, kicked around Paris for seventy
|
|
years by private owners and dealers too stupid to see what
|
|
it was under the skin.
|
|
[ The Maltese Falcon, by Dashiell Hammett ]
|
|
fire trap
|
|
'Let him be for a while,' said Cohen. 'I reckon the fish
|
|
disagreed with him.'
|
|
'Don't see why,' said Truckle. 'I pulled him out before it'd
|
|
hardly chewed him. And he must've dried out nicely in that
|
|
corridor. You know, the one where the flames shot up out of
|
|
the floor unexpectedly.'
|
|
'I reckon our bard wasn't expecting flames to shoot out of
|
|
the floor unexpectedly,' said Cohen.
|
|
Truckle shrugged theatrically. '_Well_, if you're not going
|
|
to expect unexpected flames, what's the point of going
|
|
_anywhere_?'
|
|
[ The Last Hero, by Terry Pratchett ]
|
|
f* brand
|
|
One of a pair of legendary swords that possess the powers
|
|
of elemental flame and ice, and will grant these to whoever
|
|
is fortunate enough to wield them.
|
|
flesh golem
|
|
With an anxiety that almost amounted to agony, I collected
|
|
the instruments of life around me, that I might infuse a spark
|
|
of being into the lifeless thing that lay at my feet. It was
|
|
already one in the morning; the rain pattered dismally against
|
|
the panes, and my candle was nearly burnt out, when, by the
|
|
glimmer of the half-extinguished light, I saw the dull yellow
|
|
eye of the creature open; it breathed hard, and a convulsive
|
|
motion agitated its limbs.
|
|
|
|
How can I describe my emotions at this catastrophe, or how
|
|
delineate the wretch whom with such infinite pains and care I
|
|
had endeavoured to form? His limbs were in proportion, and I
|
|
had selected his features as beautiful. Beautiful!--Great God!
|
|
His yellow skin scarcely covered the work of muscles and
|
|
arteries beneath; his hair was of a lustrous black, and
|
|
flowing; his teeth of a pearly whiteness; but these luxuriances
|
|
only formed a more horrid contrast with his watery eyes, that
|
|
seemed almost of the same colour as the dun white sockets in
|
|
which they were set, his shrivelled complexion and straight
|
|
black lips.
|
|
[ Frankenstein, by Mary Wollstonecraft Shelley ]
|
|
flint*
|
|
An emerald is as green as grass;
|
|
A ruby red as blood;
|
|
A sapphire shines as blue as heaven;
|
|
A flint lies in the mud.
|
|
|
|
A diamond is a brilliant stone,
|
|
To catch the world's desire;
|
|
An opal holds a fiery spark;
|
|
But a flint holds fire.
|
|
[ Precious Stones, by Christina Giorgina Rossetti ]
|
|
floating eye
|
|
Floating eyes, not surprisingly, are large, floating eyeballs
|
|
which drift about the dungeon. Though not dangerous in and
|
|
of themselves, their power to paralyse those who gaze at
|
|
their large eye in combat is widely feared. Many are the
|
|
tales of those who struck a floating eye, were paralysed by
|
|
its mystic powers, and then nibbled to death by some other
|
|
creature that lurked around nearby.
|
|
*flute
|
|
With this thou canst do mighty deeds
|
|
And change men's passions for thy needs:
|
|
A man's despair with joy allay,
|
|
Turn bachelors old to lovers gay.
|
|
[ The Magic Flute, by Wolfgang Amadeus Mozart ]
|
|
# also takes fog/vapor cloud
|
|
fog* cloud
|
|
The fog comes
|
|
on little cat feet.
|
|
|
|
It sits looking
|
|
over harbor and city
|
|
on silent haunches
|
|
and then moves on.
|
|
[ Fog, by Carl Sandburg ]
|
|
# includes "food detection" and "detect food", which might not be the best
|
|
*food*
|
|
The little girl stood on tip-toe and picked one of the nicest
|
|
and biggest lunch-boxes, and then she sat down upon the ground
|
|
and eagerly opened it. Inside she found, nicely wrapped in
|
|
white papers, a ham sandwich, a piece of sponge-cake, a pickle,
|
|
a slice of new cheese and an apple. Each thing had a separate
|
|
stem, and so had to be picked off the side of the box; but
|
|
Dorothy found them all to be delicious, and she ate every bit
|
|
of luncheon in the box before she had finished.
|
|
[ Ozma of Oz, by L. Frank Baum ]
|
|
fountain
|
|
Rest! This little Fountain runs
|
|
Thus for aye: -- It never stays
|
|
For the look of summer suns,
|
|
Nor the cold of winter days.
|
|
Whose'er shall wander near,
|
|
When the Syrian heat is worst,
|
|
Let him hither come, nor fear
|
|
Lest he may not slake his thirst:
|
|
He will find this little river
|
|
Running still, as bright as ever.
|
|
Let him drink, and onward hie,
|
|
Bearing but in thought, that I,
|
|
Erotas, bade the Naiad fall,
|
|
And thank the great god Pan for all!
|
|
[ For a Fountain, by Bryan Waller Procter ]
|
|
fox
|
|
One hot summer's day a Fox was strolling through an orchard
|
|
till he came to a bunch of Grapes just ripening on a vine
|
|
which had been trained over a lofty branch. "Just the thing
|
|
to quench my thirst," quoth he. Drawing back a few paces, he
|
|
took a run and a jump, and just missed the bunch. Turning
|
|
round again with a One, Two, Three, he jumped up, but with
|
|
no greater success. Again and again he tried after the
|
|
tempting morsel, but at last had to give it up, and walked
|
|
away with his nose in the air, saying: "I am sure they are
|
|
sour."
|
|
[ Aesop's Fables ]
|
|
*fung*
|
|
Fungi, division of simple plants that lack chlorophyll, true
|
|
stems, roots, and leaves. Unlike algae, fungi cannot
|
|
photosynthesize, and live as parasites or saprophytes. The
|
|
division comprises the slime molds and true fungi. True
|
|
fungi are multicellular (with the exception of yeasts); the
|
|
body of most true fungi consists of slender cottony
|
|
filaments, or hyphae. All fungi are capable of asexual
|
|
reproduction by cell division, budding, fragmentation, or
|
|
spores. Those that reproduce sexually alternate a sexual
|
|
generation (gametophyte) with a spore-producing one. The
|
|
four classes of true fungi are the algaelike fungi (e.g.,
|
|
black bread mold and downy mildew), sac fungi (e.g., yeasts,
|
|
powdery mildews, truffles, and blue and green molds such as
|
|
Penicillium), basidium fungi (e.g., mushrooms and puffballs)
|
|
and imperfect fungi (e.g., species that cause athlete's foot
|
|
and ringworm). Fungi help decompose organic matter (important
|
|
in soil renewal); are valuable as a source of antibiotics,
|
|
vitamins, and various chemicals; and for their role in
|
|
fermentation, e.g., in bread and alcoholic beverage
|
|
production.
|
|
[ The Concise Columbia Encyclopedia ]
|
|
*gargoyle
|
|
And so it came to pass that while Man ruled on Earth, the
|
|
gargoyles waited, lurking, hidden from the light. Reborn
|
|
every 600 years in Man's reckoning of time, the gargoyles
|
|
joined battle against Man to gain dominion over the Earth.
|
|
|
|
In each coming, the gargoyles were nearly destroyed by Men
|
|
who flourished in greater numbers. Now it has been so many
|
|
hundreds of years that it seems the ancient statues and
|
|
paintings of gargoyles are just products of Man's
|
|
imagination. In this year, with Man's thoughts turned toward
|
|
the many ills he has brought among himself, Man has forgotten
|
|
his most ancient adversary, the gargoyles.
|
|
[ Excerpt from the opening narration to the movie
|
|
_Gargoyles_, written by Stephen and Elinor Karpf ]
|
|
*garlic
|
|
1 November - All day long we have travelled, and at a good
|
|
speed. The horses seem to know that they are being kindly
|
|
treated, for they go willingly their full stage at best
|
|
speed. We have now had so many changes and find the same
|
|
thing so constantly that we are encouraged to think that the
|
|
journey will be an easy one. Dr. Van Helsing is laconic, he
|
|
tells the farmers that he is hurrying to Bistritz, and pays
|
|
them well to make the exchange of horses. We get hot soup,
|
|
or coffee, or tea, and off we go. It is a lovely country.
|
|
Full of beauties of all imaginable kinds, and the people are
|
|
brave, and strong, and simple, and seem full of nice
|
|
qualities. They are very, very superstitious. In the first
|
|
house where we stopped, when the woman who served us saw the
|
|
scar on my forehead, she crossed herself and put out two
|
|
fingers towards me, to keep off the evil eye. I believe they
|
|
went to the trouble of putting an extra amount of garlic into
|
|
our food, and I can't abide garlic. Ever since then I have
|
|
taken care not to take off my hat or veil, and so have
|
|
escaped their suspicions.
|
|
[ Dracula, by Bram Stoker ]
|
|
# gas spore -- see *spore
|
|
gehenn*
|
|
*h?nnom
|
|
hell
|
|
"Place of Torment." The Valley of Hinnom, south-west of
|
|
Jerusalem, where Solomon, king of Israel, built "a high place",
|
|
or place of worship, for the gods Chemosh and Moloch. The
|
|
valley came to be regarded as a place of abomination because
|
|
some of the Israelites sacrificed their children to Moloch
|
|
there. In a later period it was made a refuse dump and
|
|
perpetual fires were maintained there to prevent pestilence.
|
|
Thus, in the New Testament, Gehenna became synonymous with hell.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
gelatinous cube
|
|
Despite its popularity (or perhaps because of it), the
|
|
gelatinous cube is also widely known as one of the sillier
|
|
role-playing monsters. It is something of a commentary on the
|
|
ubiquity of treasure-laden dungeons in the Dungeons & Dragons
|
|
universe, as the cube is a creature specifically adapted to a
|
|
dungeon ecosystem. 10 feet to the side, it travels through
|
|
standard 10-foot by 10-foot dungeon corridors, cleaning up
|
|
debris and redistributing treasure by excreting indigestible
|
|
metal items.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
*gem
|
|
gem or rock
|
|
The difference between false memories and true ones is the
|
|
same as for jewels: it is always the false ones that look the
|
|
most real, the most brilliant.
|
|
[ Salvador Dali ]
|
|
geryon
|
|
Forthwith that image vile of fraud appear'd,
|
|
His head and upper part expos'd on land,
|
|
But laid not on the shore his bestial train.
|
|
His face the semblance of a just man's wore,
|
|
So kind and gracious was its outward cheer;
|
|
The rest was serpent all: two shaggy claws
|
|
Reach'd to the armpits, and the back and breast,
|
|
And either side, were painted o'er with nodes
|
|
And orbits. Colours variegated more
|
|
Nor Turks nor Tartars e'er on cloth of state
|
|
With interchangeable embroidery wove,
|
|
Nor spread Arachne o'er her curious loom.
|
|
As ofttimes a light skiff, moor'd to the shore,
|
|
Stands part in water, part upon the land;
|
|
Or, as where dwells the greedy German boor,
|
|
The beaver settles watching for his prey;
|
|
So on the rim, that fenc'd the sand with rock,
|
|
Sat perch'd the fiend of evil. In the void
|
|
Glancing, his tail upturn'd its venomous fork,
|
|
With sting like scorpion's arm'd. Then thus my guide:
|
|
"Now need our way must turn few steps apart,
|
|
Far as to that ill beast, who couches there."
|
|
[ The Inferno, from The Divine Comedy of Dante
|
|
Alighieri, translated by H.F. Cary ]
|
|
*ghost
|
|
valley of *dea*
|
|
And now the souls of the dead who had gone below came swarming
|
|
up from Erebus -- fresh brides, unmarried youths, old men
|
|
with life's long suffering behind them, tender young girls
|
|
still nursing this first anguish in their hearts, and a great
|
|
throng of warriors killed in battle, their spear-wounds gaping
|
|
yet and all their armour stained with blood. From this
|
|
multitude of souls, as they fluttered to and fro by the
|
|
trench, there came a moaning that was horrible to hear.
|
|
Panic drained the blood from my cheeks.
|
|
[ The Odyssey, (chapter Lambda), by Homer ]
|
|
ghoul
|
|
The forces of the gloom know each other, and are strangely
|
|
balanced by each other. Teeth and claws fear what they cannot
|
|
grasp. Blood-drinking bestiality, voracious appetites, hunger
|
|
in search of prey, the armed instincts of nails and jaws which
|
|
have for source and aim the belly, glare and smell out
|
|
uneasily the impassive spectral forms straying beneath a
|
|
shroud, erect in its vague and shuddering robe, and which seem
|
|
to them to live with a dead and terrible life. These
|
|
brutalities, which are only matter, entertain a confused fear
|
|
of having to deal with the immense obscurity condensed into an
|
|
unknown being. A black figure barring the way stops the wild
|
|
beast short. That which emerges from the cemetery intimidates
|
|
and disconcerts that which emerges from the cave; the
|
|
ferocious fear the sinister; wolves recoil when they encounter
|
|
a ghoul.
|
|
[ Les Miserables, by Victor Hugo ]
|
|
*giant
|
|
giant humanoid
|
|
Giants have always walked the earth, though they are rare in
|
|
these times. They range in size from little over nine feet
|
|
to a towering twenty feet or more. The larger ones use huge
|
|
boulders as weapons, hurling them over large distances. All
|
|
types of giants share a love for men - roasted, boiled, or
|
|
fried. Their table manners are legendary.
|
|
# note: "gnomish wizard" is a monster
|
|
~gnome ??m*
|
|
#~gnom* cave*man
|
|
gnome*
|
|
gnomish wizard
|
|
... And then a gnome came by, carrying a bundle, an old
|
|
fellow three times as large as an imp and wearing clothes of
|
|
a sort, especially a hat. And he was clearly just as frightened
|
|
as the imps though he could not go so fast. Ramon Alonzo
|
|
saw that there must be some great trouble that was vexing
|
|
magical things; and, since gnomes speak the language of men, and
|
|
will answer if spoken to gently, he raised his hat, and asked
|
|
of the gnome his name. The gnome did not stop his hasty
|
|
shuffle a moment as he answered 'Alaraba' and grabbed the rim
|
|
of his hat but forgot to doff it.
|
|
'What is the trouble, Alaraba?' said Ramon Alonzo.
|
|
'White magic. Run!' said the gnome ..
|
|
[ The Charwoman's Shadow, by Lord Dunsany ]
|
|
|
|
"Muggles have garden gnomes, too, you know," Harry told Ron as
|
|
they crossed the lawn.
|
|
"Yeah, I've seen those things they think are gnomes," said Ron,
|
|
bent double with his head in a peony bush, "like fat little
|
|
Santa Clauses with fishing rods..."
|
|
There was a violent scuffling noise, the peony bush shuddered,
|
|
and Ron straightened up. "This is a gnome," he said grimly.
|
|
"Geroff me! Gerroff me!" squealed the gnome.
|
|
It was certainly nothing like Santa Claus. It was small and
|
|
leathery looking, with a large, knobby, bald head exactly like
|
|
a potato. Ron held it at arm's length as it kicked out at him
|
|
with its horny little feet; he grasped it around the ankles
|
|
and turned it upside down.
|
|
[ Harry Potter and the Chamber of Secrets, by J. K. Rowling ]
|
|
goblin
|
|
Now goblins are cruel, wicked, and bad-hearted. They make
|
|
no beautiful things, but they make many clever ones. They
|
|
can tunnel and mine as well as any but the most skilled
|
|
dwarves, when they take the trouble, though they are usually
|
|
untidy and dirty. Hammers, axes, swords, daggers, pickaxes,
|
|
tongs, and also instruments of torture, they make very well,
|
|
or get other people to make to their design, prisoners and
|
|
slaves that have to work till they die for want of air and
|
|
light.
|
|
[ The Hobbit, by J.R.R. Tolkien ]
|
|
god
|
|
goddess
|
|
Goddesses and Gods operate in ones, threesomes, or whole
|
|
pantheons of nine or more (see Religion). Most of them claim
|
|
to have made the world, and this is indeed a likely claim in
|
|
the case of threesomes or pantheons: Fantasyland does have
|
|
the air of having been made by a committee. But all Goddesses
|
|
and Gods, whether they say they made the world or not, have
|
|
very detailed short-term plans for it which they are determined
|
|
to carry out. Consequently they tend to push people into the
|
|
required actions by the use of coincidence or Prophecy, or just
|
|
by narrowing down your available choices of what to do next:
|
|
if a deity is pushing you, things will go miserably badly until
|
|
there is only one choice left to you.
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
gold
|
|
gold piece
|
|
A metal of characteristic yellow colour, the most precious
|
|
metal used as a common commercial medium of exchange. Symbol,
|
|
Au; at. no. 79; at. wt. 197.2. It is the most malleable
|
|
and ductile of all metals, and very heavy (sp. gr., 19.3).
|
|
It is quite unalterable by heat, moisture, and most
|
|
corrosive agents, and therefore well suited for its use in
|
|
coin and jewelry.
|
|
[ Webster's New International Dictionary
|
|
of the English Language, Second Edition ]
|
|
gold golem
|
|
The bellows he set away from the fire, and gathered all the tools
|
|
wherewith he wrought into a silver chest; and with a sponge wiped
|
|
he his face and his two hands withal, and his mighty neck and
|
|
shaggy breast, and put upon him a tunic, and grasped a stout staff,
|
|
and went forth halting; but there moved swiftly to support their
|
|
lord handmaidens wrought of gold in the semblance of living maids.
|
|
In them is understanding in their hearts, and in them speech and
|
|
strength, and they know cunning handiwork by gift of the immortal
|
|
gods.
|
|
[ The Iliad, by Homer ]
|
|
~flesh golem
|
|
~gold golem
|
|
~straw golem
|
|
~wood golem
|
|
*golem
|
|
"The original story harks back, so they say, to the sixteenth
|
|
century. Using long-lost formulas from the Kabbala, a rabbi is
|
|
said to have made an artificial man -- the so-called Golem -- to
|
|
help ring the bells in the Synagogue and for all kinds of other
|
|
menial work.
|
|
"But he hadn't made a full man, and it was animated by some sort
|
|
of vegetable half-life. What life it had, too, so the story
|
|
runs, was only derived from the magic charm placed behind its
|
|
teeth each day, that drew down to itself what was known as the
|
|
`free sidereal strength of the universe.'
|
|
"One evening, before evening prayers, the rabbi forgot to take
|
|
the charm out of the Golem's mouth, and it fell into a frenzy.
|
|
It raged through the dark streets, smashing everything in its
|
|
path, until the rabbi caught up with it, removed the charm, and
|
|
destroyed it. Then the Golem collapsed, lifeless. All that was
|
|
left of it was a small clay image, which you can still see in
|
|
the Old Synagogue." ...
|
|
[ The Golem, by Gustav Meyrink ]
|
|
grave
|
|
"Who'd care to dig 'em," said the old, old man,
|
|
"Those six feet marked in chalk?
|
|
Much I talk, more I walk;
|
|
Time I were buried," said the old, old man.
|
|
[ Three Songs to the Same Tune, by W.B. Yeats ]
|
|
grayswandir
|
|
Why had I been wearing Grayswandir? Would another weapon have
|
|
affected a Logrus-ghost as strongly? Had it really been my
|
|
father, then, who had brought me here? And had he felt I might
|
|
need the extra edge his weapon could provide? I wanted to
|
|
think so, to believe that he had been more than a Pattern-ghost.
|
|
[ Knight of Shadows, by Roger Zelazny ]
|
|
*grease
|
|
ANOINT, v.t. To grease a king or other great functionary
|
|
already sufficiently slippery.
|
|
[ The Devil's Dictionary, by Ambrose Bierce ]
|
|
gremlin
|
|
The gremlin is a highly intelligent and completely evil
|
|
creature. It lives to torment other creatures and will go
|
|
to great lengths to inflict pain or cause injury.
|
|
[]
|
|
|
|
Suddenly, Wilson thought about war, about the newspaper
|
|
stories which recounted the alleged existence of creatures in
|
|
the sky who plagued the Allied pilots in their duties. They
|
|
called them gremlins, he remembered. Were there, actually,
|
|
such beings? Did they, truly, exist up here, never falling,
|
|
riding on the wind, apparently of bulk and weight, yet
|
|
impervious to gravity?
|
|
He was thinking that when the man appeared again.
|
|
[ Nightmare at 20,000 Feet, by Richard Matheson ]
|
|
grid bug
|
|
These electronically based creatures are not native to this
|
|
universe. They appear to come from a world whose laws of
|
|
motion are radically different from ours.
|
|
[]
|
|
|
|
Tron looked to his mate and pilot. "I'm going to check on
|
|
the beam connection, Yori. You two can keep a watch out for
|
|
grid bugs." Tron paced forward along the slender catwalk
|
|
that still seemed awfully insubstantial to Flynn, though he
|
|
knew it to be amazingly sturdy. He gazed after Tron, asking
|
|
himself what in the world a grid bug was, and hoping that the
|
|
beam connection -- to which he'd given no thought whatsoever
|
|
until this moment -- was healthy and sound."
|
|
[ Tron, novel by Brian Daley, story by Steven Lisberger ]
|
|
gunyoki
|
|
The samurai's last meal before battle. It was usually made
|
|
up of cooked chestnuts, dried seaweed, and sake.
|
|
hachi
|
|
Hachi was a dog that went with his master, a professor, to
|
|
the Shibuya train station every morning. In the afternoon,
|
|
when his master was to return from work Hachi would be there
|
|
waiting. One day his master died at the office, and did not
|
|
return. For over ten years Hachi returned to the station
|
|
every afternoon to wait for his master. When Hachi died a
|
|
statue was erected on the station platform in his honor. It
|
|
is said to bring you luck if you touch his statue.
|
|
*harp
|
|
A triangular stringed instrument, often Magic. Even when not
|
|
Magic, a Harp is surprisingly portable and tough and can be
|
|
carried everywhere on the back of the Bard or Harper in all
|
|
weathers. A Harp seldom goes out of tune and never warps.
|
|
Its strings break only in very rare instances, usually
|
|
because the Harper is sulking or crossed in love. This is
|
|
just as well as no one seems to make or sell spare strings.
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
|
|
After breakfast was over, the ogre called out: "Wife, wife,
|
|
bring me my golden harp." So she brought it and put it on
|
|
the table before him. Then he said: "Sing!" and the golden
|
|
harp sang most beautifully. And it went on singing till the
|
|
ogre fell asleep, and commenced to snore like thunder.
|
|
Then Jack lifted up the copper-lid very quietly and got down
|
|
like a mouse and crept on hands and knees till he came to the
|
|
table, when up he crawled, caught hold of the golden harp and
|
|
dashed with it towards the door. But the harp called out
|
|
quite loud: "Master! Master!" and the ogre woke up just in
|
|
time to see Jack running off with his harp.
|
|
[ Jack and the Beanstalk, from English Fairy Tales,
|
|
by Joseph Jacobs ]
|
|
hawaiian*shirt
|
|
'One of the things he can't do, he can't ride a horse,' he
|
|
said. Then he stiffened as if sandbagged by a sudden
|
|
recollection, gave a small yelp of terror and dashed into
|
|
the gloom. When he returned, the being called Twoflower was
|
|
hanging limply over his shoulder. It was small and skinny,
|
|
and dressed very oddly in a pair of knee-length britches and
|
|
a shirt in such a violent and vivid conflict of colours that
|
|
the Weasel's fastidious eye was offended even in the half-light.
|
|
[ The Colour of Magic, by Terry Pratchett ]
|
|
healer
|
|
* healer
|
|
attendant
|
|
doctor
|
|
physician
|
|
I swear by Apollo the physician, and Aesculapius, and Health,
|
|
and All-heal, and all the gods and goddesses, that, according
|
|
to my ability and judgment, I will keep this Oath and this
|
|
stipulation -- to reckon him who taught me this Art equally dear
|
|
to me as my parents, to share my substance with him, and relieve
|
|
his necessities if required; to look upon his offspring in the
|
|
same footing as my own brothers, and to teach them this art, if
|
|
they shall wish to learn it, without fee or stipulation; and
|
|
that by precept, lecture, and every other mode of instruction,
|
|
I will impart a knowledge of the Art to my own sons, and those
|
|
of my teachers, and to disciples bound by a stipulation and oath
|
|
according to the law of medicine, but to none others. I will
|
|
follow that system of regimen which, according to my ability and
|
|
judgment, I consider for the benefit of my patients, and abstain
|
|
from whatever is deleterious and mischievous. [...]
|
|
[ Hippocrates' Oath, translated by Francis Adams ]
|
|
|
|
PHYSICIAN, n. One upon whom we set our hopes when ill and our
|
|
dogs when well.
|
|
[ The Devil's Dictionary, by Ambrose Bierce ]
|
|
heart of ahriman
|
|
The other three drew in their breath sharply, and the dark,
|
|
powerful man who stood at the head of the sarcophagus whispered:
|
|
"The Heart of Ahriman!" The other lifted a quick hand
|
|
for silence. Somewhere a dog began howling dolefully, and a
|
|
stealthy step padded outside the barred and bolted door. ...
|
|
But none looked aside from the mummy case over which the man
|
|
in the ermine-trimmed robe was now moving the great flaming
|
|
jewel, while he muttered an incantation that was old when
|
|
Atlantis sank. The glare of the gem dazzled their eyes, so
|
|
that they could not be sure what they saw; but with a
|
|
splintering crash, the carven lid of the sarcophagus burst
|
|
outward as if from some irresistible pressure applied from
|
|
within and the four men, bending eagerly forward, saw the
|
|
occupant -- a huddled, withered, wizened shape, with dried
|
|
brown limbs like dead wood showing through moldering bandages.
|
|
"Bring that thing back?" muttered the small dark man who
|
|
stood on the right, with a short, sardonic laugh. "It is
|
|
ready to crumble at a touch. We are fools ---"
|
|
[ Conan The Conqueror, by Robert E. Howard ]
|
|
hell hound*
|
|
But suddenly they started forward in a rigid, fixed stare,
|
|
and his lips parted in amazement. At the same instant Lestrade
|
|
gave a yell of terror and threw himself face downward upon the
|
|
ground. I sprang to my feet, my inert hand grasping my pistol,
|
|
my mind paralyzed by the dreadful shape which had sprung out
|
|
upon us from the shadows of the fog. A hound it was, an
|
|
enormous coal-black hound, but not such a hound as mortal eyes
|
|
have ever seen. Fire burst from its open mouth, its eyes
|
|
glowed with a smouldering glare, its muzzle and hackles and
|
|
dewlap were outlined in flickering flame. Never in the
|
|
delirious dream of a disordered brain could anything more
|
|
savage, more appalling, more hellish be conceived than that
|
|
dark form and savage face which broke upon us out of the wall
|
|
of fog.
|
|
[ The Hound of the Baskervilles, by Sir Arthur Conan Doyle. ]
|
|
hermes
|
|
Messenger and herald of the Olympians. Being required to do
|
|
a great deal of travelling and speaking in public, he became
|
|
the god of eloquence, travellers, merchants, and thieves. He
|
|
was one of the most energetic of the Greek gods, a
|
|
Machiavellian character full of trickery and sexual vigour.
|
|
Like other Greek gods, he is endowed with not-inconsiderable
|
|
sexual prowess which he directs towards countryside nymphs.
|
|
He is a god of boundaries, guardian of graves and patron deity
|
|
of shepherds. He is usually depicted as a handsome young
|
|
man wearing winged golden sandals and holding a magical
|
|
herald's staff consisting of intertwined serpents, the
|
|
kerykeion. He is reputedly the only being able to find his way
|
|
to the underworld ferry of Charon and back again. He is said
|
|
to have invented, among other things, the lyre, Pan's Pipes,
|
|
numbers, the alphabet, weights and measures, and sacrificing.
|
|
hezrou
|
|
"Hezrou" is the common name for the type II demon. It is
|
|
among the weaker of demons, but still quite formidable.
|
|
hippocrates
|
|
Greek physician, recognized as the father of medicine. He
|
|
is believed to have been born on the island of Cos, to have
|
|
studied under his father, a physician, to have traveled for
|
|
some time, perhaps studying in Athens, and to have then
|
|
returned to practice, teach, and write at Cos. The
|
|
Hippocratic or Coan school that formed around him was of
|
|
enormous importance in separating medicine from superstition
|
|
and philosophic speculation, placing it on a strictly
|
|
scientific plane based on objective observation and critical
|
|
deductive reasoning.
|
|
[ The Columbia Encyclopedia, Sixth Edition ]
|
|
hobbit
|
|
Hobbits are an unobtrusive but very ancient people, more
|
|
numerous formerly than they are today; for they love peace
|
|
and quiet and good tilled earth: a well-ordered and well-
|
|
farmed countryside was their favourite haunt. They do not
|
|
and did not understand or like machines more complicated
|
|
than a forge-bellows, a water-mill, or a handloom, although
|
|
they were skillful with tools. Even in ancient days they
|
|
were, as a rule, shy of "the Big Folk", as they call us, and
|
|
now they avoid us with dismay and are becoming hard to find.
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
hobgoblin
|
|
Hobgoblin. Used by the Puritans and in later times for
|
|
wicked goblin spirits, as in Bunyan's "Hobgoblin nor foul
|
|
friend", but its more correct use is for the friendly spirits
|
|
of the brownie type. In "A midsummer night's dream" a
|
|
fairy says to Shakespeare's Puck:
|
|
Those that Hobgoblin call you, and sweet Puck,
|
|
You do their work, and they shall have good luck:
|
|
Are you not he?
|
|
and obviously Puck would not wish to be called a hobgoblin
|
|
if that was an ill-omened word.
|
|
Hobgoblins are on the whole, good-humoured and ready to be
|
|
helpful, but fond of practical joking, and like most of the
|
|
fairies rather nasty people to annoy. Boggarts hover on the
|
|
verge of hobgoblindom. Bogles are just over the edge.
|
|
One Hob mentioned by Henderson, was Hob Headless who haunted
|
|
the road between Hurworth and Neasham, but could not cross
|
|
the little river Kent, which flowed into the Tess. He was
|
|
exorcised and laid under a large stone by the roadside for
|
|
ninety-nine years and a day. If anyone was so unwary as to
|
|
sit on that stone, he would be unable to quit it for ever.
|
|
The ninety-nine years is nearly up, so trouble may soon be
|
|
heard of on the road between Hurworth and Neasham.
|
|
[ A Dictionary of Fairies, by Katharine Briggs ]
|
|
holy water
|
|
"We want a word with you," said Ligur (in a tone of voice
|
|
intended to imply that "word" was synonymous with "horrifically
|
|
painful eternity"), and the squat demon pushed open the office
|
|
door.
|
|
The bucket teetered, then fell neatly on Ligur's head.
|
|
Drop a lump of sodium in water. Watch it flame and burn and
|
|
spin around crazily, flaring and sputtering. This was like
|
|
that, just nastier.
|
|
The demon peeled and flared and flickered. Oily brown smoke
|
|
oozed from it, and it screamed and it screamed and it screamed.
|
|
Then it crumpled, folded in on itself, and what was left lay
|
|
glistening on the burnt and blackened circle of carpet, looking
|
|
like a handful of mashed slugs.
|
|
"Hi," said Crowley to Hastur, who had been walking behind Ligur,
|
|
and had unfortunately not been so much as splashed.
|
|
There are some things that are unthinkable; there are some
|
|
depths that not even demons would believe other demons would
|
|
stoop to.
|
|
". . . Holy water. You bastard," said Hastur. "You complete
|
|
_bastard_. He hadn't never done nothing to _you_."
|
|
"Yet," corrected Crowley.
|
|
[ Good Omens, by Neil Gaiman and Terry Pratchett ]
|
|
hom*nculus
|
|
A homunculus is a creature summoned by a mage to perform some
|
|
particular task. They are particularly good at spying. They
|
|
are smallish creatures, but very agile. They can put their
|
|
victims to sleep with a venomous bite, but due to their size,
|
|
the effect does not last long on humans.
|
|
|
|
"Tothapis cut him off. 'Be still and hearken. You will travel
|
|
aboard the sacred wingboat. Of it you may not have heard; but
|
|
it will bear you thither in a night and a day and a night.
|
|
With you will go a homunculus that can relay your words to me,
|
|
and mine to you, across the leagues between at the speed of
|
|
thought.'"
|
|
[ Conan the Rebel, by Poul Anderson ]
|
|
# also gets 'pruning hook' aka guisarme
|
|
*hook
|
|
But as for Queequeg -- why, Queequeg sat there among them --
|
|
at the head of the table, too, it so chanced; as cool as an
|
|
icicle. To be sure I cannot say much for his breeding. His
|
|
greatest admirer could not have cordially justified his
|
|
bringing his harpoon into breakfast with him, and using it
|
|
there without ceremony; reaching over the table with it, to
|
|
the imminent jeopardy of many heads, and grappling the
|
|
beefsteaks towards him.
|
|
[ Moby Dick, by Herman Melville ]
|
|
~unicorn horn
|
|
*horn
|
|
Roland hath set the Olifant to his mouth,
|
|
He grasps it well, and with great virtue sounds.
|
|
High are those peaks, afar it rings and loud,
|
|
Thirty great leagues they hear its echoes mount.
|
|
So Charles heard, and all his comrades round;
|
|
Then said that King: "Battle they do, our counts!"
|
|
And Guenelun answered, contrarious:
|
|
"That were a lie, in any other mouth."
|
|
[ The Song of Roland ]
|
|
horn of plenty
|
|
cornucopia
|
|
The infant Zeus was fed with goat's milk by Amalthea,
|
|
daughter of Melisseus, King of Crete. Zeus, in gratitude,
|
|
broke off one of the goat's horns, and gave it to Amalthea,
|
|
promising that the possessor should always have in abundance
|
|
everything desired.
|
|
[ Brewer's Concise Dictionary of Phrase and Fable ]
|
|
|
|
When Amalthea's horn
|
|
O'er hill and dale the rose-crowned flora pours,
|
|
And scatters corn and wine, and fruits and flowers.
|
|
[ Os Lusiadas, by Luis Vaz de Camoes ]
|
|
horned devil
|
|
Horned devils lack any real special abilities, though they
|
|
are quite difficult to kill.
|
|
~horsem*
|
|
*horse
|
|
King Richard III: A horse! a horse! my kingdom for a horse!
|
|
Catesby: Withdraw, my lord; I'll help you to a horse.
|
|
King Richard III: Slave, I have set my life upon a cast,
|
|
And I will stand the hazard of the die:
|
|
I think there be six Richmonds in the field;
|
|
Five have I slain to-day instead of him.
|
|
A horse! a horse! my kingdom for a horse!
|
|
[ King Richard III, by William Shakespeare ]
|
|
*horsem*
|
|
rider*
|
|
death
|
|
famine
|
|
pestilence
|
|
war
|
|
hunger
|
|
[Pestilence:] And I saw when the Lamb opened one of the seals,
|
|
and I heard, as it were the noise of thunder, one of the four
|
|
beasts saying, Come and see. And I saw, and behold a white
|
|
horse: and he that sat on him had a bow; and a crown was given
|
|
unto him: and he went forth conquering, and to conquer.
|
|
|
|
[War:] And when he had opened the second seal, I heard the
|
|
second beast say, Come and see. And there went out another
|
|
horse that was red: and power was given to him that sat thereon
|
|
to take peace from the earth, and that they should kill one
|
|
another: and there was given unto him a great sword.
|
|
|
|
[Famine:] And when he had opened the third seal, I heard the
|
|
third beast say, Come and see. And I beheld, and lo a black
|
|
horse; and he that sat on him had a pair of balances in his
|
|
hand. And I heard a voice in the midst of the four beasts say,
|
|
A measure of wheat for a penny, and three measures of barley
|
|
for a penny; and see thou hurt not the oil and the wine.
|
|
|
|
[Death:] And when he had opened the fourth seal, I heard the
|
|
voice of the fourth beast say, Come and see. And I looked, and
|
|
behold a pale horse: and his name that sat on him was Death,
|
|
and Hell followed with him. And power was given unto them over
|
|
the fourth part of the earth, to kill with sword, and with
|
|
hunger, and with death, and with the beasts of the earth.
|
|
[ Revelations of John, 6:1-8 ]
|
|
huan*ti
|
|
The first of five mythical Chinese emperors, Huan Ti is known
|
|
as the yellow emperor. He rules the _moving_ heavens, as
|
|
opposed to the _dark_ heavens. He is an inventor, said to
|
|
have given mankind among other things, the wheel, armour, and
|
|
the compass. He is the god of fortune telling and war.
|
|
hu*h*eto*l
|
|
minion of huhetotl
|
|
Huehuetotl, or Huhetotl, which means Old God, was the Aztec
|
|
(classical Mesoamerican) god of fire. He is generally
|
|
associated with paternalism and one of the group classed
|
|
as the Xiuhtecuhtli complex. He is known to send his
|
|
minions to wreak havoc upon ordinary humans.
|
|
[ after the Encyclopedia of Gods, by Michael Jordan ]
|
|
humanoid
|
|
Humanoids are all approximately the size of a human, and may
|
|
be mistaken for one at a distance. They are usually of a
|
|
tribal nature, and will fiercely defend their lairs. Usually
|
|
hostile, they may even band together to raid and pillage
|
|
human settlements.
|
|
# takes "human or elf or you" when specifying '@' as a dwarf, gnome, or orc
|
|
human
|
|
chieftain
|
|
guard
|
|
ninja
|
|
nurse
|
|
ronin
|
|
student
|
|
warrior
|
|
*watch*
|
|
human or elf*
|
|
These strange creatures live mostly on the surface of the
|
|
earth, gathering together in societies of various forms, but
|
|
occasionally a stray will descend into the depths and commit
|
|
mayhem among the dungeon residents who, naturally, often
|
|
resent the intrusion of such beasts. They are capable of
|
|
using weapons and magic, and it is even rumored that the
|
|
Wizard of Yendor is a member of this species.
|
|
hunter
|
|
What of the hunting, hunter bold?
|
|
Brother, the watch was long and cold.
|
|
What of the quarry ye went to kill?
|
|
Brother, he crops in the jungle still.
|
|
Where is the power that made your pride?
|
|
Brother, it ebbs from my flank and side.
|
|
Where is the haste that ye hurry by?
|
|
Brother, I go to my lair to die.
|
|
[ The Jungle Book, by Rudyard Kipling ]
|
|
ice devil
|
|
Ice devils are large semi-insectoid creatures, who are
|
|
equally at home in the fires of Hell and the cold of Limbo,
|
|
and who can cause the traveller to feel the latter with just
|
|
a touch of their tail.
|
|
idefix
|
|
Another clever translation [of the _Asterix_ character names]
|
|
is that of Idefix. An _idee fixe_ is a "fixed idea", i.e.
|
|
an obsession, a dogma. The translation, Dogmatix, manages to
|
|
conserve the "fixed idea" meaning and also include the syllable
|
|
dog -- perfect, given that the character is a dog who has very
|
|
strong views on the environment (he howls whenever he sees an
|
|
uprooted tree).
|
|
[ Wikipedia, the free encyclopedia ]
|
|
# takes "imp or minor demon" when specifying 'i'
|
|
imp
|
|
imp or minor demon
|
|
... imps ... little creatures of two feet high that could
|
|
gambol and jump prodigiously; ...
|
|
[ The Charwoman's Shadow, by Lord Dunsany ]
|
|
|
|
An 'imp' is an off-shoot or cutting. Thus an 'ymp tree' was
|
|
a grafted tree, or one grown from a cutting, not from seed.
|
|
'Imp' properly means a small devil, an off-shoot of Satan,
|
|
but the distinction between goblins or bogles and imps from
|
|
hell is hard to make, and many in the Celtic countries as
|
|
well as the English Puritans regarded all fairies as devils.
|
|
The fairies of tradition often hover uneasily between the
|
|
ghostly and the diabolic state.
|
|
[ A Dictionary of Fairies, by Katharine Briggs ]
|
|
incubus
|
|
succubus
|
|
The incubus and succubus are male and female versions of the
|
|
same demon, one who lies with a human for its own purposes,
|
|
usually to the detriment of the mortals who are unwise in
|
|
their dealings with them.
|
|
*insect
|
|
*insects
|
|
A minute invertebrate animal; one of the class _Insecta_.
|
|
The true insects or hexapods have the body divided into a
|
|
head, a thorax of 3 segments, each of which bears a pair of
|
|
legs, and an abdomen of 7 to 11 segments, and in development
|
|
usually pass through a metamorphosis. There are usually 2
|
|
pairs of wings, sometimes one pair or none.
|
|
[ Webster's Comprehensive International Dictionary
|
|
of the English Language ]
|
|
|
|
Else, if thou refuse to let my people go, behold, to morrow
|
|
will I bring the locusts into thy coast:
|
|
And they shall cover the face of the earth, that one cannot
|
|
be able to see the earth: and they shall eat the residue of
|
|
that which is escaped, which remaineth unto you from the hail,
|
|
and shall eat every tree which groweth for you out of the field:
|
|
And they shall fill thy houses, and the houses of all thy
|
|
servants, and the houses of all the Egyptians; which neither
|
|
thy fathers, nor thy fathers' fathers have seen, since the day
|
|
that they were upon the earth unto this day. And he turned
|
|
himself, and went out from Pharaoh.
|
|
[ Exodus, 10:4-6 ]
|
|
*iron ball
|
|
*iron chain
|
|
"You are fettered, " said Scrooge, trembling. "Tell me why?"
|
|
"I wear the chain I forged in life," replied the Ghost. "I
|
|
made it link by link, and yard by yard; I girded it on of my
|
|
own free will, and of my own free will I wore it. Is its
|
|
pattern strange to you?"
|
|
Scrooge trembled more and more.
|
|
"Or would you know," pursued the Ghost, "the weight and
|
|
length of the strong coil you bear yourself? It was full as
|
|
heavy and as long as this, seven Christmas Eves ago. You
|
|
have laboured on it, since. It is a ponderous chain!"
|
|
[ A Christmas Carol, by Charles Dickens ]
|
|
iron bars
|
|
Stone walls do not a prison make,
|
|
Nor iron bars a cage;
|
|
Minds innocent and quiet take
|
|
That for an hermitage;
|
|
If I have freedom in my love,
|
|
And in my soul am free,
|
|
Angels alone that soar above
|
|
Enjoy such liberty.
|
|
[ To Althea from Prison, by Richard Lovelace ]
|
|
ishtar
|
|
Ishtar (the star of heaven) is the Mesopotamian goddess of
|
|
fertility and war. She is usually depicted with wings and
|
|
weapon cases at her shoulders, carrying a ceremonial double-
|
|
headed mace-scimitar embellished with lion heads, frequently
|
|
being accompanied by a lion. She is symbolized by an eight-
|
|
pointed star.
|
|
[ Encyclopedia of Gods, by Michael Jordan ]
|
|
issek
|
|
Now Issek of the Jug, whom Fafhrd chose to serve, was once
|
|
of the most lowly and unsuccessful of the gods, godlets
|
|
rather, in Lankhmar. He had dwelt there for about thirteen
|
|
years, during which time he had traveled only two squares up
|
|
the Street of the Gods and was now back again, ready for
|
|
oblivion. He is not to be confused with Issek the Armless,
|
|
Issek of the Burnt Legs, Flayed Issek, or any other of the
|
|
numerous and colorfully mutilated divinities of that name.
|
|
Indeed, his unpopularity may have been due in part to the
|
|
fact that the manner of his death -- racking -- was not
|
|
deemed particularly spectacular. ... However, after Fafhrd
|
|
became his acolyte, things somehow began to change.
|
|
[ Swords In The Mist, by Fritz Leiber ]
|
|
izchak
|
|
The shopkeeper of the lighting shop in the town level of the
|
|
gnomish mines is a tribute to Izchak Miller, a founding member
|
|
of the NetHack development team and a personal friend of a large
|
|
number of us. Izchak contributed greatly to the game, coding a
|
|
large amount of the shopkeep logic (hence the nature of the tribute)
|
|
as well as a good part of the alignment system, the prayer code and
|
|
the rewrite of "hell" in the 3.1 release. Izchak was a professor
|
|
of Philosophy, who taught at many respected institutions, including
|
|
MIT and Stanford, and who also worked, for a period of time, at
|
|
Xerox PARC. Izchak was the first "librarian" of the NetHack project,
|
|
and was a founding member of the DevTeam, joining in 1986 while he
|
|
was working at the University of Pennsylvania (hence our former
|
|
mailing list address). Until the 3.1.3 release, Izchak carefully
|
|
kept all of the code synchronized and arbitrated disputes between
|
|
members of the development teams. Izchak Miller passed away at the
|
|
age of 58, in the early morning hours of April 1, 1994 from
|
|
complications due to cancer. We then dedicated NetHack 3.2 in his
|
|
memory.
|
|
[ Mike Stephenson, for the NetHack DevTeam ]
|
|
jabberwock
|
|
vorpal*
|
|
"Beware the Jabberwock, my son!
|
|
The jaws that bite, the claws that catch!
|
|
Beware the Jubjub bird, and shun
|
|
The frumious Bandersnatch!"
|
|
|
|
He took his vorpal sword in hand;
|
|
Long time the manxome foe he sought --
|
|
So rested he by the Tumtum tree,
|
|
And stood awhile in thought.
|
|
|
|
And, as in uffish thought he stood,
|
|
The Jabberwock, with eyes of flame,
|
|
Came whiffling through the tulgey wood,
|
|
And burbled as it came!
|
|
|
|
One, two! One, two! And through and through
|
|
The vorpal blade went snicker-snack!
|
|
He left it dead, and with its head
|
|
He went galumphing back.
|
|
[ Jabberwocky, by Lewis Carroll ]
|
|
jacinth*
|
|
Sweet in the rough weather
|
|
The voice of the turtle-dove
|
|
'Beautiful altogether
|
|
Is my Love.
|
|
His Hands are open spread for love
|
|
And full of jacinth stones
|
|
As the apple-tree among trees of the grove
|
|
Is He among the sons.'
|
|
[ The Beloved, by May Probyn ]
|
|
jackal
|
|
In Asiatic folktale, jackal provides for the lion; he scares
|
|
up game, which the lion kills and eats, and receives what is
|
|
left as reward. In stories from northern India he is
|
|
sometimes termed "minister to the king," i.e. to the lion.
|
|
From the legend that he does not kill his own food has arisen
|
|
the legend of his cowardice. Jackal's heart must never be
|
|
eaten, for instance, in the belief of peoples indigenous to
|
|
the regions where the jackal abounds. ... In Hausa Negro
|
|
folktale Jackal plays the role of sagacious judge and is
|
|
called "O Learned One of the Forest." The Bushmen say that
|
|
Jackal goes around behaving the way he does "because he is
|
|
Jackal".
|
|
[ Funk & Wagnalls Standard Dictionary of Folklore ]
|
|
*jack*boot*
|
|
A large boot extending over the knee, acting as protective
|
|
armour for the leg, worn by troopers in the 17th and 18th
|
|
centuries and later. It is still the type of boot worn by
|
|
the Household Cavalry and was adopted by fishermen and others
|
|
before the advent of gum boots. Figuratively, _to be under the
|
|
jack-boot_ is to be controlled by a brutal military regime.
|
|
[ Brewer's Concise Dictionary of Phrase and Fable ]
|
|
jade*
|
|
Nothing grew among the ruins of the city. The streets were
|
|
broken and the walls of the houses had fallen, but there were
|
|
no weeds flowering in the cracks and it seemed that the city
|
|
had but recently been brought down by an earthquake. Only
|
|
one thing still stood intact, towering over the ruins. It
|
|
was a gigantic statue of white, gray and green jade - the
|
|
statue of a naked youth with a face of almost feminine beauty
|
|
that turned sightless eyes toward the north.
|
|
"The eyes!" Duke Avan Astran said. "They're gone!"
|
|
[ The Jade Man's Eyes, by Michael Moorcock ]
|
|
jaguar
|
|
Large, flesh-eating animal of the cat family, of Central and
|
|
South America. This feline predator (_Panthera onca_) is
|
|
sometimes incorrectly called a panther.
|
|
[ Van Dale's Groot Woordenboek der Nederlandse Taal ]
|
|
jellyfish
|
|
I do not care to share the seas
|
|
With jellyfishes such as these;
|
|
Particularly Portuguese.
|
|
[ Lines on Meeting a Portuguese Man-o'-war while
|
|
Bathing, by Michael Flanders ]
|
|
juiblex
|
|
jubilex
|
|
Little is known about the Faceless Lord, even the correct
|
|
spelling of his name. He does not have a physical form as
|
|
we know it, and those who have peered into his realm claim
|
|
he is a slime-like creature who swallows other creatures
|
|
alive, spits acidic secretions, and causes disease in his
|
|
victims which can be almost instantly fatal.
|
|
k?ration
|
|
The K ration was the [ Quartermaster Subsistence Research
|
|
and Development Laboratory's ] answer to the demand for an
|
|
individual, easy-to-carry ration that could be used in
|
|
assault and combat operations. It was noted for compactness
|
|
and superior packaging and was acknowledged as the ration
|
|
that provided the greatest variety of nutritionally balanced
|
|
components within the smallest space.
|
|
[ Special Rations for the Armed Forces, 1946-53,
|
|
by Franz A. Koehler ]
|
|
kabuto
|
|
The kabuto is the helmet worn by the samurai. It was
|
|
characterized by a prominent beaked front which jutted out over
|
|
the brow to protect the wearer's face; a feature that gives
|
|
rise to their modern Japanese name of 'shokaku tsuki kabuto'
|
|
(battering-ram helmet). Their main constructional element
|
|
was an oval plate, the shokaku bo, slightly domed for the
|
|
head with a narrow prolongation in front that curved forwards
|
|
and downwards where it developed a pronounced central
|
|
fold. Two horizontal strips encircling the head were riveted
|
|
to this frontal strip: the lower one, the koshimaki (hip
|
|
wrap), formed the lower edge of the helmet bowl; the other,
|
|
the do maki (body wrap), was set at about the level of the
|
|
temples. Filling the gaps between these strips and the shokaku
|
|
bo were small plates, sometimes triangular but more commonly
|
|
rectangular in shape. Because the front projected so
|
|
far from the head, the triangular gap beneath was filled by
|
|
a small plate, the shoshaku tei ita, whose rear edge bent
|
|
downwards into a flange that rested against the forehead.
|
|
[ Arms & Armour of the Samurai, by Bottomley & Hopson ]
|
|
katana
|
|
The katana is a long, single-edged samurai sword with a
|
|
slightly curved blade. Its long handle is designed to allow
|
|
it to be wielded with either one or two hands.
|
|
kelp*
|
|
*frond
|
|
I noticed that all the plants were attached to the soil by
|
|
an almost imperceptible bond. Devoid of roots, they seemed
|
|
not to require any nourishment from sand, soil, or pebble.
|
|
All they required was a point of support -- nothing else.
|
|
These plants are self-propagated, and their existence depends
|
|
entirely on the water that supports and nourishes them.
|
|
Most of them do not sprout leaves, but sprout blades of
|
|
various whimsical shapes, and their colors are limited to
|
|
pink, carmine, green, olive, fawn, and brown. I had the
|
|
opportunity to observe once more -- not the dried specimens
|
|
I had studied on the _Nautilus_ -- but the fresh, living
|
|
specimens in their native setting.
|
|
[ 20,000 Leagues Under the Sea, by Jules Verne ]
|
|
ki-rin
|
|
The ki-rin is a strange-looking flying creature. It has
|
|
scales, a mane like a lion, a tail, hooves, and a horn. It
|
|
is brightly colored, and can usually be found flying in the
|
|
sky looking for good deeds to reward.
|
|
king arthur
|
|
*arthur
|
|
Ector took both his sons to the church before which the
|
|
anvil had been placed. There, standing before the anvil, he
|
|
commanded Kay: "Put the sword back into the steel if you
|
|
really think the throne is yours!" But the sword glanced
|
|
off the steel. "Now it is your turn", Ector said facing
|
|
Arthur.
|
|
The young man lifted the sword and thrust with both arms; the
|
|
blade whizzed through the air with a flash and drilled the
|
|
metal as if it were mere butter. Ector and Kay dropped to
|
|
their knees before Arthur.
|
|
"Why, father and brother, do you bow before me?", Arthur asked
|
|
with wonder in his voice.
|
|
"Because now I know for sure that you are the king, not only
|
|
by birth but also by law", Ector said. "You are no son of
|
|
mine nor are you Kay's brother. Immediately after your birth,
|
|
Merlin the Wise brought you to me to be raised safely. And
|
|
though it was me that named you Arthur when you were baptized,
|
|
you are really the son of brave king Uther Pendragon and queen
|
|
Igraine..."
|
|
And after these words, the lord rose and went to see the arch-
|
|
bishop to impart to him what had passed.
|
|
[ Van Gouden Tijden Zingen de Harpen, by Vladimir Hulpach,
|
|
Emanuel Frynta, and Vackav Cibula ]
|
|
knife
|
|
stiletto
|
|
Possibly perceiving an expression of dubiosity on their
|
|
faces, the globetrotter went on adhering to his adventures.
|
|
|
|
-- And I seen a man killed in Trieste by an Italian chap.
|
|
Knife in his back. Knife like that.
|
|
|
|
Whilst speaking he produced a dangerous looking clasp knife,
|
|
quite in keeping with his character, and held it in the
|
|
striking position.
|
|
|
|
-- In a knockingshop it was count of a tryon between two
|
|
smugglers. Fellow hid behind a door, come up behind him.
|
|
Like that. Prepare to meet your God, says he. Chuck! It
|
|
went into his back up to the butt.
|
|
[ Ulysses, by James Joyce ]
|
|
knight
|
|
* knight
|
|
Here lies the noble fearless knight,
|
|
Whose valour rose to such a height;
|
|
When Death at last had struck him down,
|
|
His was the victory and renown.
|
|
He reck'd the world of little prize,
|
|
And was a bugbear in men's eyes;
|
|
But had the fortune in his age
|
|
To live a fool and die a sage.
|
|
[ Don Quixote of La Mancha, by Miquel de
|
|
Cervantes Saavedra ]
|
|
~kobold ??m*
|
|
*kobold*
|
|
The race of kobolds are reputed to be an artificial creation
|
|
of a master wizard (demi-god?). They are about 3' tall with
|
|
a vaguely dog-like face. They bear a violent dislike of the
|
|
Elven race, and will go out of their way to cause trouble
|
|
for Elves at any time.
|
|
*kop*
|
|
The Kops are a brilliant concept. To take a gaggle of inept
|
|
policemen and display them over and over again in a series of
|
|
riotously funny physical punishments plays equally well to the
|
|
peanut gallery and the expensive box seats. People hate cops.
|
|
Even people who have never had anything to do with cops hate
|
|
them. Of course, we count on them to keep order and to protect
|
|
us when we need protecting, and we love them on television shows
|
|
in which they have nerves of steel and hearts of gold, but in
|
|
the abstract, as a nation, collectively we hate them. They are
|
|
too much like high school principals. We're very happy to see
|
|
their pants fall down, and they look good to us with pie on
|
|
their faces. The Keystone Kops turn up--and they get punished
|
|
for it, as they crash into each other, fall down, and suffer
|
|
indignity after indignity. Here is pure movie satisfaction.
|
|
|
|
The Kops are very skillfully presented. The comic originality
|
|
and timing in one of their chase scenes requires imagination
|
|
to think up, talent to execute, understanding of the medium,
|
|
and, of course, raw courage to perform. The Kops are madmen
|
|
presented as incompetents, and they're madmen rushing around
|
|
in modern machines. What's more, the machines they were operating
|
|
in their routines were newly invented and not yet experienced
|
|
by the average moviegoer. (In the early days of automobiles,
|
|
it was reported that there were only two cars registered in all
|
|
of Kansas City, and they ran into each other. There is both
|
|
poetry and philosophy in this fact, but most of all, there is
|
|
humor. Sennett got the humor.)
|
|
[ Silent Stars, by Jeanine Basinger ]
|
|
kos
|
|
"I am not a coward!" he cried. "I'll dare Thieves' House
|
|
and fetch you Krovas' head and toss it with blood a-drip at
|
|
Vlana's feet. I swear that, witness me, Kos the god of
|
|
dooms, by the brown bones of Nalgron my father and by his
|
|
sword Graywand here at my side!"
|
|
[ Swords and Deviltry, by Fritz Leiber ]
|
|
koto
|
|
A Japanese harp.
|
|
kraken
|
|
Out from the water a long sinuous tentacle had crawled; it
|
|
was pale-green and luminous and wet. Its fingered end had
|
|
hold of Frodo's foot, and was dragging him into the water.
|
|
Sam on his knees was now slashing at it with a knife. The
|
|
arm let go of Frodo, and Sam pulled him away, crying out
|
|
for help. Twenty other arms came rippling out. The dark
|
|
water boiled, and there was a hideous stench.
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
*lady
|
|
offler
|
|
Blind Io took up the dice-box, which was a skull whose various
|
|
orifices had been stoppered with rubies, and with several of
|
|
his eyes on the Lady he rolled three fives. She smiled. This
|
|
was the nature of the Lady's eyes: they were bright green,
|
|
lacking iris or pupil, and they glowed from within.
|
|
|
|
The room was silent as she scrabbled in her box of pieces and,
|
|
from the very bottom, produced a couple that she set down on
|
|
the board with two decisive clicks. The rest of the players,
|
|
as one God, craned forward to peer at them.
|
|
|
|
"A wenegade wiffard and fome fort of clerk," said Offler the
|
|
Crocodile God, hindered as usual by his tusks. "Well,
|
|
weally!" With one claw he pushed a pile of bone-white tokens
|
|
into the centre of the table.
|
|
|
|
The Lady nodded slightly. She picked up the dice-cup and held
|
|
it as steady as a rock, yet all the Gods could hear the three
|
|
cubes rattling about inside. And then she sent them bouncing
|
|
across the table.
|
|
|
|
A six. A three. A five.
|
|
|
|
Something was happening to the five, however. Battered by the
|
|
chance collision of several billion molecules, the die flipped
|
|
onto a point, spun gently and came down a seven. Blind Io
|
|
picked up the cube and counted the sides.
|
|
|
|
"Come _on_," he said wearily, "Play fair."
|
|
[ The Colour of Magic, by Terry Pratchett ]
|
|
*lamp
|
|
When he came to himself he told his mother what had passed,
|
|
and showed her the lamp and the fruits he had gathered in the
|
|
garden, which were in reality precious stones. He then asked
|
|
for some food.
|
|
|
|
"Alas! child," she said, "I have nothing in the house, but I
|
|
have spun a little cotton and will go and sell it."
|
|
|
|
Aladdin bade her keep her cotton, for he would sell the lamp
|
|
instead. As it was very dirty she began to rub it, that it
|
|
might fetch a higher price. Instantly a hideous genie
|
|
appeared, and asked what she would have. She fainted away,
|
|
but Aladdin, snatching the lamp, said boldly:
|
|
"Fetch me something to eat!"
|
|
[ Aladdin, from The Arabian Nights, by Andrew Lang ]
|
|
lance
|
|
With this the wind increased, and the mill sails began to turn
|
|
about; which Don Quixote espying, said, 'Although thou movest
|
|
more arms than the giant Briareus thou shalt stoop to me.'
|
|
And, after saying this, and commending himself most devoutly
|
|
to his Lady Dulcinea, desiring her to succor him in that trance,
|
|
covering himself well with his buckler, and setting his lance
|
|
on his rest, he spurred on Rozinante, and encountered with the
|
|
first mill that was before him, and, striking his lance into
|
|
the sail, the wind swung it about with such fury, that it broke
|
|
his lance into shivers, carrying him and his horse after it,
|
|
and finally tumbled him a good way off from it on the field in
|
|
evil plight.
|
|
[ Don Quixote of La Mancha, by Miquel de
|
|
Cervantes Saavedra ]
|
|
land mine
|
|
Your heart is intact, your brain is not badly damaged, but the rest
|
|
of your injuries are comparable to stepping on a land mine. You'd
|
|
never walk again, and you'd be in great pain. You would come to
|
|
wish you had not survived.
|
|
[ Steel Beach, by John Varley ]
|
|
*lantern
|
|
While pretending to be a fancy safety lamp, it is in fact
|
|
battery powered. A discreet little switch is marked "on/off"
|
|
in elaborate lettering.
|
|
[ Adventure 770, by Mike Arnautov ]
|
|
lava
|
|
* lava
|
|
You are on the edge of a breath-taking view. Far below you
|
|
is an active volcano, from which great gouts of molten lava
|
|
come surging out, cascading back down into the depths. The
|
|
glowing rock fills the farthest reaches of the cavern with a
|
|
blood-red glare, giving everything an eerie, macabre appearance.
|
|
The air is filled with flickering sparks of ash and a heavy
|
|
smell of brimstone. The walls are hot to the touch, and the
|
|
thundering of the volcano drowns out all other sounds.
|
|
Embedded in the jagged roof far overhead are myriad twisted
|
|
formations composed of pure white alabaster, which scatter the
|
|
murky light into sinister apparitions upon the walls. To one
|
|
side is a deep gorge, filled with a bizarre chaos of tortured
|
|
rock which seems to have been crafted by the devil himself.
|
|
An immense river of fire crashes out from the depths of the
|
|
volcano, burns its way through the gorge, and plummets into a
|
|
bottomless pit far off to your left. To the right, an immense
|
|
geyser of blistering steam erupts continuously from a barren
|
|
island in the center of a sulfurous lake, which bubbles
|
|
ominously. The far right wall is aflame with an incandescence
|
|
of its own, which lends an additional infernal splendor to the
|
|
already hellish scene. A dark, forboding passage exits to the
|
|
south.
|
|
[ Adventure, by Will Crowther and Doug Woods. ]
|
|
leash
|
|
They had splendid heads, fine shoulders, strong legs, and
|
|
straight tails. The spots on their bodies were jet-black and
|
|
mostly the size of a two-shilling piece; they had smaller
|
|
spots on their heads, legs, and tails. Their noses and eye-
|
|
rims were black. Missis had a most winning expression.
|
|
Pongo, though a dog born to command, had a twinkle in his
|
|
eye. They walked side by side with great dignity, only
|
|
putting the Dearlys on the leash to lead them over crossings.
|
|
[ The Hundred and One Dalmatians, by Dodie Smith ]
|
|
lembas*
|
|
In the morning, as they were beginning to pack their slender
|
|
goods, Elves that could speak their tongue came to them and
|
|
brought them many gifts of food and clothing for their
|
|
journey. The food was mostly in the form of very thin cakes,
|
|
made of a meal that was baked a light brown on the outside,
|
|
and inside was the colour of cream. Gimli took up one of the
|
|
cakes and looked at it with a doubtful eye.
|
|
'Cram,' he said under his breath, as he broke off a crisp
|
|
corner and nibbled at it. His expression quickly changed,
|
|
and he ate all the rest of the cake with relish.
|
|
'No more, no more!' cried the Elves laughing. 'You have
|
|
eaten enough already for a long day's march.'
|
|
'I thought it was only a kind of cram, such as the Dalemen
|
|
make for journeys in the wild,' said the Dwarf.
|
|
'So it is,' they answered. 'But we call it lembas or
|
|
waybread, and it is more strengthening than any foods made by
|
|
Men, and it is more pleasant than cram, by all accounts.'
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
lemure
|
|
larvae
|
|
The Larvae (Lemures) are Roman spirits of deceased family
|
|
members. These malignant spirits dwell throughout the house
|
|
and frighten the inhabitants. People tried to reconcile or
|
|
avert the Larvae with strange ceremonies which took place on
|
|
May 9, 11, and 13; this was called the "Feast of the Lemures".
|
|
The master of the house usually performed these ceremonies,
|
|
either by offering black beans to the spirits or chasing them
|
|
away by making a lot of noise. Their counterparts are the
|
|
Lares, friendly and beneficent house spirits.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
leocrotta
|
|
leu*otta
|
|
... the leucrocotta, a wild beast of extraordinary swiftness,
|
|
the size of the wild ass, with the legs of a Stag, the neck,
|
|
tail, and breast of a lion, the head of a badger, a cloven
|
|
hoof, the mouth slit up as far as the ears, and one continuous
|
|
bone instead of teeth; it is said, too, that this animal can
|
|
imitate the human voice.
|
|
[ Curious Creatures in Zoology, by John Ashton ]
|
|
leprechaun
|
|
The Irish Leprechaun is the Faeries' shoemaker and is known
|
|
under various names in different parts of Ireland:
|
|
Cluricaune in Cork, Lurican in Kerry, Lurikeen in Kildare
|
|
and Lurigadaun in Tipperary. Although he works for the
|
|
Faeries, the Leprechaun is not of the same species. He is
|
|
small, has dark skin and wears strange clothes. His nature
|
|
has something of the manic-depressive about it: first he
|
|
is quite happy, whistling merrily as he nails a sole on to a
|
|
shoe; a few minutes later, he is sullen and morose, drunk
|
|
on his home-made heather ale. The Leprechaun's two great
|
|
loves are tobacco and whiskey, and he is a first-rate con-man,
|
|
impossible to out-fox. No one, no matter how clever, has ever
|
|
managed to cheat him out of his hidden pot of gold or his
|
|
magic shilling. At the last minute he always thinks of some
|
|
way to divert his captor's attention and vanishes in the
|
|
twinkling of an eye.
|
|
[ A Field Guide to the Little People
|
|
by Nancy Arrowsmith & George Moorse ]
|
|
*lich
|
|
But on its heels ere the sunset faded, there came a second
|
|
apparition, striding with incredible strides and halting when
|
|
it loomed almost upon me in the red twilight-the monstrous mummy
|
|
of some ancient king still crowned with untarnished gold but
|
|
turning to my gaze a visage that more than time or the worm had
|
|
wasted. Broken swathings flapped about the skeleton legs, and
|
|
above the crown that was set with sapphires and orange rubies, a
|
|
black something swayed and nodded horribly; but, for an instant,
|
|
I did not dream what it was. Then, in its middle, two oblique
|
|
and scarlet eyes opened and glowed like hellish coals, and two
|
|
ophidian fangs glittered in an ape-like mouth. A squat, furless,
|
|
shapeless head on a neck of disproportionate extent leaned
|
|
unspeakably down and whispered in the mummy's ear. Then, with
|
|
one stride, the titanic lich took half the distance between us,
|
|
and from out the folds of the tattered sere-cloth a gaunt arm
|
|
arose, and fleshless, taloned fingers laden with glowering gems,
|
|
reached out and fumbled for my throat . . .
|
|
[ The Abominations of Yondo, by Clark Ashton Smith ]
|
|
lichen
|
|
The chamber was of unhewn rock, round, as near as might
|
|
be, eighteen or twenty feet across, and gay with rich
|
|
variety of fern and moss and lichen. The fern was in
|
|
its winter still, or coiling for the spring-tide; but
|
|
moss was in abundant life, some feathering, and some
|
|
gobleted, and some with fringe of red to it.
|
|
[ Lorna Doone, by R.D. Blackmore ]
|
|
# takes "light" when specifying 'y'
|
|
~* of light
|
|
* light
|
|
light
|
|
Strange creatures formed from energy rather than matter,
|
|
lights are given to self-destructive behavior when battling
|
|
foes.
|
|
gecko
|
|
iguana
|
|
lizard
|
|
Lizards, snakes and the burrowing amphisbaenids make up the
|
|
order Squamata, meaning the scaly ones. The elongate, slim,
|
|
long-tailed bodies of lizards have become modified to enable
|
|
them to live in a wide range of habitats. Lizards can be
|
|
expert burrowers, runners, swimmers and climbers, and a few
|
|
can manage crude, short-distance gliding on rib-supported
|
|
"wings". Most are carnivores, feeding on invertebrate and
|
|
small vertebrate prey, but others feed on vegetation.
|
|
[ Macmillan Illustrated Animal Encyclopedia ]
|
|
loki
|
|
Loki, or Lopt, is described in Snorri's _Edda_ as being
|
|
"pleasing and handsome in appearance, evil in character, and
|
|
very capricious in behaviour". He is the son of the giant
|
|
Farbauti and of Laufey.
|
|
Loki is the Norse god of cunning, evil, thieves, and fire.
|
|
He hated the other gods and wanted to ruin them and overthrow
|
|
the universe. He committed many murders. As a thief, he
|
|
stole Freyja's necklace, Thor's belt and gauntlets of power,
|
|
and the apples of youth. Able to shapechange at will, he is
|
|
said to have impersonated at various times a mare, flea, fly,
|
|
falcon, seal, and an old crone. As a mare he gave birth to
|
|
Odin's horse Sleipnir. He also allegedly sired the serpent
|
|
Midgard, the mistress of the netherworld, Hel, and the wolf
|
|
Fenrir, who will devour the sun at Ragnarok.
|
|
*longbow of diana
|
|
This legendary bow grants ESP when carried and can reflect magical
|
|
attacks when wielded. When invoked it provides a supply of arrows.
|
|
# long worm -- see "worm"
|
|
looking glass
|
|
mirror
|
|
But as Snow White grew, she became more and more beautiful,
|
|
and by the time she was seven years old she was as beautiful
|
|
as the day and more beautiful than the queen herself. One
|
|
day when the queen said to her mirror:
|
|
|
|
"Mirror, Mirror, here I stand.
|
|
Who is the fairest in the land?" -
|
|
|
|
the mirror replied:
|
|
|
|
"You, O Queen, are the fairest here,
|
|
But Snow White is a thousand times more fair."
|
|
[ Snow White, by Jakob and Wilhelm Grimm ]
|
|
lord carnarvon
|
|
Lord Carnarvon was a personality who could have been produced
|
|
nowhere but in England, a mixture of sportsman and collector,
|
|
gentleman and world traveler, a realist in action and a
|
|
romantic in feeling. ... In 1903 he went for the first time
|
|
to Egypt in search of a mild climate and while there visited
|
|
the excavation sites of several archaeological expeditions.
|
|
... In 1906 he began his own excavations.
|
|
[ Gods, Graves, and Scholars, by C. W. Ceram ]
|
|
lord sato
|
|
Lord Sato was the family head of the Taro Clan, and a mighty
|
|
daimyo. He is a loyal servant of the Emperor, and will do
|
|
everything in his power to further the imperial cause.
|
|
lord surt*
|
|
Yet first was the world in the southern region, which was
|
|
named Muspell; it is light and hot; that region is glowing
|
|
and burning, and impassable to such as are outlanders and
|
|
have not their holdings there. He who sits there at the
|
|
land's-end, to defend the land, is called Surtr; he brandishes
|
|
a flaming sword, and at the end of the world he shall go forth
|
|
and harry, and overcome all the gods, and burn all the
|
|
world with fire.
|
|
[ The Prose Edda, by Snorri Sturluson ]
|
|
# if a quote for good luck gets added, make this one exclusively bad luck
|
|
luck
|
|
bad luck
|
|
"[...] We'll succeed and you'll get all the fortune you came
|
|
seeking."
|
|
Jack shook his head dismally. "You'll be better off without
|
|
me," he said. "I'm nothing but bad luck. It's because I'm
|
|
cursed. A farmer I met on the way to the city cursed me. He
|
|
said, 'I curse you Jack. May you never know wealth. May all
|
|
that you wish for be denied you.'"
|
|
"What a horrid man," said Eddie. "Why did he curse you like
|
|
that?"
|
|
Jack shrugged [...]. "Bad grace, I suppose. Just because I
|
|
shot off his ear and made him jump into a pit full of spikes."
|
|
[ the hollow chocolate bunnies of
|
|
the apocalypse, by Robert Rankin ]
|
|
# [no relation... both cover and title page list
|
|
# this book's title in all lower case]
|
|
lug*
|
|
Lugh, or Lug, was the sun god of the Irish Celts. One of his
|
|
weapons was a rod-sling which worshippers sometimes saw in
|
|
the sky as a rainbow. As a tribal god, he was particularly
|
|
skilled in the use of his massive, invincible spear, which
|
|
fought on its own accord. One of his epithets is _lamfhada_
|
|
(of the long arm). He was a young and apparently more
|
|
attractive deity than Dagda, the father of the gods. Being
|
|
able to shapeshift, his name translates as lynx.
|
|
lurker*
|
|
These dungeon scavengers are very adept at blending into the
|
|
surrounding walls and ceilings of the dungeon due to the
|
|
stone-like coloring of their skin.
|
|
lycanthrope
|
|
were*
|
|
human were*
|
|
*were
|
|
In 1573, the Parliament of Dole published a decree, permitting
|
|
the inhabitants of the Franche-Comte to pursue and kill a
|
|
were-wolf or loup-garou, which infested that province,
|
|
"notwithstanding the existing laws concerning the chase."
|
|
The people were empowered to "assemble with javelins,
|
|
halberds, pikes, arquebuses and clubs, to hunt and pursue the
|
|
said were-wolf in all places where they could find it, and to
|
|
take, burn, and kill it, without incurring any fine or other
|
|
penalty." The hunt seems to have been successful, if we may
|
|
judge from the fact that the same tribunal in the following
|
|
year condemned to be burned a man named Giles Garnier, who
|
|
ran on all fours in the forest and fields and devoured little
|
|
children, "even on Friday." The poor lycanthrope, it appears,
|
|
had as slight respect for ecclesiastical feasts as the French
|
|
pig, which was not restrained by any feeling of piety from
|
|
eating infants on a fast day.
|
|
[ The History of Vampires, by Dudley Wright ]
|
|
lynx
|
|
To dream of seeing a lynx, enemies are undermining your
|
|
business and disrupting your home affairs. For a woman,
|
|
this dream indicates that she has a wary woman rivaling her
|
|
in the affections of her lover. If she kills the lynx, she
|
|
will overcome her rival.
|
|
[ 10,000 Dreams Interpreted, by Gustavus Hindman Miller ]
|
|
~*sceptre of might
|
|
mace
|
|
sceptre
|
|
Originally a club armed with iron, and used in war; now a staff
|
|
of office pertaining to certain dignitaries, as the Speaker of
|
|
the House of Commons, Lord Mayors, Mayors etc. Both sword and
|
|
mace are symbols of dignity, suited to the times when men went
|
|
about in armour, and sovereigns needed champions to vindicate
|
|
their rights.
|
|
[ Brewer's Concise Dictionary of Phrase and Fable ]
|
|
magic marker
|
|
The pen is mightier than the sword.
|
|
[ Richelieu, by Edward Bulwer-Lytton ]
|
|
magic mirror of merlin
|
|
[...] In Dehenbarth (that now South Wales is hight,
|
|
What time King Ryence reigned, and dealed right)
|
|
The great magician Merlin had devised,
|
|
By his deep science, and hell-dreaded might,
|
|
A looking-glass, right wondrously aguised,
|
|
Whose virtues through the wide world soon were solemnized.
|
|
|
|
It virtue had to show in perfect sight
|
|
Whatever thing was in the world contained,
|
|
Betwixt the lowest earth and heaven's height,
|
|
So that it to the looker appertained;
|
|
Whatever foe had wrought, or friend had fained,
|
|
Therein discovered was, nor aught might pass,
|
|
Nor aught in secret from the same remained;
|
|
# we'll leave out the part about it being a crystal ball...
|
|
# For-thy it round and hollow shaped was,
|
|
# Like the world itself, and seemed a world of glass.
|
|
[ The Faerie Queene, by Edmund Spencer ]
|
|
magicbane
|
|
A highly enchanted athame said to hold the power to channel
|
|
and direct magical energy.
|
|
mail d*emon
|
|
It is rumoured that these strange creatures can be harmed by
|
|
domesticated canines only.
|
|
ma*annan*
|
|
Normally called Manannan, Ler's son was the patron of
|
|
merchants and sailors. Manannan had a sword which never
|
|
failed to slay, a boat which propelled itself wherever its
|
|
owner wished, a horse which was swifter than the wind, and
|
|
magic armour which no sword could pierce. He later became
|
|
god of the sea, beneath which he lived in Tir na nOc, the
|
|
underworld.
|
|
manes
|
|
Manes or Di Manes ("good ones") is the euphemistic description
|
|
of the souls of the deceased, worshipped as divinities. The
|
|
formula D.M. (= Dis Manibus; "dedicated to the Manes-gods")
|
|
can often be found on tombstones. Manes also means
|
|
metaphorically 'underworld' or 'realm of death'. Festivals
|
|
in honor of the dead were the Parentalia and the Feralia,
|
|
celebrated in February.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
|
|
The gnats of the dungeon, these swarming monsters are rarely
|
|
seen alone.
|
|
marduk
|
|
First insisting on recognition as supreme commander, Marduk
|
|
defeated the Dragon, cut her body in two, and from it created
|
|
heaven and earth, peopling the world with human beings who not
|
|
unnaturally showed intense gratitude for their lives. The
|
|
gods were also properly grateful, invested him with many
|
|
titles, and eventually permitted themselves to be embodied in
|
|
him, so that he became supreme god, plotting the whole course
|
|
of known life from the paths of the planets to the daily
|
|
events in the lives of men.
|
|
[ The Immortals, by Derek and Julia Parker ]
|
|
marilith
|
|
The marilith has a torso shaped like that of a human female,
|
|
and the lower body of a great snake. It has multiple arms,
|
|
and can freely attack with all of them. Since it is
|
|
intelligent enough to use weapons, this means it can cause
|
|
great damage.
|
|
mars
|
|
The god of war, and one of the most prominent and worshipped
|
|
gods. In early Roman history he was a god of spring, growth in
|
|
nature, and fertility, and the protector of cattle. Mars is
|
|
also mentioned as a chthonic god (earth-god) and this could
|
|
explain why he became a god of death and finally a god of war.
|
|
He is the son of Jupiter and Juno.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
master assassin
|
|
He strolled down the stairs, followed by a number of assassins.
|
|
When he was directly in front of Ymor he said: "I've come for
|
|
the tourist." ...
|
|
"One step more and you'll leave here with fewer eyeballs than
|
|
you came with," said the thiefmaster. "So sit down and have
|
|
a drink, Zlorf, and let's talk about this sensibly. _I_
|
|
thought we had an agreement. You don't rob -- I don't kill.
|
|
Not for payment, that is," he added after a pause.
|
|
Zlorf took the proffered beer.
|
|
"So?" he said. "I'll kill him. Then you rob him. Is he that
|
|
funny looking one over there?"
|
|
"Yes."
|
|
Zlorf stared at Twoflower, who grinned at him. He shrugged.
|
|
He seldom wasted time wondering why people wanted other people
|
|
dead. It was just a living.
|
|
"Who is your client, may I ask?" said Ymor.
|
|
Zlorf held up a hand. "Please!" he protested. "Professional
|
|
etiquette."
|
|
[ The Colour of Magic, by Terry Pratchett ]
|
|
master key of thievery
|
|
This skeleton key was fashioned in ages past and imbued with
|
|
a powerful magic which allows it to open any lock. When
|
|
carried, it grants its owner warning, teleport control, and
|
|
reduces all physical damage by half. Finally, when invoked,
|
|
it has the ability to disarm any trap.
|
|
master of thieves
|
|
There was a flutter of wings at the window. Ymor shifted his
|
|
bulk out of the chair and crossed the room, coming back with
|
|
a large raven. After he'd unfastened the message capsule from
|
|
its leg it flew up to join its fellows lurking among the
|
|
rafters. Withel regarded it without love. Ymor's ravens were
|
|
notoriously loyal to their master, to the extent that Withel's
|
|
one attempt to promote himself to the rank of greatest thief
|
|
in Ankh-Morpork had cost their master's right hand man his
|
|
left eye. But not his life, however. Ymor never grudged a
|
|
man his ambitions.
|
|
[ The Colour of Magic, by Terry Pratchett ]
|
|
mastodon
|
|
Any large, elephantlike mammal of the genera Mammut, Mastodon,
|
|
etc., from the Oligocene and Pleistocene epochs, having
|
|
conical projections on the molar teeth.
|
|
[ Webster's Encyclopedic Unabridged Dictionary
|
|
of the English Language ]
|
|
*mattock
|
|
A mattock is an agricultural tool similar to a mining pick.
|
|
It is distinguished by the head terminating in a broader blade
|
|
rather than a narrow spike, which makes it particularly suitable
|
|
for breaking up moderately hard ground. ... During the Middle
|
|
Ages of Europe, the mattock served as an improvised shafted
|
|
weapon for the poorer classes.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
meat*
|
|
huge chunk of meat
|
|
Some hae meat and canna eat,
|
|
And some would eat that want it;
|
|
But we hae meat, and we can eat,
|
|
Sae let the Lord be thankit.
|
|
[ Grace Before Meat, by Robert Burns ]
|
|
medusa
|
|
perseus
|
|
Medusa, one of the three Gorgons or Graeae, is the only one
|
|
of her sisters to have assumed mortal form and inhabited the
|
|
dungeon world.
|
|
|
|
When Perseus was grown up Polydectes sent him to attempt the
|
|
conquest of Medusa, a terrible monster who had laid waste the
|
|
country. She was once a beautiful maiden whose hair was her
|
|
chief glory, but as she dared to vie in beauty with Minerva,
|
|
the goddess deprived her of her charms and changed her
|
|
beautiful ringlets into hissing serpents. She became a cruel
|
|
monster of so frightful an aspect that no living thing could
|
|
behold her without being turned into stone. All around the
|
|
cavern where she dwelt might be seen the stony figures of men
|
|
and animals which had chanced to catch a glimpse of her and
|
|
had been petrified with the sight. Perseus, favoured by
|
|
Minerva and Mercury, the former of whom lent him her shield
|
|
and the latter his winged shoes, approached Medusa while she
|
|
slept and taking care not to look directly at her, but guided
|
|
by her image reflected in the bright shield which he bore, he
|
|
cut off her head and gave it to Minerva, who fixed it in the
|
|
middle of her Aegis.
|
|
[ Bulfinch's Mythology, by Thomas Bulfinch ]
|
|
melon
|
|
"What is it, Umbopa, son of a fool?" I shouted in Zulu.
|
|
"It is food and water, Macumazahn," and again he waved the
|
|
green thing.
|
|
Then I saw what he had got. It was a melon. We had hit upon
|
|
a patch of wild melons, thousands of them, and dead ripe.
|
|
"Melons!" I yelled to Good, who was next me; and in another
|
|
second he had his false teeth fixed in one.
|
|
I think we ate about six each before we had done, and, poor
|
|
fruit as they were, I doubt if I ever thought anything nicer.
|
|
[ King Solomon's Mines, by H. Rider Haggard ]
|
|
mercury
|
|
Roman god of commerce, trade and travellers. He is commonly
|
|
depicted carrying a caduceus (a staff with two snakes
|
|
intertwining around it) and a purse.
|
|
*mimic
|
|
The ancestors of the modern day chameleon, these creatures can
|
|
assume the form of anything in their surroundings. They may
|
|
assume the shape of objects or dungeon features. Unlike the
|
|
chameleon though, which assumes the shape of another creature
|
|
and goes in hunt of food, the mimic waits patiently for its
|
|
meals to come in search of it.
|
|
*mind flayer
|
|
This creature has a humanoid body, tentacles around its
|
|
covered mouth, and three long fingers on each hand. Mind
|
|
flayers are telepathic, and love to devour intelligent beings,
|
|
especially humans. If they hit their victim with a tentacle,
|
|
the mind flayer will slowly drain it of all intelligence,
|
|
eventually killing its victim.
|
|
mine*
|
|
gnomish mines
|
|
Made by Dwarfs. The Rule here is that the Mine is either long
|
|
deserted or at most is inhabited by a few survivors who will
|
|
make confused claims to have been driven out/decimated by humans/
|
|
other Dwarfs/Minions of the Dark Lord. Inhabited or not, this
|
|
Mine will be very complex, with many levels of galleries,
|
|
beautifully carved and engineered. What was being mined here
|
|
is not always evident, but at least some of the time it will
|
|
appear to have been Jewels, since it is customary to find
|
|
unwanted emeralds, etc., still embedded in the rock of the
|
|
walls. Metal will also be present, but only when made up into
|
|
armor and weapons (_wondrous_).
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
minotaur
|
|
The Minotaur was a monster, half bull, half human, the
|
|
offspring of Minos' wife Pasiphae and a wonderfully beautiful
|
|
bull. ... When the Minotaur was born Minos did not kill him.
|
|
He had Daedalus, a great architect and inventor, construct a
|
|
place of confinement for him from which escape was impossible.
|
|
Daedalus built the Labyrinth, famous throughout the world.
|
|
Once inside, one would go endlessly along its twisting paths
|
|
without ever finding the exit.
|
|
[ Mythology, by Edith Hamilton ]
|
|
mit*ra*
|
|
Originating in India (Mitra), Mithra is a god of light who
|
|
was translated into the attendant of the god Ahura Mazda in
|
|
the light religion of Persia; from this he was adopted as
|
|
the Roman deity Mithras. He is not generally regarded as a
|
|
sky god but a personification of the fertilizing power of
|
|
warm, light air. According to the _Avesta_, he possesses
|
|
10,000 eyes and ears and rides in a chariot drawn by white
|
|
horses. Mithra, according to Zarathustra, is concerned with
|
|
the endless battle between light and dark forces: he
|
|
represents truth. He is responsible for the keeping of oaths
|
|
and contracts. He is attributed with the creation of both
|
|
plants and animals. His chief adversary is Ahriman, the
|
|
power of darkness.
|
|
[ The Encyclopaedia of Myths and Legends of All
|
|
Nations, by Herbert Spencer Robinson and
|
|
Knox Wilson ]
|
|
*mithril*
|
|
_Mithril_! All folk desired it. It could be beaten like
|
|
copper, and polished like glass; and the Dwarves could make
|
|
of it a metal, light and yet harder than tempered steel.
|
|
Its beauty was like to that of common silver, but the beauty
|
|
of _mithril_ did not tarnish or grow dim.
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
*mitre of holiness
|
|
This helm of brilliance performs all of the normal functions
|
|
of a helm of brilliance, but also has the ability to protect
|
|
anyone who carries it from fire. When invoked, it boosts
|
|
the energy of the invoker, allowing them to cast more spells.
|
|
mjollnir
|
|
Forged by the dwarves Eitri and Brokk, in response to Loki's
|
|
challenge, Mjollnir is an indestructible war hammer. It has
|
|
two magical properties: when thrown it always returned to
|
|
Thor's hand; and it could be made to shrink in size until it
|
|
could fit inside Thor's shirt. Its only flaw is that it has
|
|
a short handle. The other gods judged Mjollnir the winner of
|
|
the contest because, of all the treasures created, it alone had
|
|
the power to protect them from the giants. As the legends
|
|
surrounding Mjollnir grew, it began to take on the quality of
|
|
"vigja", or consecration. Thor used it to consecrate births,
|
|
weddings, and even to raise his goats from the dead. In the
|
|
Norse mythologies Mjollnir is considered to represent Thor's
|
|
governance over the entire cycle of life - fertility, birth,
|
|
destruction, and resurrection.
|
|
mog
|
|
Mog is known as the Spider God. Mog resembles a four-limbed
|
|
spider with a handsome, if not entirely human, face.
|
|
~slime mold
|
|
*mold
|
|
Mold, multicellular organism of the division Fungi, typified
|
|
by plant bodies composed of a network of cottony filaments.
|
|
The colors of molds are due to spores borne on the filaments.
|
|
Most molds are saprophytes. Some species (e.g., penicillium)
|
|
are used in making cheese and antibiotics.
|
|
[ The Concise Columbia Encyclopedia ]
|
|
mol?ch
|
|
And the Lord spake unto Moses, saying,
|
|
Again, thou shalt say to the children of Israel, Whosoever
|
|
he be of the children of Israel, or of the strangers that
|
|
sojourn in Israel, that giveth any of his seed unto Molech;
|
|
he shall surely be put to death: the people of the land shall
|
|
stone him with stones.
|
|
And I will set my face against that man, and will cut him off
|
|
from among his people; because he hath given of his seed unto
|
|
Molech, to defile my sanctuary, and to profane my holy name.
|
|
And if the people of the land do any ways hide their eyes
|
|
from the man, when he giveth of his seed unto Molech, and kill
|
|
him not:
|
|
Then I will set my face against that man, and against his
|
|
family, and will cut him off, and all that go a whoring after
|
|
him, to commit whoredom with Molech, from among their people.
|
|
[ Leviticus 20:1-5 ]
|
|
monk
|
|
* monk
|
|
grand master
|
|
master kaen
|
|
One day, an army general invited the Buddhist monk I-Hsiu
|
|
(literally, "One Rest") to his military head office for a
|
|
dinner. I-Hsiu was not accustomed to wearing luxurious
|
|
clothings and so he just put on an old ordinary casual
|
|
robe to go to the military base. To him, "form is void".
|
|
|
|
As he approached the base, two soldiers appeared before him
|
|
and shouted, "Where does this beggar came from? Identify
|
|
yourself! You do not have permission to be around here!"
|
|
|
|
"My name is I-Hsiu Dharma Master. I am invited by your
|
|
general for a supper."
|
|
|
|
The two soldiers examined the monk closely and said, "You
|
|
liar. How come my general invites such a shabby monk to
|
|
dinner? He invites the very solemn venerable I-Hsiu to our
|
|
base for a great ceremony today, not you. Now, get out!"
|
|
|
|
I-Hsiu was unable to convince the soldiers that he was
|
|
indeed the invited guest, so he returned to the temple
|
|
and changed to a very formal solemn ceremonial robe for
|
|
the dinner. And as he returned to the military base, the
|
|
soldiers observed that he was such a great Buddhist monk,
|
|
let him in with honour.
|
|
|
|
At the dinner, I-Hsiu sat in front of the table full of
|
|
food but, instead of putting the food into his mouth, he
|
|
picked up the food with his chopsticks and put it into
|
|
his sleeves. The general was curious, and whispered to
|
|
him, "This is very embarrassing. Do you want to take
|
|
some food back to the temple? I will order the cook to
|
|
prepare some take out orders for you." "No" replied the
|
|
monk. "When I came here, I was not allowed into the
|
|
base by your soldiers until I wear this ceremonial robe.
|
|
You do not invite me for a dinner. You invite my robe.
|
|
Therefore, my robe is eating the food, not me."
|
|
[ Dining with a General - a Zen Buddhism Koan,
|
|
translation by Yiu-man Chan ]
|
|
monkey
|
|
"Listen, man-cub," said the Bear, and his voice rumbled like
|
|
thunder on a hot night. "I have taught thee all the Law of
|
|
the Jungle for all the peoples of the jungle--except the
|
|
Monkey-Folk who live in the trees. They have no law. They
|
|
are outcasts. They have no speech of their own, but use the
|
|
stolen words which they overhear when they listen, and peep,
|
|
and wait up above in the branches. Their way is not our way.
|
|
They are without leaders. They have no remembrance. They
|
|
boast and chatter and pretend that they are a great people
|
|
about to do great affairs in the jungle, but the falling of
|
|
a nut turns their minds to laughter and all is forgotten.
|
|
We of the jungle have no dealings with them. We do not drink
|
|
where the monkeys drink; we do not go where the monkeys go;
|
|
we do not hunt where they hunt; we do not die where they die...."
|
|
[ The Jungle Book, by Rudyard Kipling ]
|
|
morning star
|
|
The morning star was a medieval weapon resembling a mace, but
|
|
with a large spike on the end and smaller spikes around the
|
|
circumference. It was also known as the goedendag (from the
|
|
Dutch word for "good day") and the holy water sprinkler (from
|
|
its resemblance to the aspergillum sometimes used in the
|
|
Catholic Mass). It was used by both cavalry and infantry;
|
|
the horseman's weapon typically had a shorter haft than the
|
|
footman's, which might be up to six feet long. It came into
|
|
use in the beginning of the 14th century.
|
|
The name "morning star" is often erroneously applied to the
|
|
military flail (also known as the therscol), a similar weapon,
|
|
but with the head attached by a short chain.
|
|
[ Dictionary of Medieval Knighthood and Chivalry,
|
|
by Bradford Broughton ]
|
|
mumak*
|
|
... the Mumak of Harad was indeed a beast of vast bulk, and
|
|
the like of him does not walk now in Middle-Earth; his kin
|
|
that live still in latter days are but memories of his girth
|
|
and majesty. On he came, ... his great legs like trees,
|
|
enormous sail-like ears spread out, long snout upraised like
|
|
a huge serpent about to strike, his small red eyes raging.
|
|
His upturned hornlike tusks ... dripped with blood.
|
|
[ The Two Towers, by J.R.R. Tolkien ]
|
|
*mummy
|
|
But for an account of the manner in which the body was
|
|
bandaged, and a list of the unguents and other materials
|
|
employed in the process, and the words of power which were
|
|
spoken as each bandage was laid in its place, we must have
|
|
recourse to a very interesting papyrus which has been edited
|
|
and translated by M. Maspero under the title of Le Rituel de
|
|
l'Embaumement. ...
|
|
Everything that could be done to preserve the body was now
|
|
done, and every member of it was, by means of the words of
|
|
power which changed perishable substances into imperishable,
|
|
protected to all eternity; when the final covering of purple
|
|
or white linen had been fastened upon it, the body was ready
|
|
for the tomb.
|
|
[ Egyptian Magic, by E.A. Wallis Budge ]
|
|
mummy wrapping
|
|
He held a white cloth -- it was a serviette he had brought
|
|
with him -- over the lower part of his face, so that his
|
|
mouth and jaws were completely hidden, and that was the
|
|
reason for his muffled voice. But it was not that which
|
|
startled Mrs. Hall. It was the fact that all his forehead
|
|
above his blue glasses was covered by a white bandage, and
|
|
that another covered his ears, leaving not a scrap of his
|
|
face exposed excepting only his pink, peaked nose. It was
|
|
bright, pink, and shiny just as it had been at first. He
|
|
wore a dark-brown velvet jacket with a high, black, linen-
|
|
lined collar turned up about his neck. The thick black
|
|
hair, escaping as it could below and between the cross
|
|
bandages, project in curious tails and horns, giving him
|
|
the strangest appearance conceivable.
|
|
[ The Invisible Man, by H.G. Wells ]
|
|
*naga*
|
|
*naja*
|
|
The naga is a mystical creature with the body of a snake and
|
|
the head of a man or woman. They will fiercely protect the
|
|
territory they consider their own. Some nagas can be forced
|
|
to serve as guardians by a spellcaster of great power.
|
|
naginata
|
|
A Japanese pole-arm, fitted with a curved single-edged blade.
|
|
The blades ranged in length from two to four feet, mounted on
|
|
shafts about four to five feet long. The naginata were cut
|
|
with a series of short grooves near to the tang, above which
|
|
the back edge was thinned, but not sharpened, so that the
|
|
greater part of the blade was a flattened diamond shape in
|
|
section. Seen in profile, the curve is slight or non-
|
|
existent near the tang, becoming more pronounced towards the
|
|
point.
|
|
[]
|
|
|
|
"With his naginata he killed five, but with the sixth it
|
|
snapped asunder in the midst and, flinging it away, he drew
|
|
his sword, wielding it in the zigzag style, the interlacing,
|
|
cross, reversed dragonfly, waterwheel, and eight-sides-at-
|
|
once styles of fencing and cutting down eight men; but as he
|
|
brought down the ninth with a mighty blow on the helmet, the
|
|
blade snapped at the hilt."
|
|
[ Story of Tsutsui no Jomio Meishu from Tales of Heike ]
|
|
nalfeshnee
|
|
Not only do these demons do physical damage with their claws
|
|
and bite, but they are capable of using magic as well.
|
|
nalzok
|
|
Nalzok is Moloch's cunning and unfailingly loyal battle
|
|
lieutenant, to whom he trusts the command of warfare when he
|
|
does not wish to exercise it himself. Nalzok is a major
|
|
demon, known to command the undead. He is hungry for power,
|
|
and secretly covets Moloch's position. Moloch doesn't trust
|
|
him, but, trusting his own power enough, chooses to allow
|
|
Nalzok his position because he is useful.
|
|
neanderthal*
|
|
1. Valley between Duesseldorf and Elberfeld in Germany,
|
|
where an ancient skull of a prehistoric ancestor to modern
|
|
man was found. 2. Human(oid) of the race mentioned above.
|
|
neferet
|
|
neferet the green
|
|
Neferet the Green holds office in her hidden tower, only
|
|
reachable by magical means, where she teaches her apprentices
|
|
the enigmatic skills of occultism. Despite her many years, she
|
|
continues to investigate new spells, especially those involving
|
|
translocation. It is further rumored that when she was an
|
|
apprentice herself, she accidentally turned her skin green, and
|
|
has kept it that way ever since.
|
|
newt
|
|
(kinds of) small animal, like a lizard, which spends most of
|
|
its time in the water.
|
|
[ Oxford's Student's Dictionary of Current English ]
|
|
|
|
"Fillet of a fenny snake,
|
|
In the cauldron boil and bake;
|
|
Eye of newt and toe of frog,
|
|
Wool of bat and tongue of dog,
|
|
Adder's fork and blind-worm's sting,
|
|
Lizard's leg and howlet's wing,
|
|
For a charm of powerful trouble,
|
|
Like a hell-broth boil and bubble."
|
|
[ Macbeth, by William Shakespeare ]
|
|
ninja-to
|
|
A Japanese broadsword.
|
|
*norn
|
|
The Norns were the three Norse Fates, or the goddesses of fate.
|
|
Female giants, they brought the wonderful Golden Age to an end.
|
|
They cast lots over the cradle of every child that was born,
|
|
and placed gifts in the cradle. Their names were Urda,
|
|
Verdandi, and Skuld, representing the past, the present, and
|
|
the future. Urda and Verdandi were kindly disposed, but Skuld
|
|
was cruel and savage. Their tasks were to sew the web of
|
|
fate, to water the sacred ash, Yggdrasil, and to keep it in
|
|
good condition by placing fresh earth around it daily. In her
|
|
fury, Skuld often spoiled the work of her sisters by tearing
|
|
the web to shreds.
|
|
[ The Encyclopedia of Myths and Legends of All
|
|
Nations by Herbert Spencer Robinson and Knox
|
|
Wilson ]
|
|
nunchaku
|
|
A nunchaku is two sections of wood (or metal in modern
|
|
incarnations) connected by a cord or chain. There is much
|
|
controversy over its origins; some say it was originally a
|
|
Chinese weapon, others say it evolved from a threshing flail;
|
|
one theory purports that it was developed from a horse's bit.
|
|
Chinese nunchaku tend to be rounded, whereas Japanese are
|
|
octagonal, and they were originally linked by horse hair.
|
|
There are many variations on the nunchaku, ranging from the
|
|
three sectional staff (san-setsu-kon nunchaku), to smaller
|
|
multi-section nunchaku. The nunchaku was popularized by
|
|
Bruce Lee in a number of films, made in both Hollywood and
|
|
Hong Kong.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
*nymph
|
|
naiad
|
|
A female creature from Roman and Greek mythology, the nymph
|
|
occupied rivers, forests, ponds, etc. A nymph's beauty is
|
|
beyond words: an ever-young woman with sleek figure and
|
|
long, thick hair, radiant skin and perfect teeth, full lips
|
|
and gentle eyes. A nymph's scent is delightful, and her
|
|
long robe glows, hemmed with golden threads and embroidered
|
|
with rainbow hues of unearthly magnificence. A nymph's
|
|
demeanour is graceful and charming, her mind quick and witty.
|
|
[]
|
|
|
|
Theseus felt her voice pulling him down into fathoms of
|
|
sleep. The song was the skeleton of his dream, and the dream
|
|
was full of terror. Demon girls were after him, and a bull-
|
|
man was goring him. Everywhere there was blood. There was
|
|
pain. There was fear. But his head was in the nymph's lap
|
|
and her musk was about him, her voice weaving the dream. He
|
|
knew then that she had been sent to tell him of something
|
|
dreadful that was to happen to him later. Her song was a
|
|
warning. But she had brought him a new kind of joy, one that
|
|
made him see everything differently. The boy, who was to
|
|
become a hero, suddenly knew then what most heroes learn
|
|
later -- and some too late -- that joy blots suffering and
|
|
that the road to nymphs is beset by monsters.
|
|
[ The Minotaur, by Bernard Evslin ]
|
|
obsidian*
|
|
A volcanic glass, homogeneous in texture and having a low water
|
|
content, with a vitreous luster and a conchoidal fracture. The
|
|
color is commonly black, but may be some shade of red or brown,
|
|
and cut sections sometimes appear to be green. Like other
|
|
volcanic glasses, obsidian is a lava that has cooled too quickly
|
|
for the contained minerals to crystallize. In chemical
|
|
composition it is rich in silica and similar to granite. It is
|
|
favored by primitive peoples for knives, arrowheads, spearheads,
|
|
and other weapons and tools.
|
|
[ The Columbia Encyclopedia, Sixth Edition ]
|
|
odin
|
|
Also called Sigtyr (god of Victory), Val-father (father of
|
|
the slain), One-Eyed, Hanga-god (god of the hanged), Farma-
|
|
god (god of cargoes), Hapta-god (god of prisoners), and
|
|
Othin. He is the prime god of the Norsemen: god of war and
|
|
victory, wisdom and prophecy, poetry, the dead, air and wind,
|
|
hospitality, and magic.
|
|
As the god of war and victory, Odin is ruler of the Valkyries,
|
|
warrior-maidens who lived in the halls of Valhalla in Asgard,
|
|
the hall of dead heroes where he held his court.
|
|
These chosen ones will defend the realm of the gods against
|
|
the Frost Giants on the final day of reckoning, Ragnarok.
|
|
As god of the wind, Odin rides through the air on his eight-
|
|
footed horse, Sleipnir, wielding Gungner, his spear, normally
|
|
accompanied by his ravens, Hugin and Munin, who he would also
|
|
use as his spies.
|
|
As a god of hospitality, he enjoys visiting the earth in
|
|
disguise to see how people were behaving and to see how they
|
|
would treat him, not knowing who he was.
|
|
Odin is usually represented as a one-eyed wise old man with a
|
|
long white beard and a wide-brimmed hat (he gave one of his
|
|
eyes to Mimir, the guardian of the well of wisdom in Hel, in
|
|
exchange for a draught of knowledge).
|
|
ogre*
|
|
Anyone who has met a gluttonous, nude, angry ogre, will not
|
|
easily forget this encounter -- if he survives it at all.
|
|
Both male and female ogres can easily grow as tall as three
|
|
metres. Build and facial expressions would remind one of a
|
|
Neanderthal. Its small, pointy, keen teeth are striking.
|
|
Since ogres avoid direct sunlight, their ragged, unfurry
|
|
skin is as white as a sheet. They enjoy coating their body
|
|
with lard and usually wear nothing but a loin-cloth. An elf
|
|
would smell its rancid stench at ten metres distance.
|
|
Ogres are solitary creatures: very rarely one may encounter
|
|
a female with two or three young. They are the only real
|
|
carnivores among the humanoids, and its favourite meal is --
|
|
not surprisingly -- human flesh. They sometimes ally with
|
|
orcs or goblins, but only when they anticipate a good meaty
|
|
meal.
|
|
[ het Boek van de Regels; Het Oog des Meesters ]
|
|
oilskin cloak
|
|
During our watches below we overhauled our clothes, and made
|
|
and mended everything for bad weather. Each of us had made
|
|
for himself a suit of oil-cloth or tarpaulin, and these we
|
|
got out, and gave thorough coatings of oil or tar, and hung
|
|
upon the stays to dry. Our stout boots, too, we covered
|
|
over with a thick mixture of melted grease and tar. Thus we
|
|
took advantage of the warm sun and fine weather of the
|
|
Pacific to prepare for its other face.
|
|
[ Two Years Before the Mast, by Richard Henry Dana ]
|
|
oilskin sack
|
|
Summer passed all too quickly. On the last day of camp, Mr.
|
|
Brickle called his counselors together and paid them what he
|
|
owed them. Louis received one hundred dollars - the first
|
|
money he had ever earned. He had no wallet and no pockets,
|
|
so Mr. Brickle placed the money in a waterproof bag that had
|
|
a drawstring. He hung this moneybag around Louis' neck,
|
|
along with the trumpet, the slate, the chalk pencil, and the
|
|
lifesaving medal.
|
|
[ The Trumpet of the Swan, by E.B. White ]
|
|
olog-hai
|
|
But at the end of the Third Age a troll-race not before seen
|
|
appeared in southern Mirkwood and in the mountain borders of
|
|
Mordor. Olog-hai they were called in the Black Speech. That
|
|
Sauron bred them none doubted, though from what stock was not
|
|
known. Some held that they were not Trolls but giant Orcs;
|
|
but the Olog-hai were in fashion of body and mind quite unlike
|
|
even the largest of Orc-kind, whom they far surpassed in size
|
|
and power. Trolls they were, but filled with the evil will
|
|
of their master: a fell race, strong, agile, fierce and
|
|
cunning, but harder than stone. Unlike the older race of the
|
|
Twilight they could endure the Sun.... They spoke little,
|
|
and the only tongue they knew was the Black Speech of Barad-dur.
|
|
[ The Return of the King, by J.R.R. Tolkien ]
|
|
oracle
|
|
delphi
|
|
p*thia
|
|
Delphi under towering Parnassus, where Apollo's oracle was,
|
|
plays an important part in mythology. Castalia was its
|
|
sacred spring; Cephissus its river. It was held to be the
|
|
center of the world, so many pilgrims came to it, from
|
|
foreign countries as well as Greece. No other shrine rivaled
|
|
it. The answers to the questions asked by the anxious
|
|
seekers for Truth were delivered by a priestess who went into
|
|
a trance before she spoke.
|
|
[ Mythology, by Edith Hamilton ]
|
|
orange
|
|
pear
|
|
What was the fruit like? Unfortunately, no one can describe
|
|
a taste. All I can say is that, compared with those fruits,
|
|
the freshest grapefruit you've ever eaten was dull, and the
|
|
juiciest orange was dry, and the most melting pear was hard
|
|
and woody, and the sweetest wild strawberry was sour. And
|
|
there were no seeds or stones, and no wasps. If you had once
|
|
eaten that fruit, all the nicest things in this world would
|
|
taste like medicines after it. But I can't describe it. You
|
|
can't find out what it is like unless you can get to that
|
|
country and taste it for yourself.
|
|
[ The Last Battle, by C.S. Lewis ]
|
|
*orb of detection
|
|
This Orb is a crystal ball of exceptional powers. When
|
|
carried, it grants ESP, limits damage done by spells, and
|
|
protects the carrier from magic missiles. When invoked it
|
|
allows the carrier to become invisible.
|
|
*orb of fate
|
|
Some say that Odin himself created this ancient crystal ball,
|
|
although others argue that Loki created it and forged Odin's
|
|
signature on the bottom. In any case, it is a powerful
|
|
artifact. Anyone who carries it is granted the gift of
|
|
warning, and damage, both spell and physical, is partially
|
|
absorbed by the orb itself. When invoked it has the power
|
|
to teleport the invoker between levels.
|
|
goblin king
|
|
orcrist
|
|
The Great Goblin gave a truly awful howl of rage when he
|
|
looked at it, and all his soldiers gnashed their teeth,
|
|
clashed their shields, and stamped. They knew the sword at
|
|
once. It had killed hundreds of goblins in its time, when
|
|
the fair elves of Gondolin hunted them in the hills or did
|
|
battle before their walls. They had called it Orcrist,
|
|
Goblin-cleaver, but the goblins called it simply Biter.
|
|
They hated it and hated worse any one that carried it.
|
|
[ The Hobbit, by J.R.R. Tolkien ]
|
|
orcus
|
|
Orcus, Prince of the Undead, has a ram's head and a poison
|
|
stinger. He is most feared, though, for his powerful magic
|
|
abilities. His wand causes death to those he chooses.
|
|
~orc ??m*
|
|
~orcish barbarian
|
|
~orcish ranger
|
|
~orcish rogue
|
|
~orcish wizard
|
|
orc*
|
|
* orc
|
|
uruk*hai
|
|
Orcs, bipeds with a humanoid appearance, are related to the
|
|
goblins, but much bigger and more dangerous. The average orc
|
|
is only moderately intelligent, has broad, muscled shoulders,
|
|
a short neck, a sloping forehead and a thick, dark fur.
|
|
Their lower eye-teeth are pointing forward, like a boar's.
|
|
Female orcs are more lightly built and bare-chested. Not
|
|
needing any clothing, they do like to dress in variegated
|
|
apparels. Suspicious by nature, orcs live in tribes or
|
|
hordes. They tend to live underground as well as above
|
|
ground (but they dislike sunlight). Orcs can use all weapons,
|
|
tools and armours that are used by men. Since they don't have
|
|
the talent to fashion these themselves, they are constantly
|
|
hunting for them. There is nothing a horde of orcs cannot
|
|
use.
|
|
[ het Boek van de Regels; Het Oog des Meesters ]
|
|
orion
|
|
sirius
|
|
Orion was the son of Neptune. He was a handsome giant and a
|
|
mighty hunter. His father gave him the power of wading
|
|
through the depths of the sea, or, as others say, of
|
|
walking on its surface.
|
|
|
|
He dwelt as a hunter with Diana (Artemis), with whom he
|
|
was a favourite, and it is even said she was about to marry
|
|
him. Her brother was highly displeased and often chid her,
|
|
but to no purpose. One day, observing Orion wading through
|
|
the sea with his head just above the water, Apollo pointed
|
|
it out to his sister and maintained that she could not hit
|
|
that black thing on the sea. The archer-goddess discharged
|
|
a shaft with fatal aim. The waves rolled the dead body of
|
|
Orion to the land, and bewailing her fatal error with many
|
|
tears, Diana placed him among the stars, where he appears
|
|
as a giant, with a girdle, sword, lion's skin, and
|
|
club. Sirius, his dog, follows him, and the Pleiads fly
|
|
before him.
|
|
[ Bulfinch's Mythology, by Thomas Bulfinch ]
|
|
osaku
|
|
The osaku is a small tool for picking locks.
|
|
owlbear
|
|
Owlbears are probably the crossbreed creation of a demented
|
|
wizard; given the lethal nature of this creation, it is quite
|
|
likely the wizard who created them is no longer alive. As
|
|
the name might already suggest, owlbears are a cross between
|
|
a giant owl and a bear. They are covered with fur and
|
|
feathers.
|
|
page
|
|
A male servant or attendant; specifically, in chivalry,
|
|
a lad or young man in training for knighthood, or a youth
|
|
of gentle parentage attending a royal or princely personage.
|
|
[ Webster's Comprehensive International Dictionary
|
|
of the English Language ]
|
|
*pall
|
|
_Pallium._ The Roman name for a square woollen cloak worn
|
|
by men in ancient Greece, especially by philosophers and
|
|
courtesans, corresponding to the Roman toga. Hence the
|
|
Greeks called themselves _gens palliata,_ and the Romans
|
|
called themselves _gens togata._
|
|
[ Brewer's Concise Dictionary of Phrase and Fable ]
|
|
panther
|
|
And lo! almost where the ascent began,
|
|
A panther light and swift exceedingly,
|
|
Which with a spotted skin was covered o'er!
|
|
|
|
And never moved she from before my face,
|
|
Nay, rather did impede so much my way,
|
|
That many times I to return had turned.
|
|
[ Dante's Inferno, as translated
|
|
by Henry Wadsworth Longfellow ]
|
|
*paper
|
|
Some players, who unconsciously perceive Paper as weak or a
|
|
sign of surrender, will shy away from using it entirely or
|
|
drop it from their game when they are falling behind. On the
|
|
other hand, Paper also connects with a player's perceptions
|
|
about writing. There is a quiet power in the printed word.
|
|
It has the ability to lay off thousands of employees, declare
|
|
war against nations, spread scandal or confess love. Paper,
|
|
in short, has power over masses. The fate of the entire world
|
|
is determined by print. As such, some players perceive Paper
|
|
as a subtle attack, the victory of modern culture over barbarism.
|
|
Such players may use Paper to assert their superiority and dignity.
|
|
[ The Official Rock Paper Scissors Strategy Guide,
|
|
by Douglas and Graham Walker ]
|
|
pelias
|
|
Conan cried out sharply and recoiled, thrusting his companion
|
|
back. Before them rose the great shimmering white form of Satha,
|
|
an ageless hate in its eyes. Conan tensed himself for one mad
|
|
berserker onslaught -- to thrust the glowing faggot into that
|
|
fiendish countenance and throw his life into the ripping sword-
|
|
stroke. But the snake was not looking at him. It was glaring
|
|
over his shoulder at the man called Pelias, who stood with his
|
|
arms folded, smiling. And in the great, cold, yellow eyes
|
|
slowly the hate died out in a glitter of pure fear -- the only
|
|
time Conan ever saw such an expression in a reptile's eyes.
|
|
With a swirling rush like the sweep of a strong wind, the great
|
|
snake was gone.
|
|
"What did he see to frighten him?" asked Conan, eyeing his
|
|
companion uneasily.
|
|
"The scaled people see what escapes the mortal eye," answered
|
|
Pelias cryptically. "You see my fleshy guise, he saw my naked
|
|
soul."
|
|
[ Conan the Usurper, by Robert E. Howard and L. Sprague de Camp ]
|
|
pick*ax*
|
|
broad pick
|
|
The mine is full of holes;
|
|
With the wound of pickaxes.
|
|
But look at the goldsmith's store.
|
|
There, there is gold everywhere.
|
|
[ Divan-i Kebir Meter 2, by Mevlana Celaleddin Rumi ]
|
|
*piercer
|
|
Ye Piercer doth look like unto a stalactyte, and hangeth
|
|
from the roofs of caves and caverns. Unto the height of a
|
|
man, and thicker than a man's thigh do they grow, and in
|
|
groups do they hang. If a creature doth pass beneath them,
|
|
they will by its heat and noise perceive it, and fall upon
|
|
it to kill and devour it, though in any other way they move
|
|
but exceeding slow.
|
|
[ the Bestiary of Xygag ]
|
|
piranha
|
|
They live in "schools." Many times they will wait for prey
|
|
to come to the shallow water of the river. Then the large
|
|
group of piranhas will attack. These large groups are able
|
|
to kill large animals... Their lower teeth fit perfectly
|
|
into the spaces of their upper teeth, creating a tremendous
|
|
vice-like bite... Piranhas are attracted to any disturbance
|
|
in the water.
|
|
[ http://www.animalsoftherainforest.com ]
|
|
pit
|
|
spiked pit
|
|
Amid the thought of the fiery destruction that impended, the
|
|
idea of the coolness of the well came over my soul like balm.
|
|
I rushed to its deadly brink. I threw my straining vision
|
|
below. The glare from the enkindled roof illumined its inmost
|
|
recesses. Yet, for a wild moment, did my spirit refuse to
|
|
comprehend the meaning of what I saw. At length it forced --
|
|
it wrestled its way into my soul -- it burned itself in upon my
|
|
shuddering reason. Oh! for a voice to speak! -- oh! horror! --
|
|
oh! any horror but this!
|
|
[ The Pit and the Pendulum, by Edgar Allan Poe ]
|
|
pit fiend
|
|
Pit fiends are among the more powerful of devils, capable of
|
|
attacking twice with weapons as well as grabbing and crushing
|
|
the life out of those unwary enough to enter their
|
|
domains.
|
|
platinum yendorian express card
|
|
This is an ancient artifact made of an unknown material. It
|
|
is rectangular in shape, very thin, and inscribed with
|
|
unreadable ancient runes. When carried, it grants the one
|
|
who carries it ESP, and reduces all spell induced damage done to
|
|
the carrier by half. It also protects from magic missile
|
|
attacks. Finally, its power is such that when invoked, it
|
|
can charge other objects.
|
|
# playing style, rather vague topic but these quotes are too apt to pass up
|
|
player
|
|
play* style
|
|
user
|
|
Be bold,
|
|
be bold,
|
|
but not too bold.
|
|
Or else your life's blood,
|
|
shall run cold.
|
|
[ The White Road, by Neil Gaiman ]
|
|
|
|
People think I'm crazy to worry all the time;
|
|
If you paid attention, you'd be worried too.
|
|
You better pay attention, or this world we love so much
|
|
Might just kill you.
|
|
[ It's a Jungle Out There, by Randy Newman ]
|
|
# [ theme song from "Monk" ]
|
|
pony
|
|
Hey! now! Come hoy now! Whither do you wander?
|
|
Up, down, near or far, here, there or yonder?
|
|
Sharp-ears, Wise-nose, Swish-tail and Bumpkin,
|
|
White-socks my little lad, and old Fatty Lumpkin!
|
|
|
|
[...]
|
|
Tom called them one by one and they climbed over the brow and
|
|
stood in a line. Then Tom bowed to the hobbits.
|
|
|
|
"Here are your ponies, now!" he said. "They've more sense (in some
|
|
ways) than you wandering hobbits have -- more sense in their noses.
|
|
For they sniff danger ahead which you walk right into; and if they
|
|
run to save themselves, then they run the right way."
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
*portal
|
|
Portals can be Mirrors, Pictures, Standing Stones, Stone
|
|
Circles, Windows, and special gates set up for the purpose.
|
|
You will travel through them both to distant parts of the
|
|
continent and to and from our own world. The precise manner
|
|
of their working is a Management secret.
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
poseido*n
|
|
Poseido(o)n, lord of the seas and father of rivers and
|
|
fountains, was the son of Chronos and Rhea, brother of Zeus,
|
|
Hades, Hera, Hestia and Demeter. His rank of ruler of the
|
|
waves he received by lot at the Council Meeting of the Gods,
|
|
at which Zeus took the upper world for himself and gave
|
|
dominion over the lower world to Hades.
|
|
Poseidon is associated in many ways with horses and thus is
|
|
the god of horses. He taught men how to ride and manage the
|
|
animal he invented and is looked upon as the originator and
|
|
guardian deity of horse races.
|
|
His symbol is the familiar trident or three-pronged spear
|
|
with which he can split rocks, cause or quell storms, and
|
|
shake the earth, a power which makes him the god of
|
|
earthquakes as well. Physically, he is shown as a strong and
|
|
powerful ruler, every inch a king.
|
|
[ The Encyclopedia of Myths and Legends of All
|
|
Nations, by Herbert Robinson and Knox Wilson ]
|
|
~*sleeping
|
|
~*booze
|
|
*potion*
|
|
POTABLE, n. Suitable for drinking. Water is said to be
|
|
potable; indeed, some declare it our natural beverage,
|
|
although even they find it palatable only when suffering
|
|
from the recurrent disorder known as thirst, for which it
|
|
is a medicine. Upon nothing has so great and diligent
|
|
ingenuity been brought to bear in all ages and in all
|
|
countries, except the most uncivilized, as upon the
|
|
invention of substitutes for water. To hold that this
|
|
general aversion to that liquid has no basis in the
|
|
preservative instinct of the race is to be unscientific --
|
|
and without science we are as the snakes and toads.
|
|
[ The Devil's Dictionary, by Ambrose Bierce ]
|
|
|
|
Jack Burton: What's in the flask, Egg? Magic potion?
|
|
Egg Shen: Yeah.
|
|
Jack: I thought so, good. What do we do? Drink it?
|
|
Egg: Yeah.
|
|
Jack: Good, I thought so.
|
|
[later]
|
|
Jack: This does what again, exactly?
|
|
Egg: Huge buzz! [drinks] Oh good! See things no
|
|
one else can see, do things no one else can do.
|
|
[ Big Trouble in Little China, directed by
|
|
John Carpenter, written by Gary Goldman &
|
|
David Z. Weinstein, adaptation by W. D. Richter ]
|
|
pray*
|
|
Whatever a man prays for, he prays for a miracle. Every
|
|
prayer reduces itself to this: Great God, grant that twice
|
|
two be not four.
|
|
[ Fathers and Sons, by Ivan Turgenev ]
|
|
priest*
|
|
* priest*
|
|
acolyte
|
|
[...] For the two priests were talking exactly like priests,
|
|
piously, with learning and leisure, about the most aerial
|
|
enigmas of theology. The little Essex priest spoke the more
|
|
simply, with his round face turned to the strengthening stars;
|
|
the other talked with his head bowed, as if he were not even
|
|
worthy to look at them. But no more innocently clerical
|
|
conversation could have been heard in any white Italian cloister
|
|
or black Spanish cathedral. The first he heard was the tail of
|
|
one of Father Brown's sentences, which ended: "... what they
|
|
really meant in the Middle Ages by the heavens being
|
|
incorruptible." The taller priest nodded his bowed head and
|
|
said: "Ah, yes, these modern infidels appeal to their reason;
|
|
but who can look at those millions of worlds and not feel that
|
|
there may well be wonderful universes above us where reason is
|
|
utterly unreasonable?"
|
|
[ The Innocence of Father Brown, by G.K. Chesterton ]
|
|
prisoner
|
|
Where am I?
|
|
In the Village.
|
|
What do you want?
|
|
Information.
|
|
Whose side are you on?
|
|
That would be telling. We want information ...
|
|
information ...
|
|
You won't get it.
|
|
By hook or by crook, we will.
|
|
Who are you?
|
|
The new Number 2.
|
|
Who is Number 1?
|
|
You are Number 6.
|
|
I am not a number! I am a free man!
|
|
[ The Prisoner, by Patrick McGoohan ]
|
|
ptah
|
|
Known under various names (Nu, Neph, Cenubis, Amen-Kneph,
|
|
Khery-Bakef), Ptah is the creator god and god of craftsmen.
|
|
He is usually depicted as wearing a closely fitting robe
|
|
with only his hands free. His most distinctive features are
|
|
the invariable skull-cap exposing only his face and ears,
|
|
and the _was_ or rod of domination which he holds,
|
|
consisting of a staff surmounted by the _ankh_ symbol of
|
|
life. He is otherwise symbolized by his sacred animal, the
|
|
bull.
|
|
*purple worm
|
|
A gargantuan version of the harmless rain-worm, the purple
|
|
worm poses a huge threat to the ordinary adventurer. It is
|
|
known to swallow whole and digest its victims within only a
|
|
few minutes. These worms are always on guard, sensitive
|
|
to the most minute vibrations in the earth, but may also
|
|
be awakened by a remote shriek.
|
|
pyrolisk
|
|
At first glance around the corner, I thought it was another
|
|
cockatrice. I had encountered the wretched creatures two or
|
|
three times since leaving the open area. I quickly ducked my
|
|
head back and considered what to do next. My heart had begun
|
|
to thump audibly as I patted my pack to make sure I still had
|
|
the dead lizards at close reach. A check of my attire showed
|
|
no obvious holes or damage. I had to keep moving. One deep
|
|
breath, and a count of three, two, one, and around the corner
|
|
I bolted. But it was no cockatrice! I felt a sudden intense
|
|
searing of the skin around my face, and flames began to leap
|
|
from my pack. I tossed it to the ground, and quickly retreated
|
|
back, around that corner, desperately striving to get out of
|
|
its sight.
|
|
python
|
|
A monstrous serpent in Greek mythology, and the child of Gaia,
|
|
the goddess earth. It was produced from the slime and mud
|
|
that was left on the earth by the great flood of Deucalion.
|
|
It lived in a cave and guarded the oracle of Delphi on mount
|
|
Parnassus.
|
|
|
|
No man dared to approach the beast and the people asked Apollo
|
|
for help. He came down from Mount Olympus with his silver bow
|
|
and golden arrows. With using only one arrow he killed the
|
|
serpent and claimed the oracle for himself. ... The old name of
|
|
Delphi, Pytho, refers to the serpent.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
quadruped
|
|
The woodlands and other regions are inhabited by multitudes
|
|
of four-legged creatures which cannot be simply classified.
|
|
They might not have fiery breath or deadly stings, but
|
|
adventurers have nevertheless met their end numerous times
|
|
due to the claws, hooves, or bites of such animals.
|
|
quantum mechanic
|
|
These creatures are not native to this universe; they seem
|
|
to have strangely derived powers, and unknown motives.
|
|
[]
|
|
|
|
_Uncertainty Principle_ The principle that it is not possible
|
|
to know with unlimited accuracy both the position and momentum
|
|
of a particle. ... An explanation of the uncertainty is that
|
|
in order to locate a particle exactly, an observer must be
|
|
able to bounce off it a photon of radiation; this act of
|
|
location itself alters the position of the particle
|
|
in an unpredictable way. To locate the position accurately,
|
|
photons of short wavelength would have to be used. The high
|
|
momentum of such photons would cause a large effect on the
|
|
position. On the other hand, using photons of lower momenta
|
|
would have less effect on the particle's position, but would
|
|
be less accurate because of the lower wavelength.
|
|
[ A Concise Dictionary of Physics ]
|
|
quasit
|
|
Quasits are small, evil creatures, related to imps. Their
|
|
talons release a very toxic poison when used in an attack.
|
|
*quest
|
|
Many, possibly most, Tours are organized as a Quest. This
|
|
is like a large-scale treasure hunt, with clues scattered
|
|
all over the continent, a few false leads, Mystical Masters
|
|
as game-show hosts, and the Dark Lord and the Terrain to
|
|
make the Quest interestingly difficult. [...]
|
|
In order to be assured of your future custom, the Management
|
|
has a further Rule: Tourists, far from being rewarded for
|
|
achieving their Quest Object, must then go on to conquer
|
|
the Dark Lord or set about Saving the World, or both. And
|
|
why not? By then you will have had a lot of practice in
|
|
that sort of thing and, besides, the Quest Object is usually
|
|
designed to help you do it.
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
quetzalcoatl
|
|
One of the principal Aztec-Toltec gods was the great and wise
|
|
Quetzalcoatl, who was called Kukumatz in Guatemala, and
|
|
Kukulcan in Yucatan. His image, the plumed serpent, is found
|
|
on both the oldest and the most recent Indian edifices. ...
|
|
The legend tells how the Indian deity Quetzalcoatl came from
|
|
the "Land of the Rising Sun". He wore a long white robe and
|
|
had a beard; he taught the people crafts and customs and laid
|
|
down wise laws. He created an empire in which the ears of
|
|
corn were as long as men are tall, and caused bolls of colored
|
|
cotton to grow on cotton plants. But for some reason or other
|
|
he had to leave his empire. ... But all the legends of
|
|
Quetzalcoatl unanimously agree that he promised to come again.
|
|
[ Gods, Graves, and Scholars, by C. W. Ceram ]
|
|
quit*
|
|
Maltar: [...] I remembered a little saying I learned my
|
|
first day at the academy.
|
|
Natalie: Yeah, yeah, I know. Winners never quit and quitters
|
|
never win.
|
|
Maltar: What? No! Winners never quit and quitters should
|
|
be cast into the Flaming Pit of Death.
|
|
[ Snow Day, directed by Chris Koch,
|
|
written by Will McRobb and Chris Viscardi ]
|
|
raijin
|
|
raiden
|
|
The Japanese god of thunder (rai) and lightning (den). He
|
|
prevented the Mongols from invading Japan in 1274. Sitting on
|
|
a cloud he sent forth a shower of lightning arrows upon the
|
|
invading fleet. Only three men escaped. Raiden is portrayed
|
|
as a red demon with sharp claws, carrying a large drum. He is
|
|
fond of eating human navels. The only protection against him
|
|
is to hide under a mosquito net.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
ranger
|
|
* ranger
|
|
"Lonely men are we, Rangers of the wild, hunters -- but hunters
|
|
ever of the servants of the Enemy; for they are found in many
|
|
places, not in Mordor only.
|
|
If Gondor, Boromir, has been a stalwart tower, we have played
|
|
another part. Many evil things there are that your strong walls
|
|
and bright swords do not stay. You know little of the lands
|
|
beyond your bounds. Peace and freedom, do you say? The North
|
|
would have known them little but for us. Fear would have
|
|
destroyed them. But when dark things come from the houseless
|
|
hills, or creep from sunless woods, they fly from us. What
|
|
roads would any dare to tread, what safety would there be in
|
|
quiet lands, or in the homes of simple men at night, if the
|
|
Dunedain were asleep, or were all gone into the grave?"
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
rat
|
|
* rat
|
|
Rats are long-tailed rodents. They are aggressive,
|
|
omnivorous, and adaptable, often carrying diseases.
|
|
[]
|
|
|
|
"The rat," said O'Brien, still addressing his invisible
|
|
audience, "although a rodent, is carnivorous. You are aware
|
|
of that. You will have heard of the things that happen in
|
|
the poor quarters of this town. In some streets a woman dare
|
|
not leave her baby alone in the house, even for five minutes.
|
|
The rats are certain to attack it. Within quite a small time
|
|
they will strip it to the bones. They also attack sick or
|
|
dying people. They show astonishing intelligence in knowing
|
|
when a human being is helpless."
|
|
[ 1984, by George Orwell ]
|
|
raven
|
|
But the raven, sitting lonely on the placid bust, spoke only
|
|
That one word, as if his soul in that one word he did outpour.
|
|
Nothing further then he uttered -- not a feather then he fluttered--
|
|
Till I scarcely more than muttered, 'other friends have flown before--
|
|
On the morrow *he* will leave me, as my hopes have flown before.'
|
|
Then the bird said, 'Nevermore.'
|
|
[ The Raven, by Edgar Allan Poe ]
|
|
~*invisibility
|
|
ring
|
|
* ring
|
|
ring of *
|
|
Three Rings for the Elven-kings under the sky,
|
|
Seven for the Dwarf-lords in their halls of stone,
|
|
Nine for Mortal Men doomed to die,
|
|
One for the Dark Lord on his dark throne,
|
|
In the Land of Mordor where the Shadows lie.
|
|
One Ring to rule them all, One Ring to find them,
|
|
One Ring to bring them all and in the darkness bind them
|
|
In the Land of Mordor where the Shadows lie.
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
ring of invisibility
|
|
"When time came for the shepherds to hold their customary
|
|
assembly in order to prepare their monthly report to the king
|
|
about the state of the flocks, he came too, wearing this ring.
|
|
While he was sitting with the others, it chanced that he moved
|
|
the collet of the ring around toward himself into the inside of
|
|
his hand; having done this, he disappeared from the sight of
|
|
those who were sitting beside him, and they discussed of him as
|
|
of someone who had left. And he wondered and once again feeling
|
|
for the ring, he turned the collet outwards and, by turning it,
|
|
reappeared. Reflecting upon this, he put the ring to the test
|
|
to see if it indeed had such power, and he came to this
|
|
conclusion that, by turning the collet inwards, he became
|
|
invisible, outwards, visible. Having perceived this, he at
|
|
once managed for himself to become one of the envoys to the
|
|
king; upon arrival, having seduced his wife, with her help,
|
|
he laid a hand on the king, murdered him and took hold of the
|
|
leadership."
|
|
[ The Republic, by Plato, translated by James Adam ]
|
|
robe
|
|
Robes are the only garments, apart from Shirts, ever to have
|
|
sleeves. They have three uses:
|
|
1. As the official uniform of Priests, Priestesses, Monks,
|
|
Nuns (see Nunnery), and Wizards. The OMT [ Official Management
|
|
Term ] prescribed for the Robes of Priests and Nuns is that
|
|
they _fall in severe folds_; of Priestesses that they _float_;
|
|
and of Wizards that they _swirl_. You can thus see who you
|
|
are dealing with.
|
|
2. For Kings. The OMT here is _falling in stately folds_.
|
|
3. As the garb of Desert Nomads. [...]
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
rock
|
|
Bilbo saw that the moment had come when he must do something.
|
|
He could not get up at the brutes and he had nothing to shoot
|
|
with; but looking about he saw that in this place there were
|
|
many stones lying in what appeared to be a now dry little
|
|
watercourse. Bilbo was a pretty fair shot with a stone, and
|
|
it did not take him long to find a nice smooth egg-shaped one
|
|
that fitted his hand cosily. As a boy he used to practise
|
|
throwing stones at things, until rabbits and squirrels, and
|
|
even birds, got out of his way as quick as lightning if they
|
|
saw him stoop; and even grownup he had still spent a deal of
|
|
his time at quoits, dart-throwing, shooting at the wand,
|
|
bowls, ninepins and other quiet games of the aiming and
|
|
throwing sort - indeed he could do lots of things, besides
|
|
blowing smoke-rings, asking riddles and cooking, that I
|
|
haven't time to tell you about. There is no time now. While
|
|
he was picking up stones, the spider had reached Bombur, and
|
|
soon he would have been dead. At that moment Bilbo threw.
|
|
The stone struck the spider plunk on the head, and it dropped
|
|
senseless off the tree, flop to the ground, with all its legs
|
|
curled up.
|
|
[ The Hobbit, by J.R.R. Tolkien ]
|
|
rock mole
|
|
A rock mole is a member of the rodent family. They get their
|
|
name from their ability to tunnel through rock in the same
|
|
fashion that a mole tunnels through earth. They are known to
|
|
eat anything they come across in their diggings, although it
|
|
is still unknown how they convert some of these things into
|
|
something of nutritional value.
|
|
rodent*
|
|
A gnawing mammal (order _Rodentia_) having in each jaw two
|
|
(rarely four) incisors, growing continually from persistent
|
|
pulps, and no canine teeth, as a squirrel, beaver, or rat.
|
|
[ Webster's Comprehensive International Dictionary
|
|
of the English Language ]
|
|
rogue
|
|
* rogue
|
|
I understand the business, I hear it: to have an open ear, a
|
|
quick eye, and a nimble hand, is necessary for a cut-purse; a
|
|
good nose is requisite also, to smell out work for the other
|
|
senses. I see this is the time that the unjust man doth
|
|
thrive. ... The prince himself is about a piece of iniquity,
|
|
stealing away from his father with his clog at his heels: if
|
|
I thought it were a piece of honesty to acquaint the king
|
|
withal, I would not do't: I hold it the more knavery to
|
|
conceal it; and therein am I constant to my profession.
|
|
[ Autolycus the Rogue, from The Winter's Tale by
|
|
William Shakespeare ]
|
|
roshi
|
|
Roshi is a Japanese word, common in Zen Buddhism, meaning "old"
|
|
(ro) and "teacher" (shi). Roshi can be used as a term of
|
|
respect, as in the Rinzai school; as a simple reference to
|
|
actual age, as in the Soto school; or it can mean a teacher who
|
|
has transmitted knowledge to, and thus "given birth" to, a new
|
|
teacher.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
rothe
|
|
The rothe (pronounced roth-AY) is a musk ox-like creature with
|
|
an aversion to light. It prefers to live underground near
|
|
lichen and moss.
|
|
*royal jelly
|
|
"'Royal Jelly,'" he read aloud, "'must be a substance of
|
|
tremendous nourishing power, for on this diet alone, the
|
|
honey-bee larva increases in weight fifteen hundred times in
|
|
five days!'"
|
|
|
|
"How much?"
|
|
|
|
"Fifteen hundred times, Mabel. And you know what that means
|
|
if you put it in terms of a human being? It means," he said,
|
|
lowering his voice, leaning forward, fixing her with those
|
|
small pale eyes, "it means that in five days a baby weighing
|
|
seven and a half pounds to start off with would increase in
|
|
weight to five tons!"
|
|
[ Royal Jelly, by Roald Dahl ]
|
|
ruby
|
|
sapphire
|
|
_Corundum._ Mineral, aluminum oxide, Al2O3. The clear
|
|
varieties are used as gems and the opaque as abrasive materials.
|
|
Corundum occurs in crystals of the hexagonal system and in
|
|
masses. It is transparent to opaque and has a vitreous to
|
|
adamantine luster. ... The chief corundum gems are the ruby
|
|
(red) and the sapphire (blue).
|
|
[ The Columbia Encyclopedia, Sixth Edition ]
|
|
rust monster
|
|
These strange creatures live on a diet of metals. They can
|
|
turn a suit of armour into so much useless rusted scrap in no
|
|
time at all.
|
|
# takes "rust monster or disenchanter" when specifying 'R'
|
|
rust monster or disenchanter
|
|
These ground-dwelling monsters are known to make short
|
|
work out of degrading adventurers' combat equipment.
|
|
*saber
|
|
*sabre
|
|
Flashed all their sabres bare,
|
|
Flashed as they turned in air,
|
|
Sab'ring the gunners there,
|
|
Charging an army, while
|
|
All the world wondered:
|
|
Plunged in the battery smoke,
|
|
Right through the line they broke;
|
|
Cossack and Russian
|
|
Reeled from the sabre-stroke
|
|
Shattered and sundered.
|
|
Then they rode back, but not--
|
|
Not the six hundred.
|
|
[ The Charge of the Light Brigade,
|
|
by Alfred, Lord Tennyson ]
|
|
saddle
|
|
The horseman serves the horse,
|
|
The neat-herd serves the neat,
|
|
The merchant serves the purse,
|
|
The eater serves his meat;
|
|
'Tis the day of the chattel,
|
|
Web to weave, and corn to grind,
|
|
Things are in the saddle,
|
|
And ride mankind.
|
|
[ Ode, by Ralph Waldo Emerson ]
|
|
sake
|
|
Japanese rice wine.
|
|
salamander
|
|
For hundreds of years, many people believed that salamanders
|
|
were magical. In England in the Middle Ages, people thought
|
|
that fire created salamanders. When they set fire to damp
|
|
logs, dozens of the slimy creatures scurried out. The word
|
|
salamander, in fact, comes from a Greek word meaning "fire
|
|
animal".
|
|
[ Salamanders, by Cherie Winner ]
|
|
samurai
|
|
* samurai
|
|
By that time, Narahara had already slipped his arm from the
|
|
sleeve of his outer robe, drew out his two-and-a-half-foot
|
|
Fujiwara Tadahiro sword, and, brandishing it over his head,
|
|
began barreling toward the foreigners. In less than a minute,
|
|
he had charged upon them and cut one of them through the torso.
|
|
The man fled, clutching his bulging guts, finally to fall from
|
|
his horse at the foot of a pine tree about a thousand yards
|
|
away. Kaeda Takeji finished him off. The other two Englishmen
|
|
were severely wounded as they tried to flee. Only the woman
|
|
managed to escape virtually unscathed.
|
|
[ The Fox-horse, from Drunk as a Lord, by Ryotaro Shiba ]
|
|
sandestin
|
|
Ildefonse left the terrace and almost immediately sounds
|
|
of contention came from the direction of the work-room.
|
|
Ildefonse presently returned to the terrace, followed by
|
|
Osherl and a second sandestin using the guise of a gaunt blue
|
|
bird-like creature, some six feet in height.
|
|
|
|
Ildefonse spoke in scathing tones: "Behold these two
|
|
creatures! They can roam the chronoplex as easily as you
|
|
or I can walk around the table; yet neither has the wit to
|
|
announce his presence upon arrival. I found Osherl asleep
|
|
in his fulgurite and Sarsem perched in the rafters."
|
|
[...]
|
|
"No matter," said Rhialto. "He has brought Sarsem, and this
|
|
was his requirement. In the main, Osherl, you have done well!"
|
|
|
|
"And my indenture point?"
|
|
|
|
"Much depends upon Sarsem's testimony. Sarsem, will you sit?"
|
|
|
|
"In this guise, I find it more convenient to stand."
|
|
|
|
"Then why not alter to human form and join us in comfort at
|
|
the table?"
|
|
|
|
"That is a good idea." Sarsem became a naked young epicene
|
|
in an integument of lavender scales with puffs of purple hair
|
|
like pom-poms growing down his back. He seated himself at
|
|
the table but declined refreshment. "This human semblance,
|
|
though typical, is after all, only a guise. If I were to put
|
|
such things inside myself, I might well become uneasy."
|
|
[ Rhialto the Marvellous, by Jack Vance ]
|
|
sasquatch
|
|
The name _Sasquatch_ doesn't really become important in Canada
|
|
until the 1930s, when it appeared in the works of J. W. Burns,
|
|
a British Columbian writer who used a great deal of Indian
|
|
lore in his stories. Burn's Sasquatch was a giant Indian who
|
|
lived in the wilderness. He was hairy only in the sense that
|
|
he had long hair on his head, and while this Sasquatch lived a
|
|
wild and primitive life, he was fully human.
|
|
Burns's character proved to be quite popular. There was a
|
|
Sasquatch Inn near the town of Harrison, British Columbia, and
|
|
Harrison even had a local celebration called "Sasquatch Days."
|
|
The celebration which had been dormant for years was revived
|
|
as part of British Columbia's centennial, and one of the
|
|
events was to be a Sasquatch hunt. The hunt never took place,
|
|
perhaps it was never supposed to, but the publicity about it
|
|
did bring out a number of people who said they had encountered
|
|
a Sasquatch -- not Burns's giant Indian, but the hairy apelike
|
|
creature that we have all come to know.
|
|
[ The Encyclopedia of Monsters, by Daniel Cohen ]
|
|
scalpel
|
|
A scalpel is a very sharp knife used for surgery ... Merely
|
|
touching a medical scalpel with bare hands to test it will
|
|
cut through the skin. ... Medical scalpel blades are gradually
|
|
curved for greater precision when cutting through tissue.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
*sceptre of might
|
|
This mace was created aeons ago in some unknown cave,
|
|
and has been passed down from generation to generation of
|
|
cave dwellers. It is a very mighty mace indeed, and in
|
|
addition will protect anyone who carries it from magic
|
|
missile attacks. When invoked, it causes conflict in the
|
|
area around it.
|
|
scimitar
|
|
Oh, how handsome, how noble was the Vizier Ali Tebelin,
|
|
my father, as he stood there in the midst of the shot, his
|
|
scimitar in his hand, his face black with powder! How his
|
|
enemies fled before him!
|
|
[ The Count of Monte Cristo, by Alexandre Dumas ]
|
|
scorpio*
|
|
A sub-species of the spider (_Scorpionidae_), the scorpion
|
|
distinguishes itself from them by having a lower body that
|
|
ends in a long, jointed tail tapering to a poisonous stinger.
|
|
They have eight legs and pincers.
|
|
[ Van Dale's Groot Woordenboek der Nederlandse Taal ]
|
|
scorpius
|
|
Since early times, the Scorpion has represented death, darkness,
|
|
and evil. Scorpius is the reputed slayer of Orion the Hunter.
|
|
[...] The gods put both scorpion and hunter among the stars, but
|
|
on opposite sides of the sky so they would never fight again.
|
|
As Scorpius rises in the east, Orion sets in the west.
|
|
[ 365 Starry Nights, by Chet Raymo ]
|
|
*scroll
|
|
scroll *
|
|
And I was gazing on the surges prone,
|
|
With many a scalding tear and many a groan,
|
|
When at my feet emerg'd an old man's hand,
|
|
Grasping this scroll, and this same slender wand.
|
|
I knelt with pain--reached out my hand--had grasp'd
|
|
Those treasures--touch'd the knuckles--they unclasp'd--
|
|
I caught a finger: but the downward weight
|
|
O'erpowered me--it sank. Then 'gan abate
|
|
The storm, and through chill aguish gloom outburst
|
|
The comfortable sun. I was athirst
|
|
To search the book, and in the warming air
|
|
Parted its dripping leaves with eager care.
|
|
Strange matters did it treat of, and drew on
|
|
My soul page after page, till well-nigh won
|
|
Into forgetfulness; when, stupefied,
|
|
I read these words, and read again, and tried
|
|
My eyes against the heavens, and read again.
|
|
[ Endymion, by John Keats ]
|
|
set
|
|
seth
|
|
The ancient Egyptian god of chaos (Set), the embodiment of
|
|
hostility and even of outright evil. He is also a god of war,
|
|
deserts, storms, and foreign lands. ... In the Book of the
|
|
Dead, Seth is called "Lord of the Northern Sky" and is held
|
|
responsible for storms and cloudy weather. ... Seth was
|
|
portrayed as a man with the head of undeterminable origin,
|
|
although some see in it the head of an aardvark. He had a
|
|
curved snout, erect square-tipped ears and a long forked tail.
|
|
He was sometimes entirely in animal form with the body similar
|
|
to that of a greyhound. Animals sacred to this god were the
|
|
dog, the jackal, the gazelle, the donkey, the crocodile, the
|
|
hippopotamus, and the pig.
|
|
[ Encyclopedia Mythica, ed. M.F. Lindemans ]
|
|
shad*
|
|
Shades are undead creatures. They differ from zombies in
|
|
that a zombie is an undead animation of a corpse, while a
|
|
shade is an undead creature magically created by the use
|
|
of black magic.
|
|
shaman karnov
|
|
Making his quarters in the Caves of the Ancestors, Shaman
|
|
Karnov unceasingly tries to shield his neanderthal people
|
|
from Tiamat's minions' harassments.
|
|
shan*lai*ching
|
|
The Chinese god of Mountains and Seas, also the name of an
|
|
old book (also Shan Hai Tjing), the book of mountains and
|
|
seas - which deals with the monster Kung Kung trying to
|
|
seize power from Yao, the fourth emperor.
|
|
[ Spectrum Atlas van de Mythologie ]
|
|
shark
|
|
As the shark moved, its dark top reflected virtually no
|
|
light. The denticles on its skin muted the whoosh of its
|
|
movements as the shark rose, driven by the power of the
|
|
great tail sweeping from side to side, like a scythe.
|
|
The fish exploded upward.
|
|
Charles Bruder felt a slight vacuum tug in the motion of
|
|
the sea, noted it as a passing current, the pull of a wave,
|
|
the tickle of undertow. He could not have heard the faint
|
|
sucking rush of water not far beneath him. He couldn't
|
|
have seen or heard what was hurtling from the murk at
|
|
astonishing speed, jaws unhinging, widening, for the
|
|
enormous first bite. It was the classic attack
|
|
that no other creature in nature could make -- a bomb from
|
|
the depths.
|
|
[ Close to Shore, by Michael Capuzzo ]
|
|
shito
|
|
A Japanese stabbing knife.
|
|
shopkeeper
|
|
There have been three general theories put forward to explain
|
|
the phenomenon of the wandering shops or, as they are
|
|
generically known, _tabernae vagantes._
|
|
The first postulates that many thousands of years ago there
|
|
evolved somewhere in the multiverse a race whose single talent
|
|
was to buy cheap and sell dear. Soon they controlled a vast
|
|
galactic empire or, as they put it, Emporium, and the more
|
|
advanced members of the species found a way to equip their very
|
|
shops with unique propulsion units that could break the dark
|
|
walls of space itself and open up vast new markets. And long
|
|
after the worlds of the Emporium perished in the heat death of
|
|
their particular universe, after one last defiant fire sale,
|
|
the wandering starshops still ply their trade, eating their way
|
|
through the pages of spacetime like a worm through a three-
|
|
volume novel.
|
|
The second is that they are the creation of a sympathetic Fate,
|
|
charged with the role of supplying exactly the right thing
|
|
at the right time.
|
|
The third is that they are simply a very clever way of getting
|
|
around the various Sunday Closing acts.
|
|
All these theories, diverse as they are, have two things in
|
|
common. They explain the observed facts, and they are
|
|
completely and utterly wrong.
|
|
[ The Light Fantastic, by Terry Pratchett ]
|
|
shrieker
|
|
With a single, savage thrust of her spear, the warrior-woman
|
|
impaled the fungus, silencing it. However, it was too late:
|
|
the alarm had been raised[...]
|
|
Suddenly, a large, dark shape rose from the abyss before them,
|
|
its fetid bulk looming overhead... The monster was some kind of
|
|
great dark worm, but that was about all they were sure of.
|
|
[ The Adventurers, Epic IV, by Thomas A. Miller ]
|
|
throwing star
|
|
shuriken
|
|
You know, that's what I hate most about fighting against magic:
|
|
you never know what they're trying to do to you until it hits.
|
|
The sorceress knew what hit her, however. Two of the shuriken
|
|
got past whatever defenses she had. One caught her just below
|
|
the throat, the other in the middle of her chest. It wouldn't
|
|
kill her, but she wouldn't be fighting anyone for a while.
|
|
[ Jhereg, by Steven Brust ]
|
|
skeleton
|
|
A skeleton is a magically animated undead creature. Unlike
|
|
shades, only a humanoid creature can be used to create a
|
|
skeleton. No one knows why this is true, but it has become
|
|
an accepted fact amongst the practitioners of the black arts.
|
|
slasher
|
|
"That dog belonged to a settler who tried to build his cabin
|
|
on the bank of the river a few miles south of the fort,"
|
|
grunted Conan. ... "We took him to the fort and dressed his
|
|
wounds, but after he recovered he took to the woods and turned
|
|
wild. -- What now, Slasher, are you hunting the men who
|
|
killed your master?" ... "Let him come," muttered Conan.
|
|
"He can smell the devils before we can see them." ...
|
|
Slasher cleared the timbers with a bound and leaped into the
|
|
bushes. They were violently shaken and then the dog slunk
|
|
back to Balthus' side, his jaws crimson. ... "He was a man,"
|
|
said Conan. "I drink to his shade, and to the shade of the
|
|
dog, who knew no fear." He quaffed part of the wine, then
|
|
emptied the rest upon the floor, with a curious heathen
|
|
gesture, and smashed the goblet. "The heads of ten Picts
|
|
shall pay for this, and seven heads for the dog, who was a
|
|
better warrior than many a man."
|
|
[ Conan The Warrior, by Robert E Howard ]
|
|
*sleep
|
|
Sleep is a death; oh, make me try
|
|
By sleeping, what it is to die,
|
|
And as gently lay my head
|
|
On my grave, as now my bed.
|
|
[ Religio Medici, by Sir Thomas Browne ]
|
|
slime mold
|
|
Science fiction did not invent the slime molds, but it has
|
|
borrowed from them in using the idea of sheets of liquid, flowing
|
|
cytoplasm engulfing and dissolving every living thing they touch.
|
|
What fiction can only imagine, nature has produced, and only their
|
|
small size and dependence on coolness, moisture, and darkness has
|
|
kept the slime molds from ordinary observation, for they are common
|
|
enough.
|
|
[ Encyclopaedia Britannica, 1977 ]
|
|
sling
|
|
And it came to pass, when the Philistine arose, and came and
|
|
drew nigh to meet David, that David hasted, and ran toward
|
|
the army to meet the Philistine.
|
|
And David put his hand in his bag, and took thence a stone,
|
|
and slang it, and smote the Philistine in his forehead, that
|
|
the stone sunk into his forehead; and he fell upon his face
|
|
to the earth.
|
|
So David prevailed over the Philistine with a sling and with
|
|
a stone, and smote the Philistine, and slew him; but there
|
|
was no sword in the hand of David.
|
|
[ 1 Samuel 17:48-50 ]
|
|
*snake
|
|
serpent
|
|
water moccasin
|
|
pit viper
|
|
Now the serpent was more subtle than any beast of the field
|
|
which the Lord God had made. And he said unto the woman, Yea,
|
|
hath God said, Ye shall not eat of every tree of the garden?
|
|
And the woman said unto the serpent, We may eat of the fruit of
|
|
the trees of the garden: but of the fruit of the tree which is
|
|
in the midst of the garden, God hath said, Ye shall not eat of
|
|
it, neither shall ye touch it, lest ye die. And the serpent
|
|
said unto the woman, Ye shall not surely die: for God doth
|
|
know that in the day ye eat thereof, then your eyes shall be
|
|
opened, and ye shall be as gods, knowing good and evil. And
|
|
when the woman saw that the tree was good for food, and that it
|
|
was pleasant to the eyes, and a tree to be desired to make one
|
|
wise, she took of the fruit thereof, and did eat, and gave also
|
|
unto her husband with her; and he did eat.
|
|
|
|
And the Lord God said unto the woman, What is this that thou
|
|
hast done? And the woman said, The serpent beguiled me, and I
|
|
did eat. And the Lord God said unto the serpent, Because thou
|
|
hast done this, thou art cursed above all cattle, and above
|
|
every beast of the field; upon thy belly shalt thou go, and
|
|
dust shalt thou eat all the days of thy life: And I will put
|
|
enmity between thee and the woman, and between thy seed and her
|
|
seed; it shall bruise thy head, and thou shalt bruise his heel.
|
|
[ Genesis 3:1-6,13-15 ]
|
|
snickersnee
|
|
Ah, never shall I forget the cry,
|
|
or the shriek that shrieked he,
|
|
As I gnashed my teeth, and from my sheath
|
|
I drew my Snickersnee!
|
|
--Koko, Lord high executioner of Titipu
|
|
[ The Mikado, by Sir W.S. Gilbert ]
|
|
sokoban
|
|
Sokoban (Japanese for "warehouse keeper") is a transport puzzle
|
|
in which the player pushes boxes around a maze, viewed from
|
|
above, and tries to put them in designated locations. Only one
|
|
box may be pushed at a time, not two, and boxes cannot be pulled.
|
|
As the puzzle would be extremely difficult to create physically,
|
|
it is usually implemented as a video game.
|
|
|
|
Sokoban was created in 1982 by Hiroyuki Imabayashi, and was
|
|
published by Thinking Rabbit, a software house based in
|
|
Takarazuka, Japan. Thinking Rabbit also released three sequels:
|
|
Boxxle, Sokoban Perfect and Sokoban Revenge.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
*soldier
|
|
sergeant
|
|
lieutenant
|
|
captain
|
|
The soldiers of Yendor are well-trained in the art of war,
|
|
many trained by the Wizard himself. Some say the soldiers
|
|
are explorers who were unfortunate enough to be captured,
|
|
and put under the Wizard's spell. Those who have survived
|
|
encounters with soldiers say they travel together in platoons,
|
|
and are fierce fighters. Because of the load of their combat
|
|
gear, however, one can usually run away from them, and doing
|
|
so is considered a wise thing.
|
|
*spear
|
|
javelin
|
|
- they come together with great random, and a spear is brast,
|
|
and one party brake his shield and the other one goes down,
|
|
horse and man, over his horse-tail and brake his neck, and
|
|
then the next candidate comes randoming in, and brast his
|
|
spear, and the other man brast his shield, and down he goes,
|
|
horse and man, over his horse-tail, and brake his neck, and
|
|
then there's another elected, and another and another and
|
|
still another, till the material is all used up; and when you
|
|
come to figure up results, you can't tell one fight from
|
|
another, nor who whipped; and as a picture of living, raging,
|
|
roaring battle, sho! why it's pale and noiseless - just
|
|
ghosts scuffling in a fog. Dear me, what would this barren
|
|
vocabulary get out of the mightiest spectacle? - the burning
|
|
of Rome in Nero's time, for instance? Why, it would merely
|
|
say 'Town burned down; no insurance; boy brast a window,
|
|
fireman brake his neck!' Why, that ain't a picture!
|
|
[ A Connecticut Yankee in King Arthur's Court, by Mark
|
|
Twain ]
|
|
*spellbook*
|
|
The Book of Three lay closed on the table. Taran had never
|
|
been allowed to read the volume for himself; now he was sure
|
|
it held more than Dallben chose to tell him. In the sun-
|
|
filled room, with Dallben still meditating and showing no
|
|
sign of stopping, Taran rose and moved through the shimmering
|
|
beams. From the forest came the monotonous tick of a beetle.
|
|
His hands reached for the cover. Taran gasped in pain and
|
|
snatched them away. They smarted as if each of his fingers
|
|
had been stung by hornets. He jumped back, stumbled against
|
|
the bench, and dropped to the floor, where he put his fingers
|
|
woefully into his mouth.
|
|
Dallben's eyes blinked open. He peered at Taran and yawned
|
|
slowly. "You had better see Coll about a lotion for those
|
|
hands," he advised. "Otherwise, I shouldn't be surprised if
|
|
they blistered."
|
|
[ The Book of Three, by Lloyd Alexander ]
|
|
*spider
|
|
Eight legged creature capable of spinning webs to trap prey.
|
|
[]
|
|
|
|
"You mean you eat flies?" gasped Wilbur.
|
|
"Certainly. Flies, bugs, grasshoppers, choice beetles,
|
|
moths, butterflies, tasty cockroaches, gnats, midges, daddy
|
|
longlegs, centipedes, mosquitoes, crickets - anything that is
|
|
careless enough to get caught in my web. I have to live,
|
|
don't I?"
|
|
"Why, yes, of course," said Wilbur.
|
|
[ Charlotte's Web, by E.B. White ]
|
|
*spore
|
|
*sphere
|
|
The attack by those who want to die -- this is the attack
|
|
against which you cannot prepare a perfect defense.
|
|
--Human aphorism
|
|
[ The Dosadi Experiment, by Frank Herbert ]
|
|
squeaky board
|
|
A floorboard creaked. Galder had spent many hours tuning them,
|
|
always a wise precaution with an ambitious assistant who walked
|
|
like a cat.
|
|
D flat. That meant he was just to the right of the door.
|
|
"Ah, Trymon," he said, without turning, and noted with some
|
|
satisfaction the faint indrawing of breath behind him. "Good
|
|
of you to come. Shut the door, will you?"
|
|
[ The Light Fantastic, by Terry Pratchett ]
|
|
~*aesculapius
|
|
*staff
|
|
So they stood, each in his place, neither moving a finger's
|
|
breadth back, for one good hour, and many blows were given
|
|
and received by each in that time, till here and there were
|
|
sore bones and bumps, yet neither thought of crying "Enough,"
|
|
or seemed likely to fall from off the bridge. Now and then
|
|
they stopped to rest, and each thought that he never had seen
|
|
in all his life before such a hand at quarterstaff. At last
|
|
Robin gave the stranger a blow upon the ribs that made his
|
|
jacket smoke like a damp straw thatch in the sun. So shrewd
|
|
was the stroke that the stranger came within a hair's breadth
|
|
of falling off the bridge; but he regained himself right
|
|
quickly, and, by a dexterous blow, gave Robin a crack on the
|
|
crown that caused the blood to flow. Then Robin grew mad
|
|
with anger, and smote with all his might at the other; but
|
|
the stranger warded the blow, and once again thwacked Robin,
|
|
and this time so fairly that he fell heels over head into the
|
|
water, as the queen pin falls in a game of bowls.
|
|
[ The Merry Adventures of Robin Hood, by Howard Pyle ]
|
|
*staff of aesculapius
|
|
This staff is considered sacred to all healers, as it truly
|
|
holds the powers of life and death. When wielded, it
|
|
protects its user from all life draining attacks, and
|
|
additionally gives the wielder the power of regeneration.
|
|
When invoked it performs healing magic.
|
|
stair*
|
|
Up he went -- very quickly at first -- then more slowly -- then
|
|
in a little while even more slowly than that -- and finally,
|
|
after many minutes of climbing up the endless stairway, one
|
|
weary foot was barely able to follow the other. Milo suddenly
|
|
realized that with all his effort he was no closer to the top
|
|
than when he began, and not a great deal further from the
|
|
bottom. But he struggled on for a while longer, until at last,
|
|
completely exhausted, he collapsed onto one of the steps.
|
|
"I should have known it," he mumbled, resting his tired legs
|
|
and filling his lungs with air. "This is just like the line
|
|
that goes on forever, and I'll never get there."
|
|
"You wouldn't like it much anyway," someone replied gently.
|
|
"Infinity is a dreadfully poor place. They can never manage to
|
|
make ends meet."
|
|
[ The Phantom Tollbooth, by Norton Juster ]
|
|
|
|
Dr. Ray Stantz: Hey, where do those stairs go?
|
|
Dr. Peter Venkman: They go up.
|
|
[ Ghostbusters, directed by Ivan Reitman,
|
|
written by Dan Ackroyd and Harold Ramis ]
|
|
~statue trap
|
|
statue*
|
|
Then at last he began to wonder why the lion was standing so
|
|
still - for it hadn't moved one inch since he first set eyes
|
|
on it. Edmund now ventured a little nearer, still keeping in
|
|
the shadow of the arch as much as he could. He now saw from
|
|
the way the lion was standing that it couldn't have been
|
|
looking at him at all. ("But supposing it turns its head?"
|
|
thought Edmund.) In fact it was staring at something else -
|
|
namely a little dwarf who stood with his back to it about
|
|
four feet away. "Aha!" thought Edmund. "When it springs at
|
|
the dwarf then will be my chance to escape." But still the
|
|
lion never moved, nor did the dwarf. And now at last Edmund
|
|
remembered what the others had said about the White Witch
|
|
turning people into stone. Perhaps this was only a stone
|
|
lion. And as soon as he had thought of that he noticed that
|
|
the lion's back and the top of its head were covered with
|
|
snow. Of course it must be only a statue!
|
|
[ The Lion, the Witch and the Wardrobe by C.S. Lewis ]
|
|
sting
|
|
There was the usual dim grey light of the forest-day about
|
|
him when he came to his senses. The spider lay dead beside
|
|
him, and his sword-blade was stained black. Somehow the
|
|
killing of the giant spider, all alone and by himself in the
|
|
dark without the help of the wizard or the dwarves or of
|
|
anyone else, made a great difference to Mr. Baggins. He felt
|
|
a different person, and much fiercer and bolder in spite of
|
|
an empty stomach, as he wiped his sword on the grass and put
|
|
it back into its sheath.
|
|
"I will give you a name," he said to it, "and I shall call
|
|
you Sting."
|
|
[ The Hobbit, by J.R.R. Tolkien ]
|
|
stormbringer
|
|
There were sounds in the distance, incongruent with the
|
|
sounds of even this nameless, timeless sea: thin sounds,
|
|
agonized and terrible, for all that they remained remote -
|
|
yet the ship followed them, as if drawn by them; they grew
|
|
louder - pain and despair were there, but terror was
|
|
predominant.
|
|
Elric had heard such sounds echoing from his cousin Yyrkoon's
|
|
sardonically named 'Pleasure Chambers' in the days before he
|
|
had fled the responsibilities of ruling all that remained of
|
|
the old Melnibonean Empire. These were the voices of men
|
|
whose very souls were under siege; men to whom death meant
|
|
not mere extinction, but a continuation of existence, forever
|
|
in thrall to some cruel and supernatural master. He had
|
|
heard men cry so when his salvation and his nemesis, his
|
|
great black battle-blade Stormbringer, drank their souls.
|
|
[ The Lands Beyond the World, by Michael Moorcock ]
|
|
*strange object
|
|
He walked for some time through a long narrow corridor
|
|
without finding any one and was just going to call out,
|
|
when suddenly in a dark corner between an old cupboard
|
|
and the door he caught sight of a strange object which
|
|
seemed to be alive.
|
|
[ Crime and Punishment, by Fyodor Dostoevsky ]
|
|
straw golem
|
|
Dorothy leaned her chin upon her hand and gazed thoughtfully
|
|
at the Scarecrow. Its head was a small sack stuffed with
|
|
straw, with eyes, nose, and mouth painted on it to represent
|
|
a face. An old, pointed blue hat, that had belonged to some
|
|
Munchkin, was perched on his head, and the rest of the figure
|
|
was a blue suit of clothes, worn and faded, which had also
|
|
been stuffed with straw. On the feet were some old boots with
|
|
blue tops, such as every man wore in this country, and the
|
|
figure was raised above the stalks of corn by means of the
|
|
pole stuck up its back.
|
|
[ The Wonderful Wizard of Oz, by L. Frank Baum ]
|
|
susano*o
|
|
The Shinto chthonic and weather god and brother of the sun
|
|
goddess Amaterasu, he was born from the nose of the
|
|
primordial creator god Izanagi and represents the physical,
|
|
material world. He has been expelled from heaven and taken
|
|
up residence on earth.
|
|
[ Encyclopedia of Gods, by Michael Jordan ]
|
|
tanko
|
|
Samurai plate armor of the Yamato period (AD 300 - 710).
|
|
tengu
|
|
The tengu was the most troublesome creature of Japanese
|
|
legend. Part bird and part man, with red beak for a nose
|
|
and flashing eyes, the tengu was notorious for stirring up
|
|
feuds and prolonging enmity between families. Indeed, the
|
|
belligerent tengu were supposed to have been man's first
|
|
instructors in the use of arms.
|
|
[ Mythical Beasts, by Deirdre Headon (The Leprechaun Library) ]
|
|
thoth
|
|
The Egyptian god of the moon and wisdom, Thoth is the patron
|
|
deity of scribes and of knowledge, including scientific,
|
|
medical and mathematical writing, and is said to have given
|
|
mankind the art of hieroglyphic writing. He is important as
|
|
a mediator and counsellor amongst the gods and is the scribe
|
|
of the Heliopolis Ennead pantheon. According to mythology,
|
|
he was born from the head of the god Seth. He may be
|
|
depicted in human form with the head of an ibis, wholly as an
|
|
ibis, or as a seated baboon sometimes with its torso covered
|
|
in feathers. His attributes include a crown which consists
|
|
of a crescent moon surmounted by a moon disc.
|
|
Thoth is generally regarded as a benign deity. He is also
|
|
scrupulously fair and is responsible not only for entering
|
|
in the record the souls who pass to afterlife, but of
|
|
adjudicating in the Hall of the Two Truths. The Pyramid
|
|
Texts reveal a violent side of his nature by which he
|
|
decapitates the adversaries of truth and wrenches out their
|
|
hearts.
|
|
[ Encyclopedia of Gods, by Michael Jordan ]
|
|
thoth*amon
|
|
Men say that he [Thutothmes] has opposed Thoth-Amon, who is
|
|
master of all priests of Set, and dwells in Luxor, and that
|
|
Thutothmes seeks hidden power [The Heart of Ahriman] to
|
|
overthrow the Great One.
|
|
[ Conan the Conqueror, by Robert E. Howard ]
|
|
*throne
|
|
Methought I saw the footsteps of a throne
|
|
Which mists and vapours from mine eyes did shroud--
|
|
Nor view of who might sit thereon allowed;
|
|
But all the steps and ground about were strown
|
|
With sights the ruefullest that flesh and bone
|
|
Ever put on; a miserable crowd,
|
|
Sick, hale, old, young, who cried before that cloud,
|
|
"Thou art our king,
|
|
O Death! to thee we groan."
|
|
Those steps I clomb; the mists before me gave
|
|
Smooth way; and I beheld the face of one
|
|
Sleeping alone within a mossy cave,
|
|
With her face up to heaven; that seemed to have
|
|
Pleasing remembrance of a thought foregone;
|
|
A lovely Beauty in a summer grave!
|
|
[ Sonnet, by William Wordsworth ]
|
|
thug
|
|
A worshipper of Kali, who practised _thuggee_, the strangling
|
|
of human victims in the name of the religion. Robbery of the
|
|
victim provided the means of livelihood. They were also
|
|
called _Phansigars_ (Noose operators) from the method employed.
|
|
Vigorous suppression was begun by Lord William Bentinck in
|
|
1828, but the fraternity did not become completely extinct
|
|
for another 50 years or so.
|
|
In common parlance the word is used for any violent "tough".
|
|
[ Brewer's Concise Dictionary of Phrase and Fable ]
|
|
tiger
|
|
1. A well-known tropical predator (_Felis tigris_): a
|
|
feline. It has a yellowish skin with darker spots or
|
|
stripes. 2. Figurative: _a paper tiger_, something that is
|
|
meant to scare, but has no really scaring effect whatsoever,
|
|
(after a statement by Mao Ze Dong, August 1946).
|
|
[ Van Dale's Groot Woordenboek der Nederlandse Taal ]
|
|
|
|
Tyger! Tyger! burning bright
|
|
In the forests of the night,
|
|
What immortal hand or eye
|
|
Could frame thy fearful symmetry?
|
|
[ The Tyger, by William Blake ]
|
|
tin
|
|
tin of *
|
|
tinning kit
|
|
"You know salmon, Sarge," said Nobby.
|
|
"It is a fish of which I am aware, yes."
|
|
"You know they sell kind of slices of it in tins..."
|
|
"So I am given to understand, yes."
|
|
"Weell...how come all the tins are the same size? Salmon
|
|
gets thinner at both ends."
|
|
"Interesting point, Nobby. I think-"
|
|
[ Soul Music, by Terry Pratchett ]
|
|
tin opener
|
|
Less than thirty Cat tribes now survived, roaming the cargo
|
|
decks on their hind legs in a desperate search for food.
|
|
But the food had gone.
|
|
The supplies were finished.
|
|
Weak and ailing, they prayed at the supply hold's silver
|
|
mountains: huge towering acres of metal rocks which, in their
|
|
pagan way, the mutant Cats believed watched over them.
|
|
Amid the wailing and the screeching one Cat stood up and held
|
|
aloft the sacred icon. The icon which had been passed down
|
|
as holy, and one day would make its use known.
|
|
It was a piece of V-shaped metal with a revolving handle on
|
|
its head.
|
|
He took down a silver rock from the silver mountain, while
|
|
the other Cats cowered and screamed at the blasphemy.
|
|
He placed the icon on the rim of the rock, and turned the
|
|
handle.
|
|
And the handle turned.
|
|
And the rock opened.
|
|
And inside the rock was Alphabetti spaghetti in tomato sauce.
|
|
[ Red Dwarf, by Rob Grant and Doug Naylor ]
|
|
titan
|
|
Gaea, mother earth, arose from the Chaos and gave birth to
|
|
Uranus, heaven, who became her consort. Uranus hated all
|
|
their children, because he feared they might challenge his
|
|
own authority. Those children, the Titans, the Gigantes,
|
|
and the Cyclops, were banished to the nether world. Their
|
|
enraged mother eventually released the youngest titan,
|
|
Chronos (time), and encouraged him to castrate his father and
|
|
rule in his place. Later, he too was challenged by his own
|
|
son, Zeus, and he and his fellow titans were ousted from
|
|
Mount Olympus.
|
|
[ Greek Mythology, by Richard Patrick ]
|
|
topaz
|
|
Aluminum silicate mineral with either hydroxyl radicals or
|
|
fluorine, Al2SiO4(F,OH)2, used as a gem. It is commonly
|
|
colorless or some shade of pale yellow to wine-yellow;
|
|
... The stone is transparent with a vitreous luster. It has
|
|
perfect cleavage on the basal pinacoid, but it is nevertheless
|
|
hard and durable. The brilliant cut is commonly used. Topaz
|
|
crystals, which are of the orthorhombic system, occur in highly
|
|
acid igneous rocks, e.g., granites and rhyolites, and in
|
|
metamorphic rocks, e.g., gneisses and schists.
|
|
[ The Columbia Encyclopedia, Sixth Edition ]
|
|
touch*stone
|
|
"Gold is tried by a touchstone, men by gold."
|
|
[ Chilon (c. 560 BC) ]
|
|
tourist
|
|
* tourist
|
|
The road from Ankh-Morpork to Chrim is high, white and
|
|
winding, a thirty-league stretch of potholes and half-buried
|
|
rocks that spirals around mountains and dips into cool green
|
|
valleys of citrus trees, crosses liana-webbed gorges on
|
|
creaking rope bridges and is generally more picturesque than
|
|
useful.
|
|
Picturesque. That was a new word to Rincewind the wizard
|
|
(BMgc, Unseen University [failed]). It was one of a number
|
|
he had picked up since leaving the charred ruins of
|
|
Ankh-Morpork. Quaint was another one. Picturesque meant --
|
|
he decided after careful observation of the scenery that
|
|
inspired Twoflower to use the word -- that the landscape was
|
|
horribly precipitous. Quaint, when used to describe the
|
|
occasional village through which they passed, meant fever-
|
|
ridden and tumbledown.
|
|
Twoflower was a tourist, the first ever seen on the discworld.
|
|
Tourist, Rincewind had decided, meant "idiot".
|
|
[ The Colour of Magic, by Terry Pratchett ]
|
|
towel
|
|
The Hitchhiker's Guide to the Galaxy has a few things to say
|
|
on the subject of towels.
|
|
A towel, it says, is about the most massively useful thing
|
|
an interstellar hitchhiker can have. Partly it has great
|
|
practical value. You can wrap it around you for warmth as
|
|
you bound across the cold moons of Jaglan Beta; you can lie
|
|
on it on the brilliant marble-sanded beaches of Santraginus
|
|
V, inhaling the heady sea vapors; you can sleep under it
|
|
beneath the stars which shine so redly on the desert world
|
|
of Kakrafoon; use it to sail a miniraft down the slow heavy
|
|
River Moth; wet it for use in hand-to-hand combat; wrap it
|
|
round your head to ward off noxious fumes or avoid the gaze
|
|
of the Ravenous Bugblatter Beast of Traal (a mind-bogglingly
|
|
stupid animal, it assumes that if you can't see it, it can't
|
|
see you - daft as a brush, but very very ravenous); you can
|
|
wave your towel in emergencies as a distress signal, and of
|
|
course dry yourself off with it if it still seems to be clean
|
|
enough.
|
|
[ The Hitchhiker's Guide to the Galaxy,
|
|
by Douglas Adams ]
|
|
*tower
|
|
*tower of darkness
|
|
Towers (_brooding_, _dark_) stand alone in Waste Areas and
|
|
almost always belong to Wizards. All are several stories high,
|
|
round, doorless, virtually windowless, and composed of smooth
|
|
blocks of masonry that make them very hard to climb. [...]
|
|
You will have to go to a Tower and then break into it at some
|
|
point towards the end of your Tour.
|
|
[ The Tough Guide to Fantasyland, by Diana Wynne Jones ]
|
|
trap*door
|
|
I knew my Erik too well to feel at all comfortable on jumping
|
|
into his house. I knew what he had made of a certain palace at
|
|
Mazenderan. From being the most honest building conceivable, he
|
|
soon turned it into a house of the very devil, where you could
|
|
not utter a word but it was overheard or repeated by an echo.
|
|
With his trap-doors the monster was responsible for endless
|
|
tragedies of all kinds.
|
|
[ The Phantom of the Opera, by Gaston Leroux ]
|
|
# takes "trapper or lurker above" when specifying 't'
|
|
trapper
|
|
trapper or lurker above
|
|
The trapper is a creature which has evolved a chameleon-like
|
|
ability to blend into the dungeon surroundings. It captures
|
|
its prey by remaining very still and blending into the
|
|
surrounding dungeon features, until an unsuspecting creature
|
|
passes by. It wraps itself around its prey and digests it.
|
|
tree
|
|
I think that I shall never see
|
|
A poem lovely as a tree.
|
|
A tree whose hungry mouth is prest
|
|
Against the earth's sweet flowing breast;
|
|
A tree that looks at God all day,
|
|
And lifts her leafy arms to pray;
|
|
A tree that may in Summer wear
|
|
A nest of robins in her hair;
|
|
Upon whose bosom snow has lain;
|
|
Who intimately lives with rain.
|
|
Poems are made by fools like me,
|
|
But only God can make a tree.
|
|
[ Trees, by Joyce Kilmer ]
|
|
tripe
|
|
tripe ration
|
|
If you start from scratch, cooking tripe is a long-drawn-out
|
|
affair. Fresh whole tripe calls for a minimum of 12 hours of
|
|
cooking, some time-honored recipes demanding as much as 24.
|
|
To prepare fresh tripe, trim if necessary. Wash it thoroughly,
|
|
soaking overnight, and blanch, for 1/2 hour in salted water.
|
|
Wash well again, drain and cut for cooking. When cooked, the
|
|
texture of tripe should be like that of soft gristle. More
|
|
often, alas, because the heat has not been kept low enough,
|
|
it has the consistency of wet shoe leather.
|
|
[ Joy of Cooking, by I Rombauer and M Becker ]
|
|
*troll
|
|
The troll shambled closer. He was perhaps eight feet tall,
|
|
perhaps more. His forward stoop, with arms dangling past
|
|
thick claw-footed legs to the ground, made it hard to tell.
|
|
The hairless green skin moved upon his body. His head was a
|
|
gash of a mouth, a yard-long nose, and two eyes which drank
|
|
the feeble torchlight and never gave back a gleam.
|
|
[...]
|
|
Like a huge green spider, the troll's severed hand ran on its
|
|
fingers. Across the mounded floor, up onto a log with one
|
|
taloned forefinger to hook it over the bark, down again it
|
|
scrambled, until it found the cut wrist. And there it grew
|
|
fast. The troll's smashed head seethed and knit together.
|
|
He clambered back on his feet and grinned at them. The
|
|
waning faggot cast red light over his fangs.
|
|
[ Three Hearts and Three Lions, by Poul Anderson ]
|
|
*tsurugi of muramasa
|
|
This most ancient of swords has been passed down through the
|
|
leadership of the Samurai legions for hundreds of years. It
|
|
is said to grant luck to its wielder, but its main power is
|
|
terrible to behold. It has the capability to cut in half any
|
|
creature it is wielded against, instantly killing them.
|
|
~*muramasa
|
|
tsurugi
|
|
The tsurugi, also known as the long samurai sword, is an
|
|
extremely sharp, two-handed blade favored by the samurai.
|
|
It is made of hardened steel, and is manufactured using a
|
|
special process, causing it to never rust. The tsurugi is
|
|
rumored to be so sharp that it can occasionally cut
|
|
opponents in half!
|
|
~*spellbook
|
|
turquoise*
|
|
TUBAL: There came divers of Antonio's creditors in my company
|
|
to Venice that swear he cannot choose but break.
|
|
SHYLOCK: I am very glad of it; I'll plague him, I'll torture
|
|
him; I am glad of it.
|
|
TUBAL: One of them showed me a ring that he had of your
|
|
daughter for a monkey.
|
|
SHYLOCK: Out upon her! Thou torturest me, Tubal. It was my
|
|
turquoise; I had it of Leah when I was a bachelor; I would
|
|
not have given it for a wilderness of monkeys.
|
|
[ The Merchant of Venice, by William Shakespeare ]
|
|
twoflower
|
|
guide
|
|
"Rincewind!"
|
|
Twoflower sprang off the bed. The wizard jumped back,
|
|
wrenching his features into a smile.
|
|
"My dear chap, right on time! We'll just have lunch, and
|
|
then I'm sure you've got a wonderful programme lined up for
|
|
this afternoon!"
|
|
"Er --"
|
|
"That's great!"
|
|
Rincewind took a deep breath. "Look," he said desperately,
|
|
"let's eat somewhere else. There's been a bit of a fight
|
|
down below."
|
|
"A tavern brawl? Why didn't you wake me up?"
|
|
"Well, you see, I - _what_?"
|
|
"I thought I made myself clear this morning, Rincewind. I
|
|
want to see genuine Morporkian life - the slave market, the
|
|
Whore Pits, the Temple of Small Gods, the Beggar's Guild...
|
|
and a genuine tavern brawl." A faint note of suspicion
|
|
entered Twoflower's voice. "You _do_ have them, don't you?
|
|
You know, people swinging on chandeliers, swordfights over
|
|
the table, the sort of thing Hrun the Barbarian and the
|
|
Weasel are always getting involved in. You know --
|
|
_excitement_."
|
|
[ The Colour of Magic, by Terry Pratchett ]
|
|
tyr
|
|
Yet remains that one of the Aesir who is called Tyr:
|
|
he is most daring, and best in stoutness of heart, and he
|
|
has much authority over victory in battle; it is good for
|
|
men of valor to invoke him. It is a proverb, that he is
|
|
Tyr-valiant, who surpasses other men and does not waver.
|
|
He is wise, so that it is also said, that he that is wisest
|
|
is Tyr-prudent. This is one token of his daring: when the
|
|
Aesir enticed Fenris-Wolf to take upon him the fetter Gleipnir,
|
|
the wolf did not believe them, that they would loose him,
|
|
until they laid Tyr's hand into his mouth as a pledge. But
|
|
when the Aesir would not loose him, then he bit off the hand
|
|
at the place now called 'the wolf's joint;' and Tyr is one-
|
|
handed, and is not called a reconciler of men.
|
|
[ The Prose Edda, by Snorri Sturluson ]
|
|
*hulk
|
|
Umber hulks are powerful subterranean predators whose
|
|
iron-like claws allow them to burrow through solid stone in
|
|
search of prey. They are tremendously strong; muscles bulge
|
|
beneath their thick, scaly hides and their powerful arms and
|
|
legs all end in great claws.
|
|
*unicorn
|
|
unicorn horn
|
|
Men have always sought the elusive unicorn, for the single
|
|
twisted horn which projected from its forehead was thought to
|
|
be a powerful talisman. It was said that the unicorn had
|
|
simply to dip the tip of its horn in a muddy pool for the water
|
|
to become pure. Men also believed that to drink from this horn
|
|
was a protection against all sickness, and that if the horn was
|
|
ground to a powder it would act as an antidote to all poisons.
|
|
Less than 200 years ago in France, the horn of a unicorn was
|
|
used in a ceremony to test the royal food for poison.
|
|
|
|
Although only the size of a small horse, the unicorn is a very
|
|
fierce beast, capable of killing an elephant with a single
|
|
thrust from its horn. Its fleetness of foot also makes this
|
|
solitary creature difficult to capture. However, it can be
|
|
tamed and captured by a maiden. Made gentle by the sight of a
|
|
virgin, the unicorn can be lured to lay its head in her lap, and
|
|
in this docile mood, the maiden may secure it with a golden rope.
|
|
[ Mythical Beasts, by Deirdre Headon (The Leprechaun Library) ]
|
|
|
|
Martin took a small sip of beer. "Almost ready," he said.
|
|
"You hold your beer awfully well."
|
|
Tlingel laughed. "A unicorn's horn is a detoxicant. Its
|
|
possession is a universal remedy. I wait until I reach the
|
|
warm glow stage, then I use my horn to burn off any excess and
|
|
keep me right there."
|
|
[ Unicorn Variations, by Roger Zelazny ]
|
|
valkyrie
|
|
* valkyrie
|
|
The Valkyries were the thirteen choosers of the slain, the
|
|
beautiful warrior-maids of Odin who rode through the air and
|
|
over the sea. They watched the progress of the battle and
|
|
selected the heroes who were to fall fighting. After they
|
|
were dead, the maidens rewarded the heroes by kissing them
|
|
and then led their souls to Valhalla, where the warriors
|
|
lived happily in an ideal existence, drinking and eating
|
|
without restraint and fighting over again the battles in
|
|
which they died and in which they had won their deathless
|
|
fame.
|
|
[ The Encyclopaedia of Myths and Legends of All
|
|
Nations, by Herbert Robinson and Knox
|
|
Wilson ]
|
|
vampire
|
|
~vampire bat
|
|
vampire lord
|
|
The Oxford English Dictionary is quite unequivocal:
|
|
_vampire_ - "a preternatural being of a malignant nature (in
|
|
the original and usual form of the belief, a reanimated
|
|
corpse), supposed to seek nourishment, or do harm, by sucking
|
|
the blood of sleeping persons. ..."
|
|
venus
|
|
Venus, the goddess of love and beauty, was the daughter of
|
|
Jupiter and Dione. Others say that Venus sprang from the
|
|
foam of the sea. The zephyr wafted her along the waves to
|
|
the Isle of Cyprus, where she was received and attired by
|
|
the Seasons, and then led to the assembly of the gods. All
|
|
were charmed with her beauty, and each one demanded her
|
|
for his wife. Jupiter gave her to Vulcan, in gratitude for
|
|
the service he had rendered in forging thunderbolts. So
|
|
the most beautiful of the goddesses became the wife of the
|
|
most ill-favoured of gods.
|
|
[ Bulfinch's Mythology, by Thomas Bulfinch ]
|
|
vlad*
|
|
Vlad Dracula the Impaler was a 15th-Century monarch of the
|
|
Birgau region of the Carpathian Mountains, in what is now
|
|
Romania. In Romanian history he is best known for two things.
|
|
One was his skilled handling of the Ottoman Turks, which kept
|
|
them from making further inroads into Christian Europe. The
|
|
other was the ruthless manner in which he ran his fiefdom.
|
|
He dealt with perceived challengers to his rule by impaling
|
|
them upright on wooden stakes. Visiting dignitaries who
|
|
failed to doff their hats had them nailed to their head.
|
|
*vortex
|
|
vortices
|
|
Swirling clouds of pure elemental energies, the vortices are
|
|
thought to be related to the larger elementals. Though the
|
|
vortices do no damage when touched, they are noted for being
|
|
able to envelop unwary travellers. The hapless fool thus
|
|
swallowed by a vortex will soon perish from exposure to the
|
|
element the vortex is composed of.
|
|
vrock
|
|
The vrock is one of the weaker forms of demon. It resembles
|
|
a cross between a human being and a vulture and does physical
|
|
damage by biting and by using the claws on both its arms and
|
|
feet.
|
|
wakizashi
|
|
A wakizashi was used as a samurai's weapon when the katana
|
|
was unavailable. When entering a building, a samurai would
|
|
leave his katana on a rack near the entrance. However, the
|
|
wakizashi would be worn at all times, and therefore, it made
|
|
a sidearm for the samurai (similar to a soldier's use of a
|
|
pistol). The samurai would have worn it from the time they
|
|
awoke to the time they went to sleep. In earlier periods,
|
|
and especially during times of civil wars, a tanto was worn
|
|
in place of a wakizashi.
|
|
[ Wikipedia, the free encyclopedia ]
|
|
# takes "wand or a wall" when specifying '/'
|
|
~*sleep
|
|
wand *
|
|
*wand
|
|
'Saruman!' he cried, and his voice grew in power and authority.
|
|
'Behold, I am not Gandalf the Grey, whom you betrayed. I am
|
|
Gandalf the White, who has returned from death. You have no
|
|
colour now, and I cast you from the order and from the Council.'
|
|
He raised his hand, and spoke slowly in a clear cold voice.
|
|
'Saruman, your staff is broken.' There was a crack, and the
|
|
staff split asunder in Saruman's hand, and the head of it
|
|
fell down at Gandalf's feet. 'Go!' said Gandalf. With a cry
|
|
Saruman fell back and crawled away.
|
|
[ The Two Towers, by J.R.R. Tolkien ]
|
|
warg
|
|
Suddenly Aragorn leapt to his feet. "How the wind howls!"
|
|
he cried. "It is howling with wolf-voices. The Wargs have
|
|
come west of the Mountains!"
|
|
"Need we wait until morning then?" said Gandalf. "It is as I
|
|
said. The hunt is up! Even if we live to see the dawn, who
|
|
now will wish to journey south by night with the wild wolves
|
|
on his trail?"
|
|
"How far is Moria?" asked Boromir.
|
|
"There was a door south-west of Caradhras, some fifteen miles
|
|
as the crow flies, and maybe twenty as the wolf runs,"
|
|
answered Gandalf grimly.
|
|
"Then let us start as soon as it is light tomorrow, if we can,"
|
|
said Boromir. "The wolf that one hears is worse than the orc
|
|
that one fears."
|
|
"True!" said Aragorn, loosening his sword in its sheath. "But
|
|
where the warg howls, there also the orc prowls."
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
~mjollnir
|
|
war*hammer
|
|
They had come together at the ford of the Trident while the
|
|
battle crashed around them, Robert with his warhammer and his
|
|
great antlered helm, the Targaryen prince armored all in
|
|
black. On his breastplate was the three-headed dragon of his
|
|
House, wrought all in rubies that flashed like fire in the
|
|
sunlight. The waters of the Trident ran red around the
|
|
hooves of their destriers as they circled and clashed, again
|
|
and again, until at last a crushing blow from Robert's hammer
|
|
stove in the dragon and the chest behind it. When Ned had
|
|
finally come on the scene, Rhaegar lay dead in the stream,
|
|
while men of both armies scrambled in the swirling waters for
|
|
rubies knocked free of his armor.
|
|
[ A Game of Thrones, by George R.R. Martin ]
|
|
water
|
|
Day after day, day after day,
|
|
We stuck, nor breath nor motion;
|
|
As idle as a painted ship
|
|
Upon a painted ocean.
|
|
|
|
Water, water, everywhere,
|
|
And all the boards did shrink;
|
|
Water, water, everywhere
|
|
Nor any drop to drink.
|
|
[ The Rime of the Ancient Mariner, by Samuel Taylor
|
|
Coleridge ]
|
|
water demon
|
|
[ The monkey king ] walked along the bank, around the pond.
|
|
He examined the footprints of the animals that had gone into
|
|
the water, and saw that none came out again! So he realized
|
|
this pond must be possessed by a water demon. He said to the
|
|
80,000 monkeys, "This pond is possessed by a water demon. Do
|
|
not let anybody go into it."
|
|
|
|
After a little while, the water demon saw that none of the
|
|
monkeys went into the water to drink. So he rose out of the
|
|
middle of the pond, taking the shape of a frightening monster.
|
|
He had a big blue belly, a white face with bulging green eyes,
|
|
and red claws and feet. He said, "Why are you just sitting
|
|
around? Come into the pond and drink at once!"
|
|
|
|
The monkey king said to the horrible monster, "Are you the
|
|
water demon who owns this pond?" "Yes, I am," said he. "Do
|
|
you eat whoever goes into the water?" asked the king. "Yes,
|
|
I do," he answered, "including even birds. I eat them all.
|
|
And when you are forced by your thirst to come into the pond
|
|
and drink, I will enjoy eating you, the biggest monkey, most
|
|
of all!" He grinned, and saliva dripped down his hairy chin.
|
|
[ Buddhist Tales for Young and Old, Vol. 1 ]
|
|
weapon
|
|
A weapon is a device for making your enemy change his mind.
|
|
[ The Vor Game, by Lois McMaster Bujold ]
|
|
web
|
|
Oh what a tangled web we weave,
|
|
When first we practise to deceive!
|
|
[ Marmion, by Sir Walter Scott ]
|
|
whistle
|
|
There were legends both on the front and on the back of the
|
|
whistle. The one read thus:
|
|
|
|
FLA FUR BIS FLE The other: QUIS EST ISTE QUI VENIT
|
|
'I ought to be able to make it out,' he thought;
|
|
'but I suppose I am a little rusty in my Latin.
|
|
When I come to think of it, I don't believe I even
|
|
know the word for a whistle. The long one does seem
|
|
simple enough. It ought to mean, "Who is this who is coming?"
|
|
|
|
Well, the best way to find out is evidently to whistle
|
|
for him.'
|
|
|
|
[Ghost Stories of an Antiquary, by Montague Rhodes James
|
|
'Oh, Whistle, and I'll Come to You My Lad']
|
|
# werecritter -- see "lycanthrope"
|
|
*wight
|
|
When he came to himself again, for a moment he could recall
|
|
nothing except a sense of dread. Then suddenly he knew that
|
|
he was imprisoned, caught hopelessly; he was in a barrow. A
|
|
Barrow-wight had taken him, and he was probably already under
|
|
the dreadful spells of the Barrow-wights about which whispered
|
|
tales spoke. He dared not move, but lay as he found himself:
|
|
flat on his back upon a cold stone with his hands on his
|
|
breast.
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
# note: need to convert player character "gnomish wizard" into just "wizard"
|
|
# in the lookup code to avoid conflict with the monster of that same name
|
|
~gnomish wizard
|
|
wizard
|
|
* wizard
|
|
apprentice
|
|
Ebenezum walked before me along the closest thing we could
|
|
find to a path in these overgrown woods. Every few paces he
|
|
would pause, so that I, burdened with a pack stuffed with
|
|
arcane and heavy paraphernalia, could catch up with his
|
|
wizardly strides. He, as usual, carried nothing, preferring,
|
|
as he often said, to keep his hands free for quick conjuring
|
|
and his mind free for the thoughts of a mage.
|
|
[ A Dealing with Demons, by Craig Shaw Gardner ]
|
|
wizard of yendor
|
|
No one knows how old this mighty wizard is, or from whence he
|
|
came. It is known that, having lived a span far greater than
|
|
any normal man's, he grew weary of lesser mortals; and so,
|
|
spurning all human company, he forsook the dwellings of men
|
|
and went to live in the depths of the Earth. He took with
|
|
him a dreadful artifact, the Book of the Dead, which is said
|
|
to hold great power indeed. Many have sought to find the
|
|
wizard and his treasure, but none have found him and lived to
|
|
tell the tale. Woe be to the incautious adventurer who
|
|
disturbs this mighty sorcerer!
|
|
wolf
|
|
*wolf
|
|
*wolf cub
|
|
The ancestors of the modern day domestic dog, wolves are
|
|
powerful muscular animals with bushy tails. Intelligent,
|
|
social animals, wolves live in family groups or packs made
|
|
up of multiple family units. These packs cooperate in hunting
|
|
down prey.
|
|
*wolfsbane
|
|
1. Any of various, usually poisonous perennial herbs of the
|
|
genus Aconitum, having tuberous roots, palmately lobed leaves,
|
|
blue or white flowers with large hoodlike upper sepals, and an
|
|
aggregate of follicles. 2. The dried leaves and roots of
|
|
some of these plants, which yield a poisonous alkaloid that
|
|
was formerly used medicinally. In both senses also called
|
|
monkshood.
|
|
[ The American Heritage Dictionary of the English Language,
|
|
Fourth Edition. ]
|
|
wood golem
|
|
Come, old broomstick, you are needed,
|
|
Take these rags and wrap them round you!
|
|
Long my orders you have heeded,
|
|
By my wishes now I've bound you.
|
|
Have two legs and stand,
|
|
And a head for you.
|
|
Run, and in your hand
|
|
Hold a bucket too.
|
|
...
|
|
See him, toward the shore he's racing
|
|
There, he's at the stream already,
|
|
Back like lightning he is chasing,
|
|
Pouring water fast and steady.
|
|
Once again he hastens!
|
|
How the water spills,
|
|
How the water basins
|
|
Brimming full he fills!
|
|
[ The Sorcerer's Apprentice, by Johann Wolfgang von Goethe,
|
|
translation by Edwin Zeydel ]
|
|
woodchuck
|
|
The Usenet Oracle requires an answer to this question!
|
|
|
|
> How much wood could a woodchuck chuck if a woodchuck could
|
|
> chuck wood?
|
|
|
|
"Oh, heck! I'll handle *this* one!" The Oracle spun the terminal
|
|
back toward himself, unlocked the ZOT-guard lock, and slid the
|
|
glass guard away from the ZOT key. "Ummmm....could you turn around
|
|
for a minute? ZOTs are too graphic for the uninitiated. Even *I*
|
|
get a little squeamish sometimes..." The neophyte turned around,
|
|
and heard the Oracle slam his finger on a computer key, followed
|
|
by a loud ZZZZOTTTTT and the smell of ozone.
|
|
[ Excerpted from Internet Oracularity 576.6 ]
|
|
*worm
|
|
long worm tail
|
|
worm tooth
|
|
crysknife
|
|
[The crysknife] is manufactured in two forms from teeth taken
|
|
from dead sandworms. The two forms are "fixed" and "unfixed".
|
|
An unfixed knife requires proximity to a human body's
|
|
electrical field to prevent disintegration. Fixed knives
|
|
are treated for storage. All are about 20 centimeters long.
|
|
[ Dune, by Frank Herbert ]
|
|
wraith
|
|
nazgul
|
|
Immediately, though everything else remained as before, dim
|
|
and dark, the shapes became terribly clear. He was able to
|
|
see beneath their black wrappings. There were five tall
|
|
figures: two standing on the lip of the dell, three advancing.
|
|
In their white faces burned keen and merciless eyes; under
|
|
their mantles were long grey robes; upon their grey hairs
|
|
were helms of silver; in their haggard hands were swords of
|
|
steel. Their eyes fell on him and pierced him, as they
|
|
rushed towards him. Desperate, he drew his own sword, and
|
|
it seemed to him that it flickered red, as if it was a
|
|
firebrand. Two of the figures halted. The third was taller
|
|
than the others: his hair was long and gleaming and on his
|
|
helm was a crown. In one hand he held a long sword, and in
|
|
the other a knife; both the knife and the hand that held it
|
|
glowed with a pale light. He sprang forward and bore down
|
|
on Frodo.
|
|
[ The Fellowship of the Ring, by J.R.R. Tolkien ]
|
|
*wumpus
|
|
The Wumpus, by the way, is not bothered by the hazards since
|
|
he has sucker feet and is too big for a bat to lift. If you
|
|
try to shoot him and miss, there's also a chance that he'll
|
|
up and move himself into another cave, though by nature the
|
|
Wumpus is a sedentary creature.
|
|
[ wump (6) -- "Hunt the Wumpus" ]
|
|
|
|
_Wumpus yobgregorii_, in the flesh...
|
|
Later, all you will be able to remember are its eyes. They
|
|
are rich mud-brown, and they hold your own without effort.
|
|
[ Hunter, In Darkness, by Andrew Plotkin ]
|
|
xan
|
|
They sent their friend the mosquito [xan] ahead of them to
|
|
find out what lay ahead. "Since you are the one who sucks
|
|
the blood of men walking along paths," they told the mosquito,
|
|
"go and sting the men of Xibalba." The mosquito flew
|
|
down the dark road to the Underworld. Entering the house of
|
|
the Lords of Death, he stung the first person that he saw...
|
|
|
|
The mosquito stung this man as well, and when he yelled, the
|
|
man next to him asked, "Gathered Blood, what's wrong?" So
|
|
he flew along the row stinging all the seated men until he
|
|
knew the names of all twelve.
|
|
[ Popul Vuh, as translated by Ralph Nelson ]
|
|
xorn
|
|
A distant cousin of the earth elemental, the xorn has the
|
|
ability to shift the cells of its body around in such a way
|
|
that it becomes porous to inert material. This gives it the
|
|
ability to pass through any obstacle that might be between it
|
|
and its next meal.
|
|
ya
|
|
The arrow of choice of the samurai, ya are made of very
|
|
straight bamboo, and are tipped with hardened steel.
|
|
yeenoghu
|
|
Yeenoghu, the demon lord of gnolls, still exists although
|
|
all his followers have been wiped off the face of the earth.
|
|
He casts magic projectiles at those close to him, and a mere
|
|
gaze into his piercing eyes may hopelessly confuse the
|
|
battle-weary adventurer.
|
|
yeti
|
|
The Abominable Snowman, or yeti, is one of the truly great
|
|
unknown animals of the twentieth century. It is a large hairy
|
|
biped that lives in the Himalayan region of Asia ... The story
|
|
of the Abominable Snowman is filled with mysteries great and
|
|
small, and one of the most difficult of all is how it got that
|
|
awful name. The creature is neither particularly abominable,
|
|
nor does it necessarily live in the snows. _Yeti_ is a Tibetan
|
|
word which may apply either to a real, but unknown animal of
|
|
the Himalayas, or to a mountain spirit or demon -- no one is
|
|
quite sure which. And after nearly half a century in which
|
|
Westerners have trampled around looking for the yeti, and
|
|
asking all sorts of questions, the original native traditions
|
|
concerning the creature have become even more muddled and
|
|
confused.
|
|
[ The Encyclopedia of Monsters, by Daniel Cohen ]
|
|
*yugake
|
|
Japanese leather archery gloves. Gloves made for use while
|
|
practicing had thumbs reinforced with horn. Those worn into
|
|
battle had thumbs reinforced with a double layer of leather.
|
|
yumi
|
|
The samurai is highly trained with a special type of bow,
|
|
the yumi. Like the ya, the yumi is made of bamboo. With
|
|
the yumi-ya, the bow and arrow, the samurai is an extremely
|
|
accurate and deadly warrior.
|
|
*zombi*
|
|
The zombi... is a soulless human corpse, still dead, but
|
|
taken from the grave and endowed by sorcery with a
|
|
mechanical semblance of life, -- it is a dead body which is
|
|
made to walk and act and move as if it were alive.
|
|
[ W. B. Seabrook ]
|
|
zruty
|
|
The zruty are wild and gigantic beings, living in the
|
|
wildernesses of the Tatra mountains.
|