tribute: Witches Abroad

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2016-02-22 15:15:31 -08:00
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@@ -311,7 +311,7 @@ comfortable--"
[The Colour of Magic, by Terry Pratchett]
%e passage
# p. 228-229 (passage starts mid-paragraph)
# pp. 228-229 (passage starts mid-paragraph)
%passage 14
[...] She was the Goddess Who Must Not Be Named; those who sought her
never found her, yet she was known to come to the aid of those in greatest
@@ -962,7 +962,7 @@ racehorse."
[Mort, by Terry Pratchett]
%e passage
# p. 139-140 (passage ends mid-sentence)
# pp. 139-140 (passage ends mid-sentence)
%passage 7
"You don't know much about monarchy, do you?" said Keli.
@@ -983,8 +983,8 @@ appeal to my better nature under this here crusty exterior," he added,
[Mort, by Terry Pratchett]
%e passage
# p. 159-160 (Death has come to an employment agency--a new concept in
# Ankh-Morpork--looking for a job)
# pp. 159-160 (Death has come to an employment agency--a new concept in
# Ankh-Morpork--looking for a job)
%passage 9
"And what was your previous position?"
@@ -1091,8 +1091,8 @@ MANY HAVE, said Death evenly.
[Sourcery, by Terry Pratchett]
%e passage
# p. 40-41 (text has 'the moment and the words' which is obviously a typo;
# it might have intended 'that' for 'and'; we just drop 'and')
# pp. 40-41 (text has 'the moment and the words' which is obviously a typo;
# it might have intended 'that' for 'and'; we just drop 'and')
%passage 4
The thief, as will become apparent, was a special type of thief. This
thief was an artist of theft. Other thieves merely stole everything that
@@ -1117,10 +1117,10 @@ words were out of your mouth.
[Sourcery, by Terry Pratchett]
%e passage
# p. 63-64 ('Compleet', 'Majik', 'enterr', 'physycal', 'hys', 'bodie',
# 'Destinie', 'Deathe', 'werre', 'nowe', 'menne', 'Ende',
# 'Worlde', 'hadd', 'bee', 'goddes', 'ould', 'Apocralypse',
# 'legende', 'thee': all accurate; 'ould' may be a typo...)
# pp. 63-64 ('Compleet', 'Majik', 'enterr', 'physycal', 'hys', 'bodie',
# 'Destinie', 'Deathe', 'werre', 'nowe', 'menne', 'Ende',
# 'Worlde', 'hadd', 'bee', 'goddes', 'ould', 'Apocralypse',
# 'legende', 'thee': all accurate; 'ould' may be a typo...)
%passage 5
It was deathly quiet in the Library. The books were no longer frantic.
They'd passed through their fear and out into the calm waters of abject
@@ -1150,7 +1150,7 @@ his head.
[Sourcery, by Terry Pratchett]
%e passage
# p. 71-72
# pp. 71-72
%passage 6
The current Patrician, head of the extremely rich and powerful Vetinari
family, was thin, tall and apparently as cold-blooded as a dead penguin.
@@ -1211,7 +1211,7 @@ He looked down at his feet.
[Sourcery, by Terry Pratchett]
%e passage
# p. 141-142 (Rincewind and Nijel have just entered a harem)
# pp. 141-142 (Rincewind and Nijel have just entered a harem)
%passage 9
Rincewind had eyes for none of this. [...] they were swamped by the
considerably bigger flood of panic at the sight of four guards turning
@@ -1235,7 +1235,7 @@ would never quite forget to the end of this life.
[Sourcery, by Terry Pratchett]
%e passage
# p. 198-199
# pp. 198-199
%passage 10
The astro-philosophers of Krull once succeeded in proving conclusively
that all places are one place and that the distance between them is an
@@ -1936,8 +1936,8 @@ The orangutan threw a complex salute and swung away into the darkness.
[Guards! Guards!, by Terry Pratchett]
%e passage
# p. 299-300 + 325 (final part comes quite a bit later; Carrot is trying to
# alert oblivious Sergeant Colon that the dragon is coming)
# pp. 299-300 + 325 (final part comes quite a bit later; Carrot is trying to
# alert oblivious Sergeant Colon that the dragon is coming)
%passage 14
"This is what it comes to!" muttered Colon. "Decent women can't walk down
the street without being eaten! Right, you bastards, you're... you're
@@ -2315,8 +2315,8 @@ said Victor.
[Moving Pictures, by Terry Pratchett]
%e passage
# p. 111-112 ('dis', 'ort', 'yore', 'finking', 'mayonnaisey', 'specialitay',
# 'de lar mayson' all accurate)
# pp. 111-112 ('dis', 'ort', 'yore', 'finking', 'mayonnaisey', 'specialitay',
# 'de lar mayson' all accurate)
%passage 10
Borgle's commissary had decided to experiment with salads tonight. The
nearest salad growing district was thirty slow miles away.
@@ -2566,7 +2566,7 @@ He heard the voices stop. There was the sound of feet hurrying away.
[Reaper Man, by Terry Pratchett]
%e passage
# p. 81-82 (things have stopped dying because Death is no longer on the job)
# pp. 81-82 (things have stopped dying because Death is no longer on the job)
%passage 10
Everything that exists, yearns to live. That's what the cycle of life is
all about. That's the engine that drives the great biological pumps of
@@ -2654,13 +2654,273 @@ Rush off, or course, But slowly.
#
#
#
%title Witches Abroad (1)
%title Witches Abroad (14)
# p. 92 (ROC edition)
%passage 1
Vampires have risen from the dead, the grave and the crypt, but have never
managed it from the cat.
[Witches Abroad, by Terry Pratchett]
%e passage
# pp. 12-13
%passage 2
Desiderata Hollow was making her will.
When Desiderata Hollow was a girl, her grandmother had given her four
important pieces of advice to guide her young footsteps on the unexpectedly
twisting pathway of life.
They were:
Never trust a dog with orange eyebrows,
Always get the young man's name and address,
Never get between two mirrors,
And always wear completely clean underwear every day because you never knew
when you were going to be knocked down and killed by a runaway horse and if
people found you had unsatisfactory underwear on, you'd die of shame.
And then Desiderata grew up to become a witch. And one of the minor
benefits of being a witch is that you know exactly when you're going to die
and can wear what underwear you like.(1)
That had been eighty years earlier, when the idea of knowing exactly when
you were going to die had seemed quite attractive because secretly, of
course, you knew you were going to live forever.
That was then.
And this was now.
Forever didn't seem to last as long these days as once it did.
(1) Which explains a lot about witches.
[Witches Abroad, by Terry Pratchett]
%e passage
# p. 64 (passage ends mid-paragraph)
%passage 3
"You know," said Nanny, investigating the recesses of the basket, "whenever
I deals with dwarfs, the phrase 'Duck's arse' swims across my mind."
"Mean little devils. You should see the prices they tries to charge me
when I takes my broom to be repaired," said Granny.
"Yes, but you never pay," said Magrat.
"That's not the point," said Granny Weatherwax. "They shouldn't be allowed
to charge that sort of money. That's thievin', that is."
"I don't see how it can be thieving if you don't pay anyway," said Magrat.
"I never pay for anything," said Granny. [...]
[Witches Abroad, by Terry Pratchett]
%e passage
# p. 93 (passage is a footnote)
%passage 4
Nanny Ogg sent a number of cards home to her family, not a single one of
which got back before she did. This is traditional, and happens everywhere
in the universe.
[Witches Abroad, by Terry Pratchett]
%e passage
# pp. 118-119 (Magrat has been teaching herself martial arts via books)
%passage 5
"Lobsang Dibbler says sometimes you have to lose in order to win," said
Magrat.
"Sounds daft to me," said Nanny. "That's Yen Buddhism, is it?"
"No. They're the ones who say you have to have lots of money to win," said
Magrat.(1) "In the Path of the Scorpion, the way to win is to lose every
fight except the last one. You use the enemy's strength against himself."
"What, you get him to hit himself, sort of thing?" said Nanny. "Sounds
daft."
(1) The Yen Buddhists are the richest religious sect in the universe. They
hold that the accumulation of money is a great evil and burden to the soul.
They therefore, regardless of personal hazard, see it as their unpleasant
duty to acquire as much as possible to reduce the risk to innocent people.
[Witches Abroad, by Terry Pratchett]
%e passage
# p. 131
%passage 6
They had breakfast in a forest clearing. It was grilled pumpkin. The dwarf
bread was brought out for inspection. But it was miraculous, the dwarf
bread. No one ever went hungry when they had some dwarf bread to avoid.
You only had to look at it for a moment, and instantly you could think of
dozens of things you'd rather eat. Your boots for example. Mountains. Raw
sheep. Your own foot.
[Witches Abroad, by Terry Pratchett]
%e passage
# pp. 194-195 ("he just" is accurate; cockerel == adolescent rooster)
%passage 7
"This is Legba, a dark and dangerous spirit," said Mrs. Gogol. She leaned
closer and spoke out of the corner of her mouth. "Between you and me, he
just a big black cockerel. But you know how it is."
"It pays to advertise," Nanny agreed. "This is Greebo. Between you and me,
he's a fiend from hell."
"Well, he's a cat," said Mrs. Gogol, generously. "It's only to be expected."
[Witches Abroad, by Terry Pratchett]
%e passage
# p. 218
%passage 8
"/And/ still a bit of the wedding cake," said the first coachman. "Ain't
you et that up yet?"
"We have it every night," said the undercoachman.
The shed shook with the ensuing laughter. It is a universal fact that any
innocent comment made by any recently married young member of any workforce
is an instant trigger for coarse merriment among his or her older and more
cynical colleagues. This happens even if everyone concerned has nine legs
and lives at the bottom of an ocean of ammonia on a huge cold planet. It's
just one of those things.
[Witches Abroad, by Terry Pratchett]
%e passage
# p. 228
%passage 9
"You ought to be more adventurous, Granny," said Magrat.
"I ain't against adventure, in moderation," said Granny, "but not when I'm
eatin'."
[Witches Abroad, by Terry Pratchett]
%e passage
# pp. 263-264 (Nanny is trying to stop an elaborate clock; despite damage
# inflicted on it, it goes on to announce midnight [early])
%passage 10
Let's see thought Nanny. This bit is connected to that bit, this one turns,
that one turns /faster/, this spiky bit wobbles backwards and forwards...
Oh, well. Just twist the first thing you can grab, as the High Priest said
to the vestal virgin.(1)
Nanny Ogg spat on her hands, gripped the largest cog-wheel, and twisted.
It carried on turning, pulling her with it.
Blimey. Oh, well...
Then she did was neither Granny Weatherwax nor Magrat would have dreamed of
doing in the circumstances. But Nanny Ogg's voyages on the sea of
intersexual dalliance had gone rather further than twice around the
lighthouse, and she saw nothing demeaning in getting a man to help her.
She simpered at Casanunda.
"Things would be a lot more comfortable in our little /pie-de-terre/ if you
could just push this little wheel around a bit," she said. "I'm sure /you/
could manage it," she added.
"Oh, no problem, good lady," said Casanunda. He reached up with one hand.
Dwarfs are immensely strong for their size. The wheel seemed to offer him
no resistance at all.
Somewhere in the mechanism something resisted for a moment and then went
/clonk/. Big wheels turned reluctantly. Little wheels screamed on their
axles. A small important piece flew out and pinged off of Casanunda's
small bullet head.
And must faster than nature had ever intended, the hands sped around the
face.
(1) This is the last line to a Discworld joke lost, alas, to posterity.
[Witches Abroad, by Terry Pratchett]
%e passage
# p. 265 ('pate' has a couple of accent marks which can't be rendered in ascii)
%passage 11
There are various forms of voodoo in the multiverse, because it's a
religion that can be put together from any ingredients that happen to be
lying around. And all of them try, in some way, to call a god into the body
of a human being.
That was stupid, Mrs. Gogol thought. That was dangerous.
Mrs. Gogol's voodoo worked the other way about. What was a god? A focus of
belief. If people believed, a god began to grow. Feebly at first, but if
the swamp taught anything, it taught patience. Anything could be the focus
of a god. A handful of feathers with a red ribbon around them, a hat and
coat on a couple of sticks... anything. Because when all people had was
practically nothing, then anything could be almost everything. And then you
fed it, and lulled it, like a goose heading for pate, and let the power grow
very slowly, and when the time was ripe you opened the path... backwards.
A human could ride the god, rather than the other way around. There would
be a price to pay later, but there always was. In Mrs. Gogol's experience,
everyone ended up dying.
[Witches Abroad, by Terry Pratchett]
%e passage
# p. 270 (Greebo has been temporarily transformed--polymorphed?--into a human)
%passage 12
Greebo wasn't a happy cat. [...]
Then he'd smelled the kitchen. Cats gravitate to kitchens like rocks
gravitate to gravity.
[Witches Abroad, by Terry Pratchett]
%e passage
# p. 282 (Casanunda the dwarf is Discworld's Casanova; he appears again in
# /Lords and Ladies/)
%passage 13
"How come you're in the palace guard, Casanunda?"
"Soldier of fortune takes whatever jobs are going, Mrs. Ogg," said Casanunda
earestly.
"But all the rest of 'em are six foot tall and you're--of the shorter
persuasion."
"I lied about my height, Mrs. Ogg. I'm a world-famous liar."
"Is that true?"
"No."
"What about you being the world's greatest lover?"
There was silence for a while.
"Well, maybe I'm only No. 2," said Casanunda. "But I try harder."
[Witches Abroad, by Terry Pratchett]
%e passage
# pp. 285-286 (Greebo is still in human form)
%passage 14
Greebo leapt.
Cats are like witches. They don't fight to kill, but to win. There is a
difference. There's no point in killing an opponent. That way, they won't
know they've lost, and to be a real winner you have to have an opponent who
is beaten and knows it. There's no triumph over a corpse, but a beaten
opponent, who will remain beaten every day for the remainder of their sad
and wretched life, is something to treasure.
Cats do not, of course, rationise this far. They just like to send someone
limping off minus a tail and a few square inches of fur.
Greebo's technique was unscientific and wouldn't have stood a chance against
any decent swordsmanship, but on his side was the fact that it is almost
impossible to develop decent swordsmanship when you seem to have run into a
food mixer that is biting your ear off.
The witches watched with interest.
"I think we can leave him now," said Nanny. "I think he's having fun."
[Witches Abroad, by Terry Pratchett]
%e passage
%e title
#
#
@@ -5015,8 +5275,8 @@ comp-lic-ated documents."
[Carpe Jugulum, by Terry Pratchett]
%e passage
# p. 336-337 (the plot is driven by the actions of a family of vampyres
# who do mostly cooperate with each other)
# pp. 336-337 (the plot is driven by the actions of a family of vampyres
# who do mostly cooperate with each other)
%passage 7
Vampires are not naturally cooperative creatures. It's not in their nature.
Every other vampire is a rival for the next meal. In fact, the ideal
@@ -5344,8 +5604,8 @@ man!"
[Thief of Time, by Terry Pratchett]
%e passage
# p. 74-75 (the novices didn't know that the little old man known as Sweeper
# is actually Lu-Tze; see passage 3 regarding Rule One)
# pp. 74-75 (the novices didn't know that the little old man known as Sweeper
# is actually Lu-Tze; see passage 3 regarding Rule One)
%passage 4
One day a group of senior novices, for mischief, kicked over the little
shrine that Lu-Tze kept beside his sleeping mat.
@@ -6645,9 +6905,9 @@ Treason than met the eye.
[Wintersmith, by Terry Pratchett]
%e passage
# p. 53-54 (in Carpe Jugulum, most of the lore [for humans] about how to kill
# vampires had been written by long-lived/long-not-defunct vampires
# [meaning that it was deliberately full of inaccuracies...])
# pp. 53-54 (in Carpe Jugulum, most of the lore [for humans] about how to kill
# vampires had been written by long-lived/long-not-defunct vampires
# [meaning that it was deliberately full of inaccuracies...])
%passage 6
It was in fact Miss Tick who had written /Witch Hunting for Dumb People/,
and she made sure that copies of it found their way into those areas where
@@ -6663,7 +6923,7 @@ even underwater.
[Wintersmith, by Terry Pratchett]
%e passage
# p. 55-56
# pp. 55-56
%passage 7
Working quickly, she emptied her pockets and started a shamble.
@@ -6728,8 +6988,8 @@ dark art. It was just so /hard/.
[Wintersmith, by Terry Pratchett]
%e passage
# p. 126-127 (passage starts mid-paragraph;
# witches know in advance when they're going to die)
# pp. 126-127 (passage starts mid-paragraph;
# witches know in advance when they're going to die)
%passage 10
"[...] We shall hold the funeral tomorrow afternoon."
@@ -6756,8 +7016,8 @@ witches is an "argument."
[Wintersmith, by Terry Pratchett]
%e passage
# p. 174-175 (passage starts mid-paragraph; last paragraph continues, but
# changes topic so abruptly Tiffany gasps; 'rumbustious' is accurate)
# pp. 174-175 (passage starts mid-paragraph; last paragraph continues, but
# changes topic so abruptly Tiffany gasps; 'rumbustious' is accurate)
%passage 12
"[...] And now I shall tell you something vitally important. It is the
secret of my long life."
@@ -6813,7 +7073,7 @@ as good as she ought to be.
[Wintersmith, by Terry Pratchett]
%e passage
# p. 360-361 ('wurds' is accurate)
# pp. 360-361 ('wurds' is accurate)
%passage 15
"An heroic effect, Mr. Anybody," said Granny. "The first thing a hero must
conquer is his fear, and when it comes to fightin', the Nac Mac Feegle
@@ -6824,7 +7084,7 @@ o' wurds!"
[Wintersmith, by Terry Pratchett]
%e passage
# p. 398-399 ("Chumsfanleigh" is pronounced "Chuffley")
# pp. 398-399 ("Chumsfanleigh" is pronounced "Chuffley")
%passage 16
At the back of the Feegles' chalk pit, more chalk had been carved out of
the wall to make a tunnel about five feet high and perhaps as long.
@@ -7314,7 +7574,7 @@ pp'd at all. Incidentally, how loud were his screams?"
[Unseen Academicals, by Terry Pratchett]
%e passage
# p. 192-193 ('pants': underpants; 'football': soccer ;-)
# pp. 192-193 ('pants': underpants; 'football': soccer ;-)
%passage 9
"You will arrange yourself into two teams, set up goals, and strive to win!
No man will leave the field of play unless injured! The hands are not to
@@ -8040,7 +8300,7 @@ IF YOU ASK ME, said Death, NOBODY COULD DO ANY BETTER THAN THAT...
# Death Quotes are always one line, and '%e passage' can be omitted.
#
%section Death
%title Death Quotes (30)
%title Death Quotes (31)
%passage 1
WHERE THE FIRST PRIMAL CELL WAS, THERE WAS I ALSO. WHERE MAN IS, THERE AM I. WHEN THE LAST LIFE CRAWLS UNDER FREEZING STARS, THERE WILL I BE.
%e passage
@@ -8145,6 +8405,10 @@ JUST BECAUSE SOMETHING IS A METAPHORE DOESN'T MEAN IT CAN'T BE REAL.
# p. 334
%passage 30
I AM ALWAYS ALONE. BUT JUST NOW I WANT TO BE ALONE BY MYSELF.
# Witches Abroad, p. 298 (Death's explanation why he didn't come for zombie 12
# years earlier: YOU STOPPED LIVING. YOU NEVER DIED.)
%passage 31
I HAD AN APPOINTMENT WITH YOU TONIGHT.
%e title
%e section
#