tribute: Witches Abroad
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@@ -311,7 +311,7 @@ comfortable--"
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[The Colour of Magic, by Terry Pratchett]
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%e passage
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# p. 228-229 (passage starts mid-paragraph)
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# pp. 228-229 (passage starts mid-paragraph)
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%passage 14
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[...] She was the Goddess Who Must Not Be Named; those who sought her
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never found her, yet she was known to come to the aid of those in greatest
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@@ -962,7 +962,7 @@ racehorse."
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[Mort, by Terry Pratchett]
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%e passage
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# p. 139-140 (passage ends mid-sentence)
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# pp. 139-140 (passage ends mid-sentence)
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%passage 7
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"You don't know much about monarchy, do you?" said Keli.
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@@ -983,8 +983,8 @@ appeal to my better nature under this here crusty exterior," he added,
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[Mort, by Terry Pratchett]
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%e passage
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# p. 159-160 (Death has come to an employment agency--a new concept in
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# Ankh-Morpork--looking for a job)
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# pp. 159-160 (Death has come to an employment agency--a new concept in
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# Ankh-Morpork--looking for a job)
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%passage 9
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"And what was your previous position?"
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@@ -1091,8 +1091,8 @@ MANY HAVE, said Death evenly.
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[Sourcery, by Terry Pratchett]
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%e passage
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# p. 40-41 (text has 'the moment and the words' which is obviously a typo;
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# it might have intended 'that' for 'and'; we just drop 'and')
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# pp. 40-41 (text has 'the moment and the words' which is obviously a typo;
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# it might have intended 'that' for 'and'; we just drop 'and')
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%passage 4
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The thief, as will become apparent, was a special type of thief. This
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thief was an artist of theft. Other thieves merely stole everything that
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@@ -1117,10 +1117,10 @@ words were out of your mouth.
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[Sourcery, by Terry Pratchett]
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%e passage
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# p. 63-64 ('Compleet', 'Majik', 'enterr', 'physycal', 'hys', 'bodie',
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# 'Destinie', 'Deathe', 'werre', 'nowe', 'menne', 'Ende',
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# 'Worlde', 'hadd', 'bee', 'goddes', 'ould', 'Apocralypse',
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# 'legende', 'thee': all accurate; 'ould' may be a typo...)
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# pp. 63-64 ('Compleet', 'Majik', 'enterr', 'physycal', 'hys', 'bodie',
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# 'Destinie', 'Deathe', 'werre', 'nowe', 'menne', 'Ende',
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# 'Worlde', 'hadd', 'bee', 'goddes', 'ould', 'Apocralypse',
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# 'legende', 'thee': all accurate; 'ould' may be a typo...)
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%passage 5
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It was deathly quiet in the Library. The books were no longer frantic.
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They'd passed through their fear and out into the calm waters of abject
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@@ -1150,7 +1150,7 @@ his head.
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[Sourcery, by Terry Pratchett]
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%e passage
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# p. 71-72
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# pp. 71-72
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%passage 6
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The current Patrician, head of the extremely rich and powerful Vetinari
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family, was thin, tall and apparently as cold-blooded as a dead penguin.
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@@ -1211,7 +1211,7 @@ He looked down at his feet.
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[Sourcery, by Terry Pratchett]
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%e passage
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# p. 141-142 (Rincewind and Nijel have just entered a harem)
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# pp. 141-142 (Rincewind and Nijel have just entered a harem)
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%passage 9
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Rincewind had eyes for none of this. [...] they were swamped by the
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considerably bigger flood of panic at the sight of four guards turning
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@@ -1235,7 +1235,7 @@ would never quite forget to the end of this life.
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[Sourcery, by Terry Pratchett]
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%e passage
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# p. 198-199
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# pp. 198-199
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%passage 10
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The astro-philosophers of Krull once succeeded in proving conclusively
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that all places are one place and that the distance between them is an
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@@ -1936,8 +1936,8 @@ The orangutan threw a complex salute and swung away into the darkness.
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[Guards! Guards!, by Terry Pratchett]
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%e passage
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# p. 299-300 + 325 (final part comes quite a bit later; Carrot is trying to
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# alert oblivious Sergeant Colon that the dragon is coming)
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# pp. 299-300 + 325 (final part comes quite a bit later; Carrot is trying to
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# alert oblivious Sergeant Colon that the dragon is coming)
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%passage 14
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"This is what it comes to!" muttered Colon. "Decent women can't walk down
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the street without being eaten! Right, you bastards, you're... you're
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@@ -2315,8 +2315,8 @@ said Victor.
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[Moving Pictures, by Terry Pratchett]
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%e passage
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# p. 111-112 ('dis', 'ort', 'yore', 'finking', 'mayonnaisey', 'specialitay',
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# 'de lar mayson' all accurate)
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# pp. 111-112 ('dis', 'ort', 'yore', 'finking', 'mayonnaisey', 'specialitay',
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# 'de lar mayson' all accurate)
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%passage 10
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Borgle's commissary had decided to experiment with salads tonight. The
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nearest salad growing district was thirty slow miles away.
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@@ -2566,7 +2566,7 @@ He heard the voices stop. There was the sound of feet hurrying away.
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[Reaper Man, by Terry Pratchett]
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%e passage
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# p. 81-82 (things have stopped dying because Death is no longer on the job)
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# pp. 81-82 (things have stopped dying because Death is no longer on the job)
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%passage 10
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Everything that exists, yearns to live. That's what the cycle of life is
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all about. That's the engine that drives the great biological pumps of
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@@ -2654,13 +2654,273 @@ Rush off, or course, But slowly.
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#
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#
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#
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%title Witches Abroad (1)
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%title Witches Abroad (14)
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# p. 92 (ROC edition)
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%passage 1
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Vampires have risen from the dead, the grave and the crypt, but have never
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managed it from the cat.
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[Witches Abroad, by Terry Pratchett]
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%e passage
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# pp. 12-13
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%passage 2
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Desiderata Hollow was making her will.
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When Desiderata Hollow was a girl, her grandmother had given her four
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important pieces of advice to guide her young footsteps on the unexpectedly
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twisting pathway of life.
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They were:
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Never trust a dog with orange eyebrows,
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Always get the young man's name and address,
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Never get between two mirrors,
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And always wear completely clean underwear every day because you never knew
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when you were going to be knocked down and killed by a runaway horse and if
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people found you had unsatisfactory underwear on, you'd die of shame.
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And then Desiderata grew up to become a witch. And one of the minor
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benefits of being a witch is that you know exactly when you're going to die
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and can wear what underwear you like.(1)
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That had been eighty years earlier, when the idea of knowing exactly when
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you were going to die had seemed quite attractive because secretly, of
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course, you knew you were going to live forever.
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That was then.
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And this was now.
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Forever didn't seem to last as long these days as once it did.
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(1) Which explains a lot about witches.
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[Witches Abroad, by Terry Pratchett]
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%e passage
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# p. 64 (passage ends mid-paragraph)
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%passage 3
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"You know," said Nanny, investigating the recesses of the basket, "whenever
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I deals with dwarfs, the phrase 'Duck's arse' swims across my mind."
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"Mean little devils. You should see the prices they tries to charge me
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when I takes my broom to be repaired," said Granny.
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"Yes, but you never pay," said Magrat.
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"That's not the point," said Granny Weatherwax. "They shouldn't be allowed
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to charge that sort of money. That's thievin', that is."
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"I don't see how it can be thieving if you don't pay anyway," said Magrat.
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"I never pay for anything," said Granny. [...]
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[Witches Abroad, by Terry Pratchett]
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%e passage
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# p. 93 (passage is a footnote)
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%passage 4
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Nanny Ogg sent a number of cards home to her family, not a single one of
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which got back before she did. This is traditional, and happens everywhere
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in the universe.
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[Witches Abroad, by Terry Pratchett]
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%e passage
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# pp. 118-119 (Magrat has been teaching herself martial arts via books)
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%passage 5
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"Lobsang Dibbler says sometimes you have to lose in order to win," said
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Magrat.
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"Sounds daft to me," said Nanny. "That's Yen Buddhism, is it?"
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"No. They're the ones who say you have to have lots of money to win," said
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Magrat.(1) "In the Path of the Scorpion, the way to win is to lose every
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fight except the last one. You use the enemy's strength against himself."
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"What, you get him to hit himself, sort of thing?" said Nanny. "Sounds
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daft."
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(1) The Yen Buddhists are the richest religious sect in the universe. They
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hold that the accumulation of money is a great evil and burden to the soul.
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They therefore, regardless of personal hazard, see it as their unpleasant
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duty to acquire as much as possible to reduce the risk to innocent people.
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[Witches Abroad, by Terry Pratchett]
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%e passage
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# p. 131
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%passage 6
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They had breakfast in a forest clearing. It was grilled pumpkin. The dwarf
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bread was brought out for inspection. But it was miraculous, the dwarf
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bread. No one ever went hungry when they had some dwarf bread to avoid.
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You only had to look at it for a moment, and instantly you could think of
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dozens of things you'd rather eat. Your boots for example. Mountains. Raw
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sheep. Your own foot.
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[Witches Abroad, by Terry Pratchett]
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%e passage
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# pp. 194-195 ("he just" is accurate; cockerel == adolescent rooster)
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%passage 7
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"This is Legba, a dark and dangerous spirit," said Mrs. Gogol. She leaned
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closer and spoke out of the corner of her mouth. "Between you and me, he
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just a big black cockerel. But you know how it is."
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"It pays to advertise," Nanny agreed. "This is Greebo. Between you and me,
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he's a fiend from hell."
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"Well, he's a cat," said Mrs. Gogol, generously. "It's only to be expected."
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[Witches Abroad, by Terry Pratchett]
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%e passage
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# p. 218
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%passage 8
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"/And/ still a bit of the wedding cake," said the first coachman. "Ain't
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you et that up yet?"
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"We have it every night," said the undercoachman.
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The shed shook with the ensuing laughter. It is a universal fact that any
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innocent comment made by any recently married young member of any workforce
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is an instant trigger for coarse merriment among his or her older and more
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cynical colleagues. This happens even if everyone concerned has nine legs
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and lives at the bottom of an ocean of ammonia on a huge cold planet. It's
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just one of those things.
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[Witches Abroad, by Terry Pratchett]
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%e passage
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# p. 228
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%passage 9
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"You ought to be more adventurous, Granny," said Magrat.
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"I ain't against adventure, in moderation," said Granny, "but not when I'm
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eatin'."
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[Witches Abroad, by Terry Pratchett]
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%e passage
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# pp. 263-264 (Nanny is trying to stop an elaborate clock; despite damage
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# inflicted on it, it goes on to announce midnight [early])
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%passage 10
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Let's see thought Nanny. This bit is connected to that bit, this one turns,
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that one turns /faster/, this spiky bit wobbles backwards and forwards...
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Oh, well. Just twist the first thing you can grab, as the High Priest said
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to the vestal virgin.(1)
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Nanny Ogg spat on her hands, gripped the largest cog-wheel, and twisted.
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It carried on turning, pulling her with it.
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Blimey. Oh, well...
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Then she did was neither Granny Weatherwax nor Magrat would have dreamed of
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doing in the circumstances. But Nanny Ogg's voyages on the sea of
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intersexual dalliance had gone rather further than twice around the
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lighthouse, and she saw nothing demeaning in getting a man to help her.
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She simpered at Casanunda.
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"Things would be a lot more comfortable in our little /pie-de-terre/ if you
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could just push this little wheel around a bit," she said. "I'm sure /you/
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could manage it," she added.
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"Oh, no problem, good lady," said Casanunda. He reached up with one hand.
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Dwarfs are immensely strong for their size. The wheel seemed to offer him
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no resistance at all.
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Somewhere in the mechanism something resisted for a moment and then went
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/clonk/. Big wheels turned reluctantly. Little wheels screamed on their
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axles. A small important piece flew out and pinged off of Casanunda's
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small bullet head.
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And must faster than nature had ever intended, the hands sped around the
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face.
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(1) This is the last line to a Discworld joke lost, alas, to posterity.
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[Witches Abroad, by Terry Pratchett]
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%e passage
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# p. 265 ('pate' has a couple of accent marks which can't be rendered in ascii)
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%passage 11
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There are various forms of voodoo in the multiverse, because it's a
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religion that can be put together from any ingredients that happen to be
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lying around. And all of them try, in some way, to call a god into the body
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of a human being.
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That was stupid, Mrs. Gogol thought. That was dangerous.
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Mrs. Gogol's voodoo worked the other way about. What was a god? A focus of
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belief. If people believed, a god began to grow. Feebly at first, but if
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the swamp taught anything, it taught patience. Anything could be the focus
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of a god. A handful of feathers with a red ribbon around them, a hat and
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coat on a couple of sticks... anything. Because when all people had was
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practically nothing, then anything could be almost everything. And then you
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fed it, and lulled it, like a goose heading for pate, and let the power grow
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very slowly, and when the time was ripe you opened the path... backwards.
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A human could ride the god, rather than the other way around. There would
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be a price to pay later, but there always was. In Mrs. Gogol's experience,
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everyone ended up dying.
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[Witches Abroad, by Terry Pratchett]
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%e passage
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# p. 270 (Greebo has been temporarily transformed--polymorphed?--into a human)
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%passage 12
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Greebo wasn't a happy cat. [...]
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Then he'd smelled the kitchen. Cats gravitate to kitchens like rocks
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gravitate to gravity.
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[Witches Abroad, by Terry Pratchett]
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%e passage
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# p. 282 (Casanunda the dwarf is Discworld's Casanova; he appears again in
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# /Lords and Ladies/)
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%passage 13
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"How come you're in the palace guard, Casanunda?"
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"Soldier of fortune takes whatever jobs are going, Mrs. Ogg," said Casanunda
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earestly.
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"But all the rest of 'em are six foot tall and you're--of the shorter
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persuasion."
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"I lied about my height, Mrs. Ogg. I'm a world-famous liar."
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"Is that true?"
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"No."
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"What about you being the world's greatest lover?"
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There was silence for a while.
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"Well, maybe I'm only No. 2," said Casanunda. "But I try harder."
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[Witches Abroad, by Terry Pratchett]
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%e passage
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# pp. 285-286 (Greebo is still in human form)
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%passage 14
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Greebo leapt.
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Cats are like witches. They don't fight to kill, but to win. There is a
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difference. There's no point in killing an opponent. That way, they won't
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know they've lost, and to be a real winner you have to have an opponent who
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is beaten and knows it. There's no triumph over a corpse, but a beaten
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opponent, who will remain beaten every day for the remainder of their sad
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and wretched life, is something to treasure.
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Cats do not, of course, rationise this far. They just like to send someone
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limping off minus a tail and a few square inches of fur.
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Greebo's technique was unscientific and wouldn't have stood a chance against
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any decent swordsmanship, but on his side was the fact that it is almost
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impossible to develop decent swordsmanship when you seem to have run into a
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food mixer that is biting your ear off.
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The witches watched with interest.
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"I think we can leave him now," said Nanny. "I think he's having fun."
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[Witches Abroad, by Terry Pratchett]
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%e passage
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%e title
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#
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#
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@@ -5015,8 +5275,8 @@ comp-lic-ated documents."
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[Carpe Jugulum, by Terry Pratchett]
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%e passage
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# p. 336-337 (the plot is driven by the actions of a family of vampyres
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# who do mostly cooperate with each other)
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# pp. 336-337 (the plot is driven by the actions of a family of vampyres
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# who do mostly cooperate with each other)
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%passage 7
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Vampires are not naturally cooperative creatures. It's not in their nature.
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Every other vampire is a rival for the next meal. In fact, the ideal
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@@ -5344,8 +5604,8 @@ man!"
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[Thief of Time, by Terry Pratchett]
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%e passage
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# p. 74-75 (the novices didn't know that the little old man known as Sweeper
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# is actually Lu-Tze; see passage 3 regarding Rule One)
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# pp. 74-75 (the novices didn't know that the little old man known as Sweeper
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# is actually Lu-Tze; see passage 3 regarding Rule One)
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%passage 4
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One day a group of senior novices, for mischief, kicked over the little
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shrine that Lu-Tze kept beside his sleeping mat.
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@@ -6645,9 +6905,9 @@ Treason than met the eye.
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[Wintersmith, by Terry Pratchett]
|
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%e passage
|
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# p. 53-54 (in Carpe Jugulum, most of the lore [for humans] about how to kill
|
||||
# vampires had been written by long-lived/long-not-defunct vampires
|
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# [meaning that it was deliberately full of inaccuracies...])
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# pp. 53-54 (in Carpe Jugulum, most of the lore [for humans] about how to kill
|
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# vampires had been written by long-lived/long-not-defunct vampires
|
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# [meaning that it was deliberately full of inaccuracies...])
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%passage 6
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It was in fact Miss Tick who had written /Witch Hunting for Dumb People/,
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and she made sure that copies of it found their way into those areas where
|
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@@ -6663,7 +6923,7 @@ even underwater.
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[Wintersmith, by Terry Pratchett]
|
||||
%e passage
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||||
# p. 55-56
|
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# pp. 55-56
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%passage 7
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Working quickly, she emptied her pockets and started a shamble.
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|
||||
@@ -6728,8 +6988,8 @@ dark art. It was just so /hard/.
|
||||
|
||||
[Wintersmith, by Terry Pratchett]
|
||||
%e passage
|
||||
# p. 126-127 (passage starts mid-paragraph;
|
||||
# witches know in advance when they're going to die)
|
||||
# pp. 126-127 (passage starts mid-paragraph;
|
||||
# witches know in advance when they're going to die)
|
||||
%passage 10
|
||||
"[...] We shall hold the funeral tomorrow afternoon."
|
||||
|
||||
@@ -6756,8 +7016,8 @@ witches is an "argument."
|
||||
|
||||
[Wintersmith, by Terry Pratchett]
|
||||
%e passage
|
||||
# p. 174-175 (passage starts mid-paragraph; last paragraph continues, but
|
||||
# changes topic so abruptly Tiffany gasps; 'rumbustious' is accurate)
|
||||
# pp. 174-175 (passage starts mid-paragraph; last paragraph continues, but
|
||||
# changes topic so abruptly Tiffany gasps; 'rumbustious' is accurate)
|
||||
%passage 12
|
||||
"[...] And now I shall tell you something vitally important. It is the
|
||||
secret of my long life."
|
||||
@@ -6813,7 +7073,7 @@ as good as she ought to be.
|
||||
|
||||
[Wintersmith, by Terry Pratchett]
|
||||
%e passage
|
||||
# p. 360-361 ('wurds' is accurate)
|
||||
# pp. 360-361 ('wurds' is accurate)
|
||||
%passage 15
|
||||
"An heroic effect, Mr. Anybody," said Granny. "The first thing a hero must
|
||||
conquer is his fear, and when it comes to fightin', the Nac Mac Feegle
|
||||
@@ -6824,7 +7084,7 @@ o' wurds!"
|
||||
|
||||
[Wintersmith, by Terry Pratchett]
|
||||
%e passage
|
||||
# p. 398-399 ("Chumsfanleigh" is pronounced "Chuffley")
|
||||
# pp. 398-399 ("Chumsfanleigh" is pronounced "Chuffley")
|
||||
%passage 16
|
||||
At the back of the Feegles' chalk pit, more chalk had been carved out of
|
||||
the wall to make a tunnel about five feet high and perhaps as long.
|
||||
@@ -7314,7 +7574,7 @@ pp'd at all. Incidentally, how loud were his screams?"
|
||||
|
||||
[Unseen Academicals, by Terry Pratchett]
|
||||
%e passage
|
||||
# p. 192-193 ('pants': underpants; 'football': soccer ;-)
|
||||
# pp. 192-193 ('pants': underpants; 'football': soccer ;-)
|
||||
%passage 9
|
||||
"You will arrange yourself into two teams, set up goals, and strive to win!
|
||||
No man will leave the field of play unless injured! The hands are not to
|
||||
@@ -8040,7 +8300,7 @@ IF YOU ASK ME, said Death, NOBODY COULD DO ANY BETTER THAN THAT...
|
||||
# Death Quotes are always one line, and '%e passage' can be omitted.
|
||||
#
|
||||
%section Death
|
||||
%title Death Quotes (30)
|
||||
%title Death Quotes (31)
|
||||
%passage 1
|
||||
WHERE THE FIRST PRIMAL CELL WAS, THERE WAS I ALSO. WHERE MAN IS, THERE AM I. WHEN THE LAST LIFE CRAWLS UNDER FREEZING STARS, THERE WILL I BE.
|
||||
%e passage
|
||||
@@ -8145,6 +8405,10 @@ JUST BECAUSE SOMETHING IS A METAPHORE DOESN'T MEAN IT CAN'T BE REAL.
|
||||
# p. 334
|
||||
%passage 30
|
||||
I AM ALWAYS ALONE. BUT JUST NOW I WANT TO BE ALONE BY MYSELF.
|
||||
# Witches Abroad, p. 298 (Death's explanation why he didn't come for zombie 12
|
||||
# years earlier: YOU STOPPED LIVING. YOU NEVER DIED.)
|
||||
%passage 31
|
||||
I HAD AN APPOINTMENT WITH YOU TONIGHT.
|
||||
%e title
|
||||
%e section
|
||||
#
|
||||
|
||||
Reference in New Issue
Block a user